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Torii Kiyonaga (1752-1815) was a Japanese <i>ukiyo-e</i> artist from the Torii school. Born as Sekiguchi Shinsuke in Edo, he enrolled into the Torii school at a young age, where he would eventually succeed his master Torii Kiyomitsu as head of the school.<br/><br/> Kiyonaga was considered one of the great masters of the <i>nishiki-e</i> print and of <i>bijinga</i>, images of beautiful courtesans and women. He also produced a great many prints of <i>kabuki</i> actors and other theatre-related subjects, as well as producing <i>shunga</i> (erotic images).
Okumura Masanobu (1686 – 13 March 1764) was a Japanese print designer, book publisher, and painter. He also illustrated novelettes and in his early years wrote some fiction.<br/><br/> At first his work adhered to the Torii school, but later drifted beyond that. He is a figure in the formative era of ukiyo-e doing early works on actors and <i>bijin-ga</i> ('pictures of beautiful women').
Yashima Gakutei was a Japanese artist and poet who was a pupil of both Totoya Hokkei and Hokusai. Gakutei is best known for his kyoka poetry and surimono woodblock works.
Nihonbashi ( literally 'Japan Bridge') is a business district of Chuo, Tokyo, Japan which grew up around the bridge of the same name which has linked two sides of the Nihonbashi River at this site since the 17th century. The first wooden bridge was completed in 1603.<br/><br/> The current bridge designed by Tsumaki Yorinaka was constructed of stone on a steel frame dates from 1911. The district covers a large area to the north and east of the bridge, reaching Akihabara to the north and the Sumida River to the east. Otemachi is to the west and Yaesu and Ginza to the south.
Hiroshige's One Hundred Famous Views of Edo (名所江戸百景), actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It irepresents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate.<br/><br/> The series continues with summer (夏の部). Summer amusements of the Fourth, Fifth, and Sixth Months are represented in numbers 43 through 72. Evening outings in pleasure boats on the Sumida River were taken along the many famous bridges of Edo, where endless varieties of entertainment were offered.<br/><br/> Utagawa Hiroshige (歌川 広重, 1797 – October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was also referred to as Andō Hiroshige (安藤 広重) (an irregular combination of family name and art name) and by the art name of Ichiyūsai Hiroshige (一幽斎廣重).
Hiroshige's One Hundred Famous Views of Edo (名所江戸百景), actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It irepresents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate.<br/><br/> The series continues with summer (夏の部). Summer amusements of the Fourth, Fifth, and Sixth Months are represented in numbers 43 through 72. Evening outings in pleasure boats on the Sumida River were taken along the many famous bridges of Edo, where endless varieties of entertainment were offered.<br/><br/> Utagawa Hiroshige (歌川 広重, 1797 – October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was also referred to as Andō Hiroshige (安藤 広重) (an irregular combination of family name and art name) and by the art name of Ichiyūsai Hiroshige (一幽斎廣重).
Hiroshige's One Hundred Famous Views of Edo (名所江戸百景), actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It irepresents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate.<br/><br/> The series continues with summer (夏の部). Summer amusements of the Fourth, Fifth, and Sixth Months are represented in numbers 43 through 72. Evening outings in pleasure boats on the Sumida River were taken along the many famous bridges of Edo, where endless varieties of entertainment were offered.<br/><br/> Utagawa Hiroshige (歌川 広重, 1797 – October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was also referred to as Andō Hiroshige (安藤 広重) (an irregular combination of family name and art name) and by the art name of Ichiyūsai Hiroshige (一幽斎廣重).
Hiroshige's One Hundred Famous Views of Edo (名所江戸百景), actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate.<br/><br/> The series opens with spring (春の部). Scenes 1 though 42 represent the First to the Third Months, which are considered in Japan to be the spring season. Typically, early spring is marked by the festivities celebrated at the New Year, which begins the season. Blossoming plum trees are associated with the middle of spring, signifying the end of the cold weather and the beginning of the warm season.<br/><br/> Utagawa Hiroshige (歌川 広重, 1797 – October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was also referred to as Andō Hiroshige (安藤 広重) (an irregular combination of family name and art name) and by the art name of Ichiyūsai Hiroshige (一幽斎廣重).
‘Thirty-six Views of Mount Fuji’ is an ‘ukiyo-e’ series of large, color woodblock prints by the Japanese artist Katsushika Hokusai (1760–1849). The series depicts Mount Fuji in differing seasons and weather conditions from a variety of places and distances. It actually consists of 46 prints created between 1826 and 1833. The first 36 were included in the original publication and, due to their popularity, 10 more were added after the original publication.<br/><br/> Mount Fuji is the highest mountain in Japan at 3,776.24 m (12,389 ft). An active stratovolcano that last erupted in 1707–08, Mount Fuji lies about 100 km southwest of Tokyo. Mount Fuji's exceptionally symmetrical cone is a well-known symbol and icon of Japan and is frequently depicted in art and photographs. It is one of Japan's ‘Three Holy Mountains’ along with Mount Tate and Mount Haku.<br/><br/> Fuji is nowadays frequently visited by sightseers and climbers. It is thought that the first ascent was in 663 CE by an anonymous monk. The summit has been thought of as sacred since ancient times and was forbidden to women until the Meiji Era. Ancient samurai used the base of the mountain as a remote training area, near the present-day town of Gotemba.
Keisai Eisen (渓斎 英泉, 1790 – 1848) was a Japanese ukiyo-e artist who specialised in bijinga (pictures of beautiful women). His best works, including his ōkubi-e ('large head pictures'), are considered to be masterpieces of the 'decadent' Bunsei Era (1818–1830).<br/><br/> He was also known as Ikeda Eisen, and wrote under the name of Ippitsuan.
