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In Theravada Buddhism, an arhat is a 'perfected person' who has attained nirvana. In other Buddhist traditions the term has also been used for people far advanced along the path of Enlightenment, but who may not have reached full Buddhahood.
The Jade Emperor is the Daoist ruler of Heaven and all realms of existence below including that of Man and Hell, according to Daoist mythology. He is one of the most important gods of the Chinese traditional religious pantheon. <br/><br/> In Daoist theology, the Jade Emperor governs all of the mortals' realm and below, but ranks below the Three Pure Ones.
The Jade Emperor is the Daoist ruler of Heaven and all realms of existence below including that of Man and Hell, according to Daoist mythology. He is one of the most important gods of the Chinese traditional religious pantheon. <br/><br/> In Daoist theology, the Jade Emperor governs all of the mortals' realm and below, but ranks below the Three Pure Ones.
The Jade Emperor is the Daoist ruler of Heaven and all realms of existence below including that of Man and Hell, according to Daoist mythology. He is one of the most important gods of the Chinese traditional religious pantheon. <br/><br/> In Daoist theology, the Jade Emperor governs all of the mortals' realm and below, but ranks below the Three Pure Ones.
Oracle bone inscriptions (Chinese: 甲骨; pinyin: jiǎgǔ) are the ancient Chinese characters carved on animal scapulas (shoulder blades) or turtle plastron (underside).<br/><br/> The oracle bone inscriptions were mainly used for divination and keeping records of events that happened in the late Shang Dynasty (c. 1300 - 1050 BCE).<br/><br/> Before the discovery of the oracle bone inscriptions, the major historical records of the Shang Dynasty were based on the Shiji (Historical Records) of Sima Qian (司馬遷), who lived in the days of the Western Han Dynasty (206 BC - AD 25) and is generally regarded as the father of Chinese historiography.<br/><br/> However, the lack of archaeological evidence caused many scholars to doubt the reliability and credibility of this account. The discovery of oracle bone inscriptions provided the first scientific verification of Sima Qian's historiography and proves the existence of the former Shang Dynasty.
Oracle bone inscriptions (Chinese: 甲骨; pinyin: jiǎgǔ) are the ancient Chinese characters carved on animal scapulas (shoulder blades) or turtle plastron (underside).<br/><br/> The oracle bone inscriptions were mainly used for divination and keeping records of events that happened in the late Shang Dynasty (c. 1300 - 1050 BCE).<br/><br/> Before the discovery of the oracle bone inscriptions, the major historical records of the Shang Dynasty were based on the Shiji (Historical Records) of Sima Qian (司馬遷), who lived in the days of the Western Han Dynasty (206 BC - AD 25) and is generally regarded as the father of Chinese historiography.<br/><br/> However, the lack of archaeological evidence caused many scholars to doubt the reliability and credibility of this account. The discovery of oracle bone inscriptions provided the first scientific verification of Sima Qian's historiography and proves the existence of the former Shang Dynasty.
Oracle bone inscriptions (Chinese: 甲骨; pinyin: jiǎgǔ) are the ancient Chinese characters carved on animal scapulas (shoulder blades) or turtle plastron (underside).<br/><br/> The oracle bone inscriptions were mainly used for divination and keeping records of events that happened in the late Shang Dynasty (c. 1300 - 1050 BCE).<br/><br/> Before the discovery of the oracle bone inscriptions, the major historical records of the Shang Dynasty were based on the Shiji (Historical Records) of Sima Qian (司馬遷), who lived in the days of the Western Han Dynasty (206 BC - AD 25) and is generally regarded as the father of Chinese historiography.<br/><br/> However, the lack of archaeological evidence caused many scholars to doubt the reliability and credibility of this account. The discovery of oracle bone inscriptions provided the first scientific verification of Sima Qian's historiography and proves the existence of the former Shang Dynasty.
Li Bai has generally been regarded as one of the greatest poets in China's Tang period, which is often called China's 'golden age' of poetry. Around a thousand existing poems are attributed to him, but the authenticity of many of these is uncertain. Thirty-four of his poems are included in the popular anthology 'Three Hundred Tang Poems'.<br/><br/> Many of the Classical Chinese poets were associated with drinking wine, or more precisely, alcoholic beverages. In fact, Li Bai was part of the group of Chinese scholars during his time in Chang'an, called the 'Eight Immortals of the Wine Cup', as mentioned in a poem by fellow poet Du Fu. However, Li Bai is of special note in this respect. As Burton Watson put it, 'nearly all Chinese poets celebrate the joys of wine, but none so tirelessly and with such a note of genuine conviction as Li Bai'. This lifestyle may have given rise to the story that Li Bai drowned after falling from his boat when he tried to embrace the reflection of the moon in the Yangtze River while intoxicated.
