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That the Durbar Square of Bhaktapur appears so much less cluttered than its counterparts in Kathmandu and Patan is simply due to the earthquake of 1934. The earthquake devastated a large number of buildings in the square and they were never reconstructed.<br/><br/> A minor earthquake in 1988 did further damage. According to the Nepalese chronicles, Bhupatindra Malla had laid out 99 courtyards within the palace compound; in 1742, only 12 remained, and today there are but six.<br/><br/> Durbar Square is now a relatively large open space, surrounded by buildings on its fringes but clear of any constructions in the centre. On the west side, the square is accessed through Durbar Square Gate, built by Bhupatindra Malla (1696-1722) as a main entry point to the area. He also erected the figures of monkey god Hanuman and Narasinha, the half-man, half-lion deity, along the lines of the Hanuman and Narasinha figures near the palace gate in Kathmandu.
That the Durbar Square of Bhaktapur appears so much less cluttered than its counterparts in Kathmandu and Patan is simply due to the earthquake of 1934. The earthquake devastated a large number of buildings in the square and they were never reconstructed.<br/><br/> A minor earthquake in 1988 did further damage. According to the Nepalese chronicles, Bhupatindra Malla had laid out 99 courtyards within the palace compound; in 1742, only 12 remained, and today there are but six.<br/><br/> Durbar Square is now a relatively large open space, surrounded by buildings on its fringes but clear of any constructions in the centre. On the west side, the square is accessed through Durbar Square Gate, built by Bhupatindra Malla (1696-1722) as a main entry point to the area. He also erected the figures of monkey god Hanuman and Narasinha, the half-man, half-lion deity, along the lines of the Hanuman and Narasinha figures near the palace gate in Kathmandu.
The southeastern part of Bhaktapur's Royal Palace compound is taken up by the Palace of Fifty-Five Windows, which was the actual residence of the Bhaktapur kings. The three-storied building boasts some masterly carved doors and windows on its lower floors, and on the third floor there are 55 arcaded windows. In its original form, the upper floor projected out from the building, but after the 1934 earthquake it was reconstructed in the present style.<br/><br/> Inside the compound there is a golden water conduit, laid out in 1688, which brought in water from a source 11 kilometres away. The water was used for the daily ritual bathing of the image of goddess Taleju. Also fed by a subterranean water conduit was the Nag Pokhri, or 'Pond of the Nagas', located at the northeastern corner of the temple complex and constructed during the reign of Jagatprakasha Malla (1743-1772).
That the Durbar Square of Bhaktapur appears so much less cluttered than its counterparts in Kathmandu and Patan is simply due to the earthquake of 1934. The earthquake devastated a large number of buildings in the square and they were never reconstructed.<br/><br/> A minor earthquake in 1988 did further damage. According to the Nepalese chronicles, Bhupatindra Malla had laid out 99 courtyards within the palace compound; in 1742, only 12 remained, and today there are but six.<br/><br/> Durbar Square is now a relatively large open space, surrounded by buildings on its fringes but clear of any constructions in the centre. On the west side, the square is accessed through Durbar Square Gate, built by Bhupatindra Malla (1696-1722) as a main entry point to the area. He also erected the figures of monkey god Hanuman and Narasinha, the half-man, half-lion deity, along the lines of the Hanuman and Narasinha figures near the palace gate in Kathmandu.
That the Durbar Square of Bhaktapur appears so much less cluttered than its counterparts in Kathmandu and Patan is simply due to the earthquake of 1934. The earthquake devastated a large number of buildings in the square and they were never reconstructed.<br/><br/> A minor earthquake in 1988 did further damage. According to the Nepalese chronicles, Bhupatindra Malla had laid out 99 courtyards within the palace compound; in 1742, only 12 remained, and today there are but six.<br/><br/> Durbar Square is now a relatively large open space, surrounded by buildings on its fringes but clear of any constructions in the centre. On the west side, the square is accessed through Durbar Square Gate, built by Bhupatindra Malla (1696-1722) as a main entry point to the area. He also erected the figures of monkey god Hanuman and Narasinha, the half-man, half-lion deity, along the lines of the Hanuman and Narasinha figures near the palace gate in Kathmandu.
Located four kilometres north of Bhaktapur at the end of a high ridge (1,677 metres), the temple of Changu Narayan is one of the oldest in the Kathmandu Valley, and the most sacred to worshippers of Vishnu.<br/><br/> The original construction of Changu Narayan, or Vishnu of the Moving Hill, is attributed to Licchavi king Hari Datta Varma around 325 CE. The earliest inscription found dates back to the year 464 in the reign of King Manadeva I, but there are indications that the temple must have existed long before.
