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According to oral tradition, tea has been grown in China for more than four millennia. The earliest written accounts of tea making, however, date from around 350 CE, when it first became a drink at the imperial court.<br/><br/> Around 800 CE tea seeds were taken to Japan, where regular cultivation was soon established. Just over five centuries later, in 1517, tea was first shipped to Europe by the Portuguese soon after they began their trade with China. In 1667 the Honourable East India Company ordered the first British shipment of tea from China, requesting of their agents ‘one hundred pounds weight of the best tey that you can get’.<br/><br/> In 1826 the Dutch bought seeds from Japan for cultivation in their growing East Indian Empire, supplementing this effort in 1833 by imports of seeds, workers and implements from China. Meanwhile, also in the 1830s, the East India Company began growing tea on an experimental basis in Assam – the first one hundred boxes of Assamese tea reached Britain in 1840, and found a ready market.<br/><br/> About the same time, tea seedlings were transplanted from Assam to Sri Lanka and planted in the highlands around Kandy. By the beginning of the present century tea was very much in fashion, with plantations established as far afield as Vietnam in Southeast Asia, Georgia in Europe, Natal, Malawi, Uganda, Kenya, Tanzania and Mozambique in Africa, Argentina, Brazil and Peru in South America, and Queensland in Australia. Despite this proliferation, however, Sri Lanka remains the largest producer of tea in the world today, with the fragrant black leaf the mainstay of its economy.
Chinese dragons are legendary creatures in Chinese mythology and folklore. In Chinese art, dragons are typically portrayed as long, scaled, serpentine creatures with four legs. In yin and yang terminology, a dragon is yang and complements a yin fenghuang or 'Chinese phoenix'.<br/><br/> Chinese dragons traditionally symbolize potent and auspicious powers, particularly control over water, rainfall, hurricane, and floods. The dragon is also a symbol of power, strength, and good luck. With this, the Emperor of China usually used the dragon as a symbol of his imperial power and strength.
Chinese dragons are legendary creatures in Chinese mythology and folklore. In Chinese art, dragons are typically portrayed as long, scaled, serpentine creatures with four legs. In yin and yang terminology, a dragon is yang and complements a yin fenghuang or 'Chinese phoenix'.<br/><br/> Chinese dragons traditionally symbolize potent and auspicious powers, particularly control over water, rainfall, hurricane, and floods. The dragon is also a symbol of power, strength, and good luck. With this, the Emperor of China usually used the dragon as a symbol of his imperial power and strength.
Cao Đài is a syncretistic, monotheistic religion, officially established in the city of Tây Ninh, southern Vietnam, in 1926.<br/><br/> During the First and Second Indochina Wars, members of Cao Dai (along with several other Vietnamese sects, such as Hoa Hao) were active in political and military struggles, both against French colonial forces and Prime Minister Ngô Đình Diệm of South Vietnam.<br/><br/> Their opposition to the communist forces until 1975 was a factor in their repression after the Fall of Saigon in 1975, when the incoming communist government proscribed the practice of Cao Dai. In 1995, the Thien Tien branch of Cao Dai was granted legal recognition by the government, and two years later, in 1997, the Tay Ninh Cao Dai branch was granted legal recognition.
Chinese dragons are legendary creatures in Chinese mythology and folklore. In Chinese art, dragons are typically portrayed as long, scaled, serpentine creatures with four legs. In yin and yang terminology, a dragon is yang and complements a yin fenghuang or 'Chinese phoenix'.<br/><br/> Chinese dragons traditionally symbolize potent and auspicious powers, particularly control over water, rainfall, hurricane, and floods. The dragon is also a symbol of power, strength, and good luck. With this, the Emperor of China usually used the dragon as a symbol of his imperial power and strength.
China Burma India Theater (CBI) was the name used by the United States Army for its forces operating in conjunction with British and Chinese Allied air and land forces in China, Burma, and India during World War II. Well-known US units in this theater included the Flying Tigers, transport and bomber units flying the Hump, the 1st Air Commando Group, the engineers who built Ledo Road, and the 5307th Composite Unit (Provisional), otherwise known as Merrill's Marauders.
Flying Tigers was the popular name of the 1st American Volunteer Group (AVG) of the Chinese Air Force in 1941-1942. The pilots were United States Army (USAAF), Navy (USN), and Marine Corps (USMC) personnel, recruited under Presidential sanction and commanded by Claire Lee Chennault; the ground crew and headquarters staff were likewise mostly recruited from the U.S. military, along with some civilians.<br/><br/> The group consisted of three fighter squadrons with about 20 aircraft each. It trained in Burma before the American entry into World War II with the mission of defending China against Japanese forces. The Tigers' shark-faced fighters remain among the most recognizable of any individual combat aircraft of World War II, and they demonstrated innovative tactical victories when the news in the U.S. was filled with little more than stories of defeat at the hands of the Japanese forces. The group first saw combat on 20 December 1941, 12 days after Pearl Harbor. It achieved notable success during the lowest period of the war for U.S. and Allied Forces, giving hope to Americans that they would eventually succeed against the Japanese.