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Remedios, founded in 1524, was eclipsed by Santa Clara in the late 17th century and has changed relatively little since. The main square, Plaza Martí, is dominated by two churches – the 18th-century Iglesia de Nuestra Señora del Buen Viaje with a fine bell tower, and the more important Parroquial de San Juan Bautista, dating from 1545. The latter is certainly one of the most beautiful churches in Cuba, particularly notable for its elaborately carved and gilded altar, as well as the only statue of a pregnant Madonna of the Immaculate Conception in Cuba, or as the locals say, in the world.<br/><br/> At the centre of Plaza Martí is the Kiosko Pando, a bandstand dating from 1909, where live 'big band' music is played weekly on Thursday nights.<br/><br/> Remedios is also famous for the Festival of Parrandas which takes place annually on 24 and 25 December.
Suintila, or Swinthila, Svinthila; (c. 588 – 633 / 635) was Visigothic King of Hispania, Septimania and Galicia from 621 to 631. There was a new peace in the Kingdom of the Visigoths. As a direct result, by 624 the king was able to retake those lands that had been under the control of the Eastern Roman Empire. He was a son of Reccared I and wife Bado, and a brother of the general Geila.<br/><br/> It was around Suintila’s time that a secondary form of the word Hispania was growing in usage: Spania, from which the modern name of Spain originated.
The Basilica di Santa Maria Gloriosa dei Frari, usually just called the Frari, is a church located in the Campo dei Frari at the heart of the San Polo district of Venice, Italy.<br/><br/> In 1231, under Doge Jacopo Tiepolo, the city donated land at this site to establish a monastery and church belonging to the Franciscan Order of Friars Minor. This edifice proved too small and a three nave church was begun in 1250, and not completed until 1338. Work almost immediately began on its much larger replacement, the current church, which took over a century to build.
The Basilica di Santa Maria Gloriosa dei Frari, usually just called the Frari, is a church located in the Campo dei Frari at the heart of the San Polo district of Venice, Italy.<br/><br/> In 1231, under Doge Jacopo Tiepolo, the city donated land at this site to establish a monastery and church belonging to the Franciscan Order of Friars Minor. This edifice proved too small and a three nave church was begun in 1250, and not completed until 1338. Work almost immediately began on its much larger replacement, the current church, which took over a century to build.
The 15th century Holy Trinity Church was built by the Neuhaus family and was consecrated in 1475. The church stands behind a wall that the local population built to protect itself from Turkish attacks in the 16th century.<br/><br/> The interior is decorated with Gothic frescoes by the artist John of Kastav (Johannes de Castua), the most famous being <i>Danse Macabre</i> (Dance of Death), and completed in 1490.
The 15th century Holy Trinity Church was built by the Neuhaus family and was consecrated in 1475. The church stands behind a wall that the local population built to protect itself from Turkish attacks in the 16th century.<br/><br/> The interior is decorated with Gothic frescoes by the artist John of Kastav (Johannes de Castua), the most famous being <i>Danse Macabre</i> (Dance of Death), and completed in 1490.
The Hermitage of San Baudelio de Berlanga (Ermita de San Baudelio de Berlanga) is an early 11th-century church at Caltojar in the province of Soria, Spain, 80 km south of Berlanga de Duero. It is an example of Mozarabic architecture and was built in the 11th century, in what was then the frontier between Islamic and Christian lands. It is dedicated to Saint Baudilus or Baudel.<br/><br/> The hermitage housed many fine Romanesque frescoes from about 1125; most of these have been removed, but some have remained. Two sections, transferred to canvas, are now in the Indianapolis Museum of Art, showing the Entry of Christ into Jerusalem and the Wedding at Cana.<br/><br/> The paintings were done by the Catalan Master of Tahull (Taüll in Catalan), whose best known works are in Sant Climent de Taüll and the Museu Nacional d'Art de Catalunya in Barcelona, with two other painters. The frescoes include that of a camel and of a war elephant, which were inspired by Muslim motifs.
The Hermitage of San Baudelio de Berlanga (Ermita de San Baudelio de Berlanga) is an early 11th-century church at Caltojar in the province of Soria, Spain, 80 km south of Berlanga de Duero. It is an example of Mozarabic architecture and was built in the 11th century, in what was then the frontier between Islamic and Christian lands. It is dedicated to Saint Baudilus or Baudel.<br/><br/> The hermitage housed many fine Romanesque frescoes from about 1125; most of these have been removed, but some have remained. Two sections, transferred to canvas, are now in the Indianapolis Museum of Art, showing the Entry of Christ into Jerusalem and the Wedding at Cana.<br/><br/> The paintings were done by the Catalan Master of Tahull (Taüll in Catalan), whose best known works are in Sant Climent de Taüll and the Museu Nacional d'Art de Catalunya in Barcelona, with two other painters. The frescoes include that of a camel and of a war elephant, which were inspired by Muslim motifs.
The Hermitage of San Baudelio de Berlanga (Ermita de San Baudelio de Berlanga) is an early 11th-century church at Caltojar in the province of Soria, Spain, 80 km south of Berlanga de Duero. It is an example of Mozarabic architecture and was built in the 11th century, in what was then the frontier between Islamic and Christian lands. It is dedicated to Saint Baudilus or Baudel.<br/><br/> The hermitage housed many fine Romanesque frescoes from about 1125; most of these have been removed, but some have remained. Two sections, transferred to canvas, are now in the Indianapolis Museum of Art, showing the Entry of Christ into Jerusalem and the Wedding at Cana.<br/><br/> The paintings were done by the Catalan Master of Tahull (Taüll in Catalan), whose best known works are in Sant Climent de Taüll and the Museu Nacional d'Art de Catalunya in Barcelona, with two other painters. The frescoes include that of a camel and of a war elephant, which were inspired by Muslim motifs.