Nihonbashi (日本橋, literally 'Japan Bridge'), or Nihombashi, is a business district of Chūō, Tokyo, Japan which grew up around the bridge of the same name which has linked two sides of the Nihonbashi River at this site since the 17th century.<br/><br/> The first wooden bridge was completed in 1603, and the current bridge made of stone dates from 1911. The district covers a large area to the north and east of the bridge, reaching Akihabara to the north and the Sumida River to the east. Ōtemachi is to the west and Yaesu and Ginza to the south.
Published by Bellin and Schley for Prevost's' Histoire Generale des Voyages', this map is cartographically based on a 1702 map of the same issued by Scheuchzer and Kaempfer, which itself is most likely based on Japanese maps.<br/><br/>Centered on Edo Castle, this map depicts the whole of Edo as it existed, with numerous streets shown but not named. Edo Castle itself is fancifully depicted as a French style formal garden. Possibly due to the cartographers inability to translate Japanese, the only three named locations on the map are Edo Castle, Japan Bridge, and the Faubourg de Sinagawa.<br/><br/>From the establishment of the Tokugawa bakufu's headquarters at Edo, although Kyoto remained the formal capital of the country, the de facto capital was now Edo; it was the center of political power. Edo grew from what had been a small, little-known fishing village in 1457 to a metropolis with an estimated population of 1,000,000 by 1721, the largest city in the world at the time.<br/><br/>The city was laid out as a castle town around Edo Castle. The Sumida River (then called the Great River, 大川), ran along the eastern edge of the city. The 'Japan Bridge' (日本橋, Nihon-bashi) marked the center of the city's commercial center.
The Great Kantō earthquake (関東大震災 Kantō daishinsai) struck the Kantō Plain on the Japanese main island of Honshū at 11:58 in the morning on Saturday, September 1, 1923. Varied accounts indicate the duration of the earthquake was between four and 10 minutes. The 2011 Tōhoku earthquake later surpassed that record, at magnitude 9.0.<br/><br/> The earthquake had a magnitude of 7.9 on the Moment magnitude scale (Mw), with its focus deep beneath Izu Ōshima Island in the Sagami Bay. The cause was a rupture of part of the convergent boundary where the Philippine Sea Plate is subducting beneath the Okhotsk Plate along the line of the Sagami Trough.<br/><br/> This earthquake devastated Tokyo, the port city of Yokohama, and the surrounding prefectures of Chiba, Kanagawa, and Shizuoka, and caused widespread damage throughout the Kantō region. The power was so great in Kamakura, over 60 km (37 mi) from the epicenter, it moved the Great Buddha statue, which weighs about 93 short tons (84,000 kg), almost two feet.<br/><br/> Estimated casualties totaled about 142,800 deaths, including about 40,000 who went missing and were presumed dead. The damage from this natural disaster was the greatest sustained by prewar Japan. In 1960, the government declared September 1, the anniversary of the quake, as an annual 'Disaster Prevention Day'.<br/><br/> According to the Japanese conclusive report, 105,385 deaths were confirmed in the 1923 quake.
The Sixty-nine Stations of the Kiso Kaidō (木曾街道六十九次 Kiso Kaidō Rokujūkyū-tsugi) or Sixty-nine Stations of the Kiso Road, is a series of ukiyo-e works created by Utagawa Hiroshige (1797-1858) and Keisai Eisen (1790-1848).<br/><br/> There are 71 total prints in the series (one for each of the 69 post stations and Nihonbashi; Nakatsugawa-juku has two prints). The common name for the Kiso Kaidō is 'Nakasendō' or 'Central Mountain Highway', so this series is also commonly referred to as the Sixty-nine Stations of the Nakasendō.<br/><br/> The Nakasendō was one of the Five Routes constructed under Tokugawa Ieyasu, a series of roads linking the historical capitol of Edo with the rest of Japan. The Nakasendō connected Edo with the then-capital of Kyoto. It was an alternate route to the Tōkaidō and travelled through the central part of Honshū, thus giving rise to its name, which means 'Central Mountain Road'. Along this road, there were sixty-nine different post stations (<i>-shuku</i> or <i>-juku</i>), which provided stables, food, and lodging for travelers.<br/><br/> Eisen produced the first 11 prints of the series, from Nihonbashi to Honjō-shuku, stretching from Tokyo to Saitama Prefecture. After that, Hiroshige took over production of the series.
Nihonbashi (日本橋, literally Japan Bridge), or Nihombashi, is a business district of Chūō, Tokyo, Japan which grew up around the bridge of the same name which has linked two sides of the Nihonbashi River at this site since the 17th century.<br/><br/> The first wooden bridge was completed in 1603, and the current bridge made of stone dates from 1911. The district covers a large area to the north and east of the bridge, reaching Akihabara to the north and the Sumida River to the east. Ōtemachi is to the west and Yaesu and Ginza to the south.
Nihonbashi: View looking across Nihon Bridge, Edo, from whence all distances were measured with a daimyo's cortège coming into view over the summit. In the foreground is a group of five fish-vendors (and a sixth partly hidden) getting out of the way, on the left, and two dogs on the right. This bridge was located in the centre of Edo and was the starting point of the Tokaido Highway.<br/><br/> Utagawa Hiroshige (歌川 広重, 1797 – October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was also referred to as Andō Hiroshige (安藤 広重) (an irregular combination of family name and art name) and by the art name of Ichiyūsai Hiroshige (一幽斎廣重).<br/><br/> The Tōkaidō (東海道 East Sea Road) was the most important of the Five Routes of the Edo period, connecting Edo (modern-day Tokyo) to Kyoto in Japan. Unlike the inland and less heavily travelled Nakasendō, the Tōkaidō travelled along the sea coast of eastern Honshū, hence the route's name.