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Hsipaw State was perhaps one of the most well known and powerful saopha Shan States. According to the biography of Sao Nang Hearn Hkam (the chief wife, Madhidevi of Sao Shwe Thaik, the first president of Myanmar and another saopha of Hsenwi), Hsipaw, along with Kengtung and Yawnghwe were the wealthiest and most powerful saopha states in Shan State.<br/><br/>

The Saophas played fluctuating roles in regional Shan and national Burmese politics from the 11th century all the way until the 1962 military coup by General Ne Win.
Hsipaw was a Shan state in what is today Burma / Myanmar. Its capital was Hsipaw town.<br/><br/>

Hsipaw State was one of the most well known and powerful saopha Shan States
The Federated Shan States was the name given to an administrative division of the British Empire made up by the Shan States and the Karenni States during British rule in Burma.<br/><br/>

Under the British colonial administration, the former princely Shan States consisted of nominally sovereign entities, each ruled by a local monarch, but administered by a single British commissioner. On 10 October 1922 the administrations of the Karenni states and the Shan states were officially brought together in order to establish the Federated Shan States, under a British commissioner who also administered the Wa States.
Hsipaw State was perhaps one of the most well known and powerful saopha Shan States. According to the biography of Sao Nang Hearn Hkam (the chief wife, Madhidevi of Sao Shwe Thaik, the first president of Myanmar and another saopha of Hsenwi), Hsipaw, along with Kengtung and Yawnghwe were the wealthiest and most powerful saopha states in Shan State.<br/><br/>

The Saophas played fluctuating roles in regional Shan and national Burmese politics from the 11th century all the way until the 1962 military coup by General Ne Win.
The Federated Shan States was the name given to an administrative division of the British Empire made up by the Shan States and the Karenni States during British rule in Burma.<br/><br/>

Under the British colonial administration, the former princely Shan States consisted of nominally sovereign entities, each ruled by a local monarch, but administered by a single British commissioner. On 10 October 1922 the administrations of the Karenni states and the Shan states were officially brought together in order to establish the Federated Shan States, under a British commissioner who also administered the Wa States.
Hsipaw State was perhaps one of the most well known and powerful saopha Shan States. According to the biography of Sao Nang Hearn Hkam (the chief wife, Madhidevi of Sao Shwe Thaik, the first president of Myanmar and another saopha of Hsenwi), Hsipaw, along with Kengtung and Yawnghwe were the wealthiest and most powerful saopha states in Shan State.<br/><br/>

The Saophas played fluctuating roles in regional Shan and national Burmese politics from the 11th century all the way until the 1962 military coup by General Ne Win.
Shan State is traditionally divided into three sub-states: North Shan State, East Shan State, and South Shan State. It is also officially divided into 11 districts: Taunggyi, Loilem, Kyaukme, Muse, Laukkaing (Laogai), Kunlong, Lashio, Kengtung, Mong Hsat, Mong Hpayak and Tachileik.<br/><br/>

An additional district, Hopang District, was formed as 12th District of Shan State by combining of Mongmao, Pangwaun (Panwai), Namphan (Ngaphan) and Pangsang (Pangkham) Townships from Lashio District, Matman Township from Kengtung District; Hopang Township, and Panlong and Namtit Sub-Townships from Kunlong District in September 2011.
Dance in Burma can be divided into dramatic, folk and village, and nat dances, each having distinct characteristics. Although Burmese dance has been influenced by the dance traditions of its neighbours, in particular Thailand, it retains unique qualities that distinguish it from other regional styles, including angular, fast-paced and energetic movements and emphasis on pose, not movement.<br/><br/>

Various types of Burmese music use an array of traditional musical instruments, assembled in an orchestra known as hsaing waing which the Burmese saing saya Kyaw Kyaw Naing has made more widely known in the West. Traditional folk music is atypical in Southeast Asian music, as it is characterized by sudden shifts in rhythm and melody as well as change in texture and timbre.<br/><br/>

Classical traditions of Burmese music are found in the Mahagita, an extensive collection of classical songs and are typically divided into indoor and outdoor ensembles. These songs tend to be about various legends in Pali and subsequently in Burmese intermingled with Pali, related to religion or the power and glory of monarchs, and then the natural beauty of the land, forests and the seasons, eventually feminine beauty, love, passion and longing, in addition to folk music sung in the paddy fields.