Jia Dao was a Chinese poet active during the Tang Dynasty. He was born near modern Beijing; after a period as a Buddhist monk, he went to Chang'an. He became one of Han Yu's disciples, but failed the jinshi exam several times. He wrote both discursive gushi and lyric jintishi. His works were criticised as 'thin' by Su Shi, and some other commentators have considered them limited and artificial.
Noble Consort Shu Jia, concubine of the Qianlong Emperor (dates and background not known).
The Admonitions Scroll is a Chinese narrative painting on silk that is traditionally ascribed to Gu Kaizhi (c.345-c.406 CE), but which modern scholarship regards as a 5th to 8th century work that may be a copy of an original Jin Dynasty (265–420 CE) court painting by Gu Kaizhi. The full title of the painting is Admonitions of the Court Instructress (Chinese: Nushi Zhentu). It was painted to illustrate a poetic text written in 292 by the poet-official Zhang Hua (232–300). The text itself was composed to reprimand Empress Jia (257–300) and to provide advice to imperial wives and concubines on how to behave. The painting illustrates this text with scenes depicting anecdotes about exemplary behaviour of historical palace ladies, as well as with more general scenes showing aspects of life as a palace lady. The painting is reputed to be the earliest extant example of a Chinese handscroll painting.
The Admonitions Scroll is a Chinese narrative painting on silk that is traditionally ascribed to Gu Kaizhi (c.345-c.406 CE), but which modern scholarship regards as a 5th to 8th century work that may be a copy of an original Jin Dynasty (265–420 CE) court painting by Gu Kaizhi. The full title of the painting is Admonitions of the Court Instructress (Chinese: Nushi Zhentu). It was painted to illustrate a poetic text written in 292 by the poet-official Zhang Hua (232–300). The text itself was composed to reprimand Empress Jia (257–300) and to provide advice to imperial wives and concubines on how to behave. The painting illustrates this text with scenes depicting anecdotes about exemplary behaviour of historical palace ladies, as well as with more general scenes showing aspects of life as a palace lady. The painting is reputed to be the earliest extant example of a Chinese handscroll painting.
The ‘Admonitions Scroll’ is a Chinese narrative painting on silk that is traditionally ascribed to Gu Kaizhi (ca. 345–ca. 406), but which modern scholarship regards as a 5th to 8th century work that may or may not be a copy of an original Jin Dynasty (265–420) court painting by Gu Kaizhi. The full title of the painting is ‘Admonitions of the Court Instructress’. It was painted to illustrate a poetic text written in 292 by the poet-official Zhang Hua (232–300) and composed to reprimand Empress Jia (257–300) and provide advice to imperial wives and concubines on how to behave in a proper manner.
The Admonitions Scroll is a Chinese narrative painting on silk that is traditionally ascribed to Gu Kaizhi (c.345-c.406 CE), but which modern scholarship regards as a 5th to 8th century work that may be a copy of an original Jin Dynasty (265–420 CE) court painting by Gu Kaizhi. The full title of the painting is Admonitions of the Court Instructress (Chinese: Nushi Zhentu). It was painted to illustrate a poetic text written in 292 by the poet-official Zhang Hua (232–300). The text itself was composed to reprimand Empress Jia (257–300) and to provide advice to imperial wives and concubines on how to behave. The painting illustrates this text with scenes depicting anecdotes about exemplary behaviour of historical palace ladies, as well as with more general scenes showing aspects of life as a palace lady. The painting is reputed to be the earliest extant example of a Chinese handscroll painting.
The Admonitions Scroll is a Chinese narrative painting on silk that is traditionally ascribed to Gu Kaizhi (c.345-c.406 CE), but which modern scholarship regards as a 5th to 8th century work that may be a copy of an original Jin Dynasty (265–420 CE) court painting by Gu Kaizhi. The full title of the painting is Admonitions of the Court Instructress (Chinese: Nushi Zhentu). It was painted to illustrate a poetic text written in 292 by the poet-official Zhang Hua (232–300). The text itself was composed to reprimand Empress Jia (257–300) and to provide advice to imperial wives and concubines on how to behave. The painting illustrates this text with scenes depicting anecdotes about exemplary behaviour of historical palace ladies, as well as with more general scenes showing aspects of life as a palace lady. The painting is reputed to be the earliest extant example of a Chinese handscroll painting.