The Cattedrale di Santa Maria del Fiore (Cathedral of Saint Mary of the Flowers) is the main church of Florence. Il Duomo di Firenze, as it is ordinarily called, was begun in 1296 in the Gothic style with the design of Arnolfo di Cambio and completed structurally in 1436 with the dome engineered by Filippo Brunelleschi.<br/><br/> The exterior of the basilica is faced with polychrome marble panels in various shades of green and pink bordered by white and has an elaborate 19th-century Gothic Revival façade by Emilio De Fabris.<br/><br/> The cathedral complex, located in Piazza del Duomo, includes the Baptistery and Giotto's Campanile.
The Cattedrale di Santa Maria del Fiore (Cathedral of Saint Mary of the Flowers) is the main church of Florence. Il Duomo di Firenze, as it is ordinarily called, was begun in 1296 in the Gothic style with the design of Arnolfo di Cambio and completed structurally in 1436 with the dome engineered by Filippo Brunelleschi.<br/><br/> The exterior of the basilica is faced with polychrome marble panels in various shades of green and pink bordered by white and has an elaborate 19th-century Gothic Revival façade by Emilio De Fabris.<br/><br/> The cathedral complex, located in Piazza del Duomo, includes the Baptistery and Giotto's Campanile.
In the 15th century, the Portuguese explored the sea route to India and Pope Nicholas V enacted the Papal bull Romanus Pontifex. This bull granted the patronage of the propagation of the Christian faith in Asia to the Portuguese and rewarded them with a trade monopoly for newly discovered areas.<br/><br/> After Vasco da Gama arrived at Calicut on the coast of Kerala in India in 1498, the trade became prosperous. In 1510, the Portuguese wrested Goa from the Sultan of Bijapur and finally established themselves in Goa. By 1544, they conquered the districts of Bardez and Salcette in Goa.<br/><br/> In 1534, the Archdiocese of Goa was established. Soon missionaries of the newly founded Society of Jesus were sent to Goa, which lead to conversion of many locals to Christianity. In 1542, Francis Xavier, co-founder of the Society of Jesus, arrived in Goa.
In the 15th century, the Portuguese explored the sea route to India and Pope Nicholas V enacted the Papal bull Romanus Pontifex. This bull granted the patronage of the propagation of the Christian faith in Asia to the Portuguese and rewarded them with a trade monopoly for newly discovered areas.<br/><br/> After Vasco da Gama arrived at Calicut on the coast of Kerala in India in 1498, the trade became prosperous. In 1510, the Portuguese wrested Goa from the Sultan of Bijapur and finally established themselves in Goa. By 1544, they conquered the districts of Bardez and Salcette in Goa.<br/><br/> In 1534, the Archdiocese of Goa was established. Soon missionaries of the newly founded Society of Jesus were sent to Goa, which lead to conversion of many locals to Christianity. In 1542, Francis Xavier, co-founder of the Society of Jesus, arrived in Goa.
Old Goa or Velha Goa was founded in the 15th century CE as a port on the banks of the Mandovi river by the rulers of the Bijapur Sultanate. The city was built to replace Govapuri, which lay a few kilometres to the south and had been used as a port by the Kadamba and Vijayanagar kings.<br/><br/> Old Goa was the second capital after Bijapur of the rule of Adil Shahi Dynasty. It was surrounded by a moat and contained the shah's palace, and his mosques and temples.<br/><br/> The city was captured by the Portuguese, and was under Portuguese rule from 1510 as the administrative seat of Portuguese India. The viceroy's residence was transferred in 1759 to the future capital, Panjim, at the time a village about 9 km to its west.<br/><br/> During the mid-16th century, the Portuguese colony of Goa, especially Velha Goa, was the center of Christianisation in the East. The city was evangelised by all religious orders, since all of them had their headquarters there
Old Goa or Velha Goa was founded in the 15th century CE as a port on the banks of the Mandovi river by the rulers of the Bijapur Sultanate. The city was built to replace Govapuri, which lay a few kilometres to the south and had been used as a port by the Kadamba and Vijayanagar kings.<br/><br/> Old Goa was the second capital after Bijapur of the rule of Adil Shahi Dynasty. It was surrounded by a moat and contained the shah's palace, and his mosques and temples.<br/><br/> The city was captured by the Portuguese, and was under Portuguese rule from 1510 as the administrative seat of Portuguese India. The viceroy's residence was transferred in 1759 to the future capital, Panjim, at the time a village about 9 km to its west.<br/><br/> During the mid-16th century, the Portuguese colony of Goa, especially Velha Goa, was the center of Christianisation in the East. The city was evangelised by all religious orders, since all of them had their headquarters there
The Magi, also referred to as the Three Wise Men or Three Kings, were, in the Gospel of Matthew and Christian tradition, a group of distinguished foreigners who visited Jesus after his birth, bearing gifts of gold, frankincense and myrrh. They are regular figures in traditional accounts of the nativity celebrations of Christmas and are an important part of Christian tradition.<br/><br/> The New Testament does not give the names of the Magi. However, traditions and legends identify a variety of different names for them. In the Western Christian church, they have been all regarded as saints and are commonly known as Melchior, a Persian scholar; Caspar, an Indian scholar; and Balthazar, a Babylonian scholar.
