Refine your search

The results of your search are listed below alongside the search terms you entered on the previous page. You can refine your search by amending any of the parameters in the form and resubmitting it.

Select all Deselect all Add selection to lightbox
Large Small
Thumbnails per page
Cornelis de Houtman (2 April 1565 – 1 September 1599) was a Dutch explorer who discovered a new sea route from Europe to Indonesia and managed to begin the Dutch spice trade. At the time, the Portuguese Empire held a monopoly on the spice trade, and the voyage was a symbolic victory for the Dutch, even though the voyage itself was a disaster.<br/><br/> The voyage may be regarded as the start of the Dutch colonisation of Indonesia. Within five years, sixty-five more Dutch ships had sailed east to trade. Soon, the Dutch would fully take over the spice trade in and around the Indian Ocean.
Java is an island of Indonesia. With a population of 143 million, Java is the home of 57 percent of the Indonesian population, and is the most populous island on Earth. The Indonesian capital city, Jakarta, is located on western Java. Much of Indonesian history took place on Java. It was the center of powerful Hindu-Buddhist empires, the Islamic sultanates, and the core of the colonial Dutch East Indies. Java was also the center of the Indonesian struggle for independence during the 1930s and 1940s. Java dominates Indonesia politically, economically and culturally.<br/><br/> Java is divided into four provinces, West Java, Central Java, East Java, and Banten, and also two special regions, Jakarta and Yogyakarta.
Charles William Meredith van de Velde (born December 3, 1818 in Leeuwarden, died 20 March 1898 in Menton) was a Dutch lieutenant-at-sea second class, painter, honorary member of the Red Cross and missionary.
Kalasan (Indonesian: Candi Kalasan), also known as Candi Kalibening, is an 8th-century Buddhist temple in Indonesia. It is located 13 km east of Yogyakarta.<br/><br/> Candi are the Hindu and Buddhist temples and sanctuaries of Indonesia, mostly built during the 8th to 15th centuries. However, ancient non-religious structures such as gates, urban ruins, and pools and bathing places are often also called 'candi'.<br/><br/> Candi refers to a structure based on the Indian type of single-celled shrine, with a pyramidal tower above it, and a portico. The term Candi is given as a prefix to the many temple-mountains in Indonesia, built as a representation of the Cosmic Mount Meru, an epitome of the universe. However, the term also applied to many non-religious structures dated from the same period, such as gopura (gates), petirtaan (pools) and some habitation complexes.<br/><br/> The term 'candi' itself derived from Candika one of the manifestations of the goddess Durga as the goddess of death. This suggested that in ancient Indonesia the 'candi' had a mortuary function as well as a connection with the afterlife.
Javanese dance comprises the dances and art forms created and influenced by Javanese culture. Javanese dance is usually associated with courtly, refined and sophisticated culture of the Javanese kratons, such as the Bedhaya and Srimpi dance. However, in a wider sense, Javanese dance also includes the dances of Javanese commoners and villagers such as Ronggeng, Tayub, Reog, and Kuda Lumping.<br/><br/> Javanese dance is usually associated with Wayang wong, and the palaces of Yogyakarta and Surakarta due to the nature of dance being a pusaka or sacred heirloom from ancestors of the palace rulers. These expressive dances are more than just dances, they are also used for moral education, emotional expression, and spreading of the Javanese culture.
The concept of a Malay race was originally proposed by the German scientist Johann Friedrich Blumenbach (1752–1840), and classified as the brown race. Since Blumenbach, many anthropologists have rejected his theory of five races, citing the enormous complexity of classifying races. The concept of a 'Malay race' differs with that of the ethnic Malays centered around Malaysian Malay Peninsula and parts of the Indonesian island of Sumatra.<br/><br/>The term Malay race was commonly used in the late 19th century and early 20th century to describe the Austronesian peoples.
