Refine your search

The results of your search are listed below alongside the search terms you entered on the previous page. You can refine your search by amending any of the parameters in the form and resubmitting it.

Select all Deselect all Add selection to lightbox
Large Small
Thumbnails per page
Nichiren (February 16, 1222 – October 13, 1282) was a Buddhist monk who lived during the Kamakura period (1185–1333) in Japan. Nichiren taught devotion to the Lotus Sutra, entitled Myoho-Renge-Kyo in Japanese, as the exclusive means to attain enlightenment and the chanting of Namu-Myoho-Renge-Kyo as the essential practice of the teaching.<br/><br/> Various schools with diverging interpretations of Nichiren's teachings comprise Nichiren Buddhism.
Nichiren Buddhism (日蓮系諸宗派: Nichiren-kei sho shūha) is a branch of Mahāyāna Buddhism based on the teachings of the 13th century Japanese Buddhist reformer Nichiren (1222–1282).<br/><br/> Nichiren Buddhism is based on the Lotus Sutra, which teaches that all people have an innate Buddha nature and are therefore inherently capable of attaining enlightenment in their current form and present lifetime. Nichiren Buddhism is a comprehensive term covering several major schools and many sub-schools.<br/><br/> Nichiren Buddhists believe that the spread of Nichiren's teachings and their effect on practitioners' lives will eventually bring about a peaceful, just, and prosperous society.
This picture of Nichiren Daishonin was painted in the 14th-15th Century, and is kept at the Nichiren Head Temple, Kuon-ji, in Yamanashi Prefecture, Japan. It is considered the most accurate picture of Nichiren extant.<br/><br/> Nichiren (February 16, 1222 – October 13, 1282) was a Buddhist monk who lived during the Kamakura period (1185–1333) in Japan. Nichiren taught devotion to the Lotus Sutra, entitled Myoho-Renge-Kyo in Japanese, as the exclusive means to attain enlightenment and the chanting of Namu-Myoho-Renge-Kyo as the essential practice of the teaching. Various schools with diverging interpretations of Nichiren's teachings comprise Nichiren Buddhism.
Honmyō-ji (本妙寺?) is a Buddhist temple of the Nichiren sect, Rokujōmon-ryū, (六条門流) in Nishi-ku, Kumamoto, Japan. It is the most high ranking temple of the sect in Kyushu. In Honmyō-ji is the grave of Katō Kiyomasa, (1562–1611), a Japanese daimyo, builder of Kumamoto Castle and a dedicated buddhist of Nichiren Buddhism.<br/><br/> Kitao Shigemasa (北尾 重政, 1739 - March 8, 1820) was a Japanese ukiyo-e artist from Edo. He was one of the leading printmakers of his day, but his works have been slightly obscure. He is noted for paintings of geisha. He was taught by Shigenaga and has been referred to as 'a chameleon' who adopted to changing styles. He was less active after the rise of Torii Kiyonaga and produced relatively few works considering the length of his career. He is also noted for his haikai (poetry) and shodō (Japanese calligraphy). In his later years he used the studio name Kosuisai.
The Moji-mandala Gohonzon, or the 'Mandala Gohonzon' (曼荼羅御本尊), is the primary object of devotion in Nichiren Shū and some other Nichiren schools, and the exclusive object of veneration in the Nichiren Shōshū branch and formerly affiliated groups such as Sōka Gakkai.<br/><br/> Nichiren (February 16, 1222 – October 13, 1282) was a Buddhist monk who lived during the Kamakura period (1185–1333) in Japan. Nichiren taught devotion to the Lotus Sutra, entitled Myoho-Renge-Kyo in Japanese, as the exclusive means to attain enlightenment and the chanting of Namu-Myoho-Renge-Kyo as the essential practice of the teaching. Various schools with diverging interpretations of Nichiren's teachings comprise Nichiren Buddhism.
Hiroshige's One Hundred Famous Views of Edo (名所江戸百景), actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate.<br/><br/> The winter group, numbers 99 through 118, begins with a scene of Kinryūzan Temple at Akasaka, with a red-on-white color scheme that is reserved for propitious occasions. Snow immediately signals the season and is depicted with particular skill: individual snowflakes drift through the gray sky, while below, on the roof of a distant temple, dots of snow are embossed for visual effect.<br/><br/> Utagawa Hiroshige (歌川 広重, 1797 – October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was also referred to as Andō Hiroshige (安藤 広重) (an irregular combination of family name and art name) and by the art name of Ichiyūsai Hiroshige (一幽斎廣重).
Nichiren (February 16, 1222 – October 13, 1282) was a Buddhist monk who lived during the Kamakura period (1185–1333) in Japan. Nichiren taught devotion to the Lotus Sutra, entitled Myoho-Renge-Kyo in Japanese, as the exclusive means to attain enlightenment and the chanting of Namu-Myoho-Renge-Kyo as the essential practice of the teaching. Various schools with diverging interpretations of Nichiren's teachings comprise Nichiren Buddhism.<br/><br/> Utagawa Kuniyoshi (歌川 国芳, January 1, 1797 - April 14, 1862) was one of the last great masters of the Japanese ukiyo-e style of woodblock prints and painting. He is associated with the Utagawa school.<br/><br/> The range of Kuniyoshi's preferred subjects included many genres: landscapes, beautiful women, Kabuki actors, cats, and mythical animals. He is known for depictions of the battles of samurai and legendary heroes. His artwork was affected by Western influences in landscape painting and caricature.
The komusō (虚無僧 komusō, Hiragana こむそう; also romanized komusou or komuso) were a group of Japanese mendicant monks of the Fuke school of Zen Buddhism who flourished during the Edo period of 1600-1868.<br/><br/> Komusō were characterized by a straw basket (a sedge or reed hood named a tengai or tengui) worn on the head, manifesting the absence of specific ego. They were also known for playing solo pieces on the shakuhachi (a type of Japanese bamboo flute). These pieces, called honkyoku ('original pieces') were played during a meditative practice called suizen, for alms, as a method of attaining enlightenment, and as a healing modality.<br/><br/> The Japanese government introduced reforms after the Edo period, abolishing the Fuke sect. Records of the musical repertoire survived, and are being revived in the 21st century.
Nichiren (February 16, 1222 – October 13, 1282) was a Buddhist monk who lived during the Kamakura period (1185–1333) in Japan. Nichiren taught devotion to the Lotus Sutra, entitled Myoho-Renge-Kyo in Japanese, as the exclusive means to attain enlightenment and the chanting of Namu-Myoho-Renge-Kyo as the essential practice of the teaching. Various schools with diverging interpretations of Nichiren's teachings comprise Nichiren Buddhism.
Nichiren (February 16, 1222 – October 13, 1282) was a Buddhist monk who lived during the Kamakura period (1185–1333) in Japan. Nichiren taught devotion to the Lotus Sutra, entitled Myoho-Renge-Kyo in Japanese, as the exclusive means to attain enlightenment and the chanting of Namu-Myoho-Renge-Kyo as the essential practice of the teaching. Various schools with diverging interpretations of Nichiren's teachings comprise Nichiren Buddhism.
Nichiren (February 16, 1222 – October 13, 1282) was a Buddhist monk who lived during the Kamakura period (1185–1333) in Japan. Nichiren taught devotion to the Lotus Sutra, entitled Myoho-Renge-Kyo in Japanese, as the exclusive means to attain enlightenment and the chanting of Namu-Myoho-Renge-Kyo as the essential practice of the teaching. Various schools with diverging interpretations of Nichiren's teachings comprise Nichiren Buddhism.