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The octagonal Krishna Temple was built by King Yoganarendra Malla’s daughter Yogamati after the death of her son in 1723. Shaken by the repeated intrusion of death in her life, Yogamati hoped in constructing the temple to secure spiritual merit for herself, for the time when her own end would arrive. The temple is designed in typical Indian Moghul style, one of only a few such buildings in Nepal.<br/><br/> Patan’s Durbar Square is the best preserved of the three Durbar Squares in the Kathmandu Valley, the one least changed from its original form. On the square itself, which measures about 160 by 70 metres at its widest, there are some 30 monuments, including the extensive old palace complex, and another 30 can be found in the immediate vicinity. In addition, all around, craftsmen conduct their business in ways little changed in centuries.
The Hindu god Krishna is depicted with Arjuna and Vishvarupa (centre), and on the left with two of his favourite gopini or 'milkmaids', Rukmini and Satyabhama. On the right, there is a royal couple, which in all likelihood represents King Pratapa Malla and his major wife.<br/><br/> The Hanuman Dhoka, or royal palace, takes up most of the eastern side of Durbar Square. Built four centuries ago by Nepal's Malla kings, only a small part of the complex is open to the general public. At the left of the entrance stands a statue of Hanuman, the monkey god of Hindu mythology, after which the palace is named. Within the main courtyard is a likeness of Narasimha, the half-man, half-lion incarnation of Vishnu, disembowelling a demon.
Narasimha, Narasingh, Narsingh and Narasingha in derivative languages is an avatar of the Hindu god Vishnu who is also the supreme god Krishna and one of Hinduism's most popular deities, as evidenced in early epics, iconography, and temple and festival worship for over a millennium.
Narasimha, Narasingh, Narsingh and Narasingha in derivative languages is an avatar of the Hindu god Vishnu who is also the supreme god Krishna and one of Hinduism's most popular deities, as evidenced in early epics, iconography, and temple and festival worship for over a millennium.
Gopi is a word of Sanskrit origin meaning 'cow-herd girl'.<br/><br/> In Hinduism specifically the name gopi (sometimes gopika) is used more commonly to refer to the group of cow herding girls famous within Vaishnava Theology for their unconditional devotion (Bhakti) to Krishna as described in the stories of Bhagavata Purana and other Puranic literatures.
The Krishna Temple (Krishna Mandir) on the northern side of the Char-Narayan Temple was said to have been the favourite of its builder Siddhinarasinha Malla. Built from 1667 to 1673 CE, the temple is thought to be based on the design of a famous Krishna temple in Mathura in Northern India.<br/><br/> The temple boasts three floors surrounded by passages, and is topped with a high shikhara tower. The most interesting features of the temple are the delicate stone carvings that depict scenes from the Mahabharata (first storey) and Ramayana (second storey). The scenes are arranged in chronological order. The temple is the focus of the Krishnashtami celebrations marking Krishna’s birthday in August or September.
Krishna (literally 'dark, black, dark-blue') is a central figure of Hinduism and is traditionally attributed the authorship of the Bhagavad Gita. He is an Avatar of Vishnu and considered in some monotheistic traditions as the Supreme Being. Krishna is identified as a historical individual who participated in the events of the Mahabharata.<br/><br/> Krishna is often described as an infant or young boy playing a flute as in the Bhagavata Purana, or as a youthful prince giving direction and guidance as in the Bhagavad Gita.<br/><br/> The stories of Krishna appear across a broad spectrum of Hindu philosophical and theological traditions. They portray him in various perspectives: a god-child, a prankster, a model lover, a divine hero and the Supreme Being.<br/><br/> The principal scriptures discussing Krishna are the Mahabharata, the Harivamsa, the Bhagavata Purana and the Vishnu Purana.