A Borobudur ship is the 8th-century wooden double outrigger, sailed vessel of Maritime Southeast Asia depicted in some bas reliefs of the Borobudur Buddhist monument in Central Java, Indonesia.<br/><br/> The ships depicted at Borobudur were most likely the type of vessels used for inter-insular trades and naval campaigns by the Sailendran and Srivijayan thalassocracy empire that ruled the region around the 7th to the 13th century.<br/><br/> The function of the outrigger was to stabilize the ship; a single or double outrigger canoe is the typical feature of the seafaring Austronesian vessels. It is considered by scholars to have been the most likely type of vessel used for their voyages and exploration across Southeast Asia, Oceania, and the Indian Ocean.
Tyra Kleen, sometimes written Thyra, born 29 March 1874 in Stockholm, died in 1951, was a Swedish artist and writer. Her illustrations can be signed T.Kn.<br/><br/> Javanese dance is the dances and art forms that were created and influenced by Javanese culture. Javanese dance is usually associated with the courtly, refined and sophisticated culture of the Javanese kratons, such as the Bedhaya and Srimpi dance. However, in a wider sense, Javanese dance also includes the dances of Javanese commoners and villagers such as Ronggeng, Tayub, Reog, and Kuda Lumping.<br/><br/> Javanese dance is usually associated with Wayang wong, and the palaces of Yogyakarta and Surakarta due to the nature of dance being a pusaka or sacred heirloom from ancestors of the palace rulers. These expressive dances are more than just dances, they are also used for moral education, emotional expression, and spreading of the Javanese culture.
Tyra Kleen, sometimes written Thyra, born 29 March 1874 in Stockholm, died in 1951, was a Swedish artist and writer. Her illustrations can be signed T.Kn.<br/><br/> Javanese dance is the dances and art forms that were created and influenced by Javanese culture. Javanese dance is usually associated with the courtly, refined and sophisticated culture of the Javanese kratons, such as the Bedhaya and Srimpi dance. However, in a wider sense, Javanese dance also includes the dances of Javanese commoners and villagers such as Ronggeng, Tayub, Reog, and Kuda Lumping.<br/><br/> Javanese dance is usually associated with Wayang wong, and the palaces of Yogyakarta and Surakarta due to the nature of dance being a pusaka or sacred heirloom from ancestors of the palace rulers. These expressive dances are more than just dances, they are also used for moral education, emotional expression, and spreading of the Javanese culture.
Tyra Kleen, sometimes written Thyra, born 29 March 1874 in Stockholm, died in 1951, was a Swedish artist and writer. Her illustrations can be signed T.Kn.<br/><br/> Javanese dance is the dances and art forms that were created and influenced by Javanese culture. Javanese dance is usually associated with the courtly, refined and sophisticated culture of the Javanese kratons, such as the Bedhaya and Srimpi dance. However, in a wider sense, Javanese dance also includes the dances of Javanese commoners and villagers such as Ronggeng, Tayub, Reog, and Kuda Lumping.<br/><br/> Javanese dance is usually associated with Wayang wong, and the palaces of Yogyakarta and Surakarta due to the nature of dance being a pusaka or sacred heirloom from ancestors of the palace rulers. These expressive dances are more than just dances, they are also used for moral education, emotional expression, and spreading of the Javanese culture.
Tyra Kleen, sometimes written Thyra, born 29 March 1874 in Stockholm, died in 1951, was a Swedish artist and writer. Her illustrations can be signed T.Kn.<br/><br/> Javanese dance is the dances and art forms that were created and influenced by Javanese culture. Javanese dance is usually associated with the courtly, refined and sophisticated culture of the Javanese kratons, such as the Bedhaya and Srimpi dance. However, in a wider sense, Javanese dance also includes the dances of Javanese commoners and villagers such as Ronggeng, Tayub, Reog, and Kuda Lumping.<br/><br/> Javanese dance is usually associated with Wayang wong, and the palaces of Yogyakarta and Surakarta due to the nature of dance being a pusaka or sacred heirloom from ancestors of the palace rulers. These expressive dances are more than just dances, they are also used for moral education, emotional expression, and spreading of the Javanese culture.
