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Swami Vivekananda (12 January 1863 – 4 July 1902), born Narendra Nath Datta, was an Indian Hindu monk and chief disciple of the 19th-century saint Ramakrishna. He was a key figure in the introduction of the Indian philosophies of Vedanta and Yoga to the western world and was credited with raising interfaith awareness, bringing Hinduism to the status of a major world religion in the late 19th century.<br/><br/> He was a major force in the revival of Hinduism in India and contributed to the notion of nationalism in colonial India. Vivekananda founded the Ramakrishna Math and the Ramakrishna Mission. He is perhaps best known for his inspiring speech beginning with 'Sisters and Brothers of America', through which he introduced Hinduism at the Parliament of the World's Religions in Chicago in 1893.
Peshawar is the capital of the Khyber Pakhtunkhwa province of Pakistan. It is the largest city of Khyber Pakhtunkhwa, and according to the 1998 census was the ninth-largest city of Pakistan. Peshawar is a metropolitan city and the administrative centre and economic hub for the Federally Administered Tribal Areas of Pakistan.<br/><br/> Peshawar is situated in a large valley near the eastern end of the Khyber Pass, close to the Pak-Afghan border. Peshawar is irrigated by various canals of the Kabul River and by its right tributary, the Bara River.<br/><br/> Peshawar's recorded history dates back to at least 539 BCE, making it the oldest city in Pakistan and one of the oldest in South Asia.
Hand-colored image painted on a thin sheet of mica from a manuscript entitled: ‘Seventy-Two Specimens of Caste in India’ (Madura, southern India: 1837). The full manuscript consists of 72 full-color hand-painted images of men and women of the various castes and religious and ethnic groups found in Madura, Tamil Nadu, at that time. The manuscript shows Indian dress and jewelry adornment in the Madura region as they appeared before the onset of Western influences on South Asian dress and style. Each illustrated portrait is captioned in English and in Tamil, and the title page of the work includes English, Tamil, and Telugu.
Hand-colored image painted on a thin sheet of mica from a manuscript entitled: ‘Seventy-Two Specimens of Caste in India’ (Madura, southern India: 1837). The full manuscript consists of 72 full-color hand-painted images of men and women of the various castes and religious and ethnic groups found in Madura, Tamil Nadu, at that time. The manuscript shows Indian dress and jewelry adornment in the Madura region as they appeared before the onset of Western influences on South Asian dress and style. Each illustrated portrait is captioned in English and in Tamil, and the title page of the work includes English, Tamil, and Telugu.
Title page of a book entitled: ‘Seventy-Two Specimens of Caste in India’ (Madura, southern India: 1837). The full manuscript consists of 72 full-color hand-painted images of men and women of the various castes and religious and ethnic groups found in Madura, Tamil Nadu, at that time. The manuscript shows Indian dress and jewelry adornment in the Madura region as they appeared before the onset of Western influences on South Asian dress and style. Each illustrated portrait is captioned in English and in Tamil, and the title page of the work includes English, Tamil, and Telugu.
Hand-colored image painted on a thin sheet of mica from a manuscript entitled: ‘Seventy-Two Specimens of Caste in India’ (Madura, southern India: 1837). The full manuscript consists of 72 full-color hand-painted images of men and women of the various castes and religious and ethnic groups found in Madura, Tamil Nadu, at that time. The manuscript shows Indian dress and jewelry adornment in the Madura region as they appeared before the onset of Western influences on South Asian dress and style. Each illustrated portrait is captioned in English and in Tamil, and the title page of the work includes English, Tamil, and Telugu.
Hand-colored image painted on a thin sheet of mica from a manuscript entitled: ‘Seventy-Two Specimens of Caste in India’ (Madura, southern India: 1837). The full manuscript consists of 72 full-color hand-painted images of men and women of the various castes and religious and ethnic groups found in Madura, Tamil Nadu, at that time. The manuscript shows Indian dress and jewelry adornment in the Madura region as they appeared before the onset of Western influences on South Asian dress and style. Each illustrated portrait is captioned in English and in Tamil, and the title page of the work includes English, Tamil, and Telugu.