According to Hindu mythology, the evil King Kamsa once sent his friend and ally, Keshi, to kill Krishna. Keshi had great powers, and he turned himself into a great and terrible horse. He galloped into the village of Vrindavan, his hooves thundering and his mane and tail flying. Everyone was terrified.<br/><br/> Krishna met him. Keshi at once recognized Krishna, and galloped full speed straight toward Him, intending to trample Him. Krishna, however, grabbed Keshi’s legs and threw the great horse a hundred yards. Keshi landed with a terrible thud, and was unconscious for a few moments, but he regained consciousness and got up to attack again.<br/><br/> This time he galloped toward Krishna with his mouth wide open and teeth bared, but Krishna shoved His fist deep into that mouth and flipped Keshi onto the ground. Krishna’s fist felt to Keshi like hot iron, and all his teeth fell out. Krishna swelled up His hand in Keshi’s mouth until it choked Keshi, and the great horse died.
Sri Krishna-Balaram Mandir is a Gaudiya Vaishnava temple in the holy city of Vrindavan. It is one of the main International Society for Krishna Consciousness (ISKCON) temples in India and internationally. Hare Krishnas from all over the world can be seen here year-round, which adds color to this ancient ethnic holy city.
Sri Krishna-Balaram Mandir is a Gaudiya Vaishnava temple in the holy city of Vrindavan. It is one of the main International Society for Krishna Consciousness (ISKCON) temples in India and internationally. Hare Krishnas from all over the world can be seen here year-round, which adds color to this ancient ethnic holy city.
Krishna (literally 'dark, black, dark-blue') is a central figure of Hinduism and is traditionally attributed the authorship of the Bhagavad Gita. He is an Avatar of Vishnu and considered in some monotheistic traditions as the Supreme Being. Krishna is identified as a historical individual who participated in the events of the Mahābhārata.<br/><br/> Krishna is often described as an infant or young boy playing a flute as in the Bhagavata Purana, or as a youthful prince giving direction and guidance as in the Bhagavad Gita.<br/><br/> The stories of Krishna appear across a broad spectrum of Hindu philosophical and theological traditions. They portray him in various perspectives: a god-child, a prankster, a model lover, a divine hero and the Supreme Being.<br/><br/> The principal scriptures discussing Krishna are the Mahabharata, the Harivamsa, the Bhagavata Purana and the Vishnu Purana.
The Shri Krishna Janmabhoomi temple is said to be the birthplace of the Hindu god Lord Krishna.<br/><br/> Krishna (literally 'dark, black, dark-blue') is a central figure of Hinduism and is traditionally attributed the authorship of the Bhagavad Gita. He is an Avatar of Vishnu and considered in some monotheistic traditions as the Supreme Being. Krishna is identified as a historical individual who participated in the events of the Mahābhārata.<br/><br/> Krishna is often described as an infant or young boy playing a flute as in the Bhagavata Purana, or as a youthful prince giving direction and guidance as in the Bhagavad Gita.<br/><br/> The stories of Krishna appear across a broad spectrum of Hindu philosophical and theological traditions. They portray him in various perspectives: a god-child, a prankster, a model lover, a divine hero and the Supreme Being.<br/><br/> The principal scriptures discussing Krishna are the Mahabharata, the Harivamsa, the Bhagavata Purana and the Vishnu Purana.
The Shri Krishna Janmabhoomi temple is said to be the birthplace of the Hindu god Lord Krishna.<br/><br/> Krishna (literally 'dark, black, dark-blue') is a central figure of Hinduism and is traditionally attributed the authorship of the Bhagavad Gita. He is an Avatar of Vishnu and considered in some monotheistic traditions as the Supreme Being. Krishna is identified as a historical individual who participated in the events of the Mahābhārata.<br/><br/> Krishna is often described as an infant or young boy playing a flute as in the Bhagavata Purana, or as a youthful prince giving direction and guidance as in the Bhagavad Gita.<br/><br/> The stories of Krishna appear across a broad spectrum of Hindu philosophical and theological traditions. They portray him in various perspectives: a god-child, a prankster, a model lover, a divine hero and the Supreme Being.<br/><br/> The principal scriptures discussing Krishna are the Mahabharata, the Harivamsa, the Bhagavata Purana and the Vishnu Purana.
