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Japan: 'Commodore Perry meeting the Imperial Commissioners at Yokohama'. Lithograph by W.T. Petris, 1856. The Perry Expedition was a U.S. naval and diplomatic expedition to Japan, involving two separate trips to and from Japan by ships of the United States Navy, which took place during 1853–54. The expedition was commanded by Commodore Matthew Calbraith Perry (1794–1858). It resulted in the opening of Japan to American and international trade, and the establishment of diplomatic relations between Japan and the western 'Great Powers'.
William (Wilhelm) Heine was the official artist of Commodore Matthew C. Perry's' Black Ships' expedition to Japan in 1853-54.<br/><br/> On returning to the United States, he produced a series of prints depicting the trip. This project employed the New York lithographic firm of Sarony, at that time probably the most skilled craftsmen in their profession in the United States.
William (Wilhelm) Heine was the official artist of Commodore Matthew C. Perry's' Black Ships' expedition to Japan in 1853-54.<br/><br/> On returning to the United States, he produced a series of prints depicting the trip. This project employed the New York lithographic firm of Sarony, at that time probably the most skilled craftsmen in their profession in the United States.
The Battle of Hattin took place on July 3 and 4, 1187, between the Crusader Kingdom of Jerusalem and the forces of the Kurdish Ayyubid sultan Salah ad-Din, known in the West as Saladin. It is also known as the Battle of the Horns of Hattin, from a nearby extinct volcano.<br/><br/> The Muslim armies under Saladin captured or killed the vast majority of the Crusader forces, removing their capability to wage war. As a direct result of the battle, Islamic forces once again became the pre-eminent military power in the Holy Land, re-conquering Jerusalem and several other Crusader-held cities. These Christian defeats prompted the Third Crusade, which began two years after the Battle of Hattin.
Benzaiten is a Japanese Buddhist goddess, who originated from the Hindu goddess Saraswati. Worship of Benzaiten arrived in Japan during the 6th through 8th centuries, mainly via the Chinese translations of the Sutra of Golden Light, which has a section devoted to her. She is also mentioned in the Lotus Sutra and often depicted holding a biwa, a traditional Japanese lute, just as Saraswati holds a veena. Benzaiten is a highly syncretic entity with both a Buddhist and a Shinto side.<br/><br/> William (Wilhelm) Heine was the official artist of Commodore Matthew C. Perry's 'Black Ships' expedition to Japan in 1853-54.<br/><br/> On returning to the United States, he produced a series of prints depicting the trip. This project employed the New York lithographic firm of Sarony, at that time probably the most skilled craftsmen in their profession in the United States.
William (Wilhelm) Heine was the official artist of Commodore Matthew C. Perry's' Black Ships' expedition to Japan in 1853-54.<br/><br/> On returning to the United States, he produced a series of prints depicting the trip. This project employed the New York lithographic firm of Sarony, at that time probably the most skilled craftsmen in their profession in the United States.
William (Wilhelm) Heine was the official artist of Commodore Matthew C. Perry's' Black Ships' expedition to Japan in 1853-54.<br/><br/> On returning to the United States, he produced a series of prints depicting the trip. This project employed the New York lithographic firm of Sarony, at that time probably the most skilled craftsmen in their profession in the United States.
Henry I (c. 1068 – 1 December 1135), also known as Henry Beauclerc, was King of England from 1100 to his death. Henry was the fourth son of William the Conqueror and was educated in Latin and the liberal arts. On William's death in 1087, Henry's elder brothers Robert Curthose and William Rufus inherited Normandy and England, respectively, but Henry was left landless.<br/><br/> Henry purchased the County of Cotentin in western Normandy from Robert, but William and Robert deposed him in 1091. Henry gradually rebuilt his power base in the Cotentin and allied himself with William against Robert. Henry was present when William died in a hunting accident in 1100, and he seized the English throne, promising at his coronation to correct many of William's less popular policies. Henry married Matilda of Scotland but continued to have a large number of mistresses, by whom he had many illegitimate children.
William (Wilhelm) Heine was the official artist of Commodore Matthew C. Perry's' Black Ships' expedition to Japan in 1853-54.<br/><br/> On returning to the United States, he produced a series of prints depicting the trip. This project employed the New York lithographic firm of Sarony, at that time probably the most skilled craftsmen in their profession in the United States.
Left to Right: General Creighton Abrams, George Ball, Assistant Press Secretary Tom Johnson, General Maxwell Taylor, McGeorge Bundy, General Matthew Ridgway, Ambassador Henry Cabot Lodge, Dean Acheson, President Lyndon B. Johnson, General Omar Bradley, Ambassador Averell Harriman, Secretary of Defense Clark Clifford, Cyrus Vance, Walt Rostow, Secretary of State Dean Rusk.
The Ryukyu Kingdom (historical English name: Lewchew, Luchu, or Loochoo) was an independent kingdom that ruled most of the Ryukyu Islands from the 15th to the 19th century. The kings of Ryukyu unified Okinawa Island and extended the kingdom to the Amami Islands in modern-day Kagoshima Prefecture, and the Sakishima Islands near Taiwan.<br/><br/> Despite its small size, the kingdom played a central role in the maritime trade networks of medieval East and Southeast Asia.