The Hermitage of San Baudelio de Berlanga (Ermita de San Baudelio de Berlanga) is an early 11th-century church at Caltojar in the province of Soria, Spain, 80 km south of Berlanga de Duero. It is an example of Mozarabic architecture and was built in the 11th century, in what was then the frontier between Islamic and Christian lands. It is dedicated to Saint Baudilus or Baudel.<br/><br/> The hermitage housed many fine Romanesque frescoes from about 1125; most of these have been removed, but some have remained. Two sections, transferred to canvas, are now in the Indianapolis Museum of Art, showing the Entry of Christ into Jerusalem and the Wedding at Cana.<br/><br/> The paintings were done by the Catalan Master of Tahull (Taüll in Catalan), whose best known works are in Sant Climent de Taüll and the Museu Nacional d'Art de Catalunya in Barcelona, with two other painters. The frescoes include that of a camel and of a war elephant, which were inspired by Muslim motifs.
Luca Signorelli (c. 1445 – 16 October 1523) was an Italian Renaissance painter who was noted in particular for his ability as a draughtsman and his use of foreshortening.<br/><br/> His massive frescoes of the <i>Last Judgment</i> (1499–1503) in Orvieto Cathedral are considered his masterpiece.
Representations of the Prophet Muhammad are controversial, and generally forbidden in Sunni Islam (especially Hanafiyya, Wahabi, Salafiyya).<br/><br/> Shia Islam and some other branches of Sunni Islam (Hanbali, Maliki, Shafi'i) are generally more tolerant of such representational images, but even so the Prophet's features are generally veiled or concealed by flames as a mark of deep respect.
The Magi, also referred to as the Three Wise Men or Three Kings, were, in the Gospel of Matthew and Christian tradition, a group of distinguished foreigners who visited Jesus after his birth, bearing gifts of gold, frankincense and myrrh. They are regular figures in traditional accounts of the nativity celebrations of Christmas and are an important part of Christian tradition.<br/><br/> The New Testament does not give the names of the Magi. However, traditions and legends identify a variety of different names for them. In the Western Christian church, they have been all regarded as saints and are commonly known as Melchior, a Persian scholar; Caspar, an Indian scholar; and Balthazar, a Babylonian scholar.
Andrei Rublev (Russian: ÐндреÌй Рублёв), also transliterated Andrey Rublyov, born in the 1360s, died 29 January 1427 or 1430 although 17 October 1428, is considered to be the greatest medieval Russian painter of Orthodox icons and frescoes.<br/><br/> Little information survives about the life of Rublev. It is not known where he was born. Rublev probably lived in the Trinity-St. Sergius Lavra near Moscow under Nikon of Radonezh, who became hegumen after the death of Sergii Radonezhsky (1392).<br/><br/> The first mention of Rublev is in 1405 when he decorated icons and frescos for the Cathedral of the Annunciation of the Moscow Kremlin in company with Theophanes the Greek and Prokhor of Gorodets. His name was the last of the list of masters as the junior both by rank and by age. Theophanes was an important Byzantine master who moved to Russia, and is considered to have trained Rublev.
Tyrian purple (Greek, πορφÏρα, porphyra, Latin: purpura), also known as royal purple, imperial purple or imperial dye, is a purple-red natural dye, which is a secretion produced by certain species of predatory sea snails in the family Muricidae, a type of rock snail by the name Murex. This dye was probably first used by the ancient Phoenicians. The dye was greatly prized in antiquity because the color did not easily fade, but instead became brighter with weathering and sunlight.<br/><br/> Tyrian purple was expensive: the 4th-century-BC historian Theopompus reported, 'Purple for dyes fetched its weight in silver at Colophon' in Asia Minor. The expense meant that purple-dyed textiles became status symbols, and early sumptuary laws restricted their uses. The production of Tyrian purple was tightly controlled in Byzantium and was subsidized by the imperial court, which restricted its use for the colouring of imperial silks, so that a child born to a reigning emperor was styled 'porphyrogenitos' or 'born in the purple'.
Christianity in Ethiopia dates to the 1st century AD, and this long tradition makes Ethiopia unique amongst sub-Saharan African countries. Christianity in this country is divided into several groups. The largest and oldest is the Ethiopian Orthodox Tewahedo Church (in Amharic: የኢትዮጵያ ኦርቶዶክስ ተዋሕዶ ቤተክርስትያን Yäityop'ya ortodoks täwahedo bétäkrestyan) which is an Oriental Orthodox church in Ethiopia that was part of the Coptic Orthodox Church until 1959, when it was granted its own Patriarch by Coptic Orthodox Pope of Alexandria and Patriarch of All Africa Cyril VI.<br/><br/> The only pre-colonial Christian church of Sub-Saharan Africa, the Ethiopian Orthodox church has a membership of slightly more than 32 million people in Ethiopia, and is thus the largest of all Oriental Orthodox churches. Next in size are the various Protestant congregations, who include 13.7 million Ethiopians. The largest Protestant group is the Ethiopian Evangelical Church Mekane Yesus, with about 5 million members. Roman Catholicism has been present in Ethiopia since the 16th century, and numbers 536,827 believers. In total, Christians make up about 60% of the total population of the country.
Oriental carpets more than two centuries old have rarely survived and are rarely represented in Islamic Art since Sunni Islam (and to a lesser extent Shia) eschews representational art in favour of precisely the repetetive geometric symbols and arabesques found, for example, in oriental carpets.<br/><br/> This means that most examples of 17th century and earlier oriental carpets, mainly produced in Muslim lands, are only to be found in paintings from Christian lands where rich oriental carpets were associated with wealth, power and taste.<br/><br/> Such carpets featured as an important decorative feature in paintings from the 14th century onwards, leading to the dichotomy that there are more depictions of oriental carpets produced before the 17th century in European paintings than there are actual oriental carpets surviving from the same period.<br/><br/> Because of this European paintings have proved an invaluable source of reference for the study of the history of carpetmaking and carpets.
