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The 15th century Holy Trinity Church was built by the Neuhaus family and was consecrated in 1475. The church stands behind a wall that the local population built to protect itself from Turkish attacks in the 16th century.<br/><br/> The interior is decorated with Gothic frescoes by the artist John of Kastav (Johannes de Castua), the most famous being <i>Danse Macabre</i> (Dance of Death), and completed in 1490.
The 15th century Holy Trinity Church was built by the Neuhaus family and was consecrated in 1475. The church stands behind a wall that the local population built to protect itself from Turkish attacks in the 16th century.<br/><br/> The interior is decorated with Gothic frescoes by the artist John of Kastav (Johannes de Castua), the most famous being <i>Danse Macabre</i> (Dance of Death), and completed in 1490.
The 15th century Holy Trinity Church was built by the Neuhaus family and was consecrated in 1475. The church stands behind a wall that the local population built to protect itself from Turkish attacks in the 16th century.<br/><br/> The interior is decorated with Gothic frescoes by the artist John of Kastav (Johannes de Castua), the most famous being <i>Danse Macabre</i> (Dance of Death), and completed in 1490.
The 15th century Holy Trinity Church was built by the Neuhaus family and was consecrated in 1475. The church stands behind a wall that the local population built to protect itself from Turkish attacks in the 16th century.<br/><br/> The interior is decorated with Gothic frescoes by the artist John of Kastav (Johannes de Castua), the most famous being <i>Danse Macabre</i> (Dance of Death), and completed in 1490.
The 15th century Holy Trinity Church was built by the Neuhaus family and was consecrated in 1475. The church stands behind a wall that the local population built to protect itself from Turkish attacks in the 16th century.<br/><br/> The interior is decorated with Gothic frescoes by the artist John of Kastav (Johannes de Castua), the most famous being <i>Danse Macabre</i> (Dance of Death), and completed in 1490.
The 15th century Holy Trinity Church was built by the Neuhaus family and was consecrated in 1475. The church stands behind a wall that the local population built to protect itself from Turkish attacks in the 16th century.<br/><br/> The interior is decorated with Gothic frescoes by the artist John of Kastav (Johannes de Castua), the most famous being <i>Danse Macabre</i> (Dance of Death), and completed in 1490.
The 15th century Holy Trinity Church was built by the Neuhaus family and was consecrated in 1475. The church stands behind a wall that the local population built to protect itself from Turkish attacks in the 16th century.<br/><br/> The interior is decorated with Gothic frescoes by the artist John of Kastav (Johannes de Castua), the most famous being <i>Danse Macabre</i> (Dance of Death), and completed in 1490.
Toyohara Chikanobu (1838-1912), often known by his contemporaries as Yoshu Chikanobu, was a prolific woodblock artist active during the Meiji Era of Japan. He served as a soldier for the Tokugawa loyalists at first, but following the Shogitai's surrender, he was remanded to the Takada domain, and in 1875 CE, he decided to become an artist.<br/><br/> He soon become renowned as a highly skilled ukiyo-e artist, with his works ranging from Japanese mythology to depictions of the battlefields from the wars of his time to women's fashions and <i>shunga</i> (erotic art). He produced a great many war prints in triptych format, documenting the Satsuma Rebellion, the First Sino-Japanese War and the First Russo-Japanese War, among other conflicts and events.
The Special Air Service (SAS) is a special forces unit of the British Army. The SAS was founded in 1941 as a regiment, and later reconstituted as a corps in 1950.<br/><br/> The unit undertakes a number of roles including covert reconnaissance, counter-terrorism, direct action, hostage rescue and human intelligence gathering.
Utagawa Hiroshige (1797 – October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was also referred to as Andō Hiroshige, and by the art name of Ichiyūsai Hiroshige. Among many masterpieces, Hiroshige is particularly remembered for 'The Sixty-nine Stations of the Kisokaidō' (1834–1842) and 'Thirty-six Views of Mount Fuji' (1852–1858).
Yahyâ ibn Mahmûd al-Wâsitî was a 13th-century Arab Islamic artist. Al-Wasiti was born in Wasit in southern Iraq. He was noted for his illustrations of the Maqam of al-Hariri.<br/><br/> Maqāma (literally 'assemblies') are an (originally) Arabic literary genre of rhymed prose with intervals of poetry in which rhetorical extravagance is conspicuous. The 10th century author Badī' al-Zaman al-Hamadhāni is said to have invented the form, which was extended by al-Hariri of Basra in the next century. Both authors' maqāmāt center on trickster figures whose wanderings and exploits in speaking to assemblies of the powerful are conveyed by a narrator.<br/><br/> Manuscripts of al-Harīrī's Maqāmāt, anecdotes of a roguish wanderer Abu Zayd from Saruj, were frequently illustrated with miniatures.
