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Arita's Gen-emon kiln was first established in 1753 and has throughout its long history produced beautiful porcelain in the 'Old Imari' style.<br/><br/> Imari ware is a Western term for a brightly-coloured style of Arita ware Japanese export porcelain made in the area of Arita, in the former Hizen Province, northwestern Kyushu. They were exported to Europe in large quantities, especially between the second half of the 17th century and the first half of the 18th century.
Arita's Gen-emon kiln was first established in 1753 and has throughout its long history produced beautiful porcelain in the 'Old Imari' style.<br/><br/> Imari ware is a Western term for a brightly-coloured style of Arita ware Japanese export porcelain made in the area of Arita, in the former Hizen Province, northwestern Kyushu. They were exported to Europe in large quantities, especially between the second half of the 17th century and the first half of the 18th century.
Arita's Gen-emon kiln was first established in 1753 and has throughout its long history produced beautiful porcelain in the 'Old Imari' style.<br/><br/> Imari ware is a Western term for a brightly-coloured style of Arita ware Japanese export porcelain made in the area of Arita, in the former Hizen Province, northwestern Kyushu. They were exported to Europe in large quantities, especially between the second half of the 17th century and the first half of the 18th century.
Arita's Gen-emon kiln was first established in 1753 and has throughout its long history produced beautiful porcelain in the 'Old Imari' style.<br/><br/> Imari ware is a Western term for a brightly-coloured style of Arita ware Japanese export porcelain made in the area of Arita, in the former Hizen Province, northwestern Kyushu. They were exported to Europe in large quantities, especially between the second half of the 17th century and the first half of the 18th century.
Arita's Gen-emon kiln was first established in 1753 and has throughout its long history produced beautiful porcelain in the 'Old Imari' style.<br/><br/> Imari ware is a Western term for a brightly-coloured style of Arita ware Japanese export porcelain made in the area of Arita, in the former Hizen Province, northwestern Kyushu. They were exported to Europe in large quantities, especially between the second half of the 17th century and the first half of the 18th century.
Arita's Gen-emon kiln was first established in 1753 and has throughout its long history produced beautiful porcelain in the 'Old Imari' style.<br/><br/> Imari ware is a Western term for a brightly-coloured style of Arita ware Japanese export porcelain made in the area of Arita, in the former Hizen Province, northwestern Kyushu. They were exported to Europe in large quantities, especially between the second half of the 17th century and the first half of the 18th century.
Arita's Gen-emon kiln was first established in 1753 and has throughout its long history produced beautiful porcelain in the 'Old Imari' style.<br/><br/> Imari ware is a Western term for a brightly-coloured style of Arita ware Japanese export porcelain made in the area of Arita, in the former Hizen Province, northwestern Kyushu. They were exported to Europe in large quantities, especially between the second half of the 17th century and the first half of the 18th century.
Arita's Gen-emon kiln was first established in 1753 and has throughout its long history produced beautiful porcelain in the 'Old Imari' style.<br/><br/> Imari ware is a Western term for a brightly-coloured style of Arita ware Japanese export porcelain made in the area of Arita, in the former Hizen Province, northwestern Kyushu. They were exported to Europe in large quantities, especially between the second half of the 17th century and the first half of the 18th century.
Arita's Gen-emon kiln was first established in 1753 and has throughout its long history produced beautiful porcelain in the 'Old Imari' style.<br/><br/> Imari ware is a Western term for a brightly-coloured style of Arita ware Japanese export porcelain made in the area of Arita, in the former Hizen Province, northwestern Kyushu. They were exported to Europe in large quantities, especially between the second half of the 17th century and the first half of the 18th century.
Arita's Gen-emon kiln was first established in 1753 and has throughout its long history produced beautiful porcelain in the 'Old Imari' style.<br/><br/> Imari ware is a Western term for a brightly-coloured style of Arita ware Japanese export porcelain made in the area of Arita, in the former Hizen Province, northwestern Kyushu. They were exported to Europe in large quantities, especially between the second half of the 17th century and the first half of the 18th century.
