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During the 10th and 11th centuries CE the Chandella Kings of central India, scions of a powerful Rajput clan who claimed the moon as their direct ancestor, built a total of 85 temples to the glory of God, the creation, and the Hindu pantheon. The Chandellas were devout Hindus. <br/><br/> Eclipsed by the Mughal conquest, the rise of rival dynasties, and the passage of time, the temples languished in the harsh sun and monsoon rains of central India, gradually becoming lost in the jungle. At the time of their re-discovery in 1839, they were so completely overgrown that T. S. Burt, their founder, thought no more than seven temples had survived. Happily this proved far from the case, for when the undergrowth was hacked back and the complex restored, no fewer than twenty two of the original structures were revealed standing.
During the 10th and 11th centuries CE the Chandella Kings of central India, scions of a powerful Rajput clan who claimed the moon as their direct ancestor, built a total of 85 temples to the glory of God, the creation, and the Hindu pantheon. The Chandellas were devout Hindus.<br/><br/> Eclipsed by the Mughal conquest, the rise of rival dynasties, and the passage of time, the temples languished in the harsh sun and monsoon rains of central India, gradually becoming lost in the jungle. At the time of their re-discovery in 1839, they were so completely overgrown that T. S. Burt, their founder, thought no more than seven temples had survived. Happily this proved far from the case, for when the undergrowth was hacked back and the complex restored, no fewer than twenty two of the original structures were revealed standing.
During the 10th and 11th centuries CE the Chandella Kings of central India, scions of a powerful Rajput clan who claimed the moon as their direct ancestor, built a total of 85 temples to the glory of God, the creation, and the Hindu pantheon. The Chandellas were devout Hindus.<br/><br/> Eclipsed by the Mughal conquest, the rise of rival dynasties, and the passage of time, the temples languished in the harsh sun and monsoon rains of central India, gradually becoming lost in the jungle. At the time of their re-discovery in 1839, they were so completely overgrown that T. S. Burt, their founder, thought no more than seven temples had survived. Happily this proved far from the case, for when the undergrowth was hacked back and the complex restored, no fewer than twenty two of the original structures were revealed standing.
Watercolour painting of Rama and Lakshmana in Conference with Sugriva, the Monkey King, and other companions. Scene from the Story of the Burning of Lanka, Folio from a Ramayana (Story of Rama), Maharashtra, c.1850.<br/><br/> The Ramayana is a story as old as time and - at least in the Indian subcontinent and across much of Southeast Asia - of unparalleled popularity. More than 2300 years ago the scholar-poet Valmiki sat down to write his definitive epic of love and war.<br/><br/> The poem Valmiki composed is styled the Ramayana, or "Romance of Rama" in Sanskrit. In its present form, the Sanskrit version consists of some 24,000 couplets divided into seven books.
Kishkindha was the Monkey Kingdom of the Vanara (monkey) King Sugriva, the younger brother of Bali, in the Indian epic the Ramayana. This was the kingdom where he ruled with the assistance of his minister, Hanuman. This kingdom is identified to be the regions around the Tungabhadra river (then known as Pampa Saras) near Hampi in Karnataka.<br/><br/> The Ramayana is a story as old as time and - at least in the Indian subcontinent and across much of Southeast Asia - of unparalleled popularity. More than 2300 years ago the scholar-poet Valmiki sat down to write his definitive epic of love and war.<br/><br/> The poem Valmiki composed is styled the Ramayana, or "Romance of Rama" in Sanskrit. In its present form, the Sanskrit version consists of some 24,000 couplets divided into seven books.
The Ramayana is a story as old as time and - at least in the Indian subcontinent and across much of Southeast Asia - of unparalleled popularity. More than two thousand three hundred years ago the scholar-poet Valmiki sat down to write his definitive epic of love and war.<br/><br/> The poem Valmiki composed is styled the Ramayana, or 'Romance of Rama' in Sanskrit. In its present form, the Sanskrit version consists of some 24,000 couplets divided into seven books.<br/><br/> The Ramakien is the Thai version of this epic and has an important influence on Thai literature, art and drama. It is regarded as the National Epic of Thailand.<br/><br/> Wat Phra Kaew (Temple of the Emerald Buddha); full official name Wat Phra Si Rattana Satsadaram is regarded as the most sacred Buddhist temple in Thailand. It is located within the precincts of the Grand Palace.<br/><br/> The Grand Palace served as the official residence of the Kings of Thailand from the 18th century onwards. Construction of the Palace began in 1782, during the reign of King Rama I, when he moved the capital across the river from Thonburi to Bangkok.
The Ramayana is an ancient Sanskrit epic. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu canon, considered to be based on historical events.<br/><br/>The Ramayana depicts the duties of relationships, portraying ideal characters like the ideal servant, the ideal brother, the ideal wife and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana (going, advancing), translating to ‘Rama's Journey’. The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas), and tells the story of Rama (an Avatar of the Hindu preserver-God Vishnu), whose wife Sita is abducted by the demon king of Lanka, Ravana.<br/><br/>The epic was an important influence on later Sanskrit poetry and Indian life and culture. The characters Rama, Sita, Lakshmana, Bharata, Hanuman and Ravana are all fundamental to the cultural consciousness of India.<br/><br/>There are other versions of the Ramayana, notably Buddhist and Jain in India, as well as Indonesian, Philippine, Thai, Lao, Burmese, Cambodian and Malay versions of the tale.