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Mariannina Coffa Caruso (30 September 1841 - 6 January 1878) was born in Noto, Sicily. She lived a short, tragic life, in an age and country where female writers and poets were castigated.
Mariannina Coffa Caruso (30 September 1841 - 6 January 1878) was born in Noto, Sicily. She lived a short, tragic life, in an age and country where female writers and poets were castigated.
Born in present-day Gambia around 1753, little is known of Phillis Wheatley’s early life. When 7 or 8 years old, she was kidnapped and shipped from the Gambia to Boston; her purchasers named her Phillis after the ship that brought her to Massachusetts.<br/><br/> Living in their household as a servant, she was permitted to learn to read, and not long after began writing poetry; her first published poem appeared in 1767. She left no account of her life in Africa or the middle passage, and her life ended sadly in Boston in 1784. Her portrait was made when she was about 20 years old.
Emperor Ingyō (允恭天皇 Ingyō-tennō) was the 19th emperor of Japan, according to the traditional order of succession. No firm dates can be assigned to this emperor's life or reign, but he is conventionally considered to have reigned from 410–453.<br/><br/> Emperor Ingyo's empress is named Oshisaka no Ōnakatsu no Hime in the Japanese annals. Princess Sotori Hime was the concubine of the Emperor Ingyo, so named for the beauty of her skin which seemed to radiate through her robes. Later accounts associated her with the deity Tamatsushima Myojin, enshrined at Wakanoura in Kii Province, and venerated her as one of the three gods of poetry together with Kakimoto no Hitomaro and Yamabe no Akahito.<br/><br/> According to the <i>Nihon Shoki</i> written in 720, Princess Sotori lived in seclusion in the Fujiwara Shrine out of deference to the Empress. The Emperor decided to visit her there in secret, but even before he arrived the Princess had divined that he was coming by noticing a spider building its web in the roots of a dwarf bamboo plant.
Ono no Komachi was a Japanese <i>waka</i> poet, one of the Rokkasen—the Six best Waka poets of the early Heian period. She was renowned for her unusual beauty, and Komachi is today a synonym for feminine beauty in Japan.
Hồ Xuân Hương (1772–1822) was a Vietnamese poet born at the end of the Lê Dynasty. She grew up in an era of political and social turmoil - the time of the Tây Sơn Rebellion and a three-decade civil war that led to Nguyễn Ánh seizing power as Emperor Gia Long and founding the Nguyen Dynasty.<br/><br/> Rather than using Chữ Hán or Chinese characters, Ho Xuan Hong wrote poetry using Chữ Nôm (Southern Script), which adapts Chinese characters for writing demotic Vietnamese. She is considered one of Vietnam's great classical poets and has been called 'The Queen of Nôm poetry'.<br/><br/> She became famous and obtained a reputation for creating poems that were subtle and witty. She is believed to have married twice as her poems refer to two different husbands: Vinh Tuong (a local official) and Tong Coc (a slightly higher level official). She was the second-rank wife of Tong Coc, in Western terms, a concubine, a role that she was clearly not happy with ('like the maid/but without the pay'). However, her second marriage did not last long as Tong Coc died just six months after the wedding.<br/><br/> She lived the remainder of her life in a small house near the West Lake in Hanoi. She had visitors, often fellow poets, including two specifically named men: Scholar Ton Phong Thi and a man only identified as 'The Imperial Tutor of the Nguyễn Family.' She was able to make a living as a teacher and evidently was able to travel since she composed poems about several places in Northern Vietnam.<br/><br/> A single woman in a Confucian society, her works show her to be independent-minded and resistant to societal norms, especially through her socio-political commentaries and her use of frank sexual humor and expressions. Her poems are usually irreverent, full of double entendres, and erudite.<br/><br/>
Yamato-e is a style of Japanese painting inspired by Tang Dynasty paintings and developed in the late Heian period. It is considered the classical Japanese style. From the Muromachi period (15th century), the term Yamato-e has been used to distinguish work from contemporary Chinese style paintings (kara-e), which were inspired by Song and Yuan Dynasty Zen Buddhism paintings.<br/><br/> The Yamato-e often tell narrative themes with text along with them, show the beauty of nature, e.g. famous places (meisho-e), and the four seasons (shiki-e). The pictures are non-symbolic and have the objective of depicting the beauty in nature. The pictures are often on scrolls that can be hung on a wall (kakemono) or handscrolls (emakimono) that could be read from right to left with the accompanying story or on a folding screen (byoubu) or panel (shouji).<br/><br/> Although they received their name from the Yamato period (250-710 CE), Yamato-e pictures rather stand for a style and are not restricted to a particular period. Although the most famous artists painted in sumi-e style in the Muromachi period, this was not characteristic of early pictures.