Tyra Kleen, sometimes written Thyra, born 29 March 1874 in Stockholm, died in 1951, was a Swedish artist and writer. Her illustrations can be signed T.Kn.<br/><br/> Javanese dance is the dances and art forms that were created and influenced by Javanese culture. Javanese dance is usually associated with the courtly, refined and sophisticated culture of the Javanese kratons, such as the Bedhaya and Srimpi dance. However, in a wider sense, Javanese dance also includes the dances of Javanese commoners and villagers such as Ronggeng, Tayub, Reog, and Kuda Lumping.<br/><br/> Javanese dance is usually associated with Wayang wong, and the palaces of Yogyakarta and Surakarta due to the nature of dance being a pusaka or sacred heirloom from ancestors of the palace rulers. These expressive dances are more than just dances, they are also used for moral education, emotional expression, and spreading of the Javanese culture.
Javanese dance is the dances and art forms that were created and influenced by Javanese culture. Javanese dance is usually associated with the courtly, refined and sophisticated culture of the Javanese kratons, such as the Bedhaya and Srimpi dance. However, in a wider sense, Javanese dance also includes the dances of Javanese commoners and villagers such as Ronggeng, Tayub, Reog, and Kuda Lumping.<br/><br/> Javanese dance is usually associated with Wayang wong, and the palaces of Yogyakarta and Surakarta due to the nature of dance being a pusaka or sacred heirloom from ancestors of the palace rulers. These expressive dances are more than just dances, they are also used for moral education, emotional expression, and spreading of the Javanese culture.
Tyra Kleen, sometimes written Thyra, born 29 March 1874 in Stockholm, died in 1951, was a Swedish artist and writer. Her illustrations can be signed T.Kn.<br/><br/> Javanese dance is the dances and art forms that were created and influenced by Javanese culture. Javanese dance is usually associated with the courtly, refined and sophisticated culture of the Javanese kratons, such as the Bedhaya and Srimpi dance. However, in a wider sense, Javanese dance also includes the dances of Javanese commoners and villagers such as Ronggeng, Tayub, Reog, and Kuda Lumping.<br/><br/> Javanese dance is usually associated with Wayang wong, and the palaces of Yogyakarta and Surakarta due to the nature of dance being a pusaka or sacred heirloom from ancestors of the palace rulers. These expressive dances are more than just dances, they are also used for moral education, emotional expression, and spreading of the Javanese culture.
Tyra Kleen, sometimes written Thyra, born 29 March 1874 in Stockholm, died in 1951, was a Swedish artist and writer. Her illustrations can be signed T.Kn.<br/><br/> Javanese dance is the dances and art forms that were created and influenced by Javanese culture. Javanese dance is usually associated with the courtly, refined and sophisticated culture of the Javanese kratons, such as the Bedhaya and Srimpi dance. However, in a wider sense, Javanese dance also includes the dances of Javanese commoners and villagers such as Ronggeng, Tayub, Reog, and Kuda Lumping.<br/><br/> Javanese dance is usually associated with Wayang wong, and the palaces of Yogyakarta and Surakarta due to the nature of dance being a pusaka or sacred heirloom from ancestors of the palace rulers. These expressive dances are more than just dances, they are also used for moral education, emotional expression, and spreading of the Javanese culture.
Ronggeng is a type of Javanese and Malay social dance in which couples exchange poetic verses as they dance to the music of a rebab or violin and a gong. Ronggeng originated in Java, but also can be found in Sumatra and the Malay peninsula.<br/><br/> Ronggeng probably has existed in Java since ancient times, the bas reliefs in Karmawibhanga section on 8th century Borobudur displays the scene of travelling entertainment troupe with musicians and female dancers. In Java, a traditional ronggeng performance features a traveling dance troupe that travels from village to village. The dance troop consists of one or several professional female dancers, accompanied by a group of musicians playing musical instruments: rebab and gong.<br/><br/> The term 'ronggeng' is also applied to the female dancers. During a ronggeng performance, the female professional dancers are expected to invite some male audiences or clients to dance with them as a couple with the exchange of some tips of money for the female dancer, given during or after the dance. The couple dances intimately and the female dancer might perform some movements that might be considered too erotic by standards of modesty in Javanese court etiquette. In the past, the erotic and sexual nuances of the dance gave ronggeng a shady reputation as prostitution disguised in the art of dance.