The Admonitions Scroll is a Chinese narrative painting on silk that is traditionally ascribed to Gu Kaizhi (c.345-c.406 CE), but which modern scholarship regards as a 5th to 8th century work that may be a copy of an original Jin Dynasty (265–420 CE) court painting by Gu Kaizhi. The full title of the painting is Admonitions of the Court Instructress (Chinese: Nushi Zhentu). It was painted to illustrate a poetic text written in 292 by the poet-official Zhang Hua (232–300). The text itself was composed to reprimand Empress Jia (257–300) and to provide advice to imperial wives and concubines on how to behave. The painting illustrates this text with scenes depicting anecdotes about exemplary behaviour of historical palace ladies, as well as with more general scenes showing aspects of life as a palace lady. The painting is reputed to be the earliest extant example of a Chinese handscroll painting.
The Admonitions Scroll is a Chinese narrative painting on silk that is traditionally ascribed to Gu Kaizhi (c.345-c.406 CE), but which modern scholarship regards as a 5th to 8th century work that may or may not be a copy of an original Jin Dynasty (265–420 CE) court painting by Gu Kaizhi. The full title of the painting is Admonitions of the Court Instructress (Chinese: Nushi Zhentu). It was painted to illustrate a poetic text written in 292 by the poet-official Zhang Hua (232–300). The text itself was composed to reprimand Empress Jia (257–300) and to provide advice to imperial wives and concubines on how to behave. The painting illustrates this text with scenes depicting anecdotes about exemplary behaviour of historical palace ladies, as well as with more general scenes showing aspects of life as a palace lady. The painting is reputed to be the earliest extant example of a Chinese handscroll painting.
The Jiaqing Emperor (13 November 1760 – 2 September 1820) was the sixth emperor of the Manchu-led Qing dynasty, and the fifth Qing emperor to rule over China proper, from 1796 to 1820. Son of the famous Qianlong Emperor, he is remembered for his prosecution of Heshen, the corrupt favourite of Qianlong, as well as for attempts to restore the state and curb the smuggling of opium inside China.
The Admonitions Scroll is a Chinese narrative painting on silk that is traditionally ascribed to Gu Kaizhi (c.345-c.406 CE), but which modern scholarship regards as a 5th to 8th century work that may be a copy of an original Jin Dynasty (265–420 CE) court painting by Gu Kaizhi. The full title of the painting is Admonitions of the Court Instructress (Chinese: Nushi Zhentu). It was painted to illustrate a poetic text written in 292 by the poet-official Zhang Hua (232–300). The text itself was composed to reprimand Empress Jia (257–300) and to provide advice to imperial wives and concubines on how to behave. The painting illustrates this text with scenes depicting anecdotes about exemplary behaviour of historical palace ladies, as well as with more general scenes showing aspects of life as a palace lady. The painting is reputed to be the earliest extant example of a Chinese handscroll painting.
The Admonitions Scroll is a Chinese narrative painting on silk that is traditionally ascribed to Gu Kaizhi (c.345-c.406 CE), but which modern scholarship regards as a 5th to 8th century work that may be a copy of an original Jin Dynasty (265–420 CE) court painting by Gu Kaizhi. The full title of the painting is Admonitions of the Court Instructress (Chinese: Nushi Zhentu). It was painted to illustrate a poetic text written in 292 by the poet-official Zhang Hua (232–300). The text itself was composed to reprimand Empress Jia (257–300) and to provide advice to imperial wives and concubines on how to behave. The painting illustrates this text with scenes depicting anecdotes about exemplary behaviour of historical palace ladies, as well as with more general scenes showing aspects of life as a palace lady. The painting is reputed to be the earliest extant example of a Chinese handscroll painting.
The Admonitions Scroll is a Chinese narrative painting on silk that is traditionally ascribed to Gu Kaizhi (c.345-c.406 CE), but which modern scholarship regards as a 5th to 8th century work that may be a copy of an original Jin Dynasty (265–420 CE) court painting by Gu Kaizhi. The full title of the painting is Admonitions of the Court Instructress (Chinese: Nushi Zhentu). It was painted to illustrate a poetic text written in 292 by the poet-official Zhang Hua (232–300). The text itself was composed to reprimand Empress Jia (257–300) and to provide advice to imperial wives and concubines on how to behave. The painting illustrates this text with scenes depicting anecdotes about exemplary behaviour of historical palace ladies, as well as with more general scenes showing aspects of life as a palace lady. The painting is reputed to be the earliest extant example of a Chinese handscroll painting.
