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Japan: 'Horses Under a Willow Tree'. Woodblock print by Katsukawa Shunsen (1762-1830), c. 1804-1818. Katsukawa Shunsen (1762-1830), also known as Shunko II, was a designer of books and ukiyo-e style Japanese woodblock prints. Shunsen is best known for his genre scenes, landscapes, and prints of beautiful women.
An illustration by Muhammad ibn Yaqub al-Khuttuli (9th century, Iraq or Syria) identifying various parts of the anatomy of a horse.
The Hermitage of San Baudelio de Berlanga (Ermita de San Baudelio de Berlanga) is an early 11th-century church at Caltojar in the province of Soria, Spain, 80 km south of Berlanga de Duero. It is an example of Mozarabic architecture and was built in the 11th century, in what was then the frontier between Islamic and Christian lands. It is dedicated to Saint Baudilus or Baudel.<br/><br/> The hermitage housed many fine Romanesque frescoes from about 1125; most of these have been removed, but some have remained. Two sections, transferred to canvas, are now in the Indianapolis Museum of Art, showing the Entry of Christ into Jerusalem and the Wedding at Cana.<br/><br/> The paintings were done by the Catalan Master of Tahull (Taüll in Catalan), whose best known works are in Sant Climent de Taüll and the Museu Nacional d'Art de Catalunya in Barcelona, with two other painters. The frescoes include that of a camel and of a war elephant, which were inspired by Muslim motifs.
Zhao Mengfu ( Wade–Giles: Chao Meng-fu) was a prince and descendant of the Song Dynasty's imperial family, and a Chinese scholar, painter and calligrapher during the Yuan Dynasty.<br/><br/> He was married to Guan Daosheng, who was also an accomplished poet, painter and calligrapher. His rejection of the refined, gentle brushwork of his era in favour of the cruder style of the eighth century is considered to have brought about a revolution that created the modern Chinese landscape painting. He was known for his paintings of horses.
An amphora (English plural: amphorae or amphoras) is a type of container of a characteristic shape and size, descending from at least as early as the Neolithic Period. Amphorae were used in vast numbers for the transport and storage of various products, both liquid and dry, but mostly for wine. It is most often ceramic, but examples in metals and other materials have been found.<br/><br/> Stoppers of perishable materials, which have rarely survived, were used to seal the contents. Two principal types of amphorae existed: the neck amphora, in which the neck and body meet at a sharp angle; and the one-piece amphora, in which the neck and body form a continuous curve. Neck amphorae were commonly used in the early history of ancient Greece, but were gradually replaced by the one-piece type from around the 7th century BCE.
An amphora (English plural: amphorae or amphoras) is a type of container of a characteristic shape and size, descending from at least as early as the Neolithic Period. Amphorae were used in vast numbers for the transport and storage of various products, both liquid and dry, but mostly for wine. It is most often ceramic, but examples in metals and other materials have been found.<br/><br/> Stoppers of perishable materials, which have rarely survived, were used to seal the contents. Two principal types of amphorae existed: the neck amphora, in which the neck and body meet at a sharp angle; and the one-piece amphora, in which the neck and body form a continuous curve. Neck amphorae were commonly used in the early history of ancient Greece, but were gradually replaced by the one-piece type from around the 7th century BCE.
Surya (the Supreme Light), also known as Aditya, Bhanu or Ravi, is the chief solar deity in Hinduism and generally refers to the Sun.<br/><br/> Surya is the chief of the Navagraha, the nine Indian Classical planets and important elements of Hindu astrology. He is often depicted riding a chariot harnessed by seven horses which might represent the seven colors of the rainbow or the seven chakras in the body. He is also the presiding deity of Sunday.<br/><br/> Surya is regarded as the Supreme Deity by Saura sect and Smartas worship him as one of the five primary forms of God. The sun god, Zun, worshipped by the Afghan Zunbil dynasty, is thought to be synonymous with Surya.
Zhang Mu was born in Dongkuan, Guangdong Province, and active c. 1620-1687. Zhang Mu specialised in painting horses, eagles, landscapes, orchids, and bamboo.
The Fatimid Caliphate was an Ismaili Shia Islamic caliphate that spanned a large area of North Africa, from the Red Sea in the east to the Atlantic Ocean in the west. The dynasty ruled across the Mediterranean coast of Africa and ultimately made Egypt the centre of the caliphate.<br/><br/> At its height the caliphate included in addition to Egypt varying areas of the Maghreb, Sudan, Sicily, the Levant, and Hijaz.
Zhao Mengfu ( Wade–Giles: Chao Meng-fu) was a prince and descendant of the Song Dynasty's imperial family, and a Chinese scholar, painter and calligrapher during the Yuan Dynasty.<br/><br/> He was married to Guan Daosheng, who was also an accomplished poet, painter and calligrapher. His rejection of the refined, gentle brushwork of his era in favour of the cruder style of the eighth century is considered to have brought about a revolution that created the modern Chinese landscape painting. He was known for his paintings of horses.
Kaitaia is a town in the Far North District of New Zealand, at the base of the Aupouri Peninsula, about 160 km northwest of Whangarei. It is the last major settlement on State Highway 1. Ahipara Bay, the southern end of Ninety Mile Beach, is 5 km west.<br/><br/> The main industries are forestry and tourism. The population is 4,887 (2013 census), which makes it the second largest town in the Far North District, after Kerikeri.<br/><br/> The name Kaitaia means ample food, <i>kai</i> being the Māori word for food.
The Battle of Badr, fought on Tuesday, 13 March 624 CE (17 Ramadan, 2 AH in the Islamic calendar) in the Hejaz region of western Arabia (present-day Saudi Arabia), was a key battle in the early days of Islam and a turning point in Muhammad's struggle with his opponents among the Quraish in Mecca.<br/><br/> The battle has been passed down in Islamic history as a decisive victory attributable to divine intervention, or by secular sources to the strategic genius of Muhammad. It is one of the few battles specifically mentioned in the Quran. Most contemporary knowledge of the battle at Badr comes from traditional Islamic accounts, both hadiths and biographies of Muhammad, recorded in written form some time after the battle.
