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Foot binding (pinyin: chanzu, literally 'bound feet') was a custom practiced on young girls and women for approximately one thousand years in China, beginning in the 10th century and ending in the first half of 20th century. There is little evidence for the custom prior to the court of the Southern Tang dynasty in Nanjing, which celebrated the fame of its dancing girls, renowned for their tiny feet and beautiful bow shoes.<br/><br/> What is clear is that foot binding was first practised among the elite and only in the wealthiest parts of China, which suggests that binding the feet of well-born girls represented their freedom from manual labor and, at the same time, the ability of their husbands to afford wives who did not need to work, who existed solely to serve their men and direct household servants while performing no labor themselves. Bound feet were considered intensely erotic in traditional Chinese culture. Qing Dynasty sex manuals listed 48 different ways of playing with women's bound feet.<br/><br/> Some men preferred never to see a woman's bound feet, so they were always concealed within tiny 'lotus shoes' and wrappings. Feng Xun is recorded as stating, 'If you remove the shoes and bindings, the aesthetic feeling will be destroyed forever' - an indication that men understood that the symbolic erotic fantasy of bound feet did not correspond to its unpleasant physical reality, which was therefore to be kept hidden. For men, the primary erotic effect was a function of the lotus gait, the tiny steps and swaying walk of a woman whose feet had been bound.
Foot binding (pinyin: chanzu, literally 'bound feet') was a custom practiced on young girls and women for approximately one thousand years in China, beginning in the 10th century and ending in the first half of 20th century. There is little evidence for the custom prior to the court of the Southern Tang dynasty in Nanjing, which celebrated the fame of its dancing girls, renowned for their tiny feet and beautiful bow shoes.<br/><br/> What is clear is that foot binding was first practised among the elite and only in the wealthiest parts of China, which suggests that binding the feet of well-born girls represented their freedom from manual labor and, at the same time, the ability of their husbands to afford wives who did not need to work, who existed solely to serve their men and direct household servants while performing no labor themselves. Bound feet were considered intensely erotic in traditional Chinese culture. Qing Dynasty sex manuals listed 48 different ways of playing with women's bound feet.<br/><br/> Some men preferred never to see a woman's bound feet, so they were always concealed within tiny 'lotus shoes' and wrappings. Feng Xun is recorded as stating, 'If you remove the shoes and bindings, the aesthetic feeling will be destroyed forever' - an indication that men understood that the symbolic erotic fantasy of bound feet did not correspond to its unpleasant physical reality, which was therefore to be kept hidden. For men, the primary erotic effect was a function of the lotus gait, the tiny steps and swaying walk of a woman whose feet had been bound.
Foot binding (pinyin: chanzu, literally 'bound feet') was a custom practiced on young girls and women for approximately one thousand years in China, beginning in the 10th century and ending in the first half of 20th century. There is little evidence for the custom prior to the court of the Southern Tang dynasty in Nanjing, which celebrated the fame of its dancing girls, renowned for their tiny feet and beautiful bow shoes.<br/><br/> What is clear is that foot binding was first practised among the elite and only in the wealthiest parts of China, which suggests that binding the feet of well-born girls represented their freedom from manual labor and, at the same time, the ability of their husbands to afford wives who did not need to work, who existed solely to serve their men and direct household servants while performing no labor themselves. Bound feet were considered intensely erotic in traditional Chinese culture. Qing Dynasty sex manuals listed 48 different ways of playing with women's bound feet.<br/><br/> Some men preferred never to see a woman's bound feet, so they were always concealed within tiny 'lotus shoes' and wrappings. Feng Xun is recorded as stating, 'If you remove the shoes and bindings, the aesthetic feeling will be destroyed forever' - an indication that men understood that the symbolic erotic fantasy of bound feet did not correspond to its unpleasant physical reality, which was therefore to be kept hidden. For men, the primary erotic effect was a function of the lotus gait, the tiny steps and swaying walk of a woman whose feet had been bound.
Foot binding (pinyin: chanzu, literally 'bound feet') was a custom practiced on young girls and women for approximately one thousand years in China, beginning in the 10th century and ending in the first half of 20th century. There is little evidence for the custom prior to the court of the Southern Tang dynasty in Nanjing, which celebrated the fame of its dancing girls, renowned for their tiny feet and beautiful bow shoes.<br/><br/> What is clear is that foot binding was first practised among the elite and only in the wealthiest parts of China, which suggests that binding the feet of well-born girls represented their freedom from manual labor and, at the same time, the ability of their husbands to afford wives who did not need to work, who existed solely to serve their men and direct household servants while performing no labor themselves. Bound feet were considered intensely erotic in traditional Chinese culture. Qing Dynasty sex manuals listed 48 different ways of playing with women's bound feet.<br/><br/> Some men preferred never to see a woman's bound feet, so they were always concealed within tiny 'lotus shoes' and wrappings. Feng Xun is recorded as stating, 'If you remove the shoes and bindings, the aesthetic feeling will be destroyed forever' - an indication that men understood that the symbolic erotic fantasy of bound feet did not correspond to its unpleasant physical reality, which was therefore to be kept hidden. For men, the primary erotic effect was a function of the lotus gait, the tiny steps and swaying walk of a woman whose feet had been bound.