Javanese dance comprises the dances and art forms created and influenced by Javanese culture. Javanese dance is usually associated with courtly, refined and sophisticated culture of the Javanese kratons, such as the Bedhaya and Srimpi dance. However, in a wider sense, Javanese dance also includes the dances of Javanese commoners and villagers such as Ronggeng, Tayub, Reog, and Kuda Lumping.<br/><br/> Javanese dance is usually associated with Wayang wong, and the palaces of Yogyakarta and Surakarta due to the nature of dance being a pusaka or sacred heirloom from ancestors of the palace rulers. These expressive dances are more than just dances, they are also used for moral education, emotional expression, and spreading of the Javanese culture.
Tyra Kleen, sometimes written Thyra, born 29 March 1874 in Stockholm, died in 1951, was a Swedish artist and writer. Her illustrations can be signed T.Kn.<br/><br/> Javanese dance is the dances and art forms that were created and influenced by Javanese culture. Javanese dance is usually associated with the courtly, refined and sophisticated culture of the Javanese kratons, such as the Bedhaya and Srimpi dance. However, in a wider sense, Javanese dance also includes the dances of Javanese commoners and villagers such as Ronggeng, Tayub, Reog, and Kuda Lumping.<br/><br/> Javanese dance is usually associated with Wayang wong, and the palaces of Yogyakarta and Surakarta due to the nature of dance being a pusaka or sacred heirloom from ancestors of the palace rulers. These expressive dances are more than just dances, they are also used for moral education, emotional expression, and spreading of the Javanese culture.
Tyra Kleen, sometimes written Thyra, born 29 March 1874 in Stockholm, died in 1951, was a Swedish artist and writer. Her illustrations can be signed T.Kn.<br/><br/> Javanese dance is the dances and art forms that were created and influenced by Javanese culture. Javanese dance is usually associated with the courtly, refined and sophisticated culture of the Javanese kratons, such as the Bedhaya and Srimpi dance. However, in a wider sense, Javanese dance also includes the dances of Javanese commoners and villagers such as Ronggeng, Tayub, Reog, and Kuda Lumping.<br/><br/> Javanese dance is usually associated with Wayang wong, and the palaces of Yogyakarta and Surakarta due to the nature of dance being a pusaka or sacred heirloom from ancestors of the palace rulers. These expressive dances are more than just dances, they are also used for moral education, emotional expression, and spreading of the Javanese culture.
Tyra Kleen, sometimes written Thyra, born 29 March 1874 in Stockholm, died in 1951, was a Swedish artist and writer. Her illustrations can be signed T.Kn.<br/><br/> Javanese dance is the dances and art forms that were created and influenced by Javanese culture. Javanese dance is usually associated with the courtly, refined and sophisticated culture of the Javanese kratons, such as the Bedhaya and Srimpi dance. However, in a wider sense, Javanese dance also includes the dances of Javanese commoners and villagers such as Ronggeng, Tayub, Reog, and Kuda Lumping.<br/><br/> Javanese dance is usually associated with Wayang wong, and the palaces of Yogyakarta and Surakarta due to the nature of dance being a pusaka or sacred heirloom from ancestors of the palace rulers. These expressive dances are more than just dances, they are also used for moral education, emotional expression, and spreading of the Javanese culture.
Tyra Kleen, sometimes written Thyra, born 29 March 1874 in Stockholm, died in 1951, was a Swedish artist and writer. Her illustrations can be signed T.Kn.<br/><br/> Javanese dance is the dances and art forms that were created and influenced by Javanese culture. Javanese dance is usually associated with the courtly, refined and sophisticated culture of the Javanese kratons, such as the Bedhaya and Srimpi dance. However, in a wider sense, Javanese dance also includes the dances of Javanese commoners and villagers such as Ronggeng, Tayub, Reog, and Kuda Lumping.<br/><br/> Javanese dance is usually associated with Wayang wong, and the palaces of Yogyakarta and Surakarta due to the nature of dance being a pusaka or sacred heirloom from ancestors of the palace rulers. These expressive dances are more than just dances, they are also used for moral education, emotional expression, and spreading of the Javanese culture.