The Admonitions Scroll is a Chinese narrative painting on silk that is traditionally ascribed to Gu Kaizhi (c.345-c.406 CE), but which modern scholarship regards as a 5th to 8th century work that may be a copy of an original Jin Dynasty (265–420 CE) court painting by Gu Kaizhi. The full title of the painting is Admonitions of the Court Instructress (Chinese: Nushi Zhentu). It was painted to illustrate a poetic text written in 292 by the poet-official Zhang Hua (232–300). The text itself was composed to reprimand Empress Jia (257–300) and to provide advice to imperial wives and concubines on how to behave. The painting illustrates this text with scenes depicting anecdotes about exemplary behaviour of historical palace ladies, as well as with more general scenes showing aspects of life as a palace lady. The painting is reputed to be the earliest extant example of a Chinese handscroll painting.
The Admonitions Scroll is a Chinese narrative painting on silk that is traditionally ascribed to Gu Kaizhi (c.345-c.406 CE), but which modern scholarship regards as a 5th to 8th century work that may be a copy of an original Jin Dynasty (265–420 CE) court painting by Gu Kaizhi. The full title of the painting is Admonitions of the Court Instructress (Chinese: Nushi Zhentu). It was painted to illustrate a poetic text written in 292 by the poet-official Zhang Hua (232–300). The text itself was composed to reprimand Empress Jia (257–300) and to provide advice to imperial wives and concubines on how to behave. The painting illustrates this text with scenes depicting anecdotes about exemplary behaviour of historical palace ladies, as well as with more general scenes showing aspects of life as a palace lady. The painting is reputed to be the earliest extant example of a Chinese handscroll painting.
The Admonitions Scroll is a Chinese narrative painting on silk that is traditionally ascribed to Gu Kaizhi (c.345-c.406 CE), but which modern scholarship regards as a 5th to 8th century work that may be a copy of an original Jin Dynasty (265–420 CE) court painting by Gu Kaizhi. The full title of the painting is Admonitions of the Court Instructress (Chinese: Nushi Zhentu). It was painted to illustrate a poetic text written in 292 by the poet-official Zhang Hua (232–300). The text itself was composed to reprimand Empress Jia (257–300) and to provide advice to imperial wives and concubines on how to behave. The painting illustrates this text with scenes depicting anecdotes about exemplary behaviour of historical palace ladies, as well as with more general scenes showing aspects of life as a palace lady. The painting is reputed to be the earliest extant example of a Chinese handscroll painting.
The Admonitions Scroll is a Chinese narrative painting on silk that is traditionally ascribed to Gu Kaizhi (c.345-c.406 CE), but which modern scholarship regards as a 5th to 8th century work that may be a copy of an original Jin Dynasty (265–420 CE) court painting by Gu Kaizhi. The full title of the painting is Admonitions of the Court Instructress (Chinese: Nushi Zhentu). It was painted to illustrate a poetic text written in 292 by the poet-official Zhang Hua (232–300). The text itself was composed to reprimand Empress Jia (257–300) and to provide advice to imperial wives and concubines on how to behave. The painting illustrates this text with scenes depicting anecdotes about exemplary behaviour of historical palace ladies, as well as with more general scenes showing aspects of life as a palace lady. The painting is reputed to be the earliest extant example of a Chinese handscroll painting.
The Admonitions Scroll is a Chinese narrative painting on silk that is traditionally ascribed to Gu Kaizhi (c.345-c.406 CE), but which modern scholarship regards as a 5th to 8th century work that may be a copy of an original Jin Dynasty (265–420 CE) court painting by Gu Kaizhi. The full title of the painting is Admonitions of the Court Instructress (Chinese: Nushi Zhentu). It was painted to illustrate a poetic text written in 292 by the poet-official Zhang Hua (232–300). The text itself was composed to reprimand Empress Jia (257–300) and to provide advice to imperial wives and concubines on how to behave. The painting illustrates this text with scenes depicting anecdotes about exemplary behaviour of historical palace ladies, as well as with more general scenes showing aspects of life as a palace lady. The painting is reputed to be the earliest extant example of a Chinese handscroll painting.
Oracle bone inscriptions (Chinese: 甲骨; pinyin: jiǎgǔ) are the ancient Chinese characters carved on animal scapulas (shoulder blades) or turtle plastron (underside).<br/><br/> The oracle bone inscriptions were mainly used for divination and keeping records of events that happened in the late Shang Dynasty (c. 1300 - 1050 BCE).<br/><br/> Before the discovery of the oracle bone inscriptions, the major historical records of the Shang Dynasty were based on the Shiji (Historical Records) of Sima Qian (司馬遷), who lived in the days of the Western Han Dynasty (206 BC - AD 25) and is generally regarded as the father of Chinese historiography.<br/><br/> However, the lack of archaeological evidence caused many scholars to doubt the reliability and credibility of this account. The discovery of oracle bone inscriptions provided the first scientific verification of Sima Qian's historiography and proves the existence of the former Shang Dynasty.