Foot binding (pinyin: chanzu, literally 'bound feet') was a custom practiced on young girls and women for approximately one thousand years in China, beginning in the 10th century and ending in the first half of 20th century. There is little evidence for the custom prior to the court of the Southern Tang dynasty in Nanjing, which celebrated the fame of its dancing girls, renowned for their tiny feet and beautiful bow shoes.<br/><br/> What is clear is that foot binding was first practised among the elite and only in the wealthiest parts of China, which suggests that binding the feet of well-born girls represented their freedom from manual labor and, at the same time, the ability of their husbands to afford wives who did not need to work, who existed solely to serve their men and direct household servants while performing no labor themselves. Bound feet were considered intensely erotic in traditional Chinese culture. Qing Dynasty sex manuals listed 48 different ways of playing with women's bound feet.<br/><br/> Jean-Baptiste Mauzaisse (November 1784–1844) was a French painter and lithographer. Born in Corbeil, he began studying at the Ecole des Beaux-Arts in 1803. His first painting, L'Arabe pleurant son coursier (The Arab Mourning his Steed), won him a first class medal at the exhibition at the Salon in 1812. Mauzaisse's specialty was painting historical subjects, especially battle scenes, but he also painted portraits. In 1822, he was commissioned to decorate several ceilings in the Louvre. He died in Paris.
Foot binding (pinyin: chanzu, literally 'bound feet') was a custom practiced on young girls and women for approximately one thousand years in China, beginning in the 10th century and ending in the first half of 20th century. There is little evidence for the custom prior to the court of the Southern Tang dynasty in Nanjing, which celebrated the fame of its dancing girls, renowned for their tiny feet and beautiful bow shoes.<br/><br/> What is clear is that foot binding was first practised among the elite and only in the wealthiest parts of China, which suggests that binding the feet of well-born girls represented their freedom from manual labor and, at the same time, the ability of their husbands to afford wives who did not need to work, who existed solely to serve their men and direct household servants while performing no labor themselves. Bound feet were considered intensely erotic in traditional Chinese culture. Qing Dynasty sex manuals listed 48 different ways of playing with women's bound feet.<br/><br/> Some men preferred never to see a woman's bound feet, so they were always concealed within tiny 'lotus shoes' and wrappings. Feng Xun is recorded as stating, 'If you remove the shoes and bindings, the aesthetic feeling will be destroyed forever' - an indication that men understood that the symbolic erotic fantasy of bound feet did not correspond to its unpleasant physical reality, which was therefore to be kept hidden. For men, the primary erotic effect was a function of the lotus gait, the tiny steps and swaying walk of a woman whose feet had been bound.
Advertisement for Japanese Postal Savings Bank featuring lillies.
Mandalay Palace was constructed between 1857 and 1859 as part of King Mindon's new royal capital city of Mandalay, in fulfillment of a Buddhist prophecy that a religious center would be built at the foot of Mandalay Hill. In 1861 the court was transferred to the newly built city from the previous capital of Amarapura.<br/><br/> The plan of Mandalay Palace largely follows the traditional Burmese palace design, inside a walled fort surrounded by a moat. The palace itself is at the center of the citadel and faces east. The Lily Throne Room was situated on the west wing of the palace and was occupied by the queen and other female members of the royal family. All buildings of the palace are of one story in height. The palace was the primary royal residence of King Mindon and King Thibaw, the last two kings of the country.<br/><br/> On Nov. 28, 1885, the British entered the palace and captured the royal family, officially ending the Third Anglo-Burmese War. The British looted the palace, and turned the palace compound into Fort Dufferin. Much of the palace compound was burned down during World War II by allied bombing; only the royal mint and the watch tower survived. A replica of the palace was rebuilt in the 1990s with some modern materials.<br/><br/> Today, Mandalay Palace is a primary symbol of Mandalay and a major tourist destination.
Lilium (members of which are true lilies) is a genus of herbaceous flowering plants growing from bulbs, all with large prominent flowers. Lilies are a group of flowering plants which are important in culture and literature in much of the world.<br/><br/> Most species are native to the temperate northern hemisphere, though their range extends into the northern subtropics. Many other plants have 'lily' in their common name but are not related to true lilies.
Lilium (members of which are true lilies) is a genus of herbaceous flowering plants growing from bulbs, all with large prominent flowers. Lilies are a group of flowering plants which are important in culture and literature in much of the world.<br/><br/> Most species are native to the temperate northern hemisphere, though their range extends into the northern subtropics. Many other plants have "lily" in their common name but are not related to true lilies.
Helianthus (sunflower) is a genus of plants comprising about 52 species in the Asteraceae family, all of which are native to North America. The common name 'sunflower' also applies to the popular annual species <i>Helianthus annuus</i>. This and other species, notably Jerusalem artichoke (<i>H. tuberosus</i>), are cultivated in temperate regions as food crops and ornamental plants.<br/><br/> The genus is one of many in the Asteraceae that are known as sunflowers. It is distinguished technically by the fact that the ray flowers, when present, are sterile, and by the presence on the disk flowers of a pappus that is of two awn-like scales that are cauducous (that is, easily detached and falling at maturity). Some species also have additional shorter scales in the pappus, and there is one species that lacks a pappus entirely.
Lilium (members of which are true lilies) is a genus of herbaceous flowering plants growing from bulbs, all with large prominent flowers. Lilies are a group of flowering plants which are important in culture and literature in much of the world.<br/><br/> Most species are native to the temperate northern hemisphere, though their range extends into the northern subtropics. Many other plants have 'lily' in their common name but are not related to true lilies.
China: 'Shining Eyes and White Wrists'. By Wu Youru (1839-1893). Ink on paper. Collection of the Shanghai History Museum.