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Sadanobu's small landscapes of Kyoto and Osaka were produced very much with the Edo artist Hiroshige in mind. Indeed, he also did miniature copies of some of Hiroshige's most famous designs.<br/><br/> Kyoto was the capital of Japan from 1180 to 1868, when the capital was moved to Tokyo (previously Edo) at the beginning of the Meiji Era in 1868. Sadanobu's woodblock prints of 'Famous Places in the Capital' was thus produced towards the very end of Kyoto's position as the Japanese capital, and possibly continued into the first year or two of the Meiji Period.
Suzuki Harunobu (鈴木 春信4, 1724 – July 7, 1770) was a Japanese woodblock print artist, one of the most famous in the Ukiyo-e style. He was an innovator, the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints.<br/><br/> Harunobu used many special techniques, and depicted a wide variety of subjects, from classical poems to contemporary beauties (bijin, bijin-ga). Like many artists of his day, Harunobu also produced a number of shunga, or erotic images.<br/><br/> During his lifetime and shortly afterwards, many artists imitated his style. A few, such as Harushige, even boasted of their ability to forge the work of the great master. Much about Harunobu's life is unknown. The popular expression 'to jump off the stage at Kiyomizu' is the Japanese equivalent of the English expression 'to take the plunge'. This refers to an Edo period tradition that held that, if one were to survive a 13m jump from the stage, one's wish would be granted. Two hundred and thirty-four jumps were recorded in the Edo period and, of those, 85.5% survived. The practice is now prohibited.
Shuinsen, or 'Red Seal ships', were Japanese armed merchant sailing ships bound for Southeast Asian ports with a red-sealed patent issued by the early Tokugawa shogunate in the first half of the 17th century. Between 1600 and 1635, more than 350 Japanese ships went overseas under this permit system.<br/><br/> Japanese merchants mainly exported silver, diamonds, copper, swords and other artifacts, and imported Chinese silk as well as some Southeast Asian products (like sugar and deer skins). Pepper and spices were rarely imported into Japan, where people did not eat a great deal of meat due to the local preponderance of adherents to the Buddhist belief system. Southeast Asian ports provided meeting places for Japanese and Chinese ships.<br/><br/> In 1635, the Tokugawa shogunate, fearful of Christian influence, prohibited Japanese nationals from overseas travel, thus ending the period of red-seal trade. This measure was tacitly approved of by Europeans, especially the Dutch East India Company, who saw their competition reduced.
Shuinsen, or 'Red Seal ships', were Japanese armed merchant sailing ships bound for Southeast Asian ports with a red-sealed patent issued by the early Tokugawa shogunate in the first half of the 17th century. Between 1600 and 1635, more than 350 Japanese ships went overseas under this permit system.<br/><br/> Japanese merchants mainly exported silver, diamonds, copper, swords and other artifacts, and imported Chinese silk as well as some Southeast Asian products (like sugar and deer skins). Pepper and spices were rarely imported into Japan, where people did not eat a great deal of meat due to the local preponderance of adherents to the Buddhist belief system. Southeast Asian ports provided meeting places for Japanese and Chinese ships.<br/><br/> In 1635, the Tokugawa shogunate, fearful of Christian influence, prohibited Japanese nationals from overseas travel, thus ending the period of red-seal trade. This measure was tacitly approved of by Europeans, especially the Dutch East India Company, who saw their competition reduced.