Arita's Gen-emon kiln was first established in 1753 and has throughout its long history produced beautiful porcelain in the 'Old Imari' style.<br/><br/> Imari ware is a Western term for a brightly-coloured style of Arita ware Japanese export porcelain made in the area of Arita, in the former Hizen Province, northwestern Kyushu. They were exported to Europe in large quantities, especially between the second half of the 17th century and the first half of the 18th century.
Arita's Gen-emon kiln was first established in 1753 and has throughout its long history produced beautiful porcelain in the 'Old Imari' style.<br/><br/> Imari ware is a Western term for a brightly-coloured style of Arita ware Japanese export porcelain made in the area of Arita, in the former Hizen Province, northwestern Kyushu. They were exported to Europe in large quantities, especially between the second half of the 17th century and the first half of the 18th century.
Built on the banks of Lake Dian and surrounded by limestone mountains, Kunming was an important ancient trade route between Tibet, China and Southeast Asia. The city, then called Yunnanfu, suffered at the hands of rebel leader Du Wenxiu, the Sultan of Dali, who attacked and besieged the city several times between 1858 and 1868, razing most of the city's Buddhist temples.<br/><br/> In the 1890s, an uprising against working conditions on the Kunming-Haiphong railway line saw 300,000 laborers executed after France shipped in weapons to suppress the revolt. The railway line, only completed in 1911, was built by the French so that they could tap Yunnan's mineral resources for their colonies in Indochina.<br/><br/> Today, Kunming is a city of over 6 million people, and is the political, economic, communications and cultural centre of Yunnan.
The Dutch East India Company (VOC) was set up in 1602 to gain a foothold in the East Indies (Indonesia) for the Dutch in the lucrative spice trade, which until that point was dominated by the Portuguese.<br/><br/> It was a chartered company granted a monopoly by the Dutch government to carry out colonial activities in Asia, including establishing colonies in Ceylon (Sri Lanka) and India.
Sancai (lliterally 'three colours') is a type of ceramics using three intermingled colors for decoration.<br/><br/> The Tang Dynasty ( June 18, 618 – June 1, 907) was an imperial dynasty of China preceded by the Sui Dynasty and followed by the Five Dynasties and Ten Kingdoms Period. It was founded by the Li family, who seized power during the decline and collapse of the Sui Empire. The dynasty was interrupted briefly by the Second Zhou Dynasty (October 8, 690 – March 3, 705) when Empress Wu Zetian seized the throne, becoming the first and only Chinese empress regnant, ruling in her own right.<br/><br/> The Tang Dynasty, with its capital at Chang'an (present-day Xi'an), which at the time was the most populous city in the world, is generally regarded as a high point in Chinese civilization—equal to, or surpassing that of, the earlier Han Dynasty—a golden age of cosmopolitan culture. Its territory, acquired through the military campaigns of its early rulers, rivalled that of the Han Dynasty. In two censuses of the 7th and 8th centuries, the Tang records estimated the population by number of registered households at about 50 million people.
<i>Thong Yip</i> (pinched egg yolks), <i>Thong Yot</i> (gold egg yolk drops) and <i>Foi Thong</i> (gold egg threads), are three of the nine auspicious traditional Thai desserts. They are usually made for important occasions and ceremonies such as weddings, ordinations and housewarmings. They were introduced to Siam (Thailand) by Japanese-Portuguese Maria Guyomar de Pinha also known as Thao Thong Kip Ma (1664 - 1728) in the reign of Somdet Phra Narai Maharat during the Ayutthaya Kingdom and are of Portuguese origin.<br/><br/> Benjarong ware is a kind of painted Thai ceramic porcelain. The name literally means 'five colors'. The painted decoration usually consists of 3 to 8 colours. For the decoration, repetitive forms, usually geometric or flower-based, are used.
Wat Ratchabophit (Rajabophit) was constructed during the reign of King Chulalongkorn (Rama V, 1868 - 1910). The temple blends Eastern and Western architectural styles and is noted for its circular cloister enclosing the large Sri Lankan-style chedi and connecting the ubosot (bot) to the north with the viharn to the south.