Sri Krishna-Balaram Mandir is a Gaudiya Vaishnava temple in the holy city of Vrindavan. It is one of the main International Society for Krishna Consciousness (ISKCON) temples in India and internationally. Hare Krishnas from all over the world can be seen here year-round, which adds color to this ancient ethnic holy city.
Sri Krishna-Balaram Mandir is a Gaudiya Vaishnava temple in the holy city of Vrindavan. It is one of the main International Society for Krishna Consciousness (ISKCON) temples in India and internationally. Hare Krishnas from all over the world can be seen here year-round, which adds color to this ancient ethnic holy city.
Sri Krishna-Balaram Mandir is a Gaudiya Vaishnava temple in the holy city of Vrindavan. It is one of the main International Society for Krishna Consciousness (ISKCON) temples in India and internationally. Hare Krishnas from all over the world can be seen here year-round, which adds color to this ancient ethnic holy city.
Sri Krishna-Balaram Mandir is a Gaudiya Vaishnava temple in the holy city of Vrindavan. It is one of the main International Society for Krishna Consciousness (ISKCON) temples in India and internationally. Hare Krishnas from all over the world can be seen here year-round, which adds color to this ancient ethnic holy city.
Sri Krishna-Balaram Mandir is a Gaudiya Vaishnava temple in the holy city of Vrindavan. It is one of the main International Society for Krishna Consciousness (ISKCON) temples in India and internationally. Hare Krishnas from all over the world can be seen here year-round, which adds color to this ancient ethnic holy city.
Sri Krishna-Balaram Mandir is a Gaudiya Vaishnava temple in the holy city of Vrindavan. It is one of the main International Society for Krishna Consciousness (ISKCON) temples in India and internationally. Hare Krishnas from all over the world can be seen here year-round, which adds color to this ancient ethnic holy city.
Sri Krishna-Balaram Mandir is a Gaudiya Vaishnava temple in the holy city of Vrindavan. It is one of the main International Society for Krishna Consciousness (ISKCON) temples in India and internationally. Hare Krishnas from all over the world can be seen here year-round, which adds color to this ancient ethnic holy city.
Sri Krishna-Balaram Mandir is a Gaudiya Vaishnava temple in the holy city of Vrindavan. It is one of the main International Society for Krishna Consciousness (ISKCON) temples in India and internationally. Hare Krishnas from all over the world can be seen here year-round, which adds color to this ancient ethnic holy city.
They are known, variously, as sadhus (saints, or 'good ones'), yogis (ascetic practitioners), fakirs (ascetic seeker after the Truth) and sannyasins (wandering mendicants and ascetics). They are the ascetic – and often eccentric – practitioners of an austere form of Hinduism. Sworn to cast off earthly desires, some choose to live as anchorites in the wilderness. Others are of a less retiring disposition, especially in the towns and temples of Nepal's Kathmandu Valley.<br/><br/> If the Vale of Kathmandu seems to boast more than its share of sadhus and yogis, this is because of the number and importance of Hindu temples in the region. The most important temple of Vishnu in the valley is Changunarayan, and here the visitor will find many Vaishnavite ascetics. Likewise, the most important temple for followers of Shiva is the temple at Pashupatinath.<br/><br/> Vishnu, also known as Narayan, can be identified by his four arms holding a sanka (sea shell), a chakra (round weapon), a gada (stick-like weapon) and a padma (lotus flower). The best-known incarnation of Vishnu is Krishna, and his animal is the mythical Garuda.<br/><br/> Shiva is often represented by the lingam, or phallus, as a symbol of his creative side. His animal is the bull, Nandi, and his weapon is the trisul, or trident. According to Hindu mythology Shiva is supposed to live in the Himalayas and wears a garland of snakes. He is also said to smoke a lot of bhang, or hashish.