William (Wilhelm) Heine was the official artist of Commodore Matthew C. Perry's' Black Ships' expedition to Japan in 1853-54. On returning to the United States, he produced a series of prints depicting the trip.<br/><br/> This lithograph, clearly a variation on his 'Old China Street' print in the American edition of his work, is from the Dutch edition, <i>Reis om de wereld naar Japan : aan boord van het expeditie-eskader onder Commodore M.C. Perry in de jaren 1853, 1854 en 1855, ondernomen op last van de regering der Vereenigde Staten</i> (Rotterdam, 1856).
Andrew Johnson (December 29, 1808 – July 31, 1875) was the 17th President of the United States, serving from 1865 to 1869. Johnson became president as he was vice president at the time of the assassination of Abraham Lincoln. A Democrat who ran with Lincoln on the National Union ticket, Johnson came to office as the Civil War concluded.<br/><br/> The new president favored quick restoration of the seceded states to the Union. His plans did not give protection to the former slaves, and he came into conflict with the Republican-dominated Congress, culminating in his impeachment by the House of Representatives. The first American president to be impeached, he was acquitted in the Senate by one vote.
William (Wilhelm) Heine was the official artist of Commodore Matthew C. Perry's' Black Ships' expedition to Japan in 1853-54.<br/><br/> On returning to the United States, he produced a series of prints depicting the trip. This project employed the New York lithographic firm of Sarony, at that time probably the most skilled craftsmen in their profession in the United States.
William (Wilhelm) Heine was the official artist of Commodore Matthew C. Perry's' Black Ships' expedition to Japan in 1853-54.<br/><br/> On returning to the United States, he produced a series of prints depicting the trip. This project employed the New York lithographic firm of Sarony, at that time probably the most skilled craftsmen in their profession in the United States.
The Battle of Hattin took place on July 3 and 4, 1187, between the Crusader Kingdom of Jerusalem and the forces of the Kurdish Ayyubid sultan Salah ad-Din, known in the West as Saladin. It is also known as the Battle of the Horns of Hattin, from a nearby extinct volcano.<br/><br/> The Muslim armies under Saladin captured or killed the vast majority of the Crusader forces, removing their capability to wage war. As a direct result of the battle, Islamic forces once again became the pre-eminent military power in the Holy Land, re-conquering Jerusalem and several other Crusader-held cities. These Christian defeats prompted the Third Crusade, which began two years after the Battle of Hattin.
The Ryukyu Kingdom was an independent kingdom that ruled most of the Ryukyu Islands from the 15th to the 19th century. The kings of Ryukyu unified Okinawa Island and extended the kingdom to the Amami Islands in modern-day Kagoshima Prefecture, and the Sakishima Islands near Taiwan. Despite its small size, the kingdom played a central role in the maritime trade networks of medieval East and Southeast Asia.<br/><br/> William (Wilhelm) Heine was the official artist of Commodore Matthew C. Perry's' Black Ships' expedition to Japan in 1853-54.<br/><br/> On returning to the United States, he produced a series of prints depicting the trip. This project employed the New York lithographic firm of Sarony, at that time probably the most skilled craftsmen in their profession in the United States.
William (Wilhelm) Heine was the official artist of Commodore Matthew C. Perry's' Black Ships' expedition to Japan in 1853-54.<br/><br/> On returning to the United States, he produced a series of prints depicting the trip. This project employed the New York lithographic firm of Sarony, at that time probably the most skilled craftsmen in their profession in the United States.
William (Wilhelm) Heine was the official artist of Commodore Matthew C. Perry's' Black Ships' expedition to Japan in 1853-54.<br/><br/> On returning to the United States, he produced a series of prints depicting the trip. This project employed the New York lithographic firm of Sarony, at that time probably the most skilled craftsmen in their profession in the United States.
The Battle of Hattin took place on July 3 and 4, 1187, between the Crusader Kingdom of Jerusalem and the forces of the Kurdish Ayyubid sultan Salah ad-Din, known in the West as Saladin. It is also known as the Battle of the Horns of Hattin, from a nearby extinct volcano.<br/><br/> The Muslim armies under Saladin captured or killed the vast majority of the Crusader forces, removing their capability to wage war. As a direct result of the battle, Islamic forces once again became the pre-eminent military power in the Holy Land, re-conquering Jerusalem and several other Crusader-held cities. These Christian defeats prompted the Third Crusade, which began two years after the Battle of Hattin.
William (Wilhelm) Heine was the official artist of Commodore Matthew C. Perry's' Black Ships' expedition to Japan in 1853-54.<br/><br/> On returning to the United States, he produced a series of prints depicting the trip. This project employed the New York lithographic firm of Sarony, at that time probably the most skilled craftsmen in their profession in the United States.