Elizabeth Barrett Browning (6 March 1806 – 29 June 1861) was one of the most prominent poets of the Victorian era. Her poetry was widely popular in both England and the United States during her lifetime. A collection of her last poems was published by her husband, Robert Browning, shortly after her death.<br/><br/> She began to take opiates to relieve pain, laudanum (an opium concoction) then morphine, commonly prescribed at the time. She would become dependent on them for much of her adulthood; the use from an early age would have contributed to her frail health. Biographers such as Alethea Hayter have suggested that this may have contributed to the wild vividness of her imagination and the poetry that it produced.
A member of the Thirty-six Medieval Poetry Immortals, Izumi Shikibu served at the court of Empress Shoshi (988–1074).<br/><br/> She is best known for the Izumi Shikibu Collection (和泉式部集 Izumi Shikibu-shū) and the Imperial anthologies. Her life of love and passion earned her the nickname of 'The Floating Lady' from Michinaga. Her poetry is characterized by passion and sentimental appeal. Her style was the direct opposite of that of Akazome Emon, even though both served in the same court and were close friends.<br/><br/> At the court she also nursed a growing rivalry with Murasaki Shikibu, who had a similar poetic style, though this rivalry pales in comparison with Murasaki Shikibu's spirited competition with Sei Shōnagon. Izumi Shikibu's emotional poetry won her the praise of many at the court, including Fujiwara no Kinto.
A member of the Thirty-six Medieval Poetry Immortals, Izumi Shikibu served at the court of Empress Shoshi (988–1074).<br/><br/> She is best known for the Izumi Shikibu Collection (和泉式部集 Izumi Shikibu-shū) and the Imperial anthologies. Her life of love and passion earned her the nickname of 'The Floating Lady' from Michinaga. Her poetry is characterized by passion and sentimental appeal. Her style was the direct opposite of that of Akazome Emon, even though both served in the same court and were close friends.<br/><br/> At the court she also nursed a growing rivalry with Murasaki Shikibu, who had a similar poetic style, though this rivalry pales in comparison with Murasaki Shikibu's spirited competition with Sei Shōnagon. Izumi Shikibu's emotional poetry won her the praise of many at the court, including Fujiwara no Kinto.
Elizabeth Barrett Browning (6 March 1806 – 29 June 1861) was one of the most prominent poets of the Victorian era. Her poetry was widely popular in both England and the United States during her lifetime. A collection of her last poems was published by her husband, Robert Browning, shortly after her death.<br/><br/> She began to take opiates to relieve pain, laudanum (an opium concoction) then morphine, commonly prescribed at the time. She would become dependent on them for much of her adulthood; the use from an early age would have contributed to her frail health. Biographers such as Alethea Hayter have suggested that this may have contributed to the wild vividness of her imagination and the poetry that it produced.