Indian painting has a very long tradition and history in Indian art. The earliest Indian paintings were the rock paintings of pre-historic times, the petroglyphs as found in places like Bhimbetka, some of them from before 5500 BC. India's Buddhist literature is replete with examples of texts which describe palaces of kings and the aristocratic class embellished with paintings, but the paintings of the Ajanta Caves are the most significant of the few survivals.<br/><br/> Smaller scale painting in manuscripts was probably also practised in this period, though the earliest survivals are from the medieval period. Mughal painting represented a fusion of the Persian miniature with older Indian traditions, and from the 17th century its style was diffused across Indian princely courts of all religions, each developing a local style. Company paintings were made for British clients under the British raj, which from the 19th century also introduced art schools along Western lines, leading to modern Indian painting, which is increasingly returning to its Indian routes.<br/><br/> Indian paintings provide an aesthetic continuum that extends from the early civilization to the present day. From being essentially religious in purpose in the beginning, Indian painting has evolved over the years to become a fusion of various cultures and traditions.
Indian painting has a very long tradition and history in Indian art. The earliest Indian paintings were the rock paintings of pre-historic times, the petroglyphs as found in places like Bhimbetka, some of them from before 5500 BC. India's Buddhist literature is replete with examples of texts which describe palaces of kings and the aristocratic class embellished with paintings, but the paintings of the Ajanta Caves are the most significant of the few survivals.<br/><br/> Smaller scale painting in manuscripts was probably also practised in this period, though the earliest survivals are from the medieval period. Mughal painting represented a fusion of the Persian miniature with older Indian traditions, and from the 17th century its style was diffused across Indian princely courts of all religions, each developing a local style. Company paintings were made for British clients under the British raj, which from the 19th century also introduced art schools along Western lines, leading to modern Indian painting, which is increasingly returning to its Indian routes.<br/><br/> Indian paintings provide an aesthetic continuum that extends from the early civilization to the present day. From being essentially religious in purpose in the beginning, Indian painting has evolved over the years to become a fusion of various cultures and traditions.
The Gita Govinda is a work composed by the 12th-century poet, Jayadeva, who was born in Kenduli Sasan near Puri in Orissa. It describes the relationship between Krishna and the gopis (female cow herders) of Vrindavana, and in particular one gopi named Radha. This work has been of great importance in the development of the bhakti traditions of Hinduism.<br/><br/> The Gita Govinda is organized into twelve chapters. Each chapter is further sub-divided into twenty four divisions called Prabandhas. The prabandhas contain couplets grouped into eights, called Ashtapadis. The text also elaborates the eight moods of Heroine, the Ashta Nayika in its verses, which over the years has been an inspiration for many compositions and choreographic works in Indian classical dance.
Krishna (literally 'dark, black, dark-blue') is a central figure of Hinduism and is traditionally attributed the authorship of the Bhagavad Gita. He is an Avatar of Vishnu and considered in some monotheistic traditions as the Supreme Being. Krishna is identified as a historical individual who participated in the events of the Mahābhārata.<br/><br/> Krishna is often described as an infant or young boy playing a flute as in the Bhagavata Purana, or as a youthful prince giving direction and guidance as in the Bhagavad Gita.<br/><br/> The stories of Krishna appear across a broad spectrum of Hindu philosophical and theological traditions. They portray him in various perspectives: a god-child, a prankster, a model lover, a divine hero and the Supreme Being.<br/><br/> The principal scriptures discussing Krishna are the Mahabharata, the Harivamsa, the Bhagavata Purana and the Vishnu Purana.