Located four kilometres north of Bhaktapur at the end of a high ridge (1,677 metres), the temple of Changu Narayan is one of the oldest in the Kathmandu Valley, and the most sacred to worshippers of Vishnu.<br/><br/> The original construction of Changu Narayan, or Vishnu of the Moving Hill, is attributed to Licchavi king Hari Datta Varma around 325 CE. The earliest inscription found dates back to the year 464 in the reign of King Manadeva I, but there are indications that the temple must have existed long before.
Located four kilometres north of Bhaktapur at the end of a high ridge (1,677 metres), the temple of Changu Narayan is one of the oldest in the Kathmandu Valley, and the most sacred to worshippers of Vishnu.<br/><br/> The original construction of Changu Narayan, or Vishnu of the Moving Hill, is attributed to Licchavi king Hari Datta Varma around 325 CE. The earliest inscription found dates back to the year 464 in the reign of King Manadeva I, but there are indications that the temple must have existed long before.
That the Durbar Square of Bhaktapur appears so much less cluttered than its counterparts in Kathmandu and Patan is simply due to the earthquake of 1934. The earthquake devastated a large number of buildings in the square and they were never reconstructed.<br/><br/> A minor earthquake in 1988 did further damage. According to the Nepalese chronicles, Bhupatindra Malla had laid out 99 courtyards within the palace compound; in 1742, only 12 remained, and today there are but six.<br/><br/> Durbar Square is now a relatively large open space, surrounded by buildings on its fringes but clear of any constructions in the centre. On the west side, the square is accessed through Durbar Square Gate, built by Bhupatindra Malla (1696-1722) as a main entry point to the area. He also erected the figures of monkey god Hanuman and Narasinha, the half-man, half-lion deity, along the lines of the Hanuman and Narasinha figures near the palace gate in Kathmandu.
That the Durbar Square of Bhaktapur appears so much less cluttered than its counterparts in Kathmandu and Patan is simply due to the earthquake of 1934. The earthquake devastated a large number of buildings in the square and they were never reconstructed.<br/><br/> A minor earthquake in 1988 did further damage. According to the Nepalese chronicles, Bhupatindra Malla had laid out 99 courtyards within the palace compound; in 1742, only 12 remained, and today there are but six.<br/><br/> Durbar Square is now a relatively large open space, surrounded by buildings on its fringes but clear of any constructions in the centre. On the west side, the square is accessed through Durbar Square Gate, built by Bhupatindra Malla (1696-1722) as a main entry point to the area. He also erected the figures of monkey god Hanuman and Narasinha, the half-man, half-lion deity, along the lines of the Hanuman and Narasinha figures near the palace gate in Kathmandu.
That the Durbar Square of Bhaktapur appears so much less cluttered than its counterparts in Kathmandu and Patan is simply due to the earthquake of 1934. The earthquake devastated a large number of buildings in the square and they were never reconstructed.<br/><br/> A minor earthquake in 1988 did further damage. According to the Nepalese chronicles, Bhupatindra Malla had laid out 99 courtyards within the palace compound; in 1742, only 12 remained, and today there are but six.<br/><br/> Durbar Square is now a relatively large open space, surrounded by buildings on its fringes but clear of any constructions in the centre. On the west side, the square is accessed through Durbar Square Gate, built by Bhupatindra Malla (1696-1722) as a main entry point to the area. He also erected the figures of monkey god Hanuman and Narasinha, the half-man, half-lion deity, along the lines of the Hanuman and Narasinha figures near the palace gate in Kathmandu.
That the Durbar Square of Bhaktapur appears so much less cluttered than its counterparts in Kathmandu and Patan is simply due to the earthquake of 1934. The earthquake devastated a large number of buildings in the square and they were never reconstructed.<br/><br/> A minor earthquake in 1988 did further damage. According to the Nepalese chronicles, Bhupatindra Malla had laid out 99 courtyards within the palace compound; in 1742, only 12 remained, and today there are but six.<br/><br/> Durbar Square is now a relatively large open space, surrounded by buildings on its fringes but clear of any constructions in the centre. On the west side, the square is accessed through Durbar Square Gate, built by Bhupatindra Malla (1696-1722) as a main entry point to the area. He also erected the figures of monkey god Hanuman and Narasinha, the half-man, half-lion deity, along the lines of the Hanuman and Narasinha figures near the palace gate in Kathmandu.