Zhao Mengfu (Wade–Giles: Chao Meng-fu) was a prince and descendant of the Song Dynasty's imperial family, and a Chinese scholar, painter and calligrapher during the Yuan Dynasty.<br/><br/> He was married to Guan Daosheng, who was also an accomplished poet, painter and calligrapher. His rejection of the refined, gentle brushwork of his era in favour of the cruder style of the eighth century is considered to have brought about a revolution that created the modern Chinese landscape painting. He was known for his paintings of horses.
The Han dynasty (206 BC – 220 CE) was the second imperial dynasty of China, preceded by the Qin dynasty (221–207 BC) and succeeded by the Three Kingdoms period (220–280 AD).<br/><br/> Spanning more than four centuries, the Han period is considered a golden age in Chinese history. To this day, China's majority ethnic group refers to itself as the 'Han people and the Chinese script is referred to as Han characters'.
Farrukh Beg (ca. 1545 – ca. 1615) was a Persian born Mughal painter who served in the court of Mirza Muhammad Hakim before working directly for Mughal Emperor Akbar. He was greatly influenced by Persian style of paintings and remained conservative throughout his artistic life.<br/><br/> He was greatly admired by Mughal emperor, Jahangir as well. He worked in four royal courts in his lifetime.
The Long March was a military retreat undertaken by the Red Army of the Communist Party of China, the forerunner of the People's Liberation Army, to evade the pursuit of the Kuomintang (KMT or Chinese Nationalist Party) army. There was not one Long March, but a series of marches, as various Communist armies in the south escaped to the north and west.<br/><br/> The most well known is the march from Jiangxi province which began in October 1934. The First Front Army of the Chinese Soviet Republic, led by an inexperienced military commission, was on the brink of annihilation by Generalissimo Chiang Kai-shek's troops in their stronghold in Jiangxi province. The Communists, under the eventual command of Mao Zedong and Zhou Enlai, escaped in a circling retreat to the west and north, which reportedly traversed some 12,500 kilometers (8,000 miles) over 370 days. The route passed through some of the most difficult terrain of western China by traveling west, then north, to Shaanxi.<br/><br/> The Long March began the ascent to power of Mao Zedong, whose leadership during the retreat gained him the support of the members of the party. The bitter struggles of the Long March, which was completed by only one-tenth of the force that left Jiangxi, would come to represent a significant episode in the history of the Communist Party of China, and would seal the personal prestige of Mao and his supporters as the new leaders of the party in the following decades.
The Eighth Route Army, also known as the 18th Army Group of the National Revolutionary Army of the Republic of China, was group army under the command of the Chinese Communist Party, nominally within the structure of the Chinese military headed by the Chinese Nationalist Party during the Second Sino-Japanese War.<br/><br/> The Eighth Route Army was created from the Chinese Red Army on September 22, 1937, when the Chinese Communists and Chinese Nationalist Party formed the Second United Front against Japan the outbreak of the Second Sino-Japanese War, as World War II is known in China. Together with the New Fourth Army, the Eighth Route Army formed the main Communist fighting force during the war and was commanded by Communist party leader Mao Zedong and general Zhu De.
Zhao Mengfu ( Wade–Giles: Chao Meng-fu) was a prince and descendant of the Song Dynasty's imperial family, and a Chinese scholar, painter and calligrapher during the Yuan Dynasty.<br/><br/> He was married to Guan Daosheng, who was also an accomplished poet, painter and calligrapher. His rejection of the refined, gentle brushwork of his era in favour of the cruder style of the eighth century is considered to have brought about a revolution that created the modern Chinese landscape painting. He was known for his paintings of horses.
Zhao Mengfu ( Wade–Giles: Chao Meng-fu) was a prince and descendant of the Song Dynasty's imperial family, and a Chinese scholar, painter and calligrapher during the Yuan Dynasty.<br/><br/> He was married to Guan Daosheng, who was also an accomplished poet, painter and calligrapher. His rejection of the refined, gentle brushwork of his era in favour of the cruder style of the eighth century is considered to have brought about a revolution that created the modern Chinese landscape painting. He was known for his paintings of horses.
Shinbyu is the Burmese term for a novitiation ceremony (pabbajja) in the tradition of Theravada Buddhism, referring to the celebrations marking the samanera ordination of a boy under the age of 20. Allowing a son to spend some time however short it may be, in a Buddhist monastery is regarded by most Buddhists as the best religious gift that his parents can give him and it is believed to have a lasting effect on his life.<br/><br/> Mandalay, a sprawling city of more than 1 million people, was founded in 1857 by King Mindon to coincide with an ancient Buddhist prophecy. It was believed that Gautama Buddha visited the sacred mount of Mandalay Hill with his disciple Ananda, and proclaimed that on the 2,400th anniversary of his death, a metropolis of Buddhist teaching would be founded at the foot of the hill.
The Mogao Caves, or Mogao Grottoes (Chinese: mò gāo kū), also known as the Caves of the Thousand Buddhas and Dunhuang Caves, form a system of 492 temples 25 km (15.5 miles) southeast of the center of Dunhuang, an oasis strategically located at a religious and cultural crossroads on the Silk Road, in Gansu province, China.<br/><br/> The caves contain some of the finest examples of Buddhist art spanning a period of 1,000 years. The first caves were dug out 366 AD as places of Buddhist meditation and worship. The Mogao Caves are the best known of the Chinese Buddhist grottoes and, along with Longmen Grottoes and Yungang Grottoes, are one of the three famous ancient sculptural sites of China. The caves also have famous wall paintings.
