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Toyohara Chikanobu, better known to his contemporaries as Yōshū Chikanobu, was a prolific woodblock artist of Japan's Meiji period. His works capture the transition from the age of the samurai to Meiji modernity.<br/><br/> In 1875 (Meiji 8), he decided to try to make a living as an artist. He travelled to Tokyo. He found work as an artist for the Kaishin Shimbun. In addition, he produced <i>nishiki-e</i> artworks. In his younger days, he had studied the Kanō school of painting; but his interest was drawn to <i>ukiyo-e</i>.<br/><br/> Like many <i>ukiyo-e</i> artists, Chikanobu turned his attention towards a great variety of subjects. His work ranged from Japanese mythology to depictions of the battlefields of his lifetime to women's fashions. As well as a number of the other artists of this period, he too portrayed kabuki actors in character, and is well-known for his impressions of the <i>mie</i> (formal pose) of kabuki productions.<br/><br/> Chikanobu was known as a master of <i>bijinga</i>, images of beautiful women, and for illustrating changes in women's fashion, including both traditional and Western clothing. His work illustrated the changes in coiffures and make-up across time. For example, in Chikanobu's images in Mirror of Ages (1897), the hair styles of the Tenmei era, 1781-1789 are distinguished from those of the Keio era, 1865-1867.
In 1266, while their father King Hetoum I of Armenia was away to visit the Mongol court, Leo and his younger brother Thoros fought to repel Mamluk invaders, at the Battle of Mari. Thoros was killed in combat, and Leo, along with 40,000 other Armenian soldiers was captured and imprisoned.<br/><br/> When King Hetoum returned, he paid a large ransom to retrieve his son, including a large quantity of money, handing over several fortresses, and accepting to intercede with the Mongol ruler Abagha in order to have one of Mamluk Amir Baibars's relatives freed.
Mari (modern Tell Hariri, Syria) was an ancient Sumerian and Amorite city, located 11 km north-west of the modern town of Abu Kamal on the western bank of the Euphrates river, some 120 km southeast of Deir ez-Zor, Syria. It is thought to have been inhabited since the 5th millennium BCE, although it flourished with a series of superimposed palaces that span a thousand years, from 2900 BCE to 1759 BCE, when it was sacked by Hammurabi.<br/><br/> The citizens of Mari were well known for elaborate hair styles and dress, and are considered to be part of Mesopotamian culture, despite being 240 km (150 mi) upriver from Babylon. It is theorized by some that Mari functioned as a trading post for southern Mesopotamia.<br/><br/> The inhabitants of Mari worshipped a vast array of gods and goddesses. Dagan, the deity of storms, had an entire temple dedicated to him, as did Ishtar, the goddess of fertility, and Shamash, the Sun god. Shamash was believed to be all-knowing and all-seeing, and in many seals he is seen standing between two large doors. According to the Epic of Gilgamesh, these doors are between Mount Mashu, and are the eastern doors to heaven. Through Mari's extensive trade network, Sumerian gods and goddesses were taken to non-Sumerian cities such as Ebla and Ugarit and incorporated into their native religions.
Mari (modern Tell Hariri, Syria) was an ancient Sumerian and Amorite city, located 11 km north-west of the modern town of Abu Kamal on the western bank of Euphrates river, some 120 km southeast of Deir ez-Zor, Syria. It is thought to have been inhabited since the 5th millennium BCE, although it flourished with a series of superimposed palaces that span a thousand years, from 2900 BCE to 1759 BCE, when it was sacked by Hammurabi.<br/><br/> The citizens of Mari were well known for elaborate hair styles and dress, and are considered to be part of Mesopotamian culture, despite being 240 km (150 mi) upriver from Babylon. It is theorized by some that Mari functioned as a trading post for southern Mesopotamia.<br/><br/> The inhabitants of Mari worshipped a vast array of gods and goddesses. Dagan, the deity of storms, had an entire temple dedicated to him, as did Ishtar, the goddess of fertility, and Shamash, the Sun god. Shamash was believed to be all-knowing and all-seeing, and in many seals he is seen standing between two large doors. According to the Epic of Gilgamesh, these doors are between Mount Mashu, and are the eastern doors to heaven. Through Mari's extensive trade network, Sumerian gods and goddesses were taken to non-Sumerian cities such as Ebla and Ugarit and incorporated into their native religions.