Commentary on the Apocalypse (Commentaria In Apocalypsin) was originally an eighth century work by the Spanish monk and theologian Beatus of Liébana. Today, it refers to any of the extant manuscript copies of this work, especially any of the 26 illuminated copies that have survived. It is often referred to simply as the Beatus. The historical significance of the Commentary is made even more pronounced since it included a world map, which offers a rare insight into the geographical understanding of the post-Roman world. Well-known copies include the Morgan, the Saint-Sever, the Gerona, the Osma and the Madrid (Vitr 14-1) Beatus codices.<br/><br/> Considered together, the Beatus codices are among the most important Spanish medieval manuscripts and have been the subject of extensive scholarly and antiquarian enquiry.
The Presentation of Jesus at the Temple, which falls on 2 February, celebrates an early episode in the life of Jesus. In the Eastern Orthodox Church and some Eastern Catholic Churches, it is one of the twelve Great Feasts, and is sometimes called Hypapante (lit., 'Meeting' in Greek). Other traditional names include Candlemas, the Feast of the Purification of the Virgin, and the Meeting of the Lord.<br/><br/> In some Western liturgical churches, Vespers (or Compline) on the Feast of the Presentation marks the end of the Epiphany season. In the Church of England, the Presentation of Christ in the Temple is a Principal Feast celebrated either on 2 February or on the Sunday between 28 January and 3 February.<br/><br/> In the Latin Rite of the Catholic Church, the Presentation of Jesus at the Temple is the fourth Joyful Mystery of the Rosary.
The ao dai (Vietnamese: áo dài) is a Vietnamese national costume, now most commonly for women. In its current form, it is a tight-fitting silk tunic worn over pantaloons. The word is pronounced ow-zye in the north and ow-yai in the south, and translates as 'long dress'. The name áo dài was originally applied to the dress worn at the court of the Nguyá»…n Lords at Huế in the 18th century. This outfit evolved into the áo ngÅ© thân, a five-paneled aristocratic gown worn in the 19th and early 20th centuries. Inspired by Paris fashions, Nguyá»…n Cát TÆ°á»ng and other artists associated with Hanoi University redesigned the ngÅ© thân as a modern dress in the 1920s and 1930s. The updated look was promoted by the artists and magazines of Tá»± Lá»±c văn Ä‘oàn (Self-Reliant Literary Group) as a national costume for the modern era. In the 1950s, Saigon designers tightened the fit to produce the version worn by Vietnamese women today. The dress was extremely popular in South Vietnam in the 1960s and early 1970s, frowned upon as frivolous and borgeois in the North between 1952 and 1986, but is today increasingly popular nationwide, having become once again a symbol of Vietnamese nationalism and Vietnamese female beauty.
The Umayyad Mosque, also known as the Great Mosque of Damascus, is one of the largest and oldest mosques in the world. It is considered the fourth-holiest place in Islam. The construction of the mosque is believed to have been started soon after the Arab conquest of Damascus in 634. The mosque contains a shrine dedicated to John the Baptist as well as the tomb of Saladin.
Paul Gauguin was born in Paris in 1848 and spent some of his childhood in Peru. He worked as a stockbroker with little success, and suffered from bouts of severe depression. He also painted. In 1891, Gauguin, frustrated by lack of recognition at home and financially destitute, sailed to the tropics to escape European civilization and 'everything that is artificial and conventional'. His time there, particularly in Tahiti and the Marquesas Islands, was the subject of much interest both then and in modern times due to his alleged sexual exploits. He was known to have had trysts with several native girls, some of whom appear as subjects of his paintings. Gauguin died on 8 May 1903 and is buried in Calvary Cemetery (Cimetière Calvaire), Atuona, Hiva ‘Oa, Marquesas Islands, French Polynesia.
In this famous scene from the New Testament of the Christian Bible, Jesus Christ is crucified.<br/><br/> He is nailed to a cross inscribed with the initials ‘INRI’—Iesus Nazerenus, Rex Iudaeorum’, meaning ‘Jesus of Nazareth, King of the Jews’—signifying the Romans’ ridicule of Him.<br/><br/> Angels fly nearby, collecting Jesus’ blood in their goblets. At the foot of the cross, richly dressed and with a halo around her flowing golden hair, Mary Magdalene prays. She has brought a jar of ointment for Christ’s wounds. Behind her, the Virgin Mary, Christs’ mother, is comforted by the Apostle John. On the right, St. Veronica holds up the cloth she used to wipe the face of Jesus as he walked up to Calvary up the road to Golgotha. An imprint of his face remains. This is the famed Shroud of Turin. Other biblical scenes, such as Gethsemane, are portrayed in the background. In the distance stands Jerusalem.
Van den Eeckhout was a student of Rembrandt and, like his mentor, he preferred using dark colours and contrasts with light.<br/><br/> In this masterpiece, he shows Jesus Christ in the center, illuminated by candlelight and a halo. Jesus breaks bread to share with his disciples who appear to be anxious and deep in discussion. They are vexed because Christ has just declared that one of them would betray him. Jesus appears to be glancing at Judas who stands in the foreground looking downcast. Judas had just betrayed Jesus to the Romans for 30 pieces of silver. Christ was arrested that night and later crucified.
Faltering under the weight of the cross, Jesus Christ falters and falls on the road to Golgotha where he is to be crucified. A Roman guard drags him while another whips him. The Virgin Mary is being comforted behind the chaotic crowd. Two naked prisoners who will face crucifixion alongside Christ walk ahead, their hands tied behind their backs. In the background stands Jerusalem.