The Wujing Zongyao, (literally: 'Collection of the Most Important Military Techniques') is a Chinese military compendium written in 1044 CE, during the Northern Song Dynasty.<br/><br/> Its authors were the prominent scholars Zeng Gongliang, Ding Du and Yang Weide, whose writing influenced many later Chinese military writers. The book covered a wide range of subjects, everything from naval warships to different types of catapults.<br/><br/> Although the English philosopher and friar Roger Bacon was the first Westerner to mention the sole ingredients of gunpowder in 1267 (i.e. strictly saltpetre, sulphur, and charcoal) when referring to firecrackers in 'various parts of the world', the Wujing Zongyao was the first book in history to record the written formulas for gunpowder solutions containing saltpetre, sulphur, and charcoal, along with many added ingredients.<br/><br/> It also described an early form of the compass (using thermoremanence), and had the oldest illustration of a Chinese Greek Fire flamethrower with a double-acting two-piston cylinder-pump that shot a continuous blast of flame.
Chinese erotic art was a tradition that spanned from antiquity until its apex in the late Ming Dynasty (early 17th century). This art was not just produced for stimulation. Chinese erotica portrays ideals of feminine beauty, narratives on imperial and vernacular life, humour, tenderness and love. However, traditional Chinese erotic art remains a little known tradition because so much of it was destroyed during the Maoist era.<br/><br/> Foot binding (pinyin: <i>chanzu</i>, literally 'bound feet') was a custom practiced on young girls and women for approximately one thousand years in China, beginning in the 10th century and ending in the first half of 20th century.<br/><br/> Qing Dynasty sex manuals listed 48 different ways of playing with women's bound feet. For men, the primary erotic effect was a function of the lotus gait, the tiny steps and swaying walk of a woman whose feet had been bound.
Kanyakumari, formerly known as Cape Comorin, lies at the southernmost point of mainland India. It is the southern tip of the Cardamom Hills, an extension of the Western Ghats which range along the west coast of India.<br/><br/> Kanyakumari takes its name from the goddess Devi Kanya Kumari, considered to be a sister of Krishna. Women pray to her for marriage. The goddess is believed to be the one who removes the rigidity of our mind. The temple here is a Shakti Peetha, one of the holiest shrines of the Mother goddess.
Thiruvalluvar was a Tamil poet and philosopher born in Kanyakumari sometime between the 1st century BCE and the 8th century CE. His contribution to Tamil literature is the Thirukkural, a work on ethics.<br/><br/> Kanyakumari, formerly known as Cape Comorin, lies at the southernmost point of mainland India. It is the southern tip of the Cardamom Hills, an extension of the Western Ghats which range along the west coast of India.<br/><br/> Kanyakumari takes its name from the goddess Devi Kanya Kumari, considered to be a sister of Krishna. Women pray to her for marriage. The goddess is believed to be the one who removes the rigidity of our mind. The temple here is a Shakti Peetha, one of the holiest shrines of the Mother goddess.
Siyah Kalem or 'Black Pen' is the name given to the 15th century school of painting attributed to Mehmed Siyah Kalem. Nothing is known of his life, but his work indicates that he was of Central Asian Turkic origin, and thoroughly familiar with camp and military life. The paintings appear in the 'Conqueror’s Albums', so named because two portraits of Sultan Mehmed II the Conqueror are present in one of them.<br/><br/>The albums are made up of miniatures taken from manuscripts of the 14th, 15th, and early 16th centuries, and one series of paintings is inscribed 'work of Master Muḥammad Siyah Kalem'. Something of the style and techniques of Chinese paintings is apparent in these, and an acquaintance with Buddhist art, particularly in the depictions of grotesque demonic figures.<br/><br/>It seems likely that certain paintings contained in the 'Conqueror's Albums' are of Chinese origin and may have been used as stylistic guides for painters in the Siyah Kalem tradition.
Siyah Kalem or 'Black Pen' is the name given to the 15th century school of painting attributed to Mehmed Siyah Kalem. Nothing is known of his life, but his work indicates that he was of Central Asian Turkic origin, and thoroughly familiar with camp and military life. The paintings appear in the 'Conqueror’s Albums', so named because two portraits of Sultan Mehmed II the Conqueror are present in one of them.<br/><br/> The albums are made up of miniatures taken from manuscripts of the 14th, 15th, and early 16th centuries, and one series of paintings is inscribed 'work of Master Muḥammad Siyah Kalem'. Something of the style and techniques of Chinese paintings is apparent in these, and an acquaintance with Buddhist art, particularly in the depictions of grotesque demonic figures.<br/><br/> It seems likely that certain paintings contained in the 'Conqueror's Albums' are of Chinese origin and may have been used as stylistic guides for painters in the Siyah Kalem tradition.
Siyah Kalem or 'Black Pen' is the name given to the 15th century school of painting attributed to Mehmed Siyah Kalem. Nothing is known of his life, but his work indicates that he was of Central Asian Turkic origin, and thoroughly familiar with camp and military life. The paintings appear in the 'Conqueror’s Albums', so named because two portraits of Sultan Mehmed II the Conqueror are present in one of them.<br/><br/> The albums are made up of miniatures taken from manuscripts of the 14th, 15th, and early 16th centuries, and one series of paintings is inscribed 'work of Master Muḥammad Siyah Kalem'. Something of the style and techniques of Chinese paintings is apparent in these, and an acquaintance with Buddhist art, particularly in the depictions of grotesque demonic figures.<br/><br/> It seems likely that certain paintings contained in the 'Conqueror's Albums' are of Chinese origin and may have been used as stylistic guides for painters in the Siyah Kalem tradition.
Li Gonglin, style name Boshi, pseudonym Longmian Jushi (Householder of Sleeping Dragon), was a Chinese painter, civil officer and archaeologist in the Northern Song Dynasty.<br/><br/> Born into a scholarly home near what is modern day Lu'an City, Li Gonglin passed the highest level of civil service examinations at 21 and became a civil officer. He became famous for his paintings of horses, then he turned to Buddhist and Daoist religious painting, as well as portraits and landscapes. His painting style was attributed to the style of Gu Kaizhi and Wu Daozi.
