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Shigeru Aoki (1882-1911) was a Japanese painter famed for his combining of Japanese mythology and legends with the Western-style art movement that could be found in some late 19th and early 20th century Japanese paintings.<br/><br/> Aoki was born into an ex-samurai household in northern Kyushu. He left his home in 1899 to pursue artistic studies in Tokyo, and soon began to accumulate critical acclaim for his artwork and its use of Pre-Raphaelite Brotherhood techniques mixed with Kojiki themes. He died in March 1911 from tuberculosis, aged only 28.
Shigeru Aoki (1882-1911) was a Japanese painter famed for his combining of Japanese mythology and legends with the Western-style art movement that could be found in some late 19th and early 20th century Japanese paintings.<br/><br/> Aoki was born into an ex-samurai household in northern Kyushu. He left his home in 1899 to pursue artistic studies in Tokyo, and soon began to accumulate critical acclaim for his artwork and its use of Pre-Raphaelite Brotherhood techniques mixed with Kojiki themes. He died in March 1911 from tuberculosis, aged only 28.
Shigeru Aoki (1882-1911) was a Japanese painter famed for his combining of Japanese mythology and legends with the Western-style art movement that could be found in some late 19th and early 20th century Japanese paintings.<br/><br/> Aoki was born into an ex-samurai household in northern Kyushu. He left his home in 1899 to pursue artistic studies in Tokyo, and soon began to accumulate critical acclaim for his artwork and its use of Pre-Raphaelite Brotherhood techniques mixed with Kojiki themes. He died in March 1911 from tuberculosis, aged only 28.
Shigeru Aoki (1882-1911) was a Japanese painter famed for his combining of Japanese mythology and legends with the Western-style art movement that could be found in some late 19th and early 20th century Japanese paintings.<br/><br/> Aoki was born into an ex-samurai household in northern Kyushu. He left his home in 1899 to pursue artistic studies in Tokyo, and soon began to accumulate critical acclaim for his artwork and its use of Pre-Raphaelite Brotherhood techniques mixed with Kojiki themes. He died in March 1911 from tuberculosis, aged only 28.
Shigeru Aoki (1882-1911) was a Japanese painter famed for his combining of Japanese mythology and legends with the Western-style art movement that could be found in some late 19th and early 20th century Japanese paintings.<br/><br/> Aoki was born into an ex-samurai household in northern Kyushu. He left his home in 1899 to pursue artistic studies in Tokyo, and soon began to accumulate critical acclaim for his artwork and its use of Pre-Raphaelite Brotherhood techniques mixed with Kojiki themes. He died in March 1911 from tuberculosis, aged only 28.
Shigeru Aoki (1882-1911) was a Japanese painter famed for his combining of Japanese mythology and legends with the Western-style art movement that could be found in some late 19th and early 20th century Japanese paintings.<br/><br/> Aoki was born into an ex-samurai household in northern Kyushu. He left his home in 1899 to pursue artistic studies in Tokyo, and soon began to accumulate critical acclaim for his artwork and its use of Pre-Raphaelite Brotherhood techniques mixed with Kojiki themes. He died in March 1911 from tuberculosis, aged only 28.
Ai-Khanoum or Ay Khanum ( 'Lady of the Moon' in Uzbek, probably the historical Alexandria on the Oxus, also possibly named Eucratidia), was founded in the 4th century BCE, following the conquests of Alexander the Great and was one of the primary cities of the Greco-Bactrian kingdom.<br/><br/> The city is located in Kunduz Province northern Afghanistan, at the confluence of the Oxus river (today's Amu Darya) and the Kokcha river. Ai Khanoum was one of the focal points of Hellenism in the East for nearly two centuries, until its destruction by nomadic invaders around 145 BCE about the time of the death of Eucratides.<br/><br/> The site was excavated through archaeological searches by a French mission under Paul Bernard between 1964 and 1978, as well as by Russian archaeologists. These researches had to be abandoned with the beginning of the Soviet war in Afghanistan, during which the site was looted and used as a battleground, leaving very little of the original material.
Shigeru Aoki (1882-1911) was a Japanese painter famed for his combining of Japanese mythology and legends with the Western-style art movement that could be found in some late 19th and early 20th century Japanese paintings.<br/><br/> Aoki was born into an ex-samurai household in northern Kyushu. He left his home in 1899 to pursue artistic studies in Tokyo, and soon began to accumulate critical acclaim for his artwork and its use of Pre-Raphaelite Brotherhood techniques mixed with Kojiki themes. He died in March 1911 from tuberculosis, aged only 28.
According to the Book of Genesis, which is the first book of the Christian Old Testament or Hebrew Bible, God created the universe in seven days. On the sixth day, he created ‘Adam’, the Hebrew word for ‘man’, and placed him in Paradise—the Garden of Eden. From one of Adam’s ribs, God then created a mate for him: Eve, meaning ‘Mother of Life’.<br/><br/> Adam and Eve were permitted to eat all the fruit in the garden except that from the ‘Tree of Knowledge’. However, the devil, disguised as a serpent, persuaded Eve to eat the forbidden fruit—an apple—and she gave in to the temptation. This was considered mankind’s first sin.
According to the Book of Genesis, which is the first book of the Christian Old Testament or Hebrew Bible, God created the universe in seven days. On the sixth day, he created ‘Adam’, the Hebrew word for ‘man’, and placed him in Paradise—the Garden of Eden. From one of Adam’s ribs, God then created a mate for him: Eve, meaning ‘Mother of Life’.<br/><br/> Adam and Eve were permitted to eat all the fruit in the garden except that from the ‘Tree of Knowledge’. However, the devil, disguised as a serpent, persuaded Eve to eat the forbidden fruit—an apple—and she gave in to the temptation.<br/><br/> This was considered mankind’s first sin.
