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At Indra Chowk, or the 'Courtyard of Indra', a two-storey temple dedicated to one of the 64 forms of the Bhairav, Akash Bhairav (Bhairav of the Air), looks out over the intersection of several lanes. Housing a silver statue of Akash Bhairav, the temple is partly covered with sheets of brass, and two brass lions stand guard at the door. During the festival of Indra Jatra, a large mask of Akash Bhairav is displayed on a shrine assembled in front of the temple. Akash Bhairav is considered a manifestation of Indra, the rain god.
Rana Bahadur Shah installed the Shveta Bhairav (White Bhairav) in 1796 to drive away evil spirits and ghosts from Durbar Square. It represents the most terrifying form of the Hindu god Shiva.<br/><br/>

Just a few metres south of Kala Bhairav (Black Bhairav), the four metre high gilded, leering mask representing Shveta Bhairav is hidden behind a latticed wooden door. Compared to the boundless horror of Kala Bhairav, the almost charming wickedness of his nearby companion comes as a mild relief. The door in front of the mask is only opened during the festival of Indra Jatra. For the rest of the year it remains closed, hiding what is undoubtedly a more artistically executed figure than that of the Kala Bhairav.<br/><br/>

Despite greeting the visitor with an evil, tongueless grin, exposing long white teeth, the mask is leant a certain attractiveness by its golden hue. During Indra Jatra, copious amounts of rice beer are poured through the mouth of Shveta Bhairav, to be eagerly lapped up by the exuberant, jostling crowd.
At Indra Chowk, or the 'Courtyard of Indra', a two-storey temple dedicated to one of the 64 forms of the Bhairav, Akash Bhairav (Bhairav of the Air), looks out over the intersection of several lanes. Housing a silver statue of Akash Bhairav, the temple is partly covered with sheets of brass, and two brass lions stand guard at the door. During the festival of Indra Jatra, a large mask of Akash Bhairav is displayed on a shrine assembled in front of the temple. Akash Bhairav is considered a manifestation of Indra, the rain god.
At Indra Chowk, or the 'Courtyard of Indra', a two-storey temple dedicated to one of the 64 forms of the Bhairav, Akash Bhairav (Bhairav of the Air), looks out over the intersection of several lanes. Housing a silver statue of Akash Bhairav, the temple is partly covered with sheets of brass, and two brass lions stand guard at the door. During the festival of Indra Jatra, a large mask of Akash Bhairav is displayed on a shrine assembled in front of the temple. Akash Bhairav is considered a manifestation of Indra, the rain god.
At Indra Chowk, or the 'Courtyard of Indra', a two-storey temple dedicated to one of the 64 forms of the Bhairav, Akash Bhairav (Bhairav of the Air), looks out over the intersection of several lanes. Housing a silver statue of Akash Bhairav, the temple is partly covered with sheets of brass, and two brass lions stand guard at the door. During the festival of Indra Jatra, a large mask of Akash Bhairav is displayed on a shrine assembled in front of the temple. Akash Bhairav is considered a manifestation of Indra, the rain god.
At Indra Chowk, or the 'Courtyard of Indra', a two-storey temple dedicated to one of the 64 forms of the Bhairav, Akash Bhairav (Bhairav of the Air), looks out over the intersection of several lanes. Housing a silver statue of Akash Bhairav, the temple is partly covered with sheets of brass, and two brass lions stand guard at the door. During the festival of Indra Jatra, a large mask of Akash Bhairav is displayed on a shrine assembled in front of the temple. Akash Bhairav is considered a manifestation of Indra, the rain god.
At Indra Chowk, or the 'Courtyard of Indra', a two-storey temple dedicated to one of the 64 forms of the Bhairav, Akash Bhairav (Bhairav of the Air), looks out over the intersection of several lanes. Housing a silver statue of Akash Bhairav, the temple is partly covered with sheets of brass, and two brass lions stand guard at the door. During the festival of Indra Jatra, a large mask of Akash Bhairav is displayed on a shrine assembled in front of the temple. Akash Bhairav is considered a manifestation of Indra, the rain god.
Rana Bahadur Shah installed the Shveta Bhairav (White Bhairav) in 1796 to drive away evil spirits and ghosts from Durbar Square. It represents the most terrifying form of the Hindu god Shiva.<br/><br/>

Just a few metres south of Kala Bhairav (Black Bhairav), the four metre high gilded, leering mask representing Shveta Bhairav is hidden behind a latticed wooden door. Compared to the boundless horror of Kala Bhairav, the almost charming wickedness of his nearby companion comes as a mild relief. The door in front of the mask is only opened during the festival of Indra Jatra. For the rest of the year it remains closed, hiding what is undoubtedly a more artistically executed figure than that of the Kala Bhairav.<br/><br/>