Rajput (from Sanskrit raja-putra, 'son of a king') is a member of one of the patrilineal clans of western, central, northern India and some parts of Pakistan. They claim to be descendants of ruling Hindu warrior classes of North India. Rajputs rose to prominence during the 6th to 12th centuries. Until the 20th century, Rajputs ruled in the overwhelming majority of the princely states of Rajasthan and Surashtra, where the largest number of princely states were found.<br/><br/> The Rajput population and the former Rajput states are found spread through much of the subcontinent, particularly in north, west and central India. Populations are found in Rajasthan, Gujarat, Uttar Pradesh, Himachal Pradesh, Haryana, Jammu, Punjab, Sindh, Uttarakhand, Madhya Pradesh and Bihar.
Lashi Lake (Lashihai) at an elevation of 2500 metres (8,200 ft) is the largest highland lake in Lijiang County, Yunnan Province. As many as 57 migratory bird species use the lake including whooper swans and black-necked crane.
Lashi Lake (Lashihai) at an elevation of 2500 metres (8,200 ft) is the largest highland lake in Lijiang County, Yunnan Province. As many as 57 migratory bird species use the lake including whooper swans and black-necked crane.
Lashi Lake (Lashihai) at an elevation of 2500 metres (8,200 ft) is the largest highland lake in Lijiang County, Yunnan Province. As many as 57 migratory bird species use the lake including whooper swans and black-necked crane.
Lashi Lake (Lashihai) at an elevation of 2500 metres (8,200 ft) is the largest highland lake in Lijiang County, Yunnan Province. As many as 57 migratory bird species use the lake including whooper swans and black-necked crane.
The Beatus of the Cathedral of El Burgo de Osma was produced in 1086 and contains 71 miniatures by the painter Martinus. The Apocalypse of John is the Book of Revelation, the last book of the New Testament.
Petra was first established as a city by the Nabataean Arabs in the 4th century BC, and owed its birth and prosperity to the fact that it was the only place with clear and abundant water between the Hijaz trading centres of Mecca and Medina, and Palestine.<br/><br/> Hewn directly into the Nubian sandstone ridges of the south Jordanian desert, it seems probable that - given its excellent defensive position and good water supplies - Petra has been continually occupied from as early as Paleolithic times. It is thought to be mentioned in the Bible as Sela, a mountain fortress captured by Amaziah, King of Judah, in the 9th century BC, when the defenders were hurled to their deaths from the summit, and as many as 10,000 people died.<br/><br/> The city's Latin name, Petra - literally, 'Rock' - probably replaced the biblical name Sela at the time of the Roman conquest some 1,900 years ago. Today, in Arabic, the ancient site is still called Batraa, though the valley in which it is situated is known as Wadi Musa - 'The Valley of Moses' - being one of the places where, according to semitic tradition, the Prophet Moses struck a rock and water gushed forth. Truly Petra is steeped in history.
Petra was first established as a city by the Nabataean Arabs in the 4th century BC, and owed its birth and prosperity to the fact that it was the only place with clear and abundant water between the Hijaz trading centres of Mecca and Medina, and Palestine.<br/><br/> Hewn directly into the Nubian sandstone ridges of the south Jordanian desert, it seems probable that - given its excellent defensive position and good water supplies - Petra has been continually occupied from as early as Paleolithic times. It is thought to be mentioned in the Bible as Sela, a mountain fortress captured by Amaziah, King of Judah, in the 9th century BC, when the defenders were hurled to their deaths from the summit, and as many as 10,000 people died.<br/><br/> The city's Latin name, Petra - literally, 'Rock' - probably replaced the biblical name Sela at the time of the Roman conquest some 1,900 years ago. Today, in Arabic, the ancient site is still called Batraa, though the valley in which it is situated is known as Wadi Musa - 'The Valley of Moses' - being one of the places where, according to semitic tradition, the Prophet Moses struck a rock and water gushed forth. Truly Petra is steeped in history.
The Siq or al-Siq (Arabic: السيق‎) (translated: the shaft) is the main entrance to the ancient city of Petra in southern Jordan. The dim, narrow gorge (in some points no more than 3 meters wide) winds its way approximately one mile and ends at Petra's most elaborate ruin, Al Khazneh (The Treasury).<br/><br/> Petra was first established as a city by the Nabataean Arabs in the 4th century BC, and owed its birth and prosperity to the fact that it was the only place with clear and abundant water between the Hijaz trading centres of Mecca and Medina, and Palestine.<br/><br/> Hewn directly into the Nubian sandstone ridges of the south Jordanian desert, it seems probable that - given its excellent defensive position and good water supplies - Petra has been continually occupied from as early as Paleolithic times. It is thought to be mentioned in the Bible as Sela, a mountain fortress captured by Amaziah, King of Judah, in the 9th century BC, when the defenders were hurled to their deaths from the summit, and as many as 10,000 people died.<br/><br/> The city's Latin name, Petra - literally, 'Rock' - probably replaced the biblical name Sela at the time of the Roman conquest some 1,900 years ago. Today, in Arabic, the ancient site is still called Batraa, though the valley in which it is situated is known as Wadi Musa - 'The Valley of Moses' - being one of the places where, according to semitic tradition, the Prophet Moses struck a rock and water gushed forth. Truly Petra is steeped in history.
The Beatus of León is an 11th century illuminated manuscript of the Commentary on the Apocalypse by Beatus of Liébana. The manuscript was made for King Ferdinand 1 (c.1015-1065) and Queen Sancha of León. It contains 98 miniatures painted by Facundus. The Apocalypse of John is the Book of Revelation, the last book of the New Testament.