Hand-colored image painted on a thin sheet of mica from a manuscript entitled: ‘Seventy-Two Specimens of Caste in India’ (Madura, southern India: 1837). The full manuscript consists of 72 full-color hand-painted images of men and women of the various castes and religious and ethnic groups found in Madura, Tamil Nadu, at that time. The manuscript shows Indian dress and jewelry adornment in the Madura region as they appeared before the onset of Western influences on South Asian dress and style. Each illustrated portrait is captioned in English and in Tamil, and the title page of the work includes English, Tamil, and Telugu.
Hand-colored image painted on a thin sheet of mica from a manuscript entitled: ‘Seventy-Two Specimens of Caste in India’ (Madura, southern India: 1837). The full manuscript consists of 72 full-color hand-painted images of men and women of the various castes and religious and ethnic groups found in Madura, Tamil Nadu, at that time. The manuscript shows Indian dress and jewelry adornment in the Madura region as they appeared before the onset of Western influences on South Asian dress and style. Each illustrated portrait is captioned in English and in Tamil, and the title page of the work includes English, Tamil, and Telugu.
Hand-colored image painted on a thin sheet of mica from a manuscript entitled: ‘Seventy-Two Specimens of Caste in India’ (Madura, southern India: 1837). The full manuscript consists of 72 full-color hand-painted images of men and women of the various castes and religious and ethnic groups found in Madura, Tamil Nadu, at that time. The manuscript shows Indian dress and jewelry adornment in the Madura region as they appeared before the onset of Western influences on South Asian dress and style. Each illustrated portrait is captioned in English and in Tamil, and the title page of the work includes English, Tamil, and Telugu.
Hand-colored image painted on a thin sheet of mica from a manuscript entitled: ‘Seventy-Two Specimens of Caste in India’ (Madura, southern India: 1837). The full manuscript consists of 72 full-color hand-painted images of men and women of the various castes and religious and ethnic groups found in Madura, Tamil Nadu, at that time. The manuscript shows Indian dress and jewelry adornment in the Madura region as they appeared before the onset of Western influences on South Asian dress and style. Each illustrated portrait is captioned in English and in Tamil, and the title page of the work includes English, Tamil, and Telugu.
Hand-colored image painted on a thin sheet of mica from a manuscript entitled: ‘Seventy-Two Specimens of Caste in India’ (Madura, southern India: 1837). The full manuscript consists of 72 full-color hand-painted images of men and women of the various castes and religious and ethnic groups found in Madura, Tamil Nadu, at that time. The manuscript shows Indian dress and jewelry adornment in the Madura region as they appeared before the onset of Western influences on South Asian dress and style. Each illustrated portrait is captioned in English and in Tamil, and the title page of the work includes English, Tamil, and Telugu.
Hand-colored image painted on a thin sheet of mica from a manuscript entitled: ‘Seventy-Two Specimens of Caste in India’ (Madura, southern India: 1837). The full manuscript consists of 72 full-color hand-painted images of men and women of the various castes and religious and ethnic groups found in Madura, Tamil Nadu, at that time. The manuscript shows Indian dress and jewelry adornment in the Madura region as they appeared before the onset of Western influences on South Asian dress and style. Each illustrated portrait is captioned in English and in Tamil, and the title page of the work includes English, Tamil, and Telugu.
Hand-colored image painted on a thin sheet of mica from a manuscript entitled: ‘Seventy-Two Specimens of Caste in India’ (Madura, southern India: 1837). The full manuscript consists of 72 full-color hand-painted images of men and women of the various castes and religious and ethnic groups found in Madura, Tamil Nadu, at that time. The manuscript shows Indian dress and jewelry adornment in the Madura region as they appeared before the onset of Western influences on South Asian dress and style. Each illustrated portrait is captioned in English and in Tamil, and the title page of the work includes English, Tamil, and Telugu.
