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Japan: Untitled <i>ukiyo-e</i> woodblock print by Katsukawa Shun'ei (1762-1819), late 18th century - early 19th century.<br/><br/> Katsukawa Shun'ei (1762 - 13 December 1819), real name Isoda Shun'ei, was a Japanese ukiyo-e artist from Tokyo. He joined the Katsukawa school of ukiyo-e artists, and mainly designed <i>yakusha-e kabuki</i> portraits, though he also dabbled in <i>musha-e</i> warrior prints and prints of sumo wrestlers. He became head of the Katsukawa school in 1800.
The Tangshan earthquake, also known as the Great Tangshan earthquake, was a natural disaster that occurred on July 28, 1976. It is believed to be the largest earthquake of the 20th century by death toll. The epicenter of the earthquake was near Tangshan in Hebei, People's Republic of China, an industrial city with approximately one million inhabitants.<br/><br/> The number of deaths initially reported by the Chinese government was 655,000, but this number has since been stated to be around 240,000 to 255,000. Another report indicates that the actual death toll was much higher, at approximately 650,000, and explains that the lower estimates are limited to Tangshan and exclude fatalities in the densely populated surrounding areas.<br/><br/> A further 164,000 people were recorded as being severely injured. The earthquake occurred between a series of political events involving the Communist Party of China, ultimately leading to the expulsion of the ruling Gang of Four by Mao Zedong's chosen successor, Hua Guofeng. In traditional Chinese thought, natural disasters are seen as a precursor of dynastic change.
Shigeru Aoki (1882-1911) was a Japanese painter famed for his combining of Japanese mythology and legends with the Western-style art movement that could be found in some late 19th and early 20th century Japanese paintings.<br/><br/> Aoki was born into an ex-samurai household in northern Kyushu. He left his home in 1899 to pursue artistic studies in Tokyo, and soon began to accumulate critical acclaim for his artwork and its use of Pre-Raphaelite Brotherhood techniques mixed with Kojiki themes. He died in March 1911 from tuberculosis, aged only 28.
Japan / Italy: 'Around the Campidoglio'. Oil on canvas painting by Fujishima Takeji (1867-1943), 1919, Osaka City Museum of Modern Art, Osaka. Fujishima Takeji (October 15, 1867 - March 19, 1943) was a Japanese painter from an ex-samurai class household in southern Kyushu. He helped to develop impressionism and Romanticism within the Western-style ('yōga') art movement that became popular in Japanese painting during the late 19th and early 20th century. He would also be inspired by the Art Nouveau movement in his later years.
Japanese print showing an American family, the husband stands nearby while his wife breast-feeds an infant.<br/><br/> Utagawa Yoshitora was a designer of <i>ukiyo-e</i> Japanese woodblock prints and an illustrator of books and newspapers who was active from about 1850 to about 1880. He was born in Edo (modern Tokyo), but neither his date of birth nor date of death is known. He was the oldest pupil of Utagawa Kuniyoshi who excelled in prints of warriors, kabuki actors, beautiful women, and foreigners (<i>Yokohama-e</i>).
Suzuki Harunobu (鈴木 春信4, 1724 – July 7, 1770) was a Japanese woodblock print artist, one of the most famous in the Ukiyo-e style. He was an innovator, the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints.<br/><br/> Harunobu used many special techniques, and depicted a wide variety of subjects, from classical poems to contemporary beauties (bijin, bijin-ga). Like many artists of his day, Harunobu also produced a number of shunga, or erotic images.<br/><br/> During his lifetime and shortly afterwards, many artists imitated his style. A few, such as Harushige, even boasted of their ability to forge the work of the great master. Much about Harunobu's life is unknown.
Socialist Realism is a style of realistic art which developed under Socialism in the Soviet Union and became a dominant style in other communist countries. Socialist Realism is a teleologically-oriented style having as its purpose the furtherance of the goals of socialism and communism.<br/><br/> Although related, it should not be confused with Social Realism, a type of art that realistically depicts subjects of social concern. Unlike Social Realism, Socialist Realism generally glorifies the ideology of the communist state.
The ao dai (Vietnamese: áo dài) is a Vietnamese national costume, now most commonly for women. In its current form, it is a tight-fitting silk tunic worn over pantaloons. The word is pronounced ow-zye in the north and ow-yai in the south, and translates as 'long dress'. The name áo dài was originally applied to the dress worn at the court of the Nguyễn Lords at Huế in the 18th century. This outfit evolved into the áo ngũ thân, a five-paneled aristocratic gown worn in the 19th and early 20th centuries. Inspired by Paris fashions, Nguyễn Cát Tường and other artists associated with Hanoi University redesigned the ngũ thân as a modern dress in the 1920s and 1930s. The updated look was promoted by the artists and magazines of Tự Lực văn đoàn (Self-Reliant Literary Group) as a national costume for the modern era. In the 1950s, Saigon designers tightened the fit to produce the version worn by Vietnamese women today. The dress was extremely popular in South Vietnam in the 1960s and early 1970s, frowned upon as frivolous and borgeois in the North between 1952 and 1986, but is today increasingly popular nationwide, having become once again a symbol of Vietnamese nationalism and Vietnamese female beauty.
