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Toyohara Chikanobu (1838-1912), often known by his contemporaries as Yoshu Chikanobu, was a prolific woodblock artist active during the Meiji Era of Japan. He served as a soldier for the Tokugawa loyalists at first, but following the Shogitai's surrender, he was remanded to the Takada domain, and in 1875, he decided to become an artist.<br/><br/> He soon become renowned as a highly skilled <i>ukiyo-e</i> artist, with his works ranging from Japanese mythology to depictions of the battlefields from the wars of his time to women's fashions and <i>shunga</i> (erotic art). He produced a great many war prints in triptych format, documenting the Satsuma Rebellion, the First Sino-Japanese War and the First Russo-Japanese War, among other conflicts and events.
Between the end of the First World War in 1918 and the outbreak of the Pacific War in 1941, Japanese graphic design as represented in advertsing posters, magazine covers and book covers underwent a series of changes characterised by increasing Western influence, a growing middle class, industrialisation and militarisation, as well as (initially) left wing political ideals and (subsequently) right wing nationalism and the influence of European Fascist art forms.