The Book of Kells (Irish: Leabhar Cheanannais) (Dublin, Trinity College Library, MS A. I. (58), sometimes known as the Book of Columba) is an illuminated manuscript Gospel book in Latin, containing the four Gospels of the New Testament together with various prefatory texts and tables. It was created by Celtic monks ca. 800 or slightly earlier. The text of the Gospels is largely drawn from the Vulgate, although it also includes several passages drawn from the earlier versions of the Bible known as the Vetus Latina. It is a masterwork of Western calligraphy and represents the pinnacle of Insular illumination. It is also widely regarded as Ireland's finest national treasure.<br/><br/> The illustrations and ornamentation of the Book of Kells surpass that of other Insular Gospel books in extravagance and complexity. The decoration combines traditional Christian iconography with the ornate swirling motifs typical of Insular art. Figures of humans, animals and mythical beasts, together with Celtic knots and interlacing patterns in vibrant colours, enliven the manuscript's pages. Many of these minor decorative elements are imbued with Christian symbolism and so further emphasise the themes of the major illustrations.<br/><br/> The manuscript today comprises 340 folios and, since 1953, has been bound in four volumes. The leaves are on high-quality calf vellum, and the unprecedentedly elaborate ornamentation that covers them includes ten full-page illustrations and text pages that are vibrant with decorated initials and interlinear miniatures and mark the furthest extension of the anti-classical and energetic qualities of Insular art. The Insular majuscule script of the text itself appears to be the work of at least three different scribes. The lettering is in iron gall ink, and the colours used were derived from a wide range of substances, many of which were imports from distant lands.<br/><br/> The manuscript takes its name from the Abbey of Kells that was its home for centuries. Today, it is on permanent display at the Trinity College Library, Dublin.
The Book of Kells (Irish: Leabhar Cheanannais) (Dublin, Trinity College Library, MS A. I. (58), sometimes known as the Book of Columba) is an illuminated manuscript Gospel book in Latin, containing the four Gospels of the New Testament together with various prefatory texts and tables. It was created by Celtic monks ca. 800 or slightly earlier. The text of the Gospels is largely drawn from the Vulgate, although it also includes several passages drawn from the earlier versions of the Bible known as the Vetus Latina. It is a masterwork of Western calligraphy and represents the pinnacle of Insular illumination. It is also widely regarded as Ireland's finest national treasure.<br/><br/> The illustrations and ornamentation of the Book of Kells surpass that of other Insular Gospel books in extravagance and complexity. The decoration combines traditional Christian iconography with the ornate swirling motifs typical of Insular art. Figures of humans, animals and mythical beasts, together with Celtic knots and interlacing patterns in vibrant colours, enliven the manuscript's pages. Many of these minor decorative elements are imbued with Christian symbolism and so further emphasise the themes of the major illustrations.<br/><br/> The manuscript today comprises 340 folios and, since 1953, has been bound in four volumes. The leaves are on high-quality calf vellum, and the unprecedentedly elaborate ornamentation that covers them includes ten full-page illustrations and text pages that are vibrant with decorated initials and interlinear miniatures and mark the furthest extension of the anti-classical and energetic qualities of Insular art. The Insular majuscule script of the text itself appears to be the work of at least three different scribes. The lettering is in iron gall ink, and the colours used were derived from a wide range of substances, many of which were imports from distant lands.<br/><br/> The manuscript takes its name from the Abbey of Kells that was its home for centuries. Today, it is on permanent display at the Trinity College Library, Dublin.
The Book of Kells (Irish: Leabhar Cheanannais) (Dublin, Trinity College Library, MS A. I. (58), sometimes known as the Book of Columba) is an illuminated manuscript Gospel book in Latin, containing the four Gospels of the New Testament together with various prefatory texts and tables. It was created by Celtic monks ca. 800 or slightly earlier. The text of the Gospels is largely drawn from the Vulgate, although it also includes several passages drawn from the earlier versions of the Bible known as the Vetus Latina. It is a masterwork of Western calligraphy and represents the pinnacle of Insular illumination. It is also widely regarded as Ireland's finest national treasure.<br/><br/> The illustrations and ornamentation of the Book of Kells surpass that of other Insular Gospel books in extravagance and complexity. The decoration combines traditional Christian iconography with the ornate swirling motifs typical of Insular art. Figures of humans, animals and mythical beasts, together with Celtic knots and interlacing patterns in vibrant colours, enliven the manuscript's pages. Many of these minor decorative elements are imbued with Christian symbolism and so further emphasise the themes of the major illustrations.<br/><br/> The manuscript today comprises 340 folios and, since 1953, has been bound in four volumes. The leaves are on high-quality calf vellum, and the unprecedentedly elaborate ornamentation that covers them includes ten full-page illustrations and text pages that are vibrant with decorated initials and interlinear miniatures and mark the furthest extension of the anti-classical and energetic qualities of Insular art. The Insular majuscule script of the text itself appears to be the work of at least three different scribes. The lettering is in iron gall ink, and the colours used were derived from a wide range of substances, many of which were imports from distant lands.<br/><br/> The manuscript takes its name from the Abbey of Kells that was its home for centuries. Today, it is on permanent display at the Trinity College Library, Dublin.
