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Hiroshige's One Hundred Famous Views of Edo (名所江戸百景), actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate.<br/><br/> The people of Edo marked the autumn season (秋の部) with excursions to scenic attractions and harvest festivals, and viewing fall foliage at its peak. The prints numbered 73 through 98 suggest the activities of this season in Japan, the Seventh, Eighth, and Ninth Months.<br/><br/> Utagawa Hiroshige (歌川 広重, 1797 – October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was also referred to as Andō Hiroshige (安藤 広重) (an irregular combination of family name and art name) and by the art name of Ichiyūsai Hiroshige (一幽斎廣重).
João I of Kongo, alias Nzinga a Nkuwu or Nkuwu Nzinga, was ruler of the Kingdom of Kongo between 1470-1506. He was baptized as João in 3 May 1491 by Portuguese missionaries. Initially, only the king and his nobles were to be converted, but the queen demanded to be baptised. Kongo's royal family took the names of their Portuguese counterparts, thus João, Eleanor (or Leanor in some instances) and Afonso. A thousand subjects were detailed to help the Portuguese carpenters build a church, meanwhile the Portuguese soldiers accompanied the king in a campaign to defend the province of Nsundi from BaTeke raiders. The European firearms were decisive in the victory and many captives were taken. Most of the Portuguese later departed with slaves and ivory while leaving behind priests and craftsmen. After this cultural honeymoon, the king's profession of the Catholic faith proved short lived. His life ended in 1506. He was succeeded by his son via the Queen, Afonso I.
Map of Guinea and Kongo ( M. Bonne, Paris, 1771).