The Boxer Rebellion, also known as Boxer Uprising or Yihetuan Movement, was a proto-nationalist movement by the 'Righteous Harmony Society' in China between 1898 and 1901, opposing foreign imperialism and Christianity.<br/><br/> The uprising took place in response to foreign 'spheres of influence' in China, with grievances ranging from opium traders, political invasion, economic manipulation, to missionary evangelism. In China, popular sentiment remained resistant to foreign influences, and anger rose over the 'unequal treaties', which the weak Qing state could not resist.<br/><br/> Concerns grew that missionaries and Chinese Christians could use this decline to their advantage, appropriating lands and property of unwilling Chinese peasants to give to the church. This sentiment resulted in violent revolts against foreign interests.
The Tacuinum (sometimes Taccuinum) Sanitatis is a medieval handbook on health and wellbeing, based on the Taqwim al‑sihha تقويم الصحة ('Maintenance of Health'), an eleventh-century Arab medical treatise by Ibn Butlan of Baghdad.<br/><br/> Ibn Butlân was a Christian physician born in Baghdad and who died in 1068. He sets forth the six elements necessary to maintain daily health: food and drink, air and the environment, activity and rest, sleep and wakefulness, secretions and excretions of humours, changes or states of mind (happiness, anger, shame, etc). According to Ibn Butlân, illnesses are the result of changes in the balance of some of these elements, therefore he recommended a life in harmony with nature in order to maintain or recover one’s health.<br/><br/> Ibn Butlân also teaches us to enjoy each season of the year, the consequences of each type of climate, wind and snow. He points out the importance of spiritual wellbeing and mentions, for example, the benefits of listening to music, dancing or having a pleasant conversation.<br/><br/> Aimed at a cultured lay audience, the text exists in several variant Latin versions, the manuscripts of which are characteristically profusely illustrated. The short paragraphs of the treatise were freely translated into Latin in mid-thirteenth-century Palermo or Naples, continuing an Italo-Norman tradition as one of the prime sites for peaceable inter-cultural contact between the Islamic and European worlds.<br/><br/> Four handsomely illustrated complete late fourteenth-century manuscripts of the Taccuinum, all produced in Lombardy, survive, in Vienna, Paris, Liège and Rome, as well as scattered illustrations from others, as well as fifteenth-century codices.
Yahyâ ibn Mahmûd al-Wâsitî was a 13th-century Arab Islamic artist. Al-Wasiti was born in Wasit in southern Iraq. He was noted for his illustrations of the Maqam of al-Hariri.<br/><br/> Maqāma (literally 'assemblies') are an (originally) Arabic literary genre of rhymed prose with intervals of poetry in which rhetorical extravagance is conspicuous. The 10th century author Badī' al-Zaman al-Hamadhāni is said to have invented the form, which was extended by al-Hariri of Basra in the next century. Both authors' maqāmāt center on trickster figures whose wanderings and exploits in speaking to assemblies of the powerful are conveyed by a narrator.<br/><br/> Manuscripts of al-Harīrī's Maqāmāt, anecdotes of a roguish wanderer Abu Zayd from Saruj, were frequently illustrated with miniatures.
Yahyâ ibn Mahmûd al-Wâsitî was a 13th-century Arab Islamic artist. Al-Wasiti was born in Wasit in southern Iraq. He was noted for his illustrations of the Maqam of al-Hariri.<br/><br/> Maqāma (literally 'assemblies') are an (originally) Arabic literary genre of rhymed prose with intervals of poetry in which rhetorical extravagance is conspicuous. The 10th century author Badī' al-Zaman al-Hamadhāni is said to have invented the form, which was extended by al-Hariri of Basra in the next century. Both authors' maqāmāt center on trickster figures whose wanderings and exploits in speaking to assemblies of the powerful are conveyed by a narrator.<br/><br/> Manuscripts of al-Harīrī's Maqāmāt, anecdotes of a roguish wanderer Abu Zayd from Saruj, were frequently illustrated with miniatures.
The Khitan people (or Khitai, Kitan, or Kidan), were a nomadic Mongolic people, originally located in Mongolia and Manchuria (the northeastern region of modern day China) from the 4th century. They dominated a vast area in northern China by the 10th century under the Liao Dynasty, but have left few relics that have survived until today.<br/><br/> After the fall of Liao in 1125, many Khitans moved further west and established the state of Kara Khitai, which was finally destroyed by the Mongol Empire in 1218.
The Khitan people (or Khitai, Kitan, or Kidan), were a nomadic Mongolic people, originally located in Mongolia and Manchuria (the northeastern region of modern day China) from the 4th century. They dominated a vast area in northern China by the 10th century under the Liao Dynasty, but have left few relics that have survived until today.<br/><br/> After the fall of Liao in 1125, many Khitans moved further west and established the state of Kara Khitai, which was finally destroyed by the Mongol Empire in 1218.
Li Gonglin, style name Boshi, pseudonym Longmian Jushi (Householder of Sleeping Dragon), was a Chinese painter, civil officer and archaeologist in the Northern Song Dynasty.<br/><br/> Born into a scholarly home near what is modern day Lu'an City, Li Gonglin passed the highest level of civil service examinations at 21 and became a civil officer. He became famous for his paintings of horses, then he turned to Buddhist and Daoist religious painting, as well as portraits and landscapes. His painting style was attributed to the style of Gu Kaizhi and Wu Daozi.
Ferdinand Victor Eugène Delacroix (26 April 1798 – 13 August 1863) was a French Romantic artist regarded from the outset of his career as the leader of the French Romantic school. Delacroix's use of expressive brushstrokes and his study of the optical effects of colour profoundly shaped the work of the Impressionists, while his passion for the exotic inspired the artists of the Symbolist movement.