A member of the Thirty-six Medieval Poetry Immortals, Izumi Shikibu served at the court of Empress Shoshi (988–1074).<br/><br/> She is best known for the Izumi Shikibu Collection (和泉式部集 Izumi Shikibu-shū) and the Imperial anthologies. Her life of love and passion earned her the nickname of 'The Floating Lady' from Michinaga. Her poetry is characterized by passion and sentimental appeal. Her style was the direct opposite of that of Akazome Emon, even though both served in the same court and were close friends.<br/><br/> At the court she also nursed a growing rivalry with Murasaki Shikibu, who had a similar poetic style, though this rivalry pales in comparison with Murasaki Shikibu's spirited competition with Sei Shōnagon. Izumi Shikibu's emotional poetry won her the praise of many at the court, including Fujiwara no Kinto.
A member of the Thirty-six Medieval Poetry Immortals, Izumi Shikibu served at the court of Empress Shoshi (988–1074).<br/><br/> She is best known for the Izumi Shikibu Collection (和泉式部集 Izumi Shikibu-shū) and the Imperial anthologies. Her life of love and passion earned her the nickname of 'The Floating Lady' from Michinaga. Her poetry is characterized by passion and sentimental appeal. Her style was the direct opposite of that of Akazome Emon, even though both served in the same court and were close friends.<br/><br/> At the court she also nursed a growing rivalry with Murasaki Shikibu, who had a similar poetic style, though this rivalry pales in comparison with Murasaki Shikibu's spirited competition with Sei Shōnagon. Izumi Shikibu's emotional poetry won her the praise of many at the court, including Fujiwara no Kinto.
Emperor Ingyō (允恭天皇 Ingyō-tennō) was the 19th emperor of Japan, according to the traditional order of succession. No firm dates can be assigned to this emperor's life or reign, but he is conventionally considered to have reigned from 410–453.<br/><br/> Emperor Ingyo's empress is named Oshisaka no Ōnakatsu no Hime in the Japanese annals. Princess Sotori Hime was the concubine of the Emperor Ingyo, so named for the beauty of her skin which seemed to radiate through her robes. Later accounts associated her with the deity Tamatsushima Myojin, enshrined at Wakanoura in Kii Province, and venerated her as one of the three gods of poetry together with Kakimoto no Hitomaro and Yamabe no Akahito.<br/><br/> According to the <i>Nihon Shoki</i> written in 720, Princess Sotori lived in seclusion in the Fujiwara Shrine out of deference to the Empress. The Emperor decided to visit her there in secret, but even before he arrived the Princess had divined that he was coming by noticing a spider building its web in the roots of a dwarf bamboo plant.
A member of the Thirty-six Medieval Poetry Immortals, Izumi Shikibu served at the court of Empress Shoshi (988–1074).<br/><br/> She is best known for the Izumi Shikibu Collection (和泉式部集 Izumi Shikibu-shū) and the Imperial anthologies. Her life of love and passion earned her the nickname of 'The Floating Lady' from Michinaga. Her poetry is characterized by passion and sentimental appeal. Her style was the direct opposite of that of Akazome Emon, even though both served in the same court and were close friends.<br/><br/> At the court she also nursed a growing rivalry with Murasaki Shikibu, who had a similar poetic style, though this rivalry pales in comparison with Murasaki Shikibu's spirited competition with Sei Shōnagon. Izumi Shikibu's emotional poetry won her the praise of many at the court, including Fujiwara no Kinto.
A member of the Thirty-six Medieval Poetry Immortals, Izumi Shikibu served at the court of Empress Shoshi (988–1074).<br/><br/> She is best known for the Izumi Shikibu Collection (和泉式部集 Izumi Shikibu-shū) and the Imperial anthologies. Her life of love and passion earned her the nickname of 'The Floating Lady' from Michinaga. Her poetry is characterized by passion and sentimental appeal. Her style was the direct opposite of that of Akazome Emon, even though both served in the same court and were close friends.<br/><br/> At the court she also nursed a growing rivalry with Murasaki Shikibu, who had a similar poetic style, though this rivalry pales in comparison with Murasaki Shikibu's spirited competition with Sei Shōnagon. Izumi Shikibu's emotional poetry won her the praise of many at the court, including Fujiwara no Kinto.