The Book of Kells (Irish: Leabhar Cheanannais) (Dublin, Trinity College Library, MS A. I. (58), sometimes known as the Book of Columba) is an illuminated manuscript Gospel book in Latin, containing the four Gospels of the New Testament together with various prefatory texts and tables. It was created by Celtic monks ca. 800 or slightly earlier. The text of the Gospels is largely drawn from the Vulgate, although it also includes several passages drawn from the earlier versions of the Bible known as the Vetus Latina. It is a masterwork of Western calligraphy and represents the pinnacle of Insular illumination. It is also widely regarded as Ireland's finest national treasure.<br/><br/> The illustrations and ornamentation of the Book of Kells surpass that of other Insular Gospel books in extravagance and complexity. The decoration combines traditional Christian iconography with the ornate swirling motifs typical of Insular art. Figures of humans, animals and mythical beasts, together with Celtic knots and interlacing patterns in vibrant colours, enliven the manuscript's pages. Many of these minor decorative elements are imbued with Christian symbolism and so further emphasise the themes of the major illustrations.<br/><br/> The manuscript today comprises 340 folios and, since 1953, has been bound in four volumes. The leaves are on high-quality calf vellum, and the unprecedentedly elaborate ornamentation that covers them includes ten full-page illustrations and text pages that are vibrant with decorated initials and interlinear miniatures and mark the furthest extension of the anti-classical and energetic qualities of Insular art. The Insular majuscule script of the text itself appears to be the work of at least three different scribes. The lettering is in iron gall ink, and the colours used were derived from a wide range of substances, many of which were imports from distant lands.<br/><br/> The manuscript takes its name from the Abbey of Kells that was its home for centuries. Today, it is on permanent display at the Trinity College Library, Dublin.
The Book of Kells (Irish: Leabhar Cheanannais) (Dublin, Trinity College Library, MS A. I. (58), sometimes known as the Book of Columba) is an illuminated manuscript Gospel book in Latin, containing the four Gospels of the New Testament together with various prefatory texts and tables. It was created by Celtic monks ca. 800 or slightly earlier. The text of the Gospels is largely drawn from the Vulgate, although it also includes several passages drawn from the earlier versions of the Bible known as the Vetus Latina. It is a masterwork of Western calligraphy and represents the pinnacle of Insular illumination. It is also widely regarded as Ireland's finest national treasure.<br/><br/> The illustrations and ornamentation of the Book of Kells surpass that of other Insular Gospel books in extravagance and complexity. The decoration combines traditional Christian iconography with the ornate swirling motifs typical of Insular art. Figures of humans, animals and mythical beasts, together with Celtic knots and interlacing patterns in vibrant colours, enliven the manuscript's pages. Many of these minor decorative elements are imbued with Christian symbolism and so further emphasise the themes of the major illustrations.<br/><br/> The manuscript today comprises 340 folios and, since 1953, has been bound in four volumes. The leaves are on high-quality calf vellum, and the unprecedentedly elaborate ornamentation that covers them includes ten full-page illustrations and text pages that are vibrant with decorated initials and interlinear miniatures and mark the furthest extension of the anti-classical and energetic qualities of Insular art. The Insular majuscule script of the text itself appears to be the work of at least three different scribes. The lettering is in iron gall ink, and the colours used were derived from a wide range of substances, many of which were imports from distant lands.<br/><br/> The manuscript takes its name from the Abbey of Kells that was its home for centuries. Today, it is on permanent display at the Trinity College Library, Dublin.
The Book of Kells (Irish: Leabhar Cheanannais) (Dublin, Trinity College Library, MS A. I. (58), sometimes known as the Book of Columba) is an illuminated manuscript Gospel book in Latin, containing the four Gospels of the New Testament together with various prefatory texts and tables. It was created by Celtic monks ca. 800 or slightly earlier. The text of the Gospels is largely drawn from the Vulgate, although it also includes several passages drawn from the earlier versions of the Bible known as the Vetus Latina. It is a masterwork of Western calligraphy and represents the pinnacle of Insular illumination. It is also widely regarded as Ireland's finest national treasure.<br/><br/> The illustrations and ornamentation of the Book of Kells surpass that of other Insular Gospel books in extravagance and complexity. The decoration combines traditional Christian iconography with the ornate swirling motifs typical of Insular art. Figures of humans, animals and mythical beasts, together with Celtic knots and interlacing patterns in vibrant colours, enliven the manuscript's pages. Many of these minor decorative elements are imbued with Christian symbolism and so further emphasise the themes of the major illustrations.<br/><br/> The manuscript today comprises 340 folios and, since 1953, has been bound in four volumes. The leaves are on high-quality calf vellum, and the unprecedentedly elaborate ornamentation that covers them includes ten full-page illustrations and text pages that are vibrant with decorated initials and interlinear miniatures and mark the furthest extension of the anti-classical and energetic qualities of Insular art. The Insular majuscule script of the text itself appears to be the work of at least three different scribes. The lettering is in iron gall ink, and the colours used were derived from a wide range of substances, many of which were imports from distant lands.<br/><br/> The manuscript takes its name from the Abbey of Kells that was its home for centuries. Today, it is on permanent display at the Trinity College Library, Dublin.