Chinese erotic art was a tradition that spanned from antiquity until its apex in the late Ming Dynasty (early 17th century). This art was not just produced for stimulation. Chinese erotica portrays ideals of feminine beauty, narratives on imperial and vernacular life, humour, tenderness and love. However, traditional Chinese erotic art remains a little known tradition because so much of it was destroyed during the Maoist era.<br/><br/> Foot binding (pinyin: <i>chanzu</i>, literally 'bound feet') was a custom practiced on young girls and women for approximately one thousand years in China, beginning in the 10th century and ending in the first half of 20th century.<br/><br/> Qing Dynasty sex manuals listed 48 different ways of playing with women's bound feet. For men, the primary erotic effect was a function of the lotus gait, the tiny steps and swaying walk of a woman whose feet had been bound.
Chinese erotic art was a tradition that spanned from antiquity until its apex in the late Ming Dynasty (early 17th century). This art was not just produced for stimulation. Chinese erotica portrays ideals of feminine beauty, narratives on imperial and vernacular life, humour, tenderness and love. However, traditional Chinese erotic art remains a little known tradition because so much of it was destroyed during the Maoist era.<br/><br/> Foot binding (pinyin: <i>chanzu</i>, literally 'bound feet') was a custom practiced on young girls and women for approximately one thousand years in China, beginning in the 10th century and ending in the first half of 20th century.<br/><br/> Qing Dynasty sex manuals listed 48 different ways of playing with women's bound feet. For men, the primary erotic effect was a function of the lotus gait, the tiny steps and swaying walk of a woman whose feet had been bound.
Chinese erotic art was a tradition that spanned from antiquity until its apex in the late Ming Dynasty (early 17th century). This art was not just produced for stimulation. Chinese erotica portrays ideals of feminine beauty, narratives on imperial and vernacular life, humour, tenderness and love. However, traditional Chinese erotic art remains a little known tradition because so much of it was destroyed during the Maoist era.<br/><br/> Foot binding (pinyin: <i>chanzu</i>, literally 'bound feet') was a custom practiced on young girls and women for approximately one thousand years in China, beginning in the 10th century and ending in the first half of 20th century.<br/><br/> Qing Dynasty sex manuals listed 48 different ways of playing with women's bound feet. For men, the primary erotic effect was a function of the lotus gait, the tiny steps and swaying walk of a woman whose feet had been bound.
Chinese erotic art was a tradition that spanned from antiquity until its apex in the late Ming Dynasty (early 17th century). This art was not just produced for stimulation. Chinese erotica portrays ideals of feminine beauty, narratives on imperial and vernacular life, humour, tenderness and love. However, traditional Chinese erotic art remains a little known tradition because so much of it was destroyed during the Maoist era.<br/><br/> Foot binding (pinyin: <i>chanzu</i>, literally 'bound feet') was a custom practiced on young girls and women for approximately one thousand years in China, beginning in the 10th century and ending in the first half of 20th century.<br/><br/> Qing Dynasty sex manuals listed 48 different ways of playing with women's bound feet. For men, the primary erotic effect was a function of the lotus gait, the tiny steps and swaying walk of a woman whose feet had been bound.
The studio of the artist Tingqua was perhaps the most prolific source of Chinese export painting during the nineteenth century. Located at 16 China Street, Guangzhou, the school specialized in gouache and watercolor paintings influenced by Western artistic traditions. These works became known in America primarily through the American China trader Augustine Heard, who brought a substantial collection of Tingqua paintings back to the United States in ca. 1855. These are now located at the Peabody Museum in Salem, Massachusetts.<br/><br/> Tingqua was from a family of Chinese artists, each of whom were recognized for there skills in painting scenes suitable for the export market. His father, Guan Zuolin, often known by his western name, Spoilum, was the first identifiable artist of the Cantonese export school.<br/><br/> Tingqua's work is perhaps most recognized for its exquisite characterization of daily life and for its exceptional detail. The precision of the brushwork and concentration upon light effects is superb, and in each scene the importance of world trade with China is beautifully displayed.