Van Haarlem depicts a horrific scene from the Old Testament of the Christian Bible in this 16th century oil on canvas masterpiece.<br/><br/> King Herod has heard that a new King of the Jews has been born in Bethlehem. Unable to identify the Messiah, he orders his soldiers to kill every boy in Bethlehem aged two or under. According to the Hebrew Bible, Mary and Joseph had already fled to Egypt with their newborn, Jesus. They stayed in Egypt until after Herod's death.<br/><br/> In the painting, Herod's naked soldiers kill mothers protecting their babies. Then they murder the babies too. In the left corner, a gang of mothers tackle a soldier and gouge out his eyes.
This painting depicts a Biblical tale about Simon hosting Jesus Christ for dinner. In front of the table, a sinful woman is overcome and washes the Messiah's feet with her tears before drying them with her hair and then anointing them with fragrance from the pot that lies beside her. Simon is incensed that Jesus is allowing the prostitute to touch him, but Christ admonishes him, saying that the woman's sins are forgiven. Some of Jesus' disciples look on through the window with astonished expressions.<br/><br/> The woman later becomes a consort of Jesus and is known as Mary Magdalene.
Known originally as the ‘Spes Nostra’, meaning ‘Our Hope’, this painting depicts St. Augustine (354—430 CE), the Bishop of Hippo Regius (present-day Annaba, Algeria), a philosopher and theologian who converted to Christianity and was influential for spreading the word of Christ in North Africa.<br/><br/> Venerated in Catholic, Protestant and Orthodox churches, Augustine is patron of the Augustinian order, and is considered patron saint of brewers, printers, theologians, sore eyes, and a number of cities and dioceses.<br/><br/> In the center of the painting, sitting on the monastery’s courtyard wall, is the Virgin Mary. Elizabeth places a hand on Mary's belly to indicate that she is pregnant. Behind Mary, in the background, a young Jesus rides a hobby horse.<br/><br/> In front of the grave, an epitaph reads: 'If anyone passes here, let them see this and weep. I am where you will be; what you are I once was. I beg you: pray for me'.
According to Christianity, the Three Kings, or Three Wise Men, travelled from the East to Bethlehem to pay homage to the newly born Messiah, the son of God. Cradled in his mother the Virgin Mary’s hands, the baby Jesus holds up his hand in a blessing. Before him kneels King Melchior, offering a gift of gold. Joseph, Mary's husband, stands behind in red.
Known in the Christian Bible as the Adoration of the Magi, this vivid scene depicts the Virgin Mary, mother of Christ, sitting in a ruined palace with the baby Jesus in her hands.<br/><br/> The Three Kings (the Magi) have come to Bethlehem to honour the child. They are dressed in their finest clothes. The kings , having removed their crowns, kneel and kiss the Christ's hand. Each bear's a gift, gold, frankincense and myrrh. Joseph stands in red in the background.
Top row (left to right): The Incarnation to Mary (The Annunciation); the Nativity; the Circumcision; the Adoration of the Magi; the Presentation of Jesus at The Temple in Jerusalem; Christ Enters Jerusalem on a Donkey.<br/><br/> Middle row: The Last Supper; Jesus prays in the Garden of Gethsemane; the Betrayal by Judas Iscariot; Christ before Pontius Pilate; The Crown of Thorns placed on Christ's head; the Flagellation of Jesus.<br/><br/> Bottom row: Christ Carries the Cross; the Crucifixion; the Lamentation; the Resurrection; the Ascension; the Descent of the Holy Ghost (depicted as a dove).
The Nuremberg Chronicle is an illustrated world history. Its structure follows the story of human history as related in the Bible; it includes the histories of a number of important Western cities. Written in Latin by Hartmann Schedel, with a version in German translation by Georg Alt, it appeared in 1493. It is one of the best-documented early printed books. It is classified as an incunabulum – that is, a book, pamphlet, or broadside that was printed (not handwritten) before the year 1501 in Europe. It is also one of the first to successfully integrate illustrations and text.<br/><br/> Latin scholars refer to it as Liber Chronicarum (Book of Chronicles) as this phrase appears in the index introduction of the Latin edition. English speakers have long referred to it as the Nuremberg Chronicle after the city in which it was published. German speakers refer to it as Die Schedelsche Weltchronik (Schedel's World History) in honour of its author. The illustrations in many copies were hand-coloured after printing.
Father Ferdinand Verbiest (9 October 1623 – 28 January 1688) was a Flemish Jesuit missionary in China during the Qing dynasty. He was born in Pittem near Tielt in Flanders, later part of the modern state of Belgium. He was known as Nan Huairen (å—懷ä») in Chinese.<br/><br/> He was an accomplished mathematician and astronomer and proved to the court of the Kangxi Emperor that European astronomy was more accurate than Chinese astronomy. He then corrected the Chinese calendar and was later asked to rebuild and re-equip the Beijing Ancient Observatory, being given the role of Head of the Mathematical Board and Director of the Observatory.<br/><br/> He became close friends with the Kangxi Emperor, who frequently requested his teaching, in geometry, philosophy and music. Verbiest worked as a diplomat and cartographer, and also as a translator, because he spoke Latin, German, Dutch, Spanish, Hebrew, and Italian. He wrote more than thirty books.
The Nuremberg Chronicle is an illustrated world history. Its structure follows the story of human history as related in the Bible; it includes the histories of a number of important Western cities. Written in Latin by Hartmann Schedel, with a version in German translation by Georg Alt, it appeared in 1493. It is one of the best-documented early printed books - an incunabulum (printed, not hand-written) - and one of the first to successfully integrate illustrations and text.
The Nuremberg Chronicle is an illustrated world history. Its structure follows the story of human history as related in the Bible; it includes the histories of a number of important Western cities. Written in Latin by Hartmann Schedel, with a version in German translation by Georg Alt, it appeared in 1493. It is one of the best-documented early printed books. It is classified as an incunabulum – that is, a book, pamphlet, or broadside that was printed (not handwritten) before the year 1501 in Europe. It is also one of the first to successfully integrate illustrations and text.<br/><br/> Latin scholars refer to it as Liber Chronicarum (Book of Chronicles) as this phrase appears in the index introduction of the Latin edition. English speakers have long referred to it as the Nuremberg Chronicle after the city in which it was published. German speakers refer to it as Die Schedelsche Weltchronik (Schedel's World History) in honour of its author. The illustrations in many copies were hand-coloured after printing.