A member of the Thirty-six Medieval Poetry Immortals, Izumi Shikibu served at the court of Empress Shoshi (988–1074).<br/><br/> She is best known for the Izumi Shikibu Collection (和泉式部集 Izumi Shikibu-shū) and the Imperial anthologies. Her life of love and passion earned her the nickname of 'The Floating Lady' from Michinaga. Her poetry is characterized by passion and sentimental appeal. Her style was the direct opposite of that of Akazome Emon, even though both served in the same court and were close friends.<br/><br/> At the court she also nursed a growing rivalry with Murasaki Shikibu, who had a similar poetic style, though this rivalry pales in comparison with Murasaki Shikibu's spirited competition with Sei Shōnagon. Izumi Shikibu's emotional poetry won her the praise of many at the court, including Fujiwara no Kinto.
A member of the Thirty-six Medieval Poetry Immortals, Izumi Shikibu served at the court of Empress Shoshi (988–1074).<br/><br/> She is best known for the Izumi Shikibu Collection (和泉式部集 Izumi Shikibu-shū) and the Imperial anthologies. Her life of love and passion earned her the nickname of 'The Floating Lady' from Michinaga. Her poetry is characterized by passion and sentimental appeal. Her style was the direct opposite of that of Akazome Emon, even though both served in the same court and were close friends.<br/><br/> At the court she also nursed a growing rivalry with Murasaki Shikibu, who had a similar poetic style, though this rivalry pales in comparison with Murasaki Shikibu's spirited competition with Sei Shōnagon. Izumi Shikibu's emotional poetry won her the praise of many at the court, including Fujiwara no Kinto.
A member of the Thirty-six Medieval Poetry Immortals, Izumi Shikibu served at the court of Empress Shoshi (988–1074).<br/><br/> She is best known for the Izumi Shikibu Collection (和泉式部集 Izumi Shikibu-shū) and the Imperial anthologies. Her life of love and passion earned her the nickname of 'The Floating Lady' from Michinaga. Her poetry is characterized by passion and sentimental appeal. Her style was the direct opposite of that of Akazome Emon, even though both served in the same court and were close friends.<br/><br/> At the court she also nursed a growing rivalry with Murasaki Shikibu, who had a similar poetic style, though this rivalry pales in comparison with Murasaki Shikibu's spirited competition with Sei Shōnagon. Izumi Shikibu's emotional poetry won her the praise of many at the court, including Fujiwara no Kinto.
A member of the Thirty-six Medieval Poetry Immortals, Izumi Shikibu served at the court of Empress Shoshi (988–1074).<br/><br/> She is best known for the Izumi Shikibu Collection (和泉式部集 Izumi Shikibu-shū) and the Imperial anthologies. Her life of love and passion earned her the nickname of 'The Floating Lady' from Michinaga. Her poetry is characterized by passion and sentimental appeal. Her style was the direct opposite of that of Akazome Emon, even though both served in the same court and were close friends.<br/><br/> At the court she also nursed a growing rivalry with Murasaki Shikibu, who had a similar poetic style, though this rivalry pales in comparison with Murasaki Shikibu's spirited competition with Sei Shōnagon. Izumi Shikibu's emotional poetry won her the praise of many at the court, including Fujiwara no Kinto.
Sappho was an Ancient Greek poet, born on the island of Lesbos. Later Greeks included her in the list of nine lyric poets. Her birth was sometime between 630 and 612 BCE, and it is thought that she died around 570 BCE, though little is known for certain about her life. The bulk of her poetry, which was well-known and greatly admired throughout antiquity, has been lost, but her immense reputation has endured through surviving fragments.<br/><br/> Sappho's poetry centers on passion and love for various personages and both genders. The word lesbian derives from the name of the island of her birth, Lesbos, while her name is also the origin of the word sapphic; neither word was applied to female homosexuality until the nineteenth century.