Shiva (Sanskrit: शिव Śiva, meaning 'auspicious one') is a major Hindu deity, and is the destroyer god or transformer among the Trimurti, the Hindu Trinity of the primary aspects of the divine.God Shiva is a yogi who has notice of everything which happens in the world and is the main aspect of life.<br/><br/> In the Shaiva tradition of Hinduism, Shiva is seen as the Supreme God. In the Smarta tradition, he is regarded as one of the five primary forms of God. Followers of Hinduism who focus their worship upon Shiva are called Shaivites or Shaivas (Sanskrit Śaiva). Shaivism, along with Vaiṣṇava traditions that focus on Vishnu and Śākta traditions that focus on the goddess Shakti, is one of the most influential denominations in Hinduism.<br/><br/> Krishna (literally 'dark, black, dark-blue') is a central figure of Hinduism and is traditionally attributed the authorship of the Bhagavad Gita. He is an Avatar of Vishnu and considered in some monotheistic traditions as the Supreme Being. Krishna is identified as a historical individual who participated in the events of the Mahābhārata.<br/><br/> Krishna is often described as an infant or young boy playing a flute as in the Bhagavata Purana, or as a youthful prince giving direction and guidance as in the Bhagavad Gita. The stories of Krishna appear across a broad spectrum of Hindu philosophical and theological traditions. They portray him in various perspectives: a god-child, a prankster, a model lover, a divine hero and the Supreme Being.
Cattle are considered sacred in various world religions, most notably Hinduism, Jainism, Buddhism, Zoroastrianism as well as the religions of Ancient Egypt, Ancient Greece, and Ancient Rome. In some regions, especially India, the slaughter of cattle may be prohibited and their meat may be taboo.<br/><br/> In Hinduism, Kamadhenu, the miraculous 'cow of plenty' and the 'mother of cows' is believed to represent the generic sacred cow, regarded as the source of all prosperity. All the gods are believed to reside in her body, a form of Kamadhenu often depicted in poster art.
Ragamala Paintings are a series of illustrative paintings from medieval India based on Ragamala or the 'Garland of Ragas', depicting various Indian musical nodes, Ragas. They stand as a classical example of the amalgamation of art, poetry and classical music in medieval India. Ragamala paintings were created in most schools of Indian painting, starting in the 16th and 17th centuries and are today named accordingly, as Pahari Ragamala, Rajasthan or Rajput Ragamala, Deccan Ragamala, and Mughal Ragamala.
Krishna, or Krisna, is a major god in Hinduism who is traditionally credited with the authorship of the Hindu classic 'Bhagavad Gita', a tale of duty and morality set around Krishna's defeat of his cousin Arjuna in the Kurukshetra War. Krishna also appears in various events in the Hindu epic 'Mahabharata'. He is usually depicted as blue skinned, and is often portrayed as a mischievous young boy playing a flute. In this scene, Krishna decapitates King Shrigala in a chariot fight.
Ragmala or Ragamala, literally meaning a 'garland of Ragas, or musical melodies', consists of a series of raga musical compositions or modes. This has also given rise to a series of Ragamala paintings. These differ according to the author and the music school they are derived from. Thus there exist a number of such lists in the music text books of India.
Sri Krishna-Balaram Mandir is a Gaudiya Vaishnava temple in the holy city of Vrindavan. It is one of the main International Society for Krishna Consciousness (ISKCON) temples in India and internationally. Hare Krishnas from all over the world can be seen here year-round, which adds color to this ancient ethnic holy city.
Sri Krishna-Balaram Mandir is a Gaudiya Vaishnava temple in the holy city of Vrindavan. It is one of the main International Society for Krishna Consciousness (ISKCON) temples in India and internationally. Hare Krishnas from all over the world can be seen here year-round, which adds color to this ancient ethnic holy city.
The Gita Govinda is a work composed by the 12th-century poet, Jayadeva, who was born in Kenduli Sasan near Puri in Orissa. It describes the relationship between Krishna and the gopis (female cow herders) of Vrindavana, and in particular one gopi named Radha. This work has been of great importance in the development of the bhakti traditions of Hinduism. The Gita Govinda is organized into twelve chapters. Each chapter is further sub-divided into twenty four divisions called Prabandhas. The prabandhas contain couplets grouped into eights, called Ashtapadis. The text also elaborates the eight moods of Heroine, the Ashta Nayika in its verses, which over the years has been an inspiration for many a compositions and choreographic works in Indian classical dance.