Javanese dance is the dances and art forms that were created and influenced by Javanese culture. Javanese dance is usually associated with the courtly, refined and sophisticated culture of the Javanese kratons, such as the Bedhaya and Srimpi dance. However, in a wider sense, Javanese dance also includes the dances of Javanese commoners and villagers such as Ronggeng, Tayub, Reog, and Kuda Lumping.<br/><br/> Javanese dance is usually associated with Wayang wong, and the palaces of Yogyakarta and Surakarta due to the nature of dance being a pusaka or sacred heirloom from ancestors of the palace rulers. These expressive dances are more than just dances, they are also used for moral education, emotional expression, and spreading of the Javanese culture.
Ronggeng is a type of Javanese and Malay social dance in which couples exchange poetic verses as they dance to the music of a rebab or violin and a gong. Ronggeng originated in Java, but also can be found in Sumatra and the Malay peninsula.<br/><br/>Ronggeng probably has existed in Java since ancient times, the bas reliefs in Karmawibhanga section on 8th century Borobudur displays the scene of travelling entertainment troupe with musicians and female dancers. In Java, a traditional ronggeng performance features a traveling dance troupe that travels from village to village. The dance troop consists of one or several professional female dancers, accompanied by a group of musicians playing musical instruments: rebab and gong.<br/><br/>The term 'ronggeng' is also applied to the female dancers. During a ronggeng performance, the female professional dancers are expected to invite some male audiences or clients to dance with them as a couple with the exchange of some tips of money for the female dancer, given during or after the dance. The couple dances intimately and the female dancer might perform some movements that might be considered too erotic by standards of modesty in Javanese court etiquette. In the past, the erotic and sexual nuances of the dance gave ronggeng a shady reputation as prostitution disguised in the art of dance.
A Borobudur ship is the 8th-century wooden double outrigger, sailed vessel of Maritime Southeast Asia depicted in some bas reliefs of the Borobudur Buddhist monument in Central Java, Indonesia.<br/><br/> The ships depicted at Borobudur were most likely the type of vessels used for inter-insular trades and naval campaigns by the Sailendran and Srivijayan thalassocracy empire that ruled the region around the 7th to the 13th century.<br/><br/> The function of the outrigger was to stabilize the ship; a single or double outrigger canoe is the typical feature of the seafaring Austronesian vessels. It is considered by scholars to have been the most likely type of vessel used for their voyages and exploration across Southeast Asia, Oceania, and the Indian Ocean.
A Borobudur ship is the 8th-century wooden double outrigger, sailed vessel of Maritime Southeast Asia depicted in some bas reliefs of the Borobudur Buddhist monument in Central Java, Indonesia.<br/><br/> The ships depicted at Borobudur were most likely the type of vessels used for inter-insular trades and naval campaigns by the Sailendran and Srivijayan thalassocracy empire that ruled the region around the 7th to the 13th century.<br/><br/> The function of the outrigger was to stabilize the ship; a single or double outrigger canoe is the typical feature of the seafaring Austronesian vessels. It is considered by scholars to have been the most likely type of vessel used for their voyages and exploration across Southeast Asia, Oceania, and the Indian Ocean.
Ronggeng is a type of Javanese and Malay social dance in which couples exchange poetic verses as they dance to the music of a rebab or violin and a gong. Ronggeng originated in Java, but also can be found in Sumatra and the Malay peninsula.<br/><br/> Ronggeng probably has existed in Java since ancient times, the bas reliefs in Karmawibhanga section on 8th century Borobudur displays the scene of travelling entertainment troupe with musicians and female dancers. In Java, a traditional ronggeng performance features a traveling dance troupe that travels from village to village. The dance troop consists of one or several professional female dancers, accompanied by a group of musicians playing musical instruments: rebab and gong.<br/><br/> The term 'ronggeng' is also applied to the female dancers. During a ronggeng performance, the female professional dancers are expected to invite some male audiences or clients to dance with them as a couple with the exchange of some tips of money for the female dancer, given during or after the dance. The couple dances intimately and the female dancer might perform some movements that might be considered too erotic by standards of modesty in Javanese court etiquette. In the past, the erotic and sexual nuances of the dance gave ronggeng a shady reputation as prostitution disguised in the art of dance.