Japan: 'A Man Reclines with one Wakashu and Converses with Another'. Ukiyo-e 'nanshoku' woodblock print by Hishikawa Moronobu (1618-1694), c. 1680.<br/><br/> Shunga is a Japanese term for erotic art. Most shunga are a type of ukiyo-e, usually executed in woodblock print format. While rare, there are extant erotic painted handscrolls which predate the Ukiyo-e movement. Translated literally, the Japanese word shunga means picture of spring; 'spring' is a common euphemism for sex. The ukiyo-e movement as a whole sought to express an idealisation of contemporary urban life.
The earliest description of the use of opium as a recreational drug in China comes from Xu Boling, who wrote in 1483 that opium was ‘mainly used to aid masculinity, strengthen sperm and regain vigor’, and that it ‘enhances the art of alchemists, sex and court ladies’. He described an expedition sent by the Chenghua Emperor in 1483 to procure opium for a price ‘equal to that of gold’ in Hainan, Fujian, Zhejiang, Sichuan and Shaanxi where it is close to Xiyu. A century later, Li Shizhen listed standard medical uses of opium in his renowned Compendium of Materia Medica (1578), but also wrote that ‘lay people use it for the art of sex’, in particular the ability to ‘arrest seminal emission’. This association of opium with sex continued in China until the twentieth century. Opium smoking began as a privilege of the elite and remained a great luxury into the early 19th century, but by 1861, Wang Tao wrote that opium was used by rich peasants, and that even a small village without a rice store would have a shop where opium was sold.
A ‘harem’ is not a bordello, seraglio or brothel, but refers to the women’s quarters, usually in a polygynous household, which are forbidden to men. It originated in the Near East and is typically associated in the Western world with the Ottoman Empire.<br/><br/> Female seclusion in Islam is emphasized to the extent that any unlawful breaking into that privacy is ḥarām ie, 'forbidden'. A Muslim harem does not necessarily consist solely of women with whom the head of the household has sexual relations (wives and concubines), but also their young offspring, other female relatives or odalisques, which are the concubines’ servants. The harem may either be a palatial complex, as in Romantic tales, in which case it includes staff (women and eunuchs), or simply their quarters, in the Ottoman tradition separated from the men's selamlık. A hammam is a common bath house.
The languorous, sensuous pose of this woman is strongly reminiscent of Jean Auguste Dominique Ingres' popular paintings of odalisques, female slaves and concubines in Turkish harems.<br/><br/> A ‘harem’ is not a bordello, seraglio or brothel, but refers to the women’s quarters, usually in a polygynous household, which are forbidden to men. It originated in the Near East and is typically associated in the Western world with the Ottoman Empire.<br/><br/> Female seclusion in Islam is emphasized to the extent that any unlawful breaking into that privacy is ḥarām ie, 'forbidden'. A Muslim harem does not necessarily consist solely of women with whom the head of the household has sexual relations (wives and concubines), but also their young offspring, other female relatives or odalisques, which are the concubines’ servants. The harem may either be a palatial complex, as in Romantic tales, in which case it includes staff (women and eunuchs), or simply their quarters, in the Ottoman tradition separated from the men's selamlık.<br/><br/> A hammam is a common bath house.
A ‘harem’ is not a bordello, seraglio or brothel, but refers to the women’s quarters, usually in a polygynous household, which are forbidden to men. It originated in the Near East and is typically associated in the Western world with the Ottoman Empire.<br/><br/> Female seclusion in Islam is emphasized to the extent that any unlawful breaking into that privacy is ḥarām ie, 'forbidden'. A Muslim harem does not necessarily consist solely of women with whom the head of the household has sexual relations (wives and concubines), but also their young offspring, other female relatives or odalisques, which are the concubines’ servants. The harem may either be a palatial complex, as in Romantic tales, in which case it includes staff (women and eunuchs), or simply their quarters, in the Ottoman tradition separated from the men's selamlık.<br/><br/> A hammam is a common bath house.
A ‘harem’ is not a bordello, seraglio or brothel, but refers to the women’s quarters, usually in a polygynous household, which are forbidden to men. It originated in the Near East and is typically associated in the Western world with the Ottoman Empire.<br/><br/> Female seclusion in Islam is emphasized to the extent that any unlawful breaking into that privacy is ḥarām ie, 'forbidden'. A Muslim harem does not necessarily consist solely of women with whom the head of the household has sexual relations (wives and concubines), but also their young offspring, other female relatives or odalisques, which are the concubines’ servants. The harem may either be a palatial complex, as in Romantic tales, in which case it includes staff (women and eunuchs), or simply their quarters, in the Ottoman tradition separated from the men's selamlık.<br/><br/> A hammam is a common bath house.
France: 'The Slave Market'. Oil on canvas painting by Jean-Léon Gérôme, 1866.<br/><br/> Jean-Léon Gérôme (11 May 1824 – 10 January 1904) was a French painter and sculptor. The range of his oeuvre included historical painting, Greek mythology, Orientalism, portraits, and other subjects, bringing the academic painting tradition to an artistic climax. He is considered one of the most important painters from this academic period.
France: 'Phryne before the Areopagus'. Oil on canvas painting by French artist Jean-Léon Gérôme (11 May 1824 - 10 January 1904) from 1861. The painting depicts the legendary Greek courtesan Phryne, as she is put on trial for impiety. She is acquitted after her defender Hypereides removed her robe to expose her nude form, 'to excite the pity of her judges by the sight of her beauty'.