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Hand-colored engraving from 'Moeurs, Usages, et Costumes de tous les Peuples de Monde, d'apres des Documents Authentiques et les Voyages les plus Recents', by Auguste Wahlen (Brussels, 1843-44).
Seoul is the capital and largest metropolis of South Korea. A megacity with a population of more than 10 million, it is the largest city proper in the developed world. The Seoul Capital Area, which includes the surrounding Incheon metropolis and Gyeonggi province, is the world's second largest metropolitan area with over 25.6 million people, home to over half of South Koreans along with 632,000 international residents.During the Korean War, Seoul changed hands between the Chinese-backed North Korean forces and the UN-backed South Korean forces several times, leaving the city heavily damaged after the war. One estimate of the extensive damage states that after the war, at least 191,000 buildings, 55,000 houses, and 1,000 factories lay in ruins. In addition, a flood of refugees had entered Seoul during the war, swelling the population of Seoul and its metropolitan area to an estimated 2.5 million, more than half of them homeless.
T. Enami (Enami Nobukuni, 1859 – 1929) was the trade name of a celebrated Meiji period photographer. The T. of his trade name is thought to have stood for Toshi, though he never spelled it out on any personal or business document.<br/><br/> Born in Edo (now Tokyo) during the Bakumatsu era, Enami was first a student of, and then an assistant to the well known photographer and collotypist, Ogawa Kazumasa. Enami relocated to Yokohama, and opened a studio on Benten-dōri (Benten Street) in 1892. Just a few doors away from him was the studio of the already well known Tamamura Kozaburō. He and Enami would work together on at least three related projects over the years.<br/><br/> Enami became quietly unique as the only photographer of that period known to work in all popular formats, including the production of large-format photographs compiled into what are commonly called "Yokohama Albums". Enami went on to become Japan's most prolific photographer of small-format images such as the stereoview and glass lantern-slides. The best of these were delicately hand-tinted.