Sri Krishna-Balaram Mandir is a Gaudiya Vaishnava temple in the holy city of Vrindavan. It is one of the main International Society for Krishna Consciousness (ISKCON) temples in India and internationally. Hare Krishnas from all over the world can be seen here year-round, which adds color to this ancient ethnic holy city.
Sri Krishna-Balaram Mandir is a Gaudiya Vaishnava temple in the holy city of Vrindavan. It is one of the main International Society for Krishna Consciousness (ISKCON) temples in India and internationally. Hare Krishnas from all over the world can be seen here year-round, which adds color to this ancient ethnic holy city.
Radha, also called Radhika, Radharani and Radhikarani, is the childhood friend and lover of Krishna in the Bhagavata Purana, and the Gita Govinda of the Vaishnava traditions of Hinduism. Radha is almost always depicted alongside Krishna and features prominently within the theology of today's Gaudiya Vaishnava sect, which regards Radha as the original Goddess or Shakti. Radha is also the principal object of worship in the Nimbarka Sampradaya, as Nimbarka, the founder of the tradition, declared that Radha and Krishna together constitute the absolute truth. Radha's relationship with Krishna is given in further detail within texts such as the Brahma Vaivarta Purana, Garga Samhita and Brihad Gautamiya tantra. Radha is one of the most important incarnations of the Goddess Lakshmi.
Sri Krishna-Balaram Mandir is a Gaudiya Vaishnava temple in the holy city of Vrindavan. It is one of the main International Society for Krishna Consciousness (ISKCON) temples in India and internationally. Hare Krishnas from all over the world can be seen here year-round, which adds color to this ancient ethnic holy city.
Radha, also called Radhika, Radharani and Radhikarani, is the childhood friend and lover of Krishna in the Bhagavata Purana, and the Gita Govinda of the Vaishnava traditions of Hinduism. Radha is almost always depicted alongside Krishna and features prominently within the theology of today's Gaudiya Vaishnava sect, which regards Radha as the original Goddess or Shakti. Radha is also the principal object of worship in the Nimbarka Sampradaya, as Nimbarka, the founder of the tradition, declared that Radha and Krishna together constitute the absolute truth. Radha's relationship with Krishna is given in further detail within texts such as the Brahma Vaivarta Purana, Garga Samhita and Brihad Gautamiya tantra. Radha is one of the most important incarnations of the Goddess Lakshmi.
Sri Krishna-Balaram Mandir is a Gaudiya Vaishnava temple in the holy city of Vrindavan. It is one of the main International Society for Krishna Consciousness (ISKCON) temples in India and internationally. Hare Krishnas from all over the world can be seen here year-round, which adds color to this ancient ethnic holy city.
Pierre Sonnerat (1748-1814) was a French naturalist and explorer who made several voyages to southeast Asia between 1769 and 1781. He published this two-volume account of his voyage of 1774-81 in 1782. <br/><br/> Volume 1 deals exclusively with India, whose culture Sonnerat very much admired, and is especially noteworthy for its extended discussion of religion in India, Hinduism in particular. The book is illustrated with engravings based on Sonnerat’s drawings. Among the most interesting illustrations are Sonnerat’s pictures of various Hindu deities.
Pierre Sonnerat (1748-1814) was a French naturalist and explorer who made several voyages to southeast Asia between 1769 and 1781. He published this two-volume account of his voyage of 1774-81 in 1782. <br/><br/> Volume 1 deals exclusively with India, whose culture Sonnerat very much admired, and is especially noteworthy for its extended discussion of religion in India, Hinduism in particular. The book is illustrated with engravings based on Sonnerat’s drawings. Among the most interesting illustrations are Sonnerat’s pictures of various Hindu deities.