The Gallipoli Campaign, also known as the Dardanelles Campaign or the Battle of Gallipoli or the Battle of Çanakkale (Turkish: Çanakkale Savaşı), took place on the Gallipoli peninsula in the Ottoman Empire (now Gelibolu in modern day Turkey) between 25 April 1915 and 9 January 1916, during the First World War. A joint British and French operation was mounted to capture the Ottoman capital of Constantinople (Istanbul) and secure a sea route to Russia. The attempt failed, with heavy casualties on both sides. The campaign was considered one of the greatest victories of the Turks and was reflected on as a major failure by the Allies.<br/><br/> The Gallipoli campaign resonated profoundly among all nations involved. In Turkey, the battle is perceived as a defining moment in the history of the Turkish people—a final surge in the defence of the motherland as the ageing Ottoman Empire was crumbling. The struggle laid the grounds for the Turkish War of Independence and the foundation of the Republic of Turkey eight years later under Mustafa Kemal Atatürk, himself a commander at Gallipoli.<br/><br/> The campaign was the first major battle undertaken in the war by Australia and New Zealand, and is often considered to mark the birth of national consciousness in both of these countries.
Siyah Kalem or 'Black Pen' is the name given to the 15th century school of painting attributed to Mehmed Siyah Kalem. Nothing is known of his life, but his work indicates that he was of Central Asian Turkic origin, and thoroughly familiar with camp and military life. The paintings appear in the 'Conqueror’s Albums', so named because two portraits of Sultan Mehmed II the Conqueror are present in one of them.<br/><br/> The albums are made up of miniatures taken from manuscripts of the 14th, 15th, and early 16th centuries, and one series of paintings is inscribed 'work of Master Muḥammad Siyah Kalem'. Something of the style and techniques of Chinese paintings is apparent in these, and an acquaintance with Buddhist art, particularly in the depictions of grotesque demonic figures.
The Godolphin Arabian (c. 1724 – 1753), also known as the Godolphin Barb, was an Arabian horse who was one of three stallions that were the founders of the modern Thoroughbred horse racing bloodstock (the other two are the Darley Arabian and the Byerley Turk). He was given his name for his best-known owner, Francis Godolphin, 2nd Earl of Godolphin.
The Haw people are a small subgroup of Han Chinese who live mostly in the mountainous border area between Simao in Yunnan province, Dien Bien in Vietnam and Phongsali in Laos.
Siyah Kalem or 'Black Pen' is the name given to the 15th century school of painting attributed to Mehmed Siyah Kalem. Nothing is known of his life, but his work indicates that he was of Central Asian Turkic origin, and thoroughly familiar with camp and military life. The paintings appear in the 'Conqueror’s Albums', so named because two portraits of Sultan Mehmed II the Conqueror are present in one of them.<br/><br/> The albums are made up of miniatures taken from manuscripts of the 14th, 15th, and early 16th centuries, and one series of paintings is inscribed 'work of Master Muḥammad Siyah Kalem'. Something of the style and techniques of Chinese paintings is apparent in these, and an acquaintance with Buddhist art, particularly in the depictions of grotesque demonic figures.
The Astana Graves are a series of underground tombs located 6km from the ancient city of Gaochang, and 42km from Turpan, in Xinjiang, China. The tombs were used by the inhabitants of Gaochang, both commoners and locals, for about 600 years from 200 CE – 800 CE.<br/><br/> The complex covers 10 square kilometers and contains over 1,000 tombs. Different plots for separate castes and families are marked by gravel dividers. Due to the arid environment many important artifacts have been well preserved at the tombs, including natural mummies.<br/><br/> A typical tomb is entered by a 10 meter sloping staircase. The tombs are not very large, usually only 2 meters high. Some tombs also have murals inside. The deceased were laid on a small raised platform in the back of the tomb, surrounded by possessions and even food. Their faces were covered by cloths, some of which have distinct Persian motifs. A small funeral brick was placed to next to each body, on which was written the person’s name and other biographical information. These bricks have been incredibly useful for historians to date the tombs’ finds.<br/><br/> There are also various Tang Dynasty figurines and silk paintings in the Astana Graves. A new pavilion has been built outside the old graveyard; the centerpiece is a large statue of Fuxi and Nüwa based on the silk banners found on the inner ceilings of the tombs.
Siyah Kalem or 'Black Pen' is the name given to the 15th century school of painting attributed to Mehmed Siyah Kalem. Nothing is known of his life, but his work indicates that he was of Central Asian Turkic origin, and thoroughly familiar with camp and military life. The paintings appear in the 'Conqueror’s Albums', so named because two portraits of Sultan Mehmed II the Conqueror are present in one of them.<br/><br/>The albums are made up of miniatures taken from manuscripts of the 14th, 15th, and early 16th centuries, and one series of paintings is inscribed 'work of Master Muḥammad Siyah Kalem'. Something of the style and techniques of Chinese paintings is apparent in these, and an acquaintance with Buddhist art, particularly in the depictions of grotesque demonic figures.<br/><br/>It seems likely that certain paintings contained in the 'Conqueror's Albums' are of Chinese origin and may have been used as stylistic guides for painters in the Siyah Kalem tradition.
Sisavang Phoulivong (1885 - 1959) was the king of Luang Prabang and later the Kingdom of Laos. His father was king Zakarine and his mother was Queen Thongsy. He was educated at Lycée Chasseloup-Laubat, Saigon, and at l'École Coloniale in Paris. He was known as a "playboy" king with up to 50 children by as many as 15 wives.
The Shahanshahnamah or Changiznamah of Ahmad Tabrizi is a Persian history of the Mongols written for Abu Sa‘id written in 1337-1338. It is a Persianised and partially Islamised version of Mongol history - note that the central banner in the margin is topped with the name of God, 'Allah', in Arabic.
Dr Paul Neis undertook a scientific mission to Cochinchina and Laos on behalf of the French Minister of Public Education. He returned to Bangkok by way of Chiang Mai and north Thailand. His mission lasted for 19 months between 1882 and 1884.