The Lindisfarne Gospels is an illuminated manuscript gospel book produced around the year 700 CE in a monastery on Lindisfarne Island, off the coast of Northumberland. It is now on display in the British Library in London. The manuscript is one of the finest works in the unique style of Hiberno-Saxon or Insular art, combining Mediterranean, Anglo-Saxon and Celtic elements. <br/><br/> The Lindisfarne Gospels are presumed to be the work of a monk named Eadfrith, who became Bishop of Lindisfarne in 698 and died in 721. Current scholarship indicates a date around 715, and it is believed they were produced in honour of St. Cuthbert. However, it is also possible that Eadfrith produced them prior to 698, in order to commemorate the elevation of Cuthbert's relics in that year, which is also thought to have been the occasion for which the St Cuthbert Gospel was produced.<br/><br/> The Gospels are richly illustrated in the insular style, and were originally encased in a fine leather binding covered with jewels and metals made by Billfrith the Anchorite in the 8th century. During the Viking raids on Lindisfarne, however, this cover was lost, and a replacement was made in 1852. The text is written in insular script.<br/><br/> In the 10th century an Old English translation of the Gospels was made: a word-for-word gloss inserted between the lines of the Latin text by Aldred, Provost of Chester-le-Street. This is the oldest extant translation of the Gospels into the English language. The Gospels may have been taken from Durham Cathedral during the Dissolution of the Monasteries, ordered by Henry VIII, and were acquired in the early 17th century by Sir Robert Cotton from Thomas Walker, Clerk of the Parliaments. Cotton's library came to the British Museum in the 18th century, and from there to the British Library in London when this was separated from the British Museum.
Christianity in Ethiopia dates to the 1st century AD, and this long tradition makes Ethiopia unique amongst sub-Saharan African countries. Christianity in this country is divided into several groups. The largest and oldest is the Ethiopian Orthodox Tewahedo Church (in Amharic: የኢትዮጵያ ኦርቶዶክስ ተዋሕዶ ቤተክርስትያን Yäityop'ya ortodoks täwahedo bétäkrestyan) which is an Oriental Orthodox church in Ethiopia that was part of the Coptic Orthodox Church until 1959, when it was granted its own Patriarch by Coptic Orthodox Pope of Alexandria and Patriarch of All Africa Cyril VI.<br/><br/> The only pre-colonial Christian church of Sub-Saharan Africa, the Ethiopian Orthodox church has a membership of slightly more than 32 million people in Ethiopia, and is thus the largest of all Oriental Orthodox churches. Next in size are the various Protestant congregations, who include 13.7 million Ethiopians. The largest Protestant group is the Ethiopian Evangelical Church Mekane Yesus, with about 5 million members. Roman Catholicism has been present in Ethiopia since the 16th century, and numbers 536,827 believers. In total, Christians make up about 60% of the total population of the country.
In the New Testament of the Christian Bible, Jesus walked past a lake and saw some fishermen at work. He called on them to follow him and be his disciples: “Follow me, and I will make you fishers of men.”—Matthew 4:19.<br/><br/> This passage is generally taken to mean that Christ was calling on the fishermen to become missionaries, convert unbelievers, and spread his word. In 1614, Adriaen Van de Venne used the idea to illustrate the fierce battle for people’s souls that was taking place at the time between Protestants and Roman Catholics. In the lake we see Protestants dressed in black on the left fighting for souls against Catholics on the right led by a bishop.<br/><br/> This allegorical masterpiece was also a political statement: Spain and the Netherlands had signed an armistice in 1609 that would last until 1621 (the 12-year Truce), but not end the 80 Years War (1568-1648). The painter depicts the Protestants as members of the Dutch House of Orange bathed in light, while the Catholics are in cloudy darkness. The tree on the left is in full bloom while the Catholics’ tree is withered. In fact, Van de Venne did not paint any nude swimmers going to the Catholics’ boats in his original canvas. Those converts were painted in later.
Matthew Calbraith Perry (April 10, 1794 – March 4, 1858) was the Commodore of the U.S. Navy who compelled the opening of Japan to the West with the Convention of Kanagawa in 1854.
Matthew Calbraith Perry (April 10, 1794 – March 4, 1858) was the Commodore of the U.S. Navy who compelled the opening of Japan to the West with the Convention of Kanagawa in 1854.
Matthew Calbraith Perry (April 10, 1794 – March 4, 1858) was the Commodore of the U.S. Navy who compelled the opening of Japan to the West with the Convention of Kanagawa in 1854.
Matthew Calbraith Perry (April 10, 1794 – March 4, 1858) was the Commodore of the U.S. Navy who compelled the opening of Japan to the West with the Convention of Kanagawa in 1854.