That the Durbar Square of Bhaktapur appears so much less cluttered than its counterparts in Kathmandu and Patan is simply due to the earthquake of 1934. The earthquake devastated a large number of buildings in the square and they were never reconstructed. A minor earthquake in 1988 did further damage. According to the Nepalese chronicles, Bhupatindra Malla had laid out 99 courtyards within the palace compound; in 1742, only 12 remained, and today there are but six.<br/><br/> Durbar Square is now a relatively large open space, surrounded by buildings on its fringes but clear of any constructions in the centre. On the west side, the square is accessed through Durbar Square Gate, built by Bhupatindra Malla (1696-1722) as a main entry point to the area. He also erected the figures of monkey god Hanuman and Narasinha, the half-man, half-lion deity, along the lines of the Hanuman and Narasinha figures near the palace gate in Kathmandu.
That the Durbar Square of Bhaktapur appears so much less cluttered than its counterparts in Kathmandu and Patan is simply due to the earthquake of 1934. The earthquake devastated a large number of buildings in the square and they were never reconstructed.<br/><br/> A minor earthquake in 1988 did further damage. According to the Nepalese chronicles, Bhupatindra Malla had laid out 99 courtyards within the palace compound; in 1742, only 12 remained, and today there are but six.<br/><br/> Durbar Square is now a relatively large open space, surrounded by buildings on its fringes but clear of any constructions in the centre. On the west side, the square is accessed through Durbar Square Gate, built by Bhupatindra Malla (1696-1722) as a main entry point to the area. He also erected the figures of monkey god Hanuman and Narasinha, the half-man, half-lion deity, along the lines of the Hanuman and Narasinha figures near the palace gate in Kathmandu.
That the Durbar Square of Bhaktapur appears so much less cluttered than its counterparts in Kathmandu and Patan is simply due to the earthquake of 1934. The earthquake devastated a large number of buildings in the square and they were never reconstructed.<br/><br/> A minor earthquake in 1988 did further damage. According to the Nepalese chronicles, Bhupatindra Malla had laid out 99 courtyards within the palace compound; in 1742, only 12 remained, and today there are but six.<br/><br/> Durbar Square is now a relatively large open space, surrounded by buildings on its fringes but clear of any constructions in the centre. On the west side, the square is accessed through Durbar Square Gate, built by Bhupatindra Malla (1696-1722) as a main entry point to the area. He also erected the figures of monkey god Hanuman and Narasinha, the half-man, half-lion deity, along the lines of the Hanuman and Narasinha figures near the palace gate in Kathmandu.
Buddhism in the Maldives was the predominant religion at least until the 12th century CE. It is not clear how Buddhism was introduced into the islands although there are a number of competing theories. The predominant view is that it was introduced with the expansion of the Sinhalese people from neighboring Sri Lanka who are primarily Buddhist.<br/><br/> In February 2012, a group of Islamic extremists forced their way into the National Museum in Male and attacked the museum's collection of pre-Islamic sculptures, destroying or severely damaging nearly the entire collection about thirty Hindu and Buddhist sculptures dating from the 6th to 12th centuries.<br/><br/> Museum staff indicated that as the sculptures were made from very brittle coral or limestone it would be impossible to repair most of them, and only two or three pieces were in a repairable condition.
Located four kilometres north of Bhaktapur at the end of a high ridge (1,677 metres), the temple of Changu Narayan is one of the oldest in the Kathmandu Valley, and the most sacred to worshippers of Vishnu.<br/><br/> The original construction of Changu Narayan, or Vishnu of the Moving Hill, is attributed to Licchavi king Hari Datta Varma around 325 CE. The earliest inscription found dates back to the year 464 in the reign of King Manadeva I, but there are indications that the temple must have existed long before.
Lakshmi is the Hindu goddess of wealth, love, prosperity (both material and spiritual), fortune, and the embodiment of beauty. She is the wife and active energy of Vishnu. Her four hands represent the four goals of human life considered proper in Hindu way of life – dharma, kama, artha, and moksha.<br/><br/> Representations of Lakshmi are also found in Jain monuments. In Buddhist sects of Tibet, Nepal and southeast Asia, goddess Vasudhara mirrors the characteristics and attributes of Hindu goddess Lakshmi, with minor iconographic differences.<br/><br/> Kandy is Sri Lanka's second biggest city with a population of around 170,000 and is the cultural centre of the whole island. For about two centuries (until 1815) it was the capital of Sri Lanka.
Located four kilometres north of Bhaktapur at the end of a high ridge (1,677 metres), the temple of Changu Narayan is one of the oldest in the Kathmandu Valley, and the most sacred to worshippers of Vishnu.<br/><br/> The original construction of Changu Narayan, or Vishnu of the Moving Hill, is attributed to Licchavi king Hari Datta Varma around 325 CE. The earliest inscription found dates back to the year 464 in the reign of King Manadeva I, but there are indications that the temple must have existed long before.
