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The queue (Chinese: Biànzi) was a male hairstyle worn by the Manchus from central Manchuria and later imposed on the Han Chinese during the Qing dynasty. The hairstyle consisted of the hair on the front of the head being shaved off above the temples every ten days and the rest of the hair braided into a long ponytail.<br/><br/> The hairstyle was compulsory for all males and the penalty for not having it was execution as it was considered treason. In the early 1910s, after the fall of the Qing dynasty, the Chinese no longer had to wear the queue. The last Emperor of China, Puyi, cut off his queue in 1922.
The queue (Chinese: Biànzi) was a male hairstyle worn by the Manchus from central Manchuria and later imposed on the Han Chinese during the Qing dynasty. The hairstyle consisted of the hair on the front of the head being shaved off above the temples every ten days and the rest of the hair braided into a long ponytail.<br/><br/> The hairstyle was compulsory for all males and the penalty for not having it was execution as it was considered treason. In the early 1910s, after the fall of the Qing dynasty, the Chinese no longer had to wear the queue. The last Emperor of China, Puyi, cut off his queue in 1922.
John Thomson (14 June 1837 – 29 September 1921) was a pioneering Scottish photographer, geographer and traveller. He was one of the first photographers to travel to the Far East, documenting the people, landscapes and artifacts of eastern cultures. Upon returning home, his work among the street people of London cemented his reputation, and is regarded as a classic instance of social documentary which laid the foundations for photojournalism. He went on to become a portrait photographer of High Society in Mayfair, gaining the Royal Warrant in 1881.<br/><br/> Thomson travelled extensively throughout China, from the southern trading ports of Hong Kong and Canton to the cities of Peking and Shanghai, to the Great Wall in the north, and deep into central China. From 1870 to 1871 he visited the Fukien region, travelling up the Min River by boat with the American Protestant missionary Reverend Justus Doolittle, and then visited Amoy and Swatow.<br/><br/> He went on to visit the island of Formosa (Taiwan) with the missionary Dr. James Laidlaw Maxwell, landing first in Takao in early April 1871. The pair visited the capital, Taiwanfu, before travelling on to the aboriginal villages on the west plains of the island. After leaving Formosa, Thomson spent the next three months travelling 3,000 miles up the Yangtze River, reaching Hupeh and Szechuan.<br/><br/> Thomson's travels in China were often perilous, as he visited remote, almost unpopulated regions far inland. Most of the people he encountered had never seen a Westerner or camera before. His expeditions were also especially challenging because he had to transport his bulky wooden camera, many large, fragile glass plates, and potentially explosive chemicals. He photographed in a wide variety of conditions and often had to improvise because chemicals were difficult to acquire. His subject matter varied enormously: from humble beggars and street people to Mandarins, Princes and senior government officials; from remote monasteries to Imperial Palaces; from simple rural villages to magnificent landscapes.
The queue (Chinese: Biànzi) was a male hairstyle worn by the Manchus from central Manchuria and later imposed on the Han Chinese during the Qing dynasty. The hairstyle consisted of the hair on the front of the head being shaved off above the temples every ten days and the rest of the hair braided into a long ponytail.<br/><br/> The hairstyle was compulsory for all males and the penalty for not having it was execution as it was considered treason. In the early 1910s, after the fall of the Qing dynasty, the Chinese no longer had to wear the queue. The last Emperor of China, Puyi, cut off his queue in 1922.
John Thomson (14 June 1837 – 29 September 1921) was a pioneering Scottish photographer, geographer and traveller. He was one of the first photographers to travel to the Far East, documenting the people, landscapes and artifacts of eastern cultures. Upon returning home, his work among the street people of London cemented his reputation, and is regarded as a classic instance of social documentary which laid the foundations for photojournalism. He went on to become a portrait photographer of High Society in Mayfair, gaining the Royal Warrant in 1881.<br/><br/> Thomson travelled extensively throughout China, from the southern trading ports of Hong Kong and Canton to the cities of Peking and Shanghai, to the Great Wall in the north, and deep into central China. From 1870 to 1871 he visited the Fukien region, travelling up the Min River by boat with the American Protestant missionary Reverend Justus Doolittle, and then visited Amoy and Swatow.<br/><br/> He went on to visit the island of Formosa (Taiwan) with the missionary Dr. James Laidlaw Maxwell, landing first in Takao in early April 1871. The pair visited the capital, Taiwanfu, before travelling on to the aboriginal villages on the west plains of the island. After leaving Formosa, Thomson spent the next three months travelling 3,000 miles up the Yangtze River, reaching Hupeh and Szechuan.<br/><br/> Thomson's travels in China were often perilous, as he visited remote, almost unpopulated regions far inland. Most of the people he encountered had never seen a Westerner or camera before. His expeditions were also especially challenging because he had to transport his bulky wooden camera, many large, fragile glass plates, and potentially explosive chemicals. He photographed in a wide variety of conditions and often had to improvise because chemicals were difficult to acquire. His subject matter varied enormously: from humble beggars and street people to Mandarins, Princes and senior government officials; from remote monasteries to Imperial Palaces; from simple rural villages to magnificent landscapes.