Laudanum is a tincture of opium containing approximately 10% powdered opium by weight (the equivalent of 1% morphine).<br/><br/> It is reddish-brown in color and tastes extremely bitter. Laudanum contains almost all of the opium alkaloids, including morphine and codeine. A potent narcotic by virtue of its high morphine concentration, laudanum was historically used to treat a variety of ailments, but its principal use was as an analgesic and cough suppressant. Until the early 20th century, laudanum was sold without a prescription and was a constituent of many patent medicines. Today, laudanum is recognized as addictive and is strictly regulated and controlled throughout most of the world.<br/><br/> Laudanum is known as a 'whole opium' preparation since it historically contained all the opium alkaloids. Today, however, the drug is often processed to remove all or most of the noscapine (also narcotine) present as this is a strong emetic and does not add appreciably to the analgesic or anti-propulsive properties of opium; the resulting solution is called Denarcotized Tincture of Opium or Deodorized Tincture of Opium (DTO).<br/><br/> Laudanum remains available by prescription in the United States and theoretically in the United Kingdom, although today the drug's therapeutic indications are generally confined to controlling diarrhea, alleviating pain, and easing withdrawal symptoms in infants born to mothers addicted to heroin or other opioids. Recent enforcement action by the FDA against manufacturers of paregoric and opium tincture suggests that opium tincture's availability in the U.S. may be in jeopardy.
The Mongol invasions of Japan of 1274 and 1281 were major military invasions undertaken by Kublai Khan to conquer the Japanese islands after the submission of Korea. Despite their ultimate failure, the invasion attempts are of historical importance, because they set a limit on Mongol expansion, and rank as nation-defining events in Japanese history. The Japanese were successful, in part because the Mongols lost up to 75% of their troops and supplies as a result of major storms at sea. These were named 'kamikaze' or divine winds by the Japanese.
The Tai Dam or Black Tai are an ethnic group found in parts of Laos, Vietnam, China, and Thailand. Tai Dam speakers in China are classified as part of the Dai nationality along with almost all the other Tai peoples. But in Vietnam they are given their own nationality (with the White Tai) where they are classified as the Thái nationality (meaning Tai people). The Tai Dam originate from the vicinity of Dien Bien Phu in Vietnam.
Torii Kiyonaga (鳥居 清長?, 1752 - June 28, 1815) was a Japanese ukiyo-e printmaker and painter of the Torii school. Originally Sekiguchi Shinsuke, the son of an Edo bookseller, he took on Torii Kiyonaga as an art-name (gō). Although not biologically related to the Torii family, he became head of the group after the death of his adoptive father and teacher Torii Kiyomitsu.<br/><br/> The master Kiyomitsu died in 1785; since his son died young, and Kiyotsune, Kiyonaga's senior, was a less promising artist, Kiyonaga was the obvious choice to succeed Kiyomitsu to leadership of the Torii school. However, he delayed this for two years, likely devoting time to his bijinga and realizing the immense responsibility that would fall on his shoulders once he took over the school. Thus, in 1787, he began organizing the production of kabuki signboards and the like, which the school held a near monopoly on. He also began to train Kiyomitsu's grandson, Torii Kiyomine, who was to succeed him.<br/><br/> Kiyonaga is considered one of the great masters of the full-color print (nishiki-e) and of bijinga, images of courtesans and other beautiful women. Like most ukiyo-e artists, however, he also produced a number of prints and paintings depicting Kabuki actors and related subjects, many of them promotional materials for the theaters. He also produced a number of shunga, or erotic images.
Torii Kiyonaga (鳥居 清長?, 1752 - June 28, 1815) was a Japanese ukiyo-e printmaker and painter of the Torii school. Originally Sekiguchi Shinsuke, the son of an Edo bookseller, he took on Torii Kiyonaga as an art-name (gō). Although not biologically related to the Torii family, he became head of the group after the death of his adoptive father and teacher Torii Kiyomitsu.<br/><br/> The master Kiyomitsu died in 1785; since his son died young, and Kiyotsune, Kiyonaga's senior, was a less promising artist, Kiyonaga was the obvious choice to succeed Kiyomitsu to leadership of the Torii school. However, he delayed this for two years, likely devoting time to his bijinga and realizing the immense responsibility that would fall on his shoulders once he took over the school. Thus, in 1787, he began organizing the production of kabuki signboards and the like, which the school held a near monopoly on. He also began to train Kiyomitsu's grandson, Torii Kiyomine, who was to succeed him.<br/><br/> Kiyonaga is considered one of the great masters of the full-color print (nishiki-e) and of bijinga, images of courtesans and other beautiful women. Like most ukiyo-e artists, however, he also produced a number of prints and paintings depicting Kabuki actors and related subjects, many of them promotional materials for the theaters. He also produced a number of shunga, or erotic images.