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Ren Yi (1840 - 1896), also known as Ren Bonian, was a Chinese painter born in Zhejiang during the Qing Dynasty (1644 - 1911). He moved to Shanghai in 1855 after the death of his father, which exposed him to Western thinking within a more urban environment. He became a member of the Shanghai School, fusing popular and traditional styles. He is sometimes referred to as one of the 'Four Rens'.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The Hmong are an Asian ethnic group from the mountainous regions of China, Vietnam, Laos, and Thailand. Hmong are also one of the sub-groups of the Miao ethnicity in southern China. Hmong groups began a gradual southward migration in the 18th century due to political unrest and to find more arable land.
Indonesia / China: Purple-naped Lory. Watercolour painting from a gouache album of various Chinese and Indonesian birds, 19th century.<br/><br/> The purple-naped lory (Lorius domicella) is a species of parrot endemic to the Indonesian islands of Seram, Ambom, Haruku and Saparua. Its popularity with the cage-bird trade has led to it being considered an endangered species.
Indonesia / China: Purple-naped Lory. Watercolour painting from a gouache album of various Chinese and Indonesian birds, 19th century.<br/><br/> The purple-naped lory (Lorius domicella) is a species of parrot endemic to the Indonesian islands of Seram, Ambom, Haruku and Saparua. Its popularity with the cage-bird trade has led to it being considered an endangered species.
A Persian miniature is a small painting on paper, whether a book illustration or a separate work of art intended to be kept in an album of such works called a muraqqa. The techniques are broadly comparable to the Western and Byzantine traditions of miniatures in illuminated manuscripts. Although there is an equally well-established Persian tradition of wall-painting, the survival rate and state of preservation of miniatures is better, and miniatures are much the best-known form of Persian painting in the West, and many of the most important examples are in Western, or Turkish, museums.<br/><br/> Miniature painting became a significant Persian genre in the 13th century, receiving Chinese influence after the Mongol conquests, and the highest point in the tradition was reached in the 15th and 16th centuries. The tradition continued, under some Western influence, after this, and has many modern exponents. The Persian miniature was the dominant influence on other Islamic miniature traditions, principally the Ottoman miniature in Turkey, and the Mughal miniature in the Indian sub-continent.