The Book of Durrow is a medieval illuminated manuscript gospel book in the Insular art style. It was probably created between 650 and 700 CE. The place of creation may perhaps have been Durrow Abbey in Ireland or a monastery in Northumbria in northeastern England (where the monastery at Lindisfarne would be the likely candidate) or perhaps Iona Abbey in western Scotland -- the place of origin has been debated by historians for decades without a consensus emerging. The Book of Durrow was certainly at Durrow Abbey by 916. Today it is in the library at Trinity College, Dublin (MS A. 4. 5. (57)).<br/><br/> It is the oldest extant complete illuminated Insular gospel book, for example predating the Book of Kells by over a century. The text includes the Gospels of Matthew, Mark, Luke and John, plus several pieces of prefatory matter and canon tables. Its pages measure 245 by 145 mm and there are 248 vellum folios. It contains a large illumination programme including six extant carpet pages, a full page miniature of the four evangelists' symbols, four full page miniatures, each containing a single evangelist symbol, and six pages with significant decorated initials and text. It is written in majuscule insular script (in effect the block capitals of the day), with some lacunae.
The Korean War (25 June 1950 - armistice signed 27 July 1953) was a military conflict between the Republic of Korea, supported by the United Nations, and North Korea, supported by the People's Republic of China (PRC), with military material aid from the Soviet Union. The war was a result of the physical division of Korea by an agreement of the victorious Allies at the conclusion of the Pacific War at the end of World War II.<br/><br/>The Korean peninsula was ruled by Japan from 1910 until the end of World War II. Following the surrender of Japan in 1945, American administrators divided the peninsula along the 38th Parallel, with United States troops occupying the southern part and Soviet troops occupying the northern part. The failure to hold free elections throughout the Korean Peninsula in 1948 deepened the division between the two sides, and the North established a Communist government. The situation escalated into open warfare when North Korean forces invaded South Korea on 25 June 1950. It was the first significant armed conflict of the Cold War.<br/><br/>The United Nations, particularly the United States, came to the aid of South Korea in repelling the invasion. A rapid UN counter-offensive drove the North Koreans past the 38th Parallel and almost to the Yalu River, and the People's Republic of China (PRC) entered the war on the side of the North. The Chinese launched a counter-offensive that pushed the United Nations forces back across the 38th Parallel.<br/><br/>The Soviet Union materially aided the North Korean and Chinese armies. In 1953, the war ceased with an armistice that restored the border between the Koreas near the 38th Parallel and created the Korean Demilitarized Zone (DMZ), a 2.5-mile (4.0 km) wide buffer zone between the two Koreas. Minor outbreaks of fighting continue to the present day.
The Book of Durrow is a medieval illuminated manuscript gospel book in the Insular art style. It was probably created between 650 and 700 CE. The place of creation may perhaps have been Durrow Abbey in Ireland or a monastery in Northumbria in northeastern England (where the monastery at Lindisfarne would be the likely candidate) or perhaps Iona Abbey in western Scotland -- the place of origin has been debated by historians for decades without a consensus emerging. The Book of Durrow was certainly at Durrow Abbey by 916. Today it is in the library at Trinity College, Dublin (MS A. 4. 5. (57)).<br/><br/> It is the oldest extant complete illuminated Insular gospel book, for example predating the Book of Kells by over a century. The text includes the Gospels of Matthew, Mark, Luke and John, plus several pieces of prefatory matter and canon tables. Its pages measure 245 by 145 mm and there are 248 vellum folios. It contains a large illumination programme including six extant carpet pages, a full page miniature of the four evangelists' symbols, four full page miniatures, each containing a single evangelist symbol, and six pages with significant decorated initials and text. It is written in majuscule insular script (in effect the block capitals of the day), with some lacunae.
The Book of Durrow is a medieval illuminated manuscript gospel book in the Insular art style. It was probably created between 650 and 700 CE. The place of creation may perhaps have been Durrow Abbey in Ireland or a monastery in Northumbria in northeastern England (where the monastery at Lindisfarne would be the likely candidate) or perhaps Iona Abbey in western Scotland -- the place of origin has been debated by historians for decades without a consensus emerging. The Book of Durrow was certainly at Durrow Abbey by 916. Today it is in the library at Trinity College, Dublin (MS A. 4. 5. (57)).<br/><br/> It is the oldest extant complete illuminated Insular gospel book, for example predating the Book of Kells by over a century. The text includes the Gospels of Matthew, Mark, Luke and John, plus several pieces of prefatory matter and canon tables. Its pages measure 245 by 145 mm and there are 248 vellum folios. It contains a large illumination programme including six extant carpet pages, a full page miniature of the four evangelists' symbols, four full page miniatures, each containing a single evangelist symbol, and six pages with significant decorated initials and text. It is written in majuscule insular script (in effect the block capitals of the day), with some lacunae.
Matthew Calbraith Perry (April 10, 1794 – March 4, 1858) was the Commodore of the U.S. Navy who compelled the opening of Japan to the West with the Convention of Kanagawa in 1854.