Hand-colored image painted on a thin sheet of mica from a manuscript entitled: ‘Seventy-Two Specimens of Caste in India’ (Madura, southern India: 1837). The full manuscript consists of 72 full-color hand-painted images of men and women of the various castes and religious and ethnic groups found in Madura, Tamil Nadu, at that time. The manuscript shows Indian dress and jewelry adornment in the Madura region as they appeared before the onset of Western influences on South Asian dress and style. Each illustrated portrait is captioned in English and in Tamil, and the title page of the work includes English, Tamil, and Telugu.
Hand-colored image painted on a thin sheet of mica from a manuscript entitled: ‘Seventy-Two Specimens of Caste in India’ (Madura, southern India: 1837). The full manuscript consists of 72 full-color hand-painted images of men and women of the various castes and religious and ethnic groups found in Madura, Tamil Nadu, at that time. The manuscript shows Indian dress and jewelry adornment in the Madura region as they appeared before the onset of Western influences on South Asian dress and style. Each illustrated portrait is captioned in English and in Tamil, and the title page of the work includes English, Tamil, and Telugu.
Hand-colored image painted on a thin sheet of mica from a manuscript entitled: ‘Seventy-Two Specimens of Caste in India’ (Madura, southern India: 1837). The full manuscript consists of 72 full-color hand-painted images of men and women of the various castes and religious and ethnic groups found in Madura, Tamil Nadu, at that time. The manuscript shows Indian dress and jewelry adornment in the Madura region as they appeared before the onset of Western influences on South Asian dress and style. Each illustrated portrait is captioned in English and in Tamil, and the title page of the work includes English, Tamil, and Telugu.
Hand-colored image painted on a thin sheet of mica from a manuscript entitled: ‘Seventy-Two Specimens of Caste in India’ (Madura, southern India: 1837). The full manuscript consists of 72 full-color hand-painted images of men and women of the various castes and religious and ethnic groups found in Madura, Tamil Nadu, at that time. The manuscript shows Indian dress and jewelry adornment in the Madura region as they appeared before the onset of Western influences on South Asian dress and style. Each illustrated portrait is captioned in English and in Tamil, and the title page of the work includes English, Tamil, and Telugu.
Varanasi, also commonly known as Banaras or Benaras, is a city situated on the banks of the River Ganges in the Indian state of Uttar Pradesh, 320 kilometres (199 mi) southeast of state capital Lucknow. It is regarded as a holy city by Hindus, Buddhists and Jains. It is one of the oldest continuously inhabited cities in the world and the oldest in India.<br/><br/> The Kashi Naresh (Maharaja of Kashi) is the chief cultural patron of Varanasi and an essential part of all religious celebrations. The culture of Varanasi is closely associated with the River Ganges and the river's religious importance. The city has been a cultural and religious centre in North India for several thousand years. The Benares Gharana form of the Indian classical music developed in Varanasi, and many prominent Indian philosophers, poets, writers, and musicians resided or reside in Varanasi. Gautama Buddha gave his first sermon at Sarnath located near Varanasi (Kashi).<br/><br/> Varanasi is variously referred to as 'the city of temples', 'the city of lights' and 'the city of learning'.
Hand-colored image painted on a thin sheet of mica from a manuscript entitled: ‘Seventy-Two Specimens of Caste in India’ (Madura, southern India: 1837). The full manuscript consists of 72 full-color hand-painted images of men and women of the various castes and religious and ethnic groups found in Madura, Tamil Nadu, at that time. The manuscript shows Indian dress and jewelry adornment in the Madura region as they appeared before the onset of Western influences on South Asian dress and style. Each illustrated portrait is captioned in English and in Tamil, and the title page of the work includes English, Tamil, and Telugu.
Hand-colored image painted on a thin sheet of mica from a manuscript entitled: ‘Seventy-Two Specimens of Caste in India’ (Madura, southern India: 1837). The full manuscript consists of 72 full-color hand-painted images of men and women of the various castes and religious and ethnic groups found in Madura, Tamil Nadu, at that time. The manuscript shows Indian dress and jewelry adornment in the Madura region as they appeared before the onset of Western influences on South Asian dress and style. Each illustrated portrait is captioned in English and in Tamil, and the title page of the work includes English, Tamil, and Telugu.