Pierre Sonnerat (1748-1814) was a French naturalist and explorer who made several voyages to southeast Asia between 1769 and 1781. He published this two-volume account of his voyage of 1774-81 in 1782. <br/><br/> Volume 1 deals exclusively with India, whose culture Sonnerat very much admired, and is especially noteworthy for its extended discussion of religion in India, Hinduism in particular. The book is illustrated with engravings based on Sonnerat’s drawings. Among the most interesting illustrations are Sonnerat’s pictures of various Hindu deities.
Banteay Srei (or Banteay Srey) is a 10th century Cambodian temple dedicated to the Hindu god Shiva and is located to the north-east of the main group of temples at Angkor. Banteay Srei is built largely of red sandstone, a medium that lends itself to the elaborate decorative wall carvings which are still observable today. Banteay Srei is sometimes referred to as the "jewel of Khmer art."
This famous scene from Hindu mythology features the god Krishna with his cousin, Prince Arjuna, on a chariot heading into war against each other. Taken from the scripture, 'Bhagavad Gita', or 'The Gita', it is a classic tale of duty and morality set around Krishna's defeat of Arjuna in the Kurukshetra War. Krishna also appears in various other events in the Hindu epic 'Mahabharata'. He is usually depicted as blue skinned, and is often portrayed as a mischievous young boy playing a flute.
Lakshmi Narayan or Lakshmi-Narayana (Sanskrit: लक्ष्मी-नारायण; IAST: Lakṣmīnārāyaṇa), also sometimes spelled Lakshminarayan, Lakshminarayana, Laxminarayana, is the name of a Hindu deity. It is usually referring to Vishnu, also known as Narayan, when he is with his consort Lakshmi.
Krishnadevaraya, ruler of the Vijayanagara Kingdom, with its capital at Hampi between 1509-1529, was one of the greatest statesmen that medieval South India produced.The Vijaynagar Kingdom rose to its highest peak of glory during the reign of Krishnadevaraya.<br/><br/> Krishnadevaraya is remembered as an able administrator and a great warrior, but also as a scholar, a poet, a musician and a kind king. He was loved by his subjects and he treated his enemies with honor. He was victorious in all the wars waged during his rule. He is also remembered for having many queens and consorts.
In the upper part of the painting an intermediary companion of Radha visits Krishna (blue) to tell him of Radha's longing for him and desire to be reunited. In the lower part of the painting a flask of rosewater is poured onto Radha to cool the burning pain of her separation from Krishna.<br/><br/> The text describes the scene and has been translated as: 'Hearing her moan with the burning pin of separation, I emptied a whole flask of rosewater onto her, but the flames of parting vaporised the rose water in mid air, and not a drop fell on her' (Radha's companion and internmediary reporting to Krishna).
Krishna (literally 'dark, black, dark-blue') is a central figure of Hinduism and is traditionally attributed the authorship of the Bhagavad Gita. He is an Avatar of Vishnu and considered in some monotheistic traditions as the Supreme Being. Krishna is identified as a historical individual who participated in the events of the Mahābhārata.<br/><br/> Krishna is often described as an infant or young boy playing a flute as in the Bhagavata Purana, or as a youthful prince giving direction and guidance as in the Bhagavad Gita.<br/><br/> The stories of Krishna appear across a broad spectrum of Hindu philosophical and theological traditions. They portray him in various perspectives: a god-child, a prankster, a model lover, a divine hero and the Supreme Being.<br/><br/> City Palace, Udaipur, is a palace complex in Udaipur, in the Indian state Rajasthan. It was built by the Maharana Udai Singh as the capital of the Sisodia Rajput clan in 1559, after he moved from Chittor. It is located on the east bank of Lake Pichola and has several palaces built within its complex. Udaipur was the historic capital of the former kingdom of Mewar in the Rajputana Agency and its last capital.