The British conquest of Burma began in 1824 in response to a Burmese attempt to invade India. By 1886, and after two further wars, Britain had incorporated the entire country into the British Raj. To stimulate trade and facilitate changes, the British brought in Indians and Chinese, who quickly displaced the Burmese in urban areas. To this day Rangoon and Mandalay have large ethnic Indian populations. Railways and schools were built, as well as a large number of prisons, including the infamous Insein Prison, then as now used for political prisoners.<br/><br/> Burmese resentment was strong and was vented in violent riots that paralysed Rangoon on occasion all the way until the 1930s. Burma was administered as a province of British India until 1937 when it became a separate, self-governing colony. Burma finally gained independence from Britain on January 4, 1948.
The Dura Europos synagogue is an ancient synagogue uncovered at Dura-Europos, Syria, in 1932. The last phase of construction was dated by an Aramaic inscription to 244 CE, making it one of the oldest synagogues in the world. It is unique among the many ancient synagogues that have emerged from archaeological digs as it was preserved virtually intact, and it has extensive figurative wall-paintings. These frescoes are now displayed in the National Museum of Damascus.
According to Christianity, the Three Kings, or Three Wise Men, travelled from the East to Bethlehem to pay homage to the newly born Messiah, the son of God. Cradled in his mother the Virgin Mary’s hands, the baby Jesus holds up his hand in a blessing. Before him kneels King Melchior, offering a gift of gold. Joseph, Mary's husband, stands behind in red.
Known in the Christian Bible as the Adoration of the Magi, this vivid scene depicts the Virgin Mary, mother of Christ, sitting in a ruined palace with the baby Jesus in her hands.<br/><br/> The Three Kings (the Magi) have come to Bethlehem to honour the child. They are dressed in their finest clothes. The kings , having removed their crowns, kneel and kiss the Christ's hand. Each bear's a gift, gold, frankincense and myrrh. Joseph stands in red in the background.
Takenouchi no Sukune (武内宿禰) or Takeshiuchi no Sukune was a legendary Japanese hero-statesman, and is a Shinto kami.<br/><br/> Takenouchi no Sukune was supposedly the son of Princess Kagehime, and is said to be grandson to Imperial Prince Hikofutódhimakoto no Mikoto. Also descended from Emperor Kōgen, Takenouchi no Sukune served under five legendary emperors, Emperor Keikō, Emperor Seimu, Emperor Chūai, Emperor Ōjin, and Emperor Nintoku, but was perhaps best known for his service as Grand Minister to the Regent Jingu, with whom he supposedly invaded Korea. While Jingu was regent to her son, Ojin, Takenouchi was accused of treason.<br/><br/> In addition to his martial services to these emperors, he was reputedly also a <i>saniwa</i>, or spirit medium.<br/><br/> Twenty-eight Japanese clans are said to be descended from Takenouchi no Sukune, including Takeuchi and Soga. He is a legendary figure, and is said to have drunk daily from a sacred well, and this helped him to live to be 280 years old. Further, he is enshrined as a Kami at the Ube shrine, in the Iwami district of the Tottori Prefecture and at local Hachiman shrines. His portrait has also appeared on the Japanese yen, and dolls of him are popular Children’s Day gifts.
Takenouchi no Sukune (武内宿禰) or Takeshiuchi no Sukune was a legendary Japanese hero-statesman, and is a Shinto kami.<br/><br/> Takenouchi no Sukune was supposedly the son of Princess Kagehime, and is said to be grandson to Imperial Prince Hikofutódhimakoto no Mikoto. Also descended from Emperor Kōgen, Takenouchi no Sukune served under five legendary emperors, Emperor Keikō, Emperor Seimu, Emperor Chūai, Emperor Ōjin, and Emperor Nintoku, but was perhaps best known for his service as Grand Minister to the Regent Jingu, with whom he supposedly invaded Korea. While Jingu was regent to her son, Ojin, Takenouchi was accused of treason.<br/><br/> In addition to his martial services to these emperors, he was reputedly also a <i>saniwa</i>, or spirit medium.<br/><br/> Twenty-eight Japanese clans are said to be descended from Takenouchi no Sukune, including Takeuchi and Soga. He is a legendary figure, and is said to have drunk daily from a sacred well, and this helped him to live to be 280 years old. Further, he is enshrined as a Kami at the Ube shrine, in the Iwami district of the Tottori Prefecture and at local Hachiman shrines. His portrait has also appeared on the Japanese yen, and dolls of him are popular Children’s Day gifts.
Kitagawa Utamaro (ca. 1753 - October 31, 1806) was a Japanese printmaker and painter, who is considered one of the greatest artists of woodblock prints (ukiyo-e). He is known especially for his masterfully composed studies of women, known as bijinga. He also produced nature studies, particularly illustrated books of insects.
Kitagawa Utamaro (ca. 1753 - October 31, 1806) was a Japanese printmaker and painter, who is considered one of the greatest artists of woodblock prints (ukiyo-e). He is known especially for his masterfully composed studies of women, known as bijinga. He also produced nature studies, particularly illustrated books of insects.