The Lindisfarne Gospels is an illuminated manuscript gospel book produced around the year 700 CE in a monastery on Lindisfarne Island, off the coast of Northumberland. It is now on display in the British Library in London. The manuscript is one of the finest works in the unique style of Hiberno-Saxon or Insular art, combining Mediterranean, Anglo-Saxon and Celtic elements. <br/><br/> The Lindisfarne Gospels are presumed to be the work of a monk named Eadfrith, who became Bishop of Lindisfarne in 698 and died in 721. Current scholarship indicates a date around 715, and it is believed they were produced in honour of St. Cuthbert. However, it is also possible that Eadfrith produced them prior to 698, in order to commemorate the elevation of Cuthbert's relics in that year, which is also thought to have been the occasion for which the St Cuthbert Gospel was produced.<br/><br/> The Gospels are richly illustrated in the insular style, and were originally encased in a fine leather binding covered with jewels and metals made by Billfrith the Anchorite in the 8th century. During the Viking raids on Lindisfarne, however, this cover was lost, and a replacement was made in 1852. The text is written in insular script.<br/><br/> In the 10th century an Old English translation of the Gospels was made: a word-for-word gloss inserted between the lines of the Latin text by Aldred, Provost of Chester-le-Street. This is the oldest extant translation of the Gospels into the English language. The Gospels may have been taken from Durham Cathedral during the Dissolution of the Monasteries, ordered by Henry VIII, and were acquired in the early 17th century by Sir Robert Cotton from Thomas Walker, Clerk of the Parliaments. Cotton's library came to the British Museum in the 18th century, and from there to the British Library in London when this was separated from the British Museum.
The Lindisfarne Gospels is an illuminated manuscript gospel book produced around the year 700 CE in a monastery on Lindisfarne Island, off the coast of Northumberland. It is now on display in the British Library in London. The manuscript is one of the finest works in the unique style of Hiberno-Saxon or Insular art, combining Mediterranean, Anglo-Saxon and Celtic elements. <br/><br/> The Lindisfarne Gospels are presumed to be the work of a monk named Eadfrith, who became Bishop of Lindisfarne in 698 and died in 721. Current scholarship indicates a date around 715, and it is believed they were produced in honour of St. Cuthbert. However, it is also possible that Eadfrith produced them prior to 698, in order to commemorate the elevation of Cuthbert's relics in that year, which is also thought to have been the occasion for which the St Cuthbert Gospel was produced.<br/><br/> The Gospels are richly illustrated in the insular style, and were originally encased in a fine leather binding covered with jewels and metals made by Billfrith the Anchorite in the 8th century. During the Viking raids on Lindisfarne, however, this cover was lost, and a replacement was made in 1852. The text is written in insular script.<br/><br/> In the 10th century an Old English translation of the Gospels was made: a word-for-word gloss inserted between the lines of the Latin text by Aldred, Provost of Chester-le-Street. This is the oldest extant translation of the Gospels into the English language. The Gospels may have been taken from Durham Cathedral during the Dissolution of the Monasteries, ordered by Henry VIII, and were acquired in the early 17th century by Sir Robert Cotton from Thomas Walker, Clerk of the Parliaments. Cotton's library came to the British Museum in the 18th century, and from there to the British Library in London when this was separated from the British Museum.
The Lindisfarne Gospels is an illuminated manuscript gospel book produced around the year 700 CE in a monastery on Lindisfarne Island, off the coast of Northumberland. It is now on display in the British Library in London. The manuscript is one of the finest works in the unique style of Hiberno-Saxon or Insular art, combining Mediterranean, Anglo-Saxon and Celtic elements. <br/><br/> The Lindisfarne Gospels are presumed to be the work of a monk named Eadfrith, who became Bishop of Lindisfarne in 698 and died in 721. Current scholarship indicates a date around 715, and it is believed they were produced in honour of St. Cuthbert. However, it is also possible that Eadfrith produced them prior to 698, in order to commemorate the elevation of Cuthbert's relics in that year, which is also thought to have been the occasion for which the St Cuthbert Gospel was produced.<br/><br/> The Gospels are richly illustrated in the insular style, and were originally encased in a fine leather binding covered with jewels and metals made by Billfrith the Anchorite in the 8th century. During the Viking raids on Lindisfarne, however, this cover was lost, and a replacement was made in 1852. The text is written in insular script.<br/><br/> In the 10th century an Old English translation of the Gospels was made: a word-for-word gloss inserted between the lines of the Latin text by Aldred, Provost of Chester-le-Street. This is the oldest extant translation of the Gospels into the English language. The Gospels may have been taken from Durham Cathedral during the Dissolution of the Monasteries, ordered by Henry VIII, and were acquired in the early 17th century by Sir Robert Cotton from Thomas Walker, Clerk of the Parliaments. Cotton's library came to the British Museum in the 18th century, and from there to the British Library in London when this was separated from the British Museum.