The Nuremberg Chronicle is an illustrated world history. Its structure follows the story of human history as related in the Bible; it includes the histories of a number of important Western cities. Written in Latin by Hartmann Schedel, with a version in German translation by Georg Alt, it appeared in 1493. It is one of the best-documented early printed books. It is classified as an incunabulum – that is, a book, pamphlet, or broadside that was printed (not handwritten) before the year 1501 in Europe. It is also one of the first to successfully integrate illustrations and text.<br/><br/> Latin scholars refer to it as Liber Chronicarum (Book of Chronicles) as this phrase appears in the index introduction of the Latin edition. English speakers have long referred to it as the Nuremberg Chronicle after the city in which it was published. German speakers refer to it as Die Schedelsche Weltchronik (Schedel's World History) in honour of its author. The illustrations in many copies were hand-coloured after printing.
Matteo Ricci, SJ (October 6, 1552 – May 11, 1610; simplified Chinese: Lì MÇŽdòu; courtesy name: XÄ«tài) was an Italian Jesuit priest, and one of the founding figures of the Jesuit China Mission.<br/><br/> Xu Guangqi (simplified Chinese: å¾å…‰å¯; traditional Chinese: å¾å…‰å•Ÿ; pinyin: Xú GuÄngqÇ; April 24, 1562 – November 8, 1633), who later adopted the baptismal name Paul (simplified Chinese: ä¿ç¦„; traditional Chinese: ä¿ç¥¿), was a Chinese scholar-bureaucrat, agricultural scientist, astronomer, and mathematician in the Ming Dynasty.
The Nuremberg Chronicle is an illustrated world history. Its structure follows the story of human history as related in the Bible; it includes the histories of a number of important Western cities. Written in Latin by Hartmann Schedel, with a version in German translation by Georg Alt, it appeared in 1493. It is one of the best-documented early printed books - an incunabulum (printed, not hand-written) - and one of the first to successfully integrate illustrations and text.
The Nuremberg Chronicle is an illustrated world history. Its structure follows the story of human history as related in the Bible; it includes the histories of a number of important Western cities. Written in Latin by Hartmann Schedel, with a version in German translation by Georg Alt, it appeared in 1493. It is one of the best-documented early printed books. It is classified as an incunabulum – that is, a book, pamphlet, or broadside that was printed (not handwritten) before the year 1501 in Europe. It is also one of the first to successfully integrate illustrations and text.<br/><br/> Latin scholars refer to it as Liber Chronicarum (Book of Chronicles) as this phrase appears in the index introduction of the Latin edition. English speakers have long referred to it as the Nuremberg Chronicle after the city in which it was published. German speakers refer to it as Die Schedelsche Weltchronik (Schedel's World History) in honour of its author. The illustrations in many copies were hand-coloured after printing.
The Nuremberg Chronicle is an illustrated world history. Its structure follows the story of human history as related in the Bible; it includes the histories of a number of important Western cities. Written in Latin by Hartmann Schedel, with a version in German translation by Georg Alt, it appeared in 1493. It is one of the best-documented early printed books. It is classified as an incunabulum – that is, a book, pamphlet, or broadside that was printed (not handwritten) before the year 1501 in Europe. It is also one of the first to successfully integrate illustrations and text.<br/><br/> Latin scholars refer to it as Liber Chronicarum (Book of Chronicles) as this phrase appears in the index introduction of the Latin edition. English speakers have long referred to it as the Nuremberg Chronicle after the city in which it was published. German speakers refer to it as Die Schedelsche Weltchronik (Schedel's World History) in honour of its author. The illustrations in many copies were hand-coloured after printing.
The Nuremberg Chronicle is an illustrated world history. Its structure follows the story of human history as related in the Bible; it includes the histories of a number of important Western cities. Written in Latin by Hartmann Schedel, with a version in German translation by Georg Alt, it appeared in 1493. It is one of the best-documented early printed books - an incunabulum (printed, not hand-written) - and one of the first to successfully integrate illustrations and text.
The Nuremberg Chronicle is an illustrated world history. Its structure follows the story of human history as related in the Bible; it includes the histories of a number of important Western cities. Written in Latin by Hartmann Schedel, with a version in German translation by Georg Alt, it appeared in 1493. It is one of the best-documented early printed books. It is classified as an incunabulum – that is, a book, pamphlet, or broadside that was printed (not handwritten) before the year 1501 in Europe. It is also one of the first to successfully integrate illustrations and text.<br/><br/> Latin scholars refer to it as Liber Chronicarum (Book of Chronicles) as this phrase appears in the index introduction of the Latin edition. English speakers have long referred to it as the Nuremberg Chronicle after the city in which it was published. German speakers refer to it as Die Schedelsche Weltchronik (Schedel's World History) in honour of its author. The illustrations in many copies were hand-coloured after printing.
The Nuremberg Chronicle is an illustrated world history. Its structure follows the story of human history as related in the Bible; it includes the histories of a number of important Western cities. Written in Latin by Hartmann Schedel, with a version in German translation by Georg Alt, it appeared in 1493. It is one of the best-documented early printed books - an incunabulum (printed, not hand-written) - and one of the first to successfully integrate illustrations and text.