The Nanfeng Ancient Kilns, situated in Shiwan, a subdistrict of Foshan, date from the Ming Dynasty (1368 - 1644). Ceramics are reputed to have been produced in the Shiwan area for more than 5000 years.<br/><br/> Foshan dates back to the 7th century CE and has been famous for its ceramics, porcelain and pottery industry since the Song Dynasty (960 - 1276 CE). It is also famous for its martial arts. It contains numerous Wing Chun schools where many come to train and spar.
The Nanfeng Ancient Kilns, situated in Shiwan, a subdistrict of Foshan, date from the Ming Dynasty (1368 - 1644). Ceramics are reputed to have been produced in the Shiwan area for more than 5000 years.<br/><br/> Foshan dates back to the 7th century CE and has been famous for its ceramics, porcelain and pottery industry since the Song Dynasty (960 - 1276 CE). It is also famous for its martial arts. It contains numerous Wing Chun schools where many come to train and spar.
The Nanfeng Ancient Kilns, situated in Shiwan, a subdistrict of Foshan, date from the Ming Dynasty (1368 - 1644). Ceramics are reputed to have been produced in the Shiwan area for more than 5000 years.<br/><br/> Foshan dates back to the 7th century CE and has been famous for its ceramics, porcelain and pottery industry since the Song Dynasty (960 - 1276 CE). It is also famous for its martial arts. It contains numerous Wing Chun schools where many come to train and spar.
The Nanfeng Ancient Kilns, situated in Shiwan, a subdistrict of Foshan, date from the Ming Dynasty (1368 - 1644). Ceramics are reputed to have been produced in the Shiwan area for more than 5000 years.<br/><br/> Foshan dates back to the 7th century CE and has been famous for its ceramics, porcelain and pottery industry since the Song Dynasty (960 - 1276 CE). It is also famous for its martial arts. It contains numerous Wing Chun schools where many come to train and spar.
The Nanfeng Ancient Kilns, situated in Shiwan, a subdistrict of Foshan, date from the Ming Dynasty (1368 - 1644). Ceramics are reputed to have been produced in the Shiwan area for more than 5000 years.<br/><br/> Foshan dates back to the 7th century CE and has been famous for its ceramics, porcelain and pottery industry since the Song Dynasty (960 - 1276 CE). It is also famous for its martial arts. It contains numerous Wing Chun schools where many come to train and spar.
The Nanfeng Ancient Kilns, situated in Shiwan, a subdistrict of Foshan, date from the Ming Dynasty (1368 - 1644). Ceramics are reputed to have been produced in the Shiwan area for more than 5000 years.<br/><br/> Foshan dates back to the 7th century CE and has been famous for its ceramics, porcelain and pottery industry since the Song Dynasty (960 - 1276 CE). It is also famous for its martial arts. It contains numerous Wing Chun schools where many come to train and spar.
The Nanfeng Ancient Kilns, situated in Shiwan, a subdistrict of Foshan, date from the Ming Dynasty (1368 - 1644). Ceramics are reputed to have been produced in the Shiwan area for more than 5000 years.<br/><br/> Foshan dates back to the 7th century CE and has been famous for its ceramics, porcelain and pottery industry since the Song Dynasty (960 - 1276 CE). It is also famous for its martial arts. It contains numerous Wing Chun schools where many come to train and spar.
The Nanfeng Ancient Kilns, situated in Shiwan, a subdistrict of Foshan, date from the Ming Dynasty (1368 - 1644). Ceramics are reputed to have been produced in the Shiwan area for more than 5000 years.<br/><br/> Foshan dates back to the 7th century CE and has been famous for its ceramics, porcelain and pottery industry since the Song Dynasty (960 - 1276 CE). It is also famous for its martial arts. It contains numerous Wing Chun schools where many come to train and spar.
The Nanfeng Ancient Kilns, situated in Shiwan, a subdistrict of Foshan, date from the Ming Dynasty (1368 - 1644). Ceramics are reputed to have been produced in the Shiwan area for more than 5000 years.<br/><br/> Foshan dates back to the 7th century CE and has been famous for its ceramics, porcelain and pottery industry since the Song Dynasty (960 - 1276 CE). It is also famous for its martial arts. It contains numerous Wing Chun schools where many come to train and spar.