The Kannada script is an alphasyllabary (sometimes called an abugida) of the Brahmic family, used primarily to write the Kannada language, one of the southern languages in India, and also Sanskrit in the past.<br/><br/> The Telugu script is derived from Telugu-Kannada script, and resembles Kannada script .<br/><br/> The Kannada script displays typically rounded edges and curves, not the straight or wedge shapes as in other scripts. This script is also used to write Konkani by the Konkani diaspora in coastal Karnataka. Similarly, Goykanadi, a variant of Halekannada and Kadamba lipi has been historically used to write Konkani in the state of Goa.
Funan, Phù Nam in Vietnamese, Fúnán in pinyin, was the Chinese name for an ancient kingdom located around the Mekong Delta of southern Vietnam.<br/><br/> The name is found in Chinese historical texts describing the kingdom, and its most extensive descriptions are largely based on the report of two Chinese diplomats representing the Wu Kingdom of Nanjing who sojourned in Funan in the mid-3rd century A.D.; however, the name 'Funan' is not found in any texts of local origin, and it is not known what name the people of Funan gave to their country.<br/><br/> What is known about Funan is from Chinese and Cham sources dating from the 3rd to 6th centuries and from archaeological excavations. From the side of archeology, we know that Funan must have been a powerful trading state, as evidenced by the discovery of Roman, Chinese, and Indian goods during excavations at the ancient trading depot of Oc Eo (Vietnamese: Óc Eo) in southern Vietnam.<br/><br/> Excavations at Angkor Borei in southern Cambodia have likewise delivered evidence of an important settlement. Since Oc Eo was linked to a port on the coast and to Angkor Borei by a system of canals, it is possible that all of these locations together constituted the heartland of Funan.
Jhansi was an independent princely state ruled by Maratha Newalkar dynasty under suzerainty of British India from 1804 till 1853, when British took over the State under terms of Doctrine of Lapse.<br/><br/> The fortified town of Jhansi served as its capital. The Jhansi was, however, was reclaimed and ruled by Rani Laxmi Bai (one of the leading figure Revolt of 1857) from August 1857 to June 1858.
Radha, also called Radhika, Radharani and Radhikarani, is the childhood friend and lover of Krishna in the Bhagavata Purana, and the Gita Govinda of the Vaishnava traditions of Hinduism. Radha is almost always depicted alongside Krishna and features prominently within the theology of today's Gaudiya Vaishnava sect, which regards Radha as the original Goddess or Shakti. Radha is also the principal object of worship in the Nimbarka Sampradaya, as Nimbarka, the founder of the tradition, declared that Radha and Krishna together constitute the absolute truth. Radha's relationship with Krishna is given in further detail within texts such as the Brahma Vaivarta Purana, Garga Samhita and Brihad Gautamiya tantra. Radha is one of the most important incarnations of the Goddess Lakshmi.
Lakshmi Bai, the Rani of Jhansi (c.19 November 1835 – 17 June 1858, (Marathi- झाशीची राणी लक्ष्मीबाई) was the queen of the Maratha-ruled princely state of Jhansi, situated in the north-central part of India.<br/><br/> She was one of the leading figures of the Indian Rebellion of 1857 and a symbol of resistance to the rule of the British East India Company in the subcontinent.
Radha, also called Radhika, Radharani and Radhikarani, is the childhood friend and lover of Krishna in the Bhagavata Purana, and the Gita Govinda of the Vaishnava traditions of Hinduism. Radha is almost always depicted alongside Krishna and features prominently within the theology of today's Gaudiya Vaishnava sect, which regards Radha as the original Goddess or Shakti. Radha is also the principal object of worship in the Nimbarka Sampradaya, as Nimbarka, the founder of the tradition, declared that Radha and Krishna together constitute the absolute truth. Radha's relationship with Krishna is given in further detail within texts such as the Brahma Vaivarta Purana, Garga Samhita and Brihad Gautamiya tantra. Radha is one of the most important incarnations of the Goddess Lakshmi.
