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US Navy Bureau of Medicine and Surgery propaganda and health poster from 1944-45, promoting an anti-malarial campaign with the aid of a mosquito with 'Japanese' features and Imperial Japanese Navy wings.
Torii Kiyonaga (鳥居 清長, 1752 - June 28, 1815) was a Japanese ukiyo-e printmaker and painter of the Torii school. Originally Sekiguchi Shinsuke, the son of an Edo bookseller, he took on Torii Kiyonaga as an art-name (gō). Although not biologically related to the Torii family, he became head of the group after the death of his adoptive father and teacher Torii Kiyomitsu.<br/><br/> The master Kiyomitsu died in 1785; since his son died young, and Kiyotsune, Kiyonaga's senior, was a less promising artist, Kiyonaga was the obvious choice to succeed Kiyomitsu to leadership of the Torii school. However, he delayed this for two years, likely devoting time to his bijinga (portraits of beautiful women) and realizing the immense responsibility that would fall on his shoulders once he took over the school. Thus, in 1787, he began organizing the production of kabuki signboards and the like, which the school held a near monopoly on. He also began to train Kiyomitsu's grandson, Torii Kiyomine, who was to succeed him.<br/><br/> Kiyonaga is considered one of the great masters of the full-color print (nishiki-e) and of bijinga, images of courtesans and other beautiful women. Like most ukiyo-e artists, however, he also produced a number of prints and paintings depicting Kabuki actors and related subjects, many of them promotional materials for the theaters. He also produced a number of shunga, or erotic images.
Wat Chedi Luang translates literally from the Thai as ‘Monastery of the Great Stupa’. Construction of the temple began at the end of the 14th century when the Lan Na Kingdom was in its prime. King Saen Muang Ma (1385-1401) intended it as the site of a great reliquary to enshrine the ashes of his father, King Ku Na (1355-85). Today it is the the site of the Lak Muang or City Pillar. The annual Inthakin ceremony occurs within the confines of the temple.<br/><br/> Chiang Mai (meaning 'new city'), sometimes written as 'Chiengmai' or 'Chiangmai', is the largest and most culturally significant city in northern Thailand. King Mengrai founded the city of Chiang Mai in 1296, and it succeeded Chiang Rai as capital of the Lanna kingdom.
Wat Chedi Luang translates literally from the Thai as ‘Monastery of the Great Stupa’. Construction of the temple began at the end of the 14th century when the Lan Na Kingdom was in its prime. King Saen Muang Ma (1385-1401) intended it as the site of a great reliquary to enshrine the ashes of his father, King Ku Na (1355-85). Today it is the the site of the Lak Muang or City Pillar. The annual Inthakin ceremony occurs within the confines of the temple.<br/><br/> Chiang Mai (meaning 'new city'), sometimes written as 'Chiengmai' or 'Chiangmai', is the largest and most culturally significant city in northern Thailand. King Mengrai founded the city of Chiang Mai in 1296, and it succeeded Chiang Rai as capital of the Lanna kingdom.
Kitagawa Utamaro (ca. 1753 - October 31, 1806) was a Japanese printmaker and painter, who is considered one of the greatest artists of woodblock prints (ukiyo-e). He is known especially for his masterfully composed studies of women, known as bijinga. He also produced nature studies, particularly illustrated books of insects.
Kitagawa Utamaro (ca. 1753 - October 31, 1806) was a Japanese printmaker and painter, who is considered one of the greatest artists of woodblock prints (ukiyo-e). He is known especially for his masterfully composed studies of women, known as bijinga. He also produced nature studies, particularly illustrated books of insects.
Suzuki Harunobu (鈴木 春信4, 1724 – July 7, 1770) was a Japanese woodblock print artist, one of the most famous in the Ukiyo-e style. He was an innovator, the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints.<br/><br/> Harunobu used many special techniques, and depicted a wide variety of subjects, from classical poems to contemporary beauties (bijin, bijin-ga). Like many artists of his day, Harunobu also produced a number of shunga, or erotic images.<br/><br/> During his lifetime and shortly afterwards, many artists imitated his style. A few, such as Harushige, even boasted of their ability to forge the work of the great master. Much about Harunobu's life is unknown.