The Nanfeng Ancient Kilns, situated in Shiwan, a subdistrict of Foshan, date from the Ming Dynasty (1368 - 1644). Ceramics are reputed to have been produced in the Shiwan area for more than 5000 years.<br/><br/> Foshan dates back to the 7th century CE and has been famous for its ceramics, porcelain and pottery industry since the Song Dynasty (960 - 1276 CE). It is also famous for its martial arts. It contains numerous Wing Chun schools where many come to train and spar.
The Nanfeng Ancient Kilns, situated in Shiwan, a subdistrict of Foshan, date from the Ming Dynasty (1368 - 1644). Ceramics are reputed to have been produced in the Shiwan area for more than 5000 years.<br/><br/> Foshan dates back to the 7th century CE and has been famous for its ceramics, porcelain and pottery industry since the Song Dynasty (960 - 1276 CE). It is also famous for its martial arts. It contains numerous Wing Chun schools where many come to train and spar.
The Nanfeng Ancient Kilns, situated in Shiwan, a subdistrict of Foshan, date from the Ming Dynasty (1368 - 1644). Ceramics are reputed to have been produced in the Shiwan area for more than 5000 years.<br/><br/> Foshan dates back to the 7th century CE and has been famous for its ceramics, porcelain and pottery industry since the Song Dynasty (960 - 1276 CE). It is also famous for its martial arts. It contains numerous Wing Chun schools where many come to train and spar.
The Nanfeng Ancient Kilns, situated in Shiwan, a subdistrict of Foshan, date from the Ming Dynasty (1368 - 1644). Ceramics are reputed to have been produced in the Shiwan area for more than 5000 years.<br/><br/> Foshan dates back to the 7th century CE and has been famous for its ceramics, porcelain and pottery industry since the Song Dynasty (960 - 1276 CE). It is also famous for its martial arts. It contains numerous Wing Chun schools where many come to train and spar.
The Nanfeng Ancient Kilns, situated in Shiwan, a subdistrict of Foshan, date from the Ming Dynasty (1368 - 1644). Ceramics are reputed to have been produced in the Shiwan area for more than 5000 years.<br/><br/> Foshan dates back to the 7th century CE and has been famous for its ceramics, porcelain and pottery industry since the Song Dynasty (960 - 1276 CE). It is also famous for its martial arts. It contains numerous Wing Chun schools where many come to train and spar.
The Nanfeng Ancient Kilns, situated in Shiwan, a subdistrict of Foshan, date from the Ming Dynasty (1368 - 1644). Ceramics are reputed to have been produced in the Shiwan area for more than 5000 years.<br/><br/> Foshan dates back to the 7th century CE and has been famous for its ceramics, porcelain and pottery industry since the Song Dynasty (960 - 1276 CE). It is also famous for its martial arts. It contains numerous Wing Chun schools where many come to train and spar.
The Nanfeng Ancient Kilns, situated in Shiwan, a subdistrict of Foshan, date from the Ming Dynasty (1368 - 1644). Ceramics are reputed to have been produced in the Shiwan area for more than 5000 years.<br/><br/> Foshan dates back to the 7th century CE and has been famous for its ceramics, porcelain and pottery industry since the Song Dynasty (960 - 1276 CE). It is also famous for its martial arts. It contains numerous Wing Chun schools where many come to train and spar.
The Nanfeng Ancient Kilns, situated in Shiwan, a subdistrict of Foshan, date from the Ming Dynasty (1368 - 1644). Ceramics are reputed to have been produced in the Shiwan area for more than 5000 years.<br/><br/> Foshan dates back to the 7th century CE and has been famous for its ceramics, porcelain and pottery industry since the Song Dynasty (960 - 1276 CE). It is also famous for its martial arts. It contains numerous Wing Chun schools where many come to train and spar.
The Nanfeng Ancient Kilns, situated in Shiwan, a subdistrict of Foshan, date from the Ming Dynasty (1368 - 1644). Ceramics are reputed to have been produced in the Shiwan area for more than 5000 years.<br/><br/> Foshan dates back to the 7th century CE and has been famous for its ceramics, porcelain and pottery industry since the Song Dynasty (960 - 1276 CE). It is also famous for its martial arts. It contains numerous Wing Chun schools where many come to train and spar.