Mary Magdalene (Greek Μαγδαληνή) was one of Jesus' most celebrated disciples, and the most important woman disciple in the movement of Jesus. Jesus cleansed her of 'seven demons', [Luke 8:2] [Mark 16:9] conventionally interpreted as referring to complex illnesses. She became most prominent during his last days, being present at the cross after the male disciples (excepting John the Beloved) had fled, and at his burial. She was the first person to see Jesus after his Resurrection, according to both John 20 and Mark 16:9.<br/><br/> Mary Magdalene is considered by the Catholic, Orthodox, Anglican, and Lutheran churches to be a saint, with a feast day of July 22. The Eastern Orthodox churches also commemorate her on the Sunday of the Myrrhbearers.
Matteo Ricci, SJ (October 6, 1552 – May 11, 1610; simplified Chinese: Lì MÇŽdòu; courtesy name: XÄ«tài) was an Italian Jesuit priest, and one of the founding figures of the Jesuit China Mission. Painted in 1610 by the Chinese brother Emmanuel Pereira (born Yu Wen-hui), who had learned his art from the Italian Jesuit, Giovanni Nicolao. The age is incorrect: Ricci died during his fifty-eighth year. The portrait was taken to Rome in 1616 and displayed at the Jesuit house together with paintings of Ignatius of Loyola and Francis Xavier. It still hangs there.
The Nuremberg Chronicle is an illustrated world history. Its structure follows the story of human history as related in the Bible; it includes the histories of a number of important Western cities. Written in Latin by Hartmann Schedel, with a version in German translation by Georg Alt, it appeared in 1493. It is one of the best-documented early printed books. It is classified as an incunabulum – that is, a book, pamphlet, or broadside that was printed (not handwritten) before the year 1501 in Europe. It is also one of the first to successfully integrate illustrations and text.<br/><br/> Latin scholars refer to it as Liber Chronicarum (Book of Chronicles) as this phrase appears in the index introduction of the Latin edition. English speakers have long referred to it as the Nuremberg Chronicle after the city in which it was published. German speakers refer to it as Die Schedelsche Weltchronik (Schedel's World History) in honour of its author. The illustrations in many copies were hand-coloured after printing.
The Jalayirids were a Mongol dynasty which ruled over Iraq and western Persia after the breakup of the Mongol Khanate of Persia (or Ilkhanate) in the 1330s.<br/><br/> The Jalayirid sultanate lasted about fifty years, until disrupted by Tamerlane's conquests and the revolts of the 'Black Sheep Turks' or Qara Qoyunlu Turkmen.<br/><br/> After Tamerlane's death in 1405, there was a brief attempt to re-establish the sultanate in southern Iraq and Khuzistan. The Jalayirids were finally eliminated by Kara Koyunlu in 1432.
The Nuremberg Chronicle is an illustrated world history. Its structure follows the story of human history as related in the Bible; it includes the histories of a number of important Western cities. Written in Latin by Hartmann Schedel, with a version in German translation by Georg Alt, it appeared in 1493. It is one of the best-documented early printed books - an incunabulum (printed, not hand-written) - and one of the first to successfully integrate illustrations and text.
Pondicherry was the capital of the former French territories in India. Besides Pondi itself – acquired from a local ruler in 1674 – these included Chandernagore in Bengal (1690); Mahé in Kerala (1725); Yanam in Andhra Pradesh (1731); and Karaikal in Tamil Nadu (1739). Chandernagore was returned to India three years after independence, in 1951, and was absorbed into West Bengal. Returned to India in 1956, the remaining four territories were constituted as the Union Territory of Pondicherry in 1962.<br/><br/> Today Karaikal, Yanam and Mahé are all small seaside resort towns, known chiefly for their cheap beer made possible by Pondicherry's light alcohol taxes. Karaikal, on the Coromandel Coast 100 kilometres south of Pondicherry, is similar to rural Pondi – a prosperous, Tamil-speaking enclave renowned for the abundance of its rice harvests. Yanam, located on the coast of Andhra Pradesh more than 600 kilometres north of Madras, is a tiny, Telugu-speaking town on a branch of the Godavari River. Mahé, on the Malabar Coast of northern Kerala is a quaint, picturesque town, named for its founder, Count Mahé de La Bourdonnais.<br/><br/> In September 2006, the territory changed its official name from Pondicherry to the vernacular original, Puducherry, which means 'New village'.
Pondicherry was the capital of the former French territories in India. Besides Pondi itself – acquired from a local ruler in 1674 – these included Chandernagore in Bengal (1690); Mahé in Kerala (1725); Yanam in Andhra Pradesh (1731); and Karaikal in Tamil Nadu (1739). Chandernagore was returned to India three years after independence, in 1951, and was absorbed into West Bengal. Returned to India in 1956, the remaining four territories were constituted as the Union Territory of Pondicherry in 1962.<br/><br/> Today Karaikal, Yanam and Mahé are all small seaside resort towns, known chiefly for their cheap beer made possible by Pondicherry's light alcohol taxes. Karaikal, on the Coromandel Coast 100 kilometres south of Pondicherry, is similar to rural Pondi – a prosperous, Tamil-speaking enclave renowned for the abundance of its rice harvests. Yanam, located on the coast of Andhra Pradesh more than 600 kilometres north of Madras, is a tiny, Telugu-speaking town on a branch of the Godavari River. Mahé, on the Malabar Coast of northern Kerala is a quaint, picturesque town, named for its founder, Count Mahé de La Bourdonnais.<br/><br/> In September 2006, the territory changed its official name from Pondicherry to the vernacular original, Puducherry, which means 'New village'.