Despite greeting the visitor with an evil, tongueless grin, exposing long white teeth, the mask is leant a certain attractiveness by its golden hue. During Indra Jatra, copious amounts of rice beer are poured through the mouth of Shveta Bhairav, to be eagerly lapped up by the exuberant, jostling crowd.
At Indra Chowk, or the 'Courtyard of Indra', a two-storey temple dedicated to one of the 64 forms of the Bhairav, Akash Bhairav (Bhairav of the Air), looks out over the intersection of several lanes. Housing a silver statue of Akash Bhairav, the temple is partly covered with sheets of brass, and two brass lions stand guard at the door. During the festival of Indra Jatra, a large mask of Akash Bhairav is displayed on a shrine assembled in front of the temple. Akash Bhairav is considered a manifestation of Indra, the rain god.
Beng Mealea was built as a Hindu temple, but there are some carvings depicting Buddhist motifs. Its primary material is sandstone and it is largely unrestored, with trees and thick brush thriving amidst its towers and courtyards and many of its stones lying in great heaps. For years it was difficult to reach, but a road recently built to the temple complex of Koh Ker passes Beng Mealea and more visitors are coming to the site, as it is 77 km from Siem Reap by road.<br/><br/>

The history of the temple is unknown and it can be dated only by its architectural style, identical to Angkor Wat, so scholars assumed it was built during the reign of king Suryavarman II in the early 12th century. Smaller in size than Angkor Wat, the king's main monument, Beng Mealea nonetheless ranks among the Khmer empire's larger temples: the gallery which forms the outer enclosure of the temple is 181 m by 152 m. It was the center of a town, surrounded by a moat 1025 m by 875 m large and 45 m wide.
Banteay Srei (or Banteay Srey) is a 10th century Cambodian temple dedicated to the Hindu god Shiva and is located to the north-east of the main group of temples at Angkor. Banteay Srei is built largely of red sandstone, a medium that lends itself to the elaborate decorative wall carvings which are still observable today. Banteay Srei is sometimes referred to as the 'jewel of Khmer art.'
Banteay Srei (or Banteay Srey) is a 10th century Cambodian temple dedicated to the Hindu god Shiva and is located to the north-east of the main group of temples at Angkor. Banteay Srei is built largely of red sandstone, a medium that lends itself to the elaborate decorative wall carvings which are still observable today. Banteay Srei is sometimes referred to as the 'jewel of Khmer art.'
Banteay Srei (or Banteay Srey) is a 10th century Cambodian temple dedicated to the Hindu god Shiva and is located to the north-east of the main group of temples at Angkor. Banteay Srei is built largely of red sandstone, a medium that lends itself to the elaborate decorative wall carvings which are still observable today. Banteay Srei is sometimes referred to as the 'jewel of Khmer art.'
The Victory Gate of Angkor Thom. Angkor Thom (Great City) was established in the 12th century by King Jayavarman VII.<br/><br/>

Angkor Thom is located one mile north of Angkor Wat. It was built in the late 12th century by king Jayavarman VII, and covers an area of 9 km², within which are located several monuments from earlier eras as well as those established by Jayavarman and his successors. At the centre of the city is Jayavarman's state temple, the Bayon, with the other major sites clustered around the Victory Square immediately to the north.<br/><br/>

Angkor Thom was established as the capital of Jayavarman VII's empire, and was the centre of his massive building programme. One inscription found in the city refers to Jayavarman as the groom and the city as his bride. Angkor Thom seems not to be the first Khmer capital on the site, however, as Yasodharapura, dating from three centuries earlier, was centred slightly further northwest. The last temple known to have been constructed in Angkor Thom was Mangalartha, which was dedicated in 1295. In the following centuries Angkor Thom remained the capital of a kingdom in decline until it was abandoned some time prior to 1609. It is believed to have sustained a population of 80,000-150,000 people.
Angkor Wat was built for King Suryavarman II (ruled 1113-50) in the early 12th century as his state temple and capital city. As the best-preserved temple at the Angkor site, it is the only one to have remained a significant religious centre since its foundation – first Hindu, dedicated to the god Vishnu, then Buddhist. It is the world's largest religious building. The temple is at the top of the high classical style of Khmer architecture. It has become a symbol of Cambodia, appearing on its national flag, and it is the country's prime attraction for visitors.<br/><br/>

Angkor Wat combines two basic plans of Khmer temple architecture: the temple mountain and the later galleried temple, based on early South Indian Hindu architecture. It is designed to represent Mount Meru, home of the devas in Hindu mythology: within a moat and an outer wall 3.6 kilometres (2.2 mi) long are three rectangular galleries, each raised above the next. At the centre of the temple stands a quincunx of towers.
Angkor Wat was built for King Suryavarman II (ruled 1113-50) in the early 12th century as his state temple and capital city. As the best-preserved temple at the Angkor site, it is the only one to have remained a significant religious centre since its foundation – first Hindu, dedicated to the god Vishnu, then Buddhist. It is the world's largest religious building. The temple is at the top of the high classical style of Khmer architecture. It has become a symbol of Cambodia, appearing on its national flag, and it is the country's prime attraction for visitors.<br/><br/>