The Nanfeng Ancient Kilns, situated in Shiwan, a subdistrict of Foshan, date from the Ming Dynasty (1368 - 1644). Ceramics are reputed to have been produced in the Shiwan area for more than 5000 years.<br/><br/> Foshan dates back to the 7th century CE and has been famous for its ceramics, porcelain and pottery industry since the Song Dynasty (960 - 1276 CE). It is also famous for its martial arts. It contains numerous Wing Chun schools where many come to train and spar.
The Nanfeng Ancient Kilns, situated in Shiwan, a subdistrict of Foshan, date from the Ming Dynasty (1368 - 1644). Ceramics are reputed to have been produced in the Shiwan area for more than 5000 years.<br/><br/> Foshan dates back to the 7th century CE and has been famous for its ceramics, porcelain and pottery industry since the Song Dynasty (960 - 1276 CE). It is also famous for its martial arts. It contains numerous Wing Chun schools where many come to train and spar.
The Nanfeng Ancient Kilns, situated in Shiwan, a subdistrict of Foshan, date from the Ming Dynasty (1368 - 1644). Ceramics are reputed to have been produced in the Shiwan area for more than 5000 years.<br/><br/> Foshan dates back to the 7th century CE and has been famous for its ceramics, porcelain and pottery industry since the Song Dynasty (960 - 1276 CE). It is also famous for its martial arts. It contains numerous Wing Chun schools where many come to train and spar.
The Nanfeng Ancient Kilns, situated in Shiwan, a subdistrict of Foshan, date from the Ming Dynasty (1368 - 1644). Ceramics are reputed to have been produced in the Shiwan area for more than 5000 years.<br/><br/> Foshan dates back to the 7th century CE and has been famous for its ceramics, porcelain and pottery industry since the Song Dynasty (960 - 1276 CE). It is also famous for its martial arts. It contains numerous Wing Chun schools where many come to train and spar.
The Nanfeng Ancient Kilns, situated in Shiwan, a subdistrict of Foshan, date from the Ming Dynasty (1368 - 1644). Ceramics are reputed to have been produced in the Shiwan area for more than 5000 years.<br/><br/> Foshan dates back to the 7th century CE and has been famous for its ceramics, porcelain and pottery industry since the Song Dynasty (960 - 1276 CE). It is also famous for its martial arts. It contains numerous Wing Chun schools where many come to train and spar.
The Nanfeng Ancient Kilns, situated in Shiwan, a subdistrict of Foshan, date from the Ming Dynasty (1368 - 1644). Ceramics are reputed to have been produced in the Shiwan area for more than 5000 years.<br/><br/> Foshan dates back to the 7th century CE and has been famous for its ceramics, porcelain and pottery industry since the Song Dynasty (960 - 1276 CE). It is also famous for its martial arts. It contains numerous Wing Chun schools where many come to train and spar.
The Nanfeng Ancient Kilns, situated in Shiwan, a subdistrict of Foshan, date from the Ming Dynasty (1368 - 1644). Ceramics are reputed to have been produced in the Shiwan area for more than 5000 years.<br/><br/> Foshan dates back to the 7th century CE and has been famous for its ceramics, porcelain and pottery industry since the Song Dynasty (960 - 1276 CE). It is also famous for its martial arts. It contains numerous Wing Chun schools where many come to train and spar.
The Nanfeng Ancient Kilns, situated in Shiwan, a subdistrict of Foshan, date from the Ming Dynasty (1368 - 1644). Ceramics are reputed to have been produced in the Shiwan area for more than 5000 years.<br/><br/> Foshan dates back to the 7th century CE and has been famous for its ceramics, porcelain and pottery industry since the Song Dynasty (960 - 1276 CE). It is also famous for its martial arts. It contains numerous Wing Chun schools where many come to train and spar.