Jhansi Fort or Jhansi ka Kila is a fortress situated on a large hilltop called Bangira, in Uttar Pradesh, Northern India. It served as a stronghold of the Chandela kings in Balwant Nagar from the 11th through to the 17th century.<br/><br/> The granite walls of the fort are between 16 and 20 feet thick and on the south side meet the city walls. The south face of the fort is almost perpendicular. There are 10 gates giving access to the fort. Some of these are Khanderao Gate, Datia Darwaza, Unnao Gate, Jharna Gate, Laxmi Gate, Sagar Gate, Orchha Gate, Sainyar Gate and Chand Gate.<br/><br/> Notable sights in the fort are the Shiva temple, Ganesh temple at the entrance, and the Kadak Bijli cannon used in the uprising of 1857. The memorial board reminds one of the legendary feat of the Rani Lakshmibai in jumping on horseback from the fort. Nearby is the Rani Mahal, built in the later half of the 18th century where there is now an archaeological museum.<br/><br/> The fort extends to a sprawling 15 acres (61,000 m2) and this colossal structure measures about 312m in length and 225m in width. On the whole, there are twenty-two supports with a mammoth strengthening wall surrounded by a moat on both sides.
Lakshmi Bai, the Rani of Jhansi (c.19 November 1835 – 17 June 1858, (Marathi- झाशीची राणी लक्ष्मीबाई) was the queen of the Maratha-ruled princely state of Jhansi, situated in the north-central part of India.<br/><br/> She was one of the leading figures of the Indian Rebellion of 1857 and a symbol of resistance to the rule of the British East India Company in the subcontinent.
Jhansi Fort or Jhansi ka Kila is a fortress situated on a large hilltop called Bangira, in Uttar Pradesh, Northern India. It served as a stronghold of the Chandela kings in Balwant Nagar from the 11th through to the 17th century.<br/><br/> The granite walls of the fort are between 16 and 20 feet thick and on the south side meet the city walls. The south face of the fort is almost perpendicular. There are 10 gates giving access to the fort. Some of these are Khanderao Gate, Datia Darwaza, Unnao Gate, Jharna Gate, Laxmi Gate, Sagar Gate, Orchha Gate, Sainyar Gate and Chand Gate.<br/><br/> Notable sights in the fort are the Shiva temple, Ganesh temple at the entrance, and the Kadak Bijli cannon used in the uprising of 1857. The memorial board reminds one of the legendary feat of the Rani Lakshmibai in jumping on horseback from the fort. Nearby is the Rani Mahal, built in the later half of the 18th century where there is now an archaeological museum.<br/><br/> The fort extends to a sprawling 15 acres (61,000 m2) and this colossal structure measures about 312m in length and 225m in width. On the whole, there are twenty-two supports with a mammoth strengthening wall surrounded by a moat on both sides.
In Hindu tradition Shesha, also known as Sheshanaga, is the king of all Nagas, and of all serpent deities, one of the primal beings of creation, and according to the Bhagavata Purana, an avatar of the Supreme God known as Narayana. He is also known as Balarama and Sankarshana.<br/><br/> In the Puranas, Sheshanaga is said to hold all the planets of the Universe on his hoods and to constantly sing the glories of Vishnu from all his mouths. He is sometimes referred to as Ananta Shesha which translates as endless-Shesha or as Adishesha which means the first Shesha.<br/><br/> It is said that when Adishesa uncoils, time moves forward and creation takes place. When he coils back, the universe ceases to exist. 'Shesha' in sanskrit texts, especially those relating to mathematical calculation, also implies the 'remainder' - that which remains when all else ceases to exist.
Lakshmi Narayan or Lakshmi-Narayana (Sanskrit: लक्ष्मी-नारायण; IAST: Lakṣmīnārāyaṇa), also sometimes spelled Lakshminarayan, Lakshminarayana, Laxminarayana, is the name of a Hindu deity. It is usually referring to Vishnu, also known as Narayan, when he is with his consort Lakshmi.
Vishnu (Sanskrit विष्णु Viṣṇu) is the Supreme god in the Vaishnavite tradition of Hinduism. Smarta followers of Adi Shankara, among others, venerate Vishnu as one of the five primary forms of God.<br/><br/> The Vishnu Sahasranama declares Vishnu as Paramatma (supreme soul) and Parameshwara (supreme God). It describes Vishnu as the All-Pervading essence of all beings, the master of - and beyond - the past, present and future, one who supports, sustains and governs the Universe and originates and develops all elements within. Vishnu governs the aspect of preservation and sustenance of the universe, so he is called 'Preserver of the universe'.<br/><br/> Lakshmi (Sanskrit: लक्ष्मी lakṣmī, Tamil: லட்சுமி latchumi, Telugu: లక్ష్మి, Lakshmi) is the Hindu goddess of wealth, prosperity (both material and spiritual), light, wisdom, fortune, fertility, generosity and courage; and the embodiment of beauty, grace and charm.<br/><br/> Saraswati (Sanskrit: सरस्वती, Sarasvatī , Tamil: சரஸ்வதி, Sarasvatī , is the goddess of knowledge, music, arts, science and technology. She is the daughter of Brahma, sometimes also described as his consort.