The Lindisfarne Gospels is an illuminated manuscript gospel book produced around the year 700 CE in a monastery on Lindisfarne Island, off the coast of Northumberland. It is now on display in the British Library in London. The manuscript is one of the finest works in the unique style of Hiberno-Saxon or Insular art, combining Mediterranean, Anglo-Saxon and Celtic elements. <br/><br/> The Lindisfarne Gospels are presumed to be the work of a monk named Eadfrith, who became Bishop of Lindisfarne in 698 and died in 721. Current scholarship indicates a date around 715, and it is believed they were produced in honour of St. Cuthbert. However, it is also possible that Eadfrith produced them prior to 698, in order to commemorate the elevation of Cuthbert's relics in that year, which is also thought to have been the occasion for which the St Cuthbert Gospel was produced.<br/><br/> The Gospels are richly illustrated in the insular style, and were originally encased in a fine leather binding covered with jewels and metals made by Billfrith the Anchorite in the 8th century. During the Viking raids on Lindisfarne, however, this cover was lost, and a replacement was made in 1852. The text is written in insular script.<br/><br/> In the 10th century an Old English translation of the Gospels was made: a word-for-word gloss inserted between the lines of the Latin text by Aldred, Provost of Chester-le-Street. This is the oldest extant translation of the Gospels into the English language. The Gospels may have been taken from Durham Cathedral during the Dissolution of the Monasteries, ordered by Henry VIII, and were acquired in the early 17th century by Sir Robert Cotton from Thomas Walker, Clerk of the Parliaments. Cotton's library came to the British Museum in the 18th century, and from there to the British Library in London when this was separated from the British Museum.
The Book of Kells (Irish: Leabhar Cheanannais) (Dublin, Trinity College Library, MS A. I. (58), sometimes known as the Book of Columba) is an illuminated manuscript Gospel book in Latin, containing the four Gospels of the New Testament together with various prefatory texts and tables. It was created by Celtic monks ca. 800 or slightly earlier. The text of the Gospels is largely drawn from the Vulgate, although it also includes several passages drawn from the earlier versions of the Bible known as the Vetus Latina. It is a masterwork of Western calligraphy and represents the pinnacle of Insular illumination. It is also widely regarded as Ireland's finest national treasure.<br/><br/> The illustrations and ornamentation of the Book of Kells surpass that of other Insular Gospel books in extravagance and complexity. The decoration combines traditional Christian iconography with the ornate swirling motifs typical of Insular art. Figures of humans, animals and mythical beasts, together with Celtic knots and interlacing patterns in vibrant colours, enliven the manuscript's pages. Many of these minor decorative elements are imbued with Christian symbolism and so further emphasise the themes of the major illustrations.<br/><br/> The manuscript today comprises 340 folios and, since 1953, has been bound in four volumes. The leaves are on high-quality calf vellum, and the unprecedentedly elaborate ornamentation that covers them includes ten full-page illustrations and text pages that are vibrant with decorated initials and interlinear miniatures and mark the furthest extension of the anti-classical and energetic qualities of Insular art. The Insular majuscule script of the text itself appears to be the work of at least three different scribes. The lettering is in iron gall ink, and the colours used were derived from a wide range of substances, many of which were imports from distant lands.<br/><br/> The manuscript takes its name from the Abbey of Kells that was its home for centuries. Today, it is on permanent display at the Trinity College Library, Dublin.
The Book of Kells (Irish: Leabhar Cheanannais) (Dublin, Trinity College Library, MS A. I. (58), sometimes known as the Book of Columba) is an illuminated manuscript Gospel book in Latin, containing the four Gospels of the New Testament together with various prefatory texts and tables. It was created by Celtic monks ca. 800 or slightly earlier. The text of the Gospels is largely drawn from the Vulgate, although it also includes several passages drawn from the earlier versions of the Bible known as the Vetus Latina. It is a masterwork of Western calligraphy and represents the pinnacle of Insular illumination. It is also widely regarded as Ireland's finest national treasure.<br/><br/> The illustrations and ornamentation of the Book of Kells surpass that of other Insular Gospel books in extravagance and complexity. The decoration combines traditional Christian iconography with the ornate swirling motifs typical of Insular art. Figures of humans, animals and mythical beasts, together with Celtic knots and interlacing patterns in vibrant colours, enliven the manuscript's pages. Many of these minor decorative elements are imbued with Christian symbolism and so further emphasise the themes of the major illustrations.<br/><br/> The manuscript today comprises 340 folios and, since 1953, has been bound in four volumes. The leaves are on high-quality calf vellum, and the unprecedentedly elaborate ornamentation that covers them includes ten full-page illustrations and text pages that are vibrant with decorated initials and interlinear miniatures and mark the furthest extension of the anti-classical and energetic qualities of Insular art. The Insular majuscule script of the text itself appears to be the work of at least three different scribes. The lettering is in iron gall ink, and the colours used were derived from a wide range of substances, many of which were imports from distant lands.<br/><br/> The manuscript takes its name from the Abbey of Kells that was its home for centuries. Today, it is on permanent display at the Trinity College Library, Dublin.