Li Gonglin, style name Boshi, pseudonym Longmian Jushi (Householder of Sleeping Dragon), was a Chinese painter, civil officer and archaeologist in the Northern Song Dynasty.<br/><br/> Born into a scholarly home near what is modern day Lu'an City, Li Gonglin passed the highest level of civil service examinations at 21 and became a civil officer. He became famous for his paintings of horses, then he turned to Buddhist and Daoist religious painting, as well as portraits and landscapes. His painting style was attributed to the style of Gu Kaizhi and Wu Daozi.<br/><br/> For the Li Gonglin original painting on which this study is based, see: CPA0009382, 'A Central Asian nomad leading a 'celestial horse', Northern Song Dynasty painting by Li Gonglin'.
Manipur is a state in northeastern India, with the city of Imphal as its capital. Its people include the Meetei, Pangal (Muslims), Bishnupriya Manipuri's, Naga and Kuki who speak different languages of branches of the Tibeto-Burman family.<br/><br/> The state is bounded by Nagaland to the north, Mizoram to the south, and Assam to the west; Burma lies to the east. It covers an area of 22,327 square kilometres (8,621 sq mi).
The Haw people are a small subgroup of Han Chinese who live mostly in the mountainous border area between Simao in Yunnan province, Dien Bien in Vietnam and Phongsali in Laos.
Zanzibar (from Arabic: زنجبار‎ Zanjibār, from Persian: زنگبار‎ Zangibār'Coast of Blacks'; zangi [black-skinned] + bār [coast]) is a semi-autonomous part of Tanzania in East Africa. It is composed of the Zanzibar Archipelago in the Indian Ocean, 25–50 kilometres (16–31 mi) off the coast of the mainland, and consists of numerous small islands and two large ones: Unguja (the main island, referred to informally as Zanzibar), and Pemba.<br/><br/> The capital of Zanzibar, located on the island of Unguja, is Zanzibar City. Its historic centre, known as Stone Town, is a World Heritage Site and is claimed to be the only functioning ancient town in East Africa.<br/><br/> Zanzibar's main industries are spices, raffia, and tourism. In particular, the islands produce cloves, nutmeg, cinnamon, and black pepper. For this reason, the islands, together with Tanzania's Mafia Island, are sometimes called the Spice Islands (a term also associated with the Maluku Islands in Indonesia).
The Godolphin Arabian (c. 1724 – 1753), also known as the Godolphin Barb, was an Arabian horse who was one of three stallions that were the founders of the modern Thoroughbred horse racing bloodstock (the other two are the Darley Arabian and the Byerley Turk). He was given his name for his best-known owner, Francis Godolphin, 2nd Earl of Godolphin.
The sport of falconry was introduced to Algeria and the Maghreb by the Arabs over 1,000 years ago and was a favorite pastime of royalty and nobility. During the period of Arab expansion into North Africa, cavalry was often mounted on small, agile horses called ‘Berbers’, or ‘Barbs’.
The national Persian epic, the ‘Shahnameh’, meaning ‘The King’s Chronicles’, is a poetic opus written around 1000 AD by Ferdowsi. Regarded as the national folktale of Greater Persia, the Shahnameh consists of some 60,000 verses and tells the mythical and historical past of (Greater) Iran from the creation of the world up until the Islamic conquest of Persia in the 7th century.
The Byerley Turk or Byerly Turk, (c.1684-1706) was the earliest of three stallions that were the founders of the modern Thoroughbred horse racing bloodstock (the other two are the Godolphin Arabian and the Darley Arabian). The stallion is believed to have been captured by Captain Robert Byerley at the Battle of Buda (1686), served as Byerley's war horse when he was dispatched to Ireland in 1689 during King William's War and saw further military service in the Battle of the Boyne. The General Stud Book simply states, without reference to his origins, that both man and horse were in Ireland: BYERLY TURK, was Captain Byerly's charger in Ireland, in King William's wars (1689).<br/><br/> The Byerly Turk was reportedly a dark brown horse with the strong oriental or Arabian features of large eyes, arched neck and high carriage of the tail. Many of his offspring were also noted to have been either bay or black.
Siyah Kalem or 'Black Pen' is the name given to the 15th century school of painting attributed to Mehmed Siyah Kalem. Nothing is known of his life, but his work indicates that he was of Central Asian Turkic origin, and thoroughly familiar with camp and military life. The paintings appear in the 'Conqueror’s Albums', so named because two portraits of Sultan Mehmed II the Conqueror are present in one of them.<br/><br/> The albums are made up of miniatures taken from manuscripts of the 14th, 15th, and early 16th centuries, and one series of paintings is inscribed 'work of Master Muḥammad Siyah Kalem'. Something of the style and techniques of Chinese paintings is apparent in these, and an acquaintance with Buddhist art, particularly in the depictions of grotesque demonic figures.<br/><br/> It seems likely that certain paintings contained in the 'Conqueror's Albums' are of Chinese origin and may have been used as stylistic guides for painters in the Siyah Kalem tradition.
The Qianlong Emperor (25 September 1711 – 7 February 1799) was the fifth emperor of the Manchu-led Qing Dynasty, and the fourth Qing emperor to rule over China proper. The fourth son of the Yongzheng Emperor, he reigned officially from 11 October 1736 to 7 February 1795.<br/><br/> On 8 February, he abdicated in favor of his son, the Jiaqing Emperor - a filial act in order not to reign longer than his grandfather, the illustrious Kangxi Emperor. Despite his retirement, however, he retained ultimate power until his death in 1799.<br/><br/> Although his early years saw the continuity of an era of prosperity in China, he held an unrelentingly conservative attitude. As a result, the Qing Dynasty's comparative decline began later in his reign.
The Tang Dynasty (Chinese: 唐朝; pinyin: Táng Cháo; June 18, 618 – June 1, 907) was an imperial dynasty of China preceded by the Sui Dynasty and followed by the Five Dynasties and Ten Kingdoms Period. It was founded by the Li (李) family, who seized power during the decline and collapse of the Sui Empire. The dynasty was interrupted briefly by the Second Zhou Dynasty (October 8, 690 – March 3, 705) when Empress Wu Zetian seized the throne, becoming the first and only Chinese empress regnant, ruling in her own right.<br/><br/> The Tang Dynasty, with its capital at Chang'an (present-day Xi'an), which at the time was the most populous city in the world, is generally regarded as a high point in Chinese civilization—equal to, or surpassing that of, the earlier Han Dynasty—a golden age of cosmopolitan culture. Its territory, acquired through the military campaigns of its early rulers, rivalled that of the Han Dynasty. In two censuses of the 7th and 8th centuries, the Tang records estimated the population by number of registered households at about 50 million people.
