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Shuten-doji or Shutendoji is a mythical <i>oni</i> or <i>yokai</i> (demon, devil, ogre, troll).<br/><br/> Hishikawa Moronobu (1618 – 25 July 1694) was a Japanese artist known for popularizing the ukiyo-e genre of woodblock prints and paintings in the late 17th century.
Yashima Gakutei was a Japanese artist and poet who was a pupil of both Totoya Hokkei and Hokusai. Gakutei is best known for his <i>kyoka</i> poetry and <i>surimono</i> woodblock works.
In 833, Emperor Ninmyo named Tsunetsugu the Imperial ambassador to China. He was the last envoy from Japan to China during the Heian period.<br/><br/> The diplomatic mission left Kyushu in 838; Tsunetsugu returned to Japan in 839. The mission party included the Buddhist monk Ennin as well as Ono no Takamura.
Shuten-doji or Shutendoji is a mythical <i>oni</i> or <i>yokai</i> (demon, devil, ogre, troll).<br/><br/> Hishikawa Moronobu (1618 – 25 July 1694) was a Japanese artist known for popularizing the ukiyo-e genre of woodblock prints and paintings in the late 17th century.
Ono no Komachi was a Japanese <i>waka</i> poet, one of the Rokkasen—the Six best Waka poets of the early Heian period. She was renowned for her unusual beauty, and Komachi is today a synonym for feminine beauty in Japan.
Samurai is the term for the military nobility of pre-industrial Japan. By the end of the 12th century, samurai became almost entirely synonymous with bushi, and the word was closely associated with the middle and upper echelons of the warrior class.<br/><br/> The samurai followed a set of rules that came to be known as Bushidō. While they numbered less than ten percent of Japan's population, samurai teachings can still be found today in both everyday life and in martial arts such as Kendō, meaning the way of the sword.
Suzuki Harunobu (鈴木 春信4, 1724 – July 7, 1770) was a Japanese woodblock print artist, one of the most famous in the Ukiyo-e style. He was an innovator, the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints.<br/><br/> Harunobu used many special techniques, and depicted a wide variety of subjects, from classical poems to contemporary beauties (bijin, bijin-ga). Like many artists of his day, Harunobu also produced a number of shunga, or erotic images.<br/><br/> During his lifetime and shortly afterwards, many artists imitated his style. A few, such as Harushige, even boasted of their ability to forge the work of the great master. Much about Harunobu's life is unknown.
Ono Ranzan (小野蘭山) worked as an herbalist in the mid-Edo period. Herbalism is an ancient Chinese study involving research into plants and minerals, focusing on their importance for medicinal usage.<br/><br/> Ranzan published Japan’s most comprehensive literature on herbalism, 'Honzo Koumoku Keimou (Enlightenment for Compendium of Materia Medica)' in 1803 and he is known to have contributed later to the expansion of natural history.<br/><br/> He died in 1810 and his grave was built in Geisetsuin graveyard in Asakusa, but due to the impact of the Great Kanto Earthquake, it was moved to Nerima in 1927.