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The ‘Maqama’ are a collection of picaresque Arabic tales written in the form of rhymed prose in which rhetorical extravagance is conspicuous. The style was invented in the 10th century by Badi al-Zaman al-Hamadhani and extended by Abu Muhammed al-Qasim ibn Ali al-Hariri of Basra the following century.<br/><br/> The protagonists in the tales are invariably silver-tongued hustlers, especially the roguish Abu Zaid al-Saruji, who trick the narrator and who live on their wits and dazzle onlookers with displays of acrobatics, acting and by reciting poetry.
The ‘Maqama’ are a collection of picaresque Arabic tales written in the form of rhymed prose in which rhetorical extravagance is conspicuous. The style was invented in the 10th century by Badi al-Zaman al-Hamadhani and extended by Abu Muhammed al-Qasim ibn Ali al-Hariri of Basra the following century.<br/><br/> The protagonists in the tales are invariably silver-tongued hustlers, especially the roguish Abu Zaid al-Saruji, who trick the narrator and who live on their wits and dazzle onlookers with displays of acrobatics, acting and by reciting poetry.
The ‘Maqama’ are a collection of picaresque Arabic tales written in the form of rhymed prose in which rhetorical extravagance is conspicuous. The style was invented in the 10th century by Badi al-Zaman al-Hamadhani and extended by Abu Muhammed al-Qasim ibn Ali al-Hariri of Basra the following century.<br/><br/> The protagonists in the tales are invariably silver-tongued hustlers, especially the roguish Abu Zaid al-Saruji, who trick the narrator and who live on their wits and dazzle onlookers with displays of acrobatics, acting and by reciting poetry.
The ‘Maqama’ are a collection of picaresque Arabic tales written in the form of rhymed prose in which rhetorical extravagance is conspicuous. The style was invented in the 10th century by Badi al-Zaman al-Hamadhani and extended by Abu Muhammed al-Qasim ibn Ali al-Hariri of Basra the following century.<br/><br/> The protagonists in the tales are invariably silver-tongued hustlers, especially the roguish Abu Zaid al-Saruji, who trick the narrator and who live on their wits and dazzle onlookers with displays of acrobatics, acting and by reciting poetry.
The ‘Maqama’ are a collection of picaresque Arabic tales written in the form of rhymed prose in which rhetorical extravagance is conspicuous. The style was invented in the 10th century by Badi al-Zaman al-Hamadhani and extended by Abu Muhammed al-Qasim ibn Ali al-Hariri of Basra the following century.<br/><br/> The protagonists in the tales are invariably silver-tongued hustlers, especially the roguish Abu Zaid al-Saruji, who trick the narrator and who live on their wits and dazzle onlookers with displays of acrobatics, acting and by reciting poetry.
The ‘Maqama’ are a collection of picaresque Arabic tales written in the form of rhymed prose in which rhetorical extravagance is conspicuous. The style was invented in the 10th century by Badi al-Zaman al-Hamadhani and extended by Abu Muhammed al-Qasim ibn Ali al-Hariri of Basra the following century.<br/><br/> The protagonists in the tales are invariably silver-tongued hustlers, especially the roguish Abu Zaid al-Saruji, who trick the narrator and who live on their wits and dazzle onlookers with displays of acrobatics, acting and by reciting poetry.
The ‘Maqama’ are a collection of picaresque Arabic tales written in the form of rhymed prose in which rhetorical extravagance is conspicuous. The style was invented in the 10th century by Badi al-Zaman al-Hamadhani and extended by Abu Muhammed al-Qasim ibn Ali al-Hariri of Basra the following century.<br/><br/> The protagonists in the tales are invariably silver-tongued hustlers, especially the roguish Abu Zaid al-Saruji, who trick the narrator and who live on their wits and dazzle onlookers with displays of acrobatics, acting and by reciting poetry.
Baibars or Baybars (al-Malik al-Zahir Rukn al-Din Baibars al-Bunduqdari, 1223 – July 1, 1277), was a Mamluk Sultan of Egypt. He was one of the commanders of the forces which inflicted a devastating defeat on the Seventh Crusade of King Louis IX of France and he led the vanguard of the Egyptian army at the Battle of Ain Jalut in 1260, which marked the first substantial defeat of the Mongol army and is considered a turning point in history. His reign marked the start of an age of Mamluk dominance in the Eastern Mediterranean and solidified the durability of their military system. He managed to pave the way for the end of the Crusader presence in Syria and to unite Egypt and Syria into one powerful state that was able to fend off threats from both Crusaders and Mongols. As Sultan, Baibars also engaged in a combination of diplomacy and military action which allowed the Mamluks to greatly expand their empire.
In this 1240 CE illustrated page from al-Hariri’s ‘Maqama’, a roadside doctor is ‘cupping’ a patient’s back when they begin to argue over payment. A crowd gathers to watch the spectacle, at which point the doctor and the patient reveal themselves to be actors and beg for alms before vanishing.<br/><br/> The ‘Maqama’ are a collection of picaresque Arabic tales written in the form of rhymed prose in which rhetorical extravagance is conspicuous. The style was invented in the 10th century by Badi al-Zaman al-Hamadhani and extended by Abu Muhammed al-Qasim ibn Ali al-Hariri of Basra the following century. The protagonists in the tales are invariably silver-tongued hustlers, especially the roguish Abu Zaid al-Saruji, who trick the narrator and who live on their wits and dazzle onlookers with displays of acrobatics, acting and by reciting poetry.