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The litter is a class of wheelless vehicles, a type of human-powered transport, for the transport of persons. Examples of litter vehicles include lectica (ancient Rome), jiao [轿] (China), kiệu (Vietnam), sedan chair (England), litera (Spain), palanquin (France and India), liteira (Portugal), wo (วอ, Chinese style known as kiao เกี้ยว) (Thailand), gama (Korea), kago and norimono (Japan) and tahtırevan (Turkey).<br/><br/> Smaller litters may take the form of open chairs or beds carried by two or more men, some being enclosed for protection from the elements. Larger litters, for example those of the Chinese emperors, may resemble small rooms upon a platform borne upon the shoulders of a dozen or more men. To most efficiently carry a litter, porters will attempt to transfer the load to their shoulders, either by placing the carrying poles upon their shoulders, or the use of a yoke to transfer the load from the carrying poles to the shoulder.
Nikkō (日光市 Nikkō-shi, literally 'sunlight') is a city in the mountains of Tochigi Prefecture, Japan. Approximately 140 km north of Tokyo and 35 km west of Utsunomiya, the capital of Tochigi Prefecture, it is a popular destination for Japanese and international tourists.<br/><br/> Attractions include the mausoleum of shogun Tokugawa Ieyasu (Nikkō Tōshō-gū) and that of his grandson Iemitsu (Iemitsu-byō Taiyū-in), and the Futarasan Shrine, which dates to the year 767. There are also many famous hot springs (onsen) in the area.<br/><br/> Elevations range from 200 to 2,000 m. The mountains west of the main city are part of Nikkō National Park and contain some of the country's most spectacular waterfalls and scenic trails.
T. Enami (Enami Nobukuni, 1859 – 1929) was the trade name of a celebrated Meiji period photographer. The T. of his trade name is thought to have stood for Toshi, though he never spelled it out on any personal or business document.<br/><br/> Born in Edo (now Tokyo) during the Bakumatsu era, Enami was first a student of, and then an assistant to the well known photographer and collotypist, Ogawa Kazumasa. Enami relocated to Yokohama, and opened a studio on Benten-dōri (Benten Street) in 1892. Just a few doors away from him was the studio of the already well known Tamamura Kozaburō. He and Enami would work together on at least three related projects over the years.<br/><br/> Enami became quietly unique as the only photographer of that period known to work in all popular formats, including the production of large-format photographs compiled into what are commonly called "Yokohama Albums". Enami went on to become Japan's most prolific photographer of small-format images such as the stereoview and glass lantern-slides. The best of these were delicately hand-tinted.