Ferghana horses were one of China's earliest major imports, originating in an area in Central Asia.<br/><br/> Dayuan, north of Bactria, was a nation centered in the Ferghana Valley of present-day Central Asia, and even as early as the Han Dynasty, China projected its military power to that area.<br/><br/> The Han imperial regime required Ferghana horses and imported such great numbers of them that the rulers of Ferghana closed their borders to such trade. That move resulted in a war that China won. In 102 CE, the Chinese required of the defeated Ferghana that they provide at least 10 of their finest horses for breeding purposes, and 3,000 Ferghana horses of ordinary quality.
The Astana Graves (Chinese: 阿斯塔那古墓, Pinyin: Āsītǎnà Gǔmù) are a series of underground tombs located 6km from the ancient city of Gaochang, and 42km from Turpan, in Xinjiang, China. The tombs were used by the inhabitants of Gaochang, both commoners and locals, for about 600 years from 200 CE – 800 CE.<br/><br/> The complex covers 10 square kilometres and contains over 1,000 tombs. Different plots for separate castes and families are marked by gravel dividers. Due to the arid environment many important artifacts have been well preserved at the tombs, including natural mummies.<br/><br/> A typical tomb is entered by a 10 metre sloping staircase. The tombs are not very large, usually only 2 metres high. Some tombs also have murals inside. The deceased were laid on a small raised platform in the back of the tomb, surrounded by possessions and even food.<br/><br/> Their faces were covered by cloths, some of which have distinct Persian motifs. A small funeral brick was placed to next to each body, on which was written the person’s name and other biographical information. These bricks have been incredibly useful for historians to date the tombs’ finds. There are also various Tang Dynasty figurines and silk paintings in graves.
Yangshuo is rightly famous for its dramatic scenery. It lies on the west bank of the Li River (Lijiang) and is just 60 kilometres downstream from Guilin. Over recent years it has become a popular destination with tourists whilst also retaining its small river town feel.<br/><br/> The name Guilin means ‘Cassia Woods’ and is named after the osmanthus (cassia) blossoms that bloom throughout the autumn period.<br/><br/> Guilin is the scene of China’s most famous landscapes, inspiring thousands of paintings over many centuries. The ‘finest mountains and rivers under heaven’ are so inspiring that poets, artists and tourists have made this China’s number one natural attraction.
Chiryu: A number of horses tethered near a tree in the fields, where a fair is held in the summer. This area was noted for Japanese iris (kakitsubata).<br/><br/> A famous poet who once passed by this vicinity adorned with irises composed a poem expressing the loneliness of his long journey from Kyoto where his wife remained.<br/><br/> Utagawa Hiroshige (歌川 広重, 1797 – October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was also referred to as Andō Hiroshige (安藤 広重) (an irregular combination of family name and art name) and by the art name of Ichiyūsai Hiroshige (一幽斎廣重).<br/><br/> The Tōkaidō (東海道 East Sea Road) was the most important of the Five Routes of the Edo period, connecting Edo (modern-day Tokyo) to Kyoto in Japan. Unlike the inland and less heavily travelled Nakasendō, the Tōkaidō travelled along the sea coast of eastern Honshū, hence the route's name.
T. Enami (Enami Nobukuni, 1859 – 1929) was the trade name of a celebrated Meiji period photographer. The T. of his trade name is thought to have stood for Toshi, though he never spelled it out on any personal or business document.<br/><br/> Born in Edo (now Tokyo) during the Bakumatsu era, Enami was first a student of, and then an assistant to the well known photographer and collotypist, Ogawa Kazumasa. Enami relocated to Yokohama, and opened a studio on Benten-dōri (Benten Street) in 1892. Just a few doors away from him was the studio of the already well known Tamamura Kozaburō. He and Enami would work together on at least three related projects over the years.<br/><br/> Enami became quietly unique as the only photographer of that period known to work in all popular formats, including the production of large-format photographs compiled into what are commonly called "Yokohama Albums". Enami went on to become Japan's most prolific photographer of small-format images such as the stereoview and glass lantern-slides. The best of these were delicately hand-tinted.
Jodhpur (Rajasthani: जोधपुर), (Urdu: جودهپُور ‎) is the 2nd largest city in the Indian state of Rajasthan. It is located 335 kilometres (208 mi) west of the state capital, Jaipur and 200 kilometres (124 mi) from the city of Ajmer. It was formerly the seat of a princely state of the same name, the capital of the kingdom known as Marwar.<br/><br/> The city is known as the 'Blue City' due to the vivid blue-painted houses around the Mehrangarh Fort. The old city circles the fort and is bounded by a wall with several gates. However, the city has expanded greatly outside the wall over the past several decades. Jodhpur lies near the geographic centre of Rajasthan state, which makes it a convenient base for travel in the region.
An amphora (English plural: amphorae or amphoras) is a type of container of a characteristic shape and size, descending from at least as early as the Neolithic Period. Amphorae were used in vast numbers for the transport and storage of various products, both liquid and dry, but mostly for wine. It is most often ceramic, but examples in metals and other materials have been found.<br/><br/> Stoppers of perishable materials, which have rarely survived, were used to seal the contents. Two principal types of amphorae existed: the neck amphora, in which the neck and body meet at a sharp angle; and the one-piece amphora, in which the neck and body form a continuous curve. Neck amphorae were commonly used in the early history of ancient Greece, but were gradually replaced by the one-piece type from around the 7th century BCE.