Refine your search

The results of your search are listed below alongside the search terms you entered on the previous page. You can refine your search by amending any of the parameters in the form and resubmitting it.

Select all Deselect all Add selection to lightbox
Large Small
Thumbnails per page
Le Chat Noir (French for 'The Black Cat') was a nineteenth-century entertainment establishment, in the bohemian Montmartre district of Paris. It opened on 18 November 1881 at 84 Boulevard Rochechouart by the impresario Rodolphe Salis, and closed in 1897 not long after Salis' death (much to the disappointment of Picasso and others who looked for it when they came to Paris for the Exposition in 1900).<br/><br/> Le Chat Noir is thought to be the first modern cabaret: a nightclub where the patrons sat at tables and drank alcoholic beverages while being entertained by a variety show on stage. The acts were introduced by a master of ceremonies who interacted with well-known patrons at the tables. Its imitators have included cabarets from St. Petersburg (Stray Dog Café) to Barcelona (Els Quatre Gats).<br/><br/> Perhaps best known now by its iconic Théophile-Alexandre Steinlen poster art, in its heyday it was a bustling nightclub that was part artist salon, part rowdy music hall. The cabaret published its own humorous journal <i>Le Chat Noir</i> until 1895.
The Allied occupation of Japan at the end of World War II was led by General Douglas MacArthur, the Supreme Commander for the Allied Powers, with support from the British Commonwealth. Unlike in the occupation of Germany, the Soviet Union was allowed little to no influence over Japan.<br/><br/> This foreign presence marked the only time in Japan's history that it had been occupied by a foreign power] It transformed the country into a parliamentary democracy that recalled American 'New Deal' priorities of the 1930s politics by Roosevelt.<br/><br/> The occupation, codenamed Operation Blacklist, was ended by the San Francisco Peace Treaty, signed on September 8, 1951 and effective from April 28, 1952, after which Japan's independence – with the exception, until 1972, of the Ryukyu Islands – was restored.
The Paramount, designed in Art Deco style by the architect S. J. Young (楊錫謬 Yáng Xīmiù, 1899-1978) was completed in 1933, by a group of Chinese bankers. It lay just off Bubbling Well Road (now Nanjing West Road), a major entertainment thoroughfare and was a meeting place for the wealthy elite of Shanghai society. The Ballroom lasted under its original owners before going bankrupt in 1936. In 1937, it was converted into a taxi dance hall featuring Chinese dance hostesses, which it remained until 1949.<br/><br/> Shanghai began life as a fishing village, and later as a port receiving goods carried down the Yangzi River. From 1842 onwards, in the aftermath of the first Opium War, the British opened a ‘concession’ in Shanghai where drug dealers and other traders could operate undisturbed. French, Italians, Germans, Americans and Japanese all followed. By the 1920s and 1930s, Shanghai was a boom town and an international byword for dissipation. When the Communists won power in 1949, they transformed Shanghai into a model of the Revolution.
The Paramount, designed in Art Deco style by the architect S. J. Young (楊錫謬 Yáng Xīmiù, 1899-1978) was completed in 1933, by a group of Chinese bankers. It lay just off Bubbling Well Road (now Nanjing West Road), a major entertainment thoroughfare and was a meeting place for the wealthy elite of Shanghai society. The Ballroom lasted under its original owners before going bankrupt in 1936. In 1937, it was converted into a taxi dance hall featuring Chinese dance hostesses, which it remained until 1949.<br/><br/> Shanghai began life as a fishing village, and later as a port receiving goods carried down the Yangzi River. From 1842 onwards, in the aftermath of the first Opium War, the British opened a ‘concession’ in Shanghai where drug dealers and other traders could operate undisturbed. French, Italians, Germans, Americans and Japanese all followed. By the 1920s and 1930s, Shanghai was a boom town and an international byword for dissipation. When the Communists won power in 1949, they transformed Shanghai into a model of the Revolution.
The Arc-en-Ciel was arguably Saigon's top night spot during the 1940s and 1950s. Located in Saigon's twin city of Cholon on Jaccareo Avenue - today's Tan Da - it features prominently in Graham Greene's 'The Quiet American' as the taxi dance venue where Thomas Fowler met and wooed Phuong.
The Arc-en-Ciel was arguably Saigon's top night spot during the 1940s and 1950s. Located in Saigon's twin city of Cholon on Jaccareo Avenue - today's Tan Da - it features prominently in Graham Greene's 'The Quiet American' as the taxi dance venue where Thomas Fowler met and wooed Phuong.