Pondicherry was the capital of the former French territories in India. Besides Pondi itself – acquired from a local ruler in 1674 – these included Chandernagore in Bengal (1690); Mahé in Kerala (1725); Yanam in Andhra Pradesh (1731); and Karaikal in Tamil Nadu (1739). Chandernagore was returned to India three years after independence, in 1951, and was absorbed into West Bengal. Returned to India in 1956, the remaining four territories were constituted as the Union Territory of Pondicherry in 1962.<br/><br/> Today Karaikal, Yanam and Mahé are all small seaside resort towns, known chiefly for their cheap beer made possible by Pondicherry's light alcohol taxes. Karaikal, on the Coromandel Coast 100 kilometres south of Pondicherry, is similar to rural Pondi – a prosperous, Tamil-speaking enclave renowned for the abundance of its rice harvests. Yanam, located on the coast of Andhra Pradesh more than 600 kilometres north of Madras, is a tiny, Telugu-speaking town on a branch of the Godavari River. Mahé, on the Malabar Coast of northern Kerala is a quaint, picturesque town, named for its founder, Count Mahé de La Bourdonnais.<br/><br/> In September 2006, the territory changed its official name from Pondicherry to the vernacular original, Puducherry, which means 'New village'.
Elephant ivory has been exported from Africa and Asia for centuries with records going back to the 14th century BC. Throughout the colonisation of Africa ivory was removed, often using slaves to carry the tusks, to be used for piano keys, billiard balls and other expressions of exotic wealth.<br/><br/> Ivory hunters were responsible for wiping out elephants in North Africa perhaps about 1,000 years ago, in much of South Africa in the 19th century and most of West Africa by the end of the 20th century. At the peak of the ivory trade, pre 20th century, during the colonisation of Africa, around 800 to 1,000 tonnes of ivory was sent to Europe alone.
The Pietà (1498–1499) is a masterpiece of Renaissance sculpture by Michelangelo Buonarroti, housed in St. Peter's Basilica in Vatican City. The work depicts the body of Jesus on the lap of his mother Mary after the Crucifixion. The Manila Metropolitan Cathedral-Basilica (also known as the Cathedral-Basilica of the Immaculate Conception and informally as Manila Cathedral was originally built in 1581. The eighth and current incarnation of the cathedral was completed in 1958 and was consecrated as a minor basilica in 1981 by Pope John Paul II.<br/><br/> Intramuros is the oldest district and historic core of Manila. Nicknamed the 'Walled City', the fortified Intramuros was the full extent of the City of Manila and the seat of government during the Spanish Colonial Period. Its name in Latin, intramuros, literally means 'within the walls'. Districts beyond the walls of Manila were referred to as extramuros, literally 'outside the walls.'<br/><br/> The city was located then along Manila Bay and south of the Pasig River entrance, before 20th-century reclamations obscured the city from the bay. Guarding the city is Fort Santiago, a citadel located at the mouth of the river. Construction of its thick defensive walls were started by the Spaniards in the late 16th century to protect the seat of the Spanish government from foreign invasions (most notably British and Dutch) and raiding Chinese sea pirates.
The present St. Paul Cathedral was built in 1641. There had been a more modest wood and thatched chapel built on the same site in 1574, but it twice suffered the ravages of earthquakes, first in 1619 and then just a few years later in 1627.<br/><br/> The City of Vigan is the capital of the Province of Ilocos Sur and located on the western coast of the island of Luzon.<br/><br/> Vigan is the only surviving historic city in the Philippines that dates back to the 15th century Spanish colonial period. The town was also an important trading post in pre-colonial times with a community of Chinese traders from Fujian settled in the area.<br/><br/> Today it has been awarded UNESCO World Heritage Site status acknowledging that it is one of the few Hispanic towns left in the Philippines, and is well-known for its cobblestone streets, and a unique architecture that fuses Philippine and Oriental building designs and construction, with colonial European architecture.
The present St. Paul Cathedral was built in 1641. There had been a more modest wood and thatched chapel built on the same site in 1574, but it twice suffered the ravages of earthquakes, first in 1619 and then just a few years later in 1627.<br/><br/> The City of Vigan is the capital of the Province of Ilocos Sur and located on the western coast of the island of Luzon.<br/><br/> Vigan is the only surviving historic city in the Philippines that dates back to the 15th century Spanish colonial period. The town was also an important trading post in pre-colonial times with a community of Chinese traders from Fujian settled in the area.<br/><br/> Today it has been awarded UNESCO World Heritage Site status acknowledging that it is one of the few Hispanic towns left in the Philippines, and is well-known for its cobblestone streets, and a unique architecture that fuses Philippine and Oriental building designs and construction, with colonial European architecture.
The City of Vigan is the capital of the Province of Ilocos Sur and located on the western coast of the island of Luzon.<br/><br/> Vigan is the only surviving historic city in the Philippines that dates back to the 15th century Spanish colonial period. The town was also an important trading post in pre-colonial times with a community of Chinese traders from Fujian settled in the area.<br/><br/> Today it has been awarded UNESCO World Heritage Site status acknowledging that it is one of the few Hispanic towns left in the Philippines, and is well-known for its cobblestone streets, and a unique architecture that fuses Philippine and Oriental building designs and construction, with colonial European architecture.
Mary Magdalene (Greek Μαγδαληνή) was one of Jesus' most celebrated disciples, and the most important woman disciple in the movement of Jesus. Jesus cleansed her of 'seven demons', [Luke 8:2] [Mark 16:9] conventionally interpreted as referring to complex illnesses. She became most prominent during his last days, being present at the cross after the male disciples (excepting John the Beloved) had fled, and at his burial. She was the first person to see Jesus after his Resurrection, according to both John 20 and Mark 16:9.<br/><br/> Mary Magdalene is considered by the Catholic, Orthodox, Anglican, and Lutheran churches to be a saint, with a feast day of July 22. The Eastern Orthodox churches also commemorate her on the Sunday of the Myrrhbearers.