Angkor Wat combines two basic plans of Khmer temple architecture: the temple mountain and the later galleried temple, based on early South Indian Hindu architecture. It is designed to represent Mount Meru, home of the devas in Hindu mythology: within a moat and an outer wall 3.6 kilometres (2.2 mi) long are three rectangular galleries, each raised above the next. At the centre of the temple stands a quincunx of towers.
The Vessantara Jataka (Burmese: Wethandaya Zatdaw; Thai: มหาเวสสันดรชาดก, Maha Wetsandon Chadok) is one of the most popular avadānas of Theravada Buddhism.<br/><br/>

The Vessantara Jataka tells the story of one of Buddha's past lives, about a compassionate prince, Vessantara, who gives away everything he owns, including his children, thereby displaying the virtue of perfect charity. It is also known as the Great Birth Sermon.
Erawan is the Thai name of the mythological elephant Airavata.<br/><br/>

Erawan is a mythological white elephant who carries the Hindu god Indra. According to the Ramayana, his mother was Iravati. According to the Matangalila, Erawan (Airavata) was born when Brahma sang sacred hymns over the halves of the egg shell from which Garuda hatched, followed by seven more male and eight female elephants. Prithu made Erawan king of all elephants. One of his names means 'the one who knits or binds the clouds' since myth has it that these elephants are capable of producing clouds.<br/><br/>

Mae Sariang is a small town and district (Amphoe) alongside the Yuam River in Mae Hong Son Province, northern Thailand, along the Myanmar border. The areas around Mae Sariang are mountainous and forested. The town has many links to Burma, such as its architecture and a large population of Burmese Muslims.
Prasat Ban Phluang is a Khmer temple built in the Baphuon style and constructed in the 11th century by King Udayadityavarman II.
Prasat Ban Phluang is a Khmer temple built in the Baphuon style and constructed in the 11th century by King Udayadityavarman II.
Prasat Ban Phluang is a Khmer temple built in the Baphuon style and constructed in the 11th century by King Udayadityavarman II.
Prasat Ban Phluang is a Khmer temple built in the Baphuon style and constructed in the 11th century by King Udayadityavarman II.
Prasat Ban Phluang is a Khmer temple built in the Baphuon style and constructed in the 11th century by King Udayadityavarman II.
Prasat Ban Phluang is a Khmer temple built in the Baphuon style and constructed in the 11th century by King Udayadityavarman II.
Prasat Ban Phluang is a Khmer temple built in the Baphuon style and constructed in the 11th century by King Udayadityavarman II.
Prasat Ban Phluang is a Khmer temple built in the Baphuon style and constructed in the 11th century by King Udayadityavarman II.
Prasat Ban Phluang is a Khmer temple built in the Baphuon style and constructed in the 11th century by King Udayadityavarman II.
Prasat Ban Phluang is a Khmer temple built in the Baphuon style and constructed in the 11th century by King Udayadityavarman II.
In Hinduism Indrani (queen of Indra)  is the goddess of wrath and jealousy, and a daughter of Puloman, an Asura who was killed by Indrani's future husband, Indra.<br/><br/>

She is one of the seven Matrikas (mother goddesses). She is described as a beauty and in particular as having  beautiful eyes. She is associated with lions and elephants. With Indra, she is the mother of Jayanta, Jayanti, Midhusa, Nilambara, Rbhus, Rsabha and Chitragupta. In Hindu epics, she is also described as 'The Endless Beauty'.
Indra, also known as Sakra in the Vedas, is the leader of the Devas and the lord of Svargaloka or heaven in Hinduism. He is the deva of rain and thunderstorms.<br/><br/>

He wields a lightning thunderbolt known as vajra and rides on a white elephant known as Airavata. Indra is the most important deity worshiped by the Rigvedic tribes and is the son of Dyaus and the goddess Savasi. His home is situated on Mount Meru.
Wat Ratchaburana (Rajaburana) was constructed in the late Ayutthaya era (1351 - 1767) by a Chinese merchant named Liap and was orignally named Wat Jeen Liap.<br/><br/>

Erawan is the Thai name of the mythological elephant Airavata. Erawan is a mythological white elephant who carries the Hindu god Indra. According to the Ramayana, his mother was Iravati. According to the Matangalila, Erawan (Airavata) was born when Brahma sang sacred hymns over the halves of the egg shell from which Garuda hatched, followed by seven more male and eight female elephants. Prithu made Erawan king of all elephants. One of his names means "the one who knits or binds the clouds" since myth has it that these elephants are capable of producing clouds.
Azes II (reigned circa 35-12 BCE), may have been the last Indo-Scythian king in northern India. After the death of Azes II, the rule of the Indo-Scythians in northwestern India finally crumbled with the conquest of the Kushans, one of the five tribes of the Yuezhi who had lived in Bactria for more than a century, and who were then expanding into India to create a Kushan Empire.