The Nanfeng Ancient Kilns, situated in Shiwan, a subdistrict of Foshan, date from the Ming Dynasty (1368 - 1644). Ceramics are reputed to have been produced in the Shiwan area for more than 5000 years.<br/><br/> Foshan dates back to the 7th century CE and has been famous for its ceramics, porcelain and pottery industry since the Song Dynasty (960 - 1276 CE). It is also famous for its martial arts. It contains numerous Wing Chun schools where many come to train and spar.
James Abbott McNeill Whistler (July 10, 1834 – July 17, 1903) was an American-born, British-based artist. Averse to sentimentality and moral allusion in painting, he was a leading proponent of the credo 'art for art's sake'. His famous signature for his paintings was in the shape of a stylized butterfly possessing a long stinger for a tail. The symbol was apt, for it combined both aspects of his personality—his art was characterized by a subtle delicacy, while his public persona was combative. Finding a parallel between painting and music, Whistler titled many of his paintings 'arrangements', 'harmonies', and 'nocturnes', emphasizing the primacy of tonal harmony. His most famous painting is Whistler's Mother (1871), the revered and oft parodied portrait of motherhood. Whistler influenced the art world and the broader culture of his time with his artistic theories and his friendships with leading artists and writers.
This exotic scene from China features market traders beneath a pagoda selling silks, birds, spices, porcelain, fans and other Eastern riches. Wealthy shoppers appear in fine robes, escorted on rickshaws. Interestingly, a camel is depicted with a howdah and a parasol for the use of a rich merchant.<br/><br/> Boucher never visited China. It is thought he produced this tapestry on a Beauvais loom by replicating designs from imported Oriental porcelain and from sketches drawn by Dutchman Arnoldus Montanus during his voyage to Japan in the 17th century.
Opium poppy, Papaver somniferum, is the species of plant from which opium and poppy seeds are extracted. Opium is the source of many opiates, including morphine, thebaine, codeine, papaverine, and noscapine.<br/><br/> The Latin botanical name means the 'sleep-bringing poppy', referring to the sedative properties of some of these opiates.
Zhenzong's reign was noted for the consolidation of power and the strengthening of the dynasty. The country prospered, and its military might was further reinforced. However, it would also mark the beginning of a foreign policy towards the Khitan Empire (Liao Dynasty) in the north that would ultimately result in humiliation. Zhenzong founded the world's most celebrated ceramic kiln at Jingdezhen in 1004, which continued to produce porcelain for China's imperial use until the fall of the Qing Dynasty 900 years later. Zhenzong stressed the importance of Daoism at Court. From 1013 to 1015 he issued official decrees deifying the Jade Emperor as the highest ruler of Heaven.<br/><br> The Song Dynasty (960–1279) was an imperial dynasty of China that succeeded the Five Dynasties and Ten Kingdoms Period (907–960) and preceded the Yuan Dynasty (1271–1368), which conquered the Song in 1279. Its conventional division into the Northern Song (960–1127) and Southern Song (1127–1279) periods marks the conquest of northern China by the Jin Dynasty (1115–1234) in 1127. It also distinguishes the subsequent shift of the Song's capital city from Bianjing (modern Kaifeng) in the north to Lin'an (modern Hangzhou) in the south.
Siyah Kalem or 'Black Pen' is the name given to the 15th century school of painting attributed to Mehmed Siyah Kalem. Nothing is known of his life, but his work indicates that he was of Central Asian Turkic origin, and thoroughly familiar with camp and military life. The paintings appear in the 'Conqueror’s Albums', so named because two portraits of Sultan Mehmed II the Conqueror are present in one of them.<br/><br/> The albums are made up of miniatures taken from manuscripts of the 14th, 15th, and early 16th centuries, and one series of paintings is inscribed 'work of Master Muḥammad Siyah Kalem'. Something of the style and techniques of Chinese paintings is apparent in these, and an acquaintance with Buddhist art, particularly in the depictions of grotesque demonic figures.<br/><br/> It seems likely that certain paintings contained in the 'Conqueror's Albums' are of Chinese origin and may have been used as stylistic guides for painters in the Siyah Kalem tradition.
Zhenzong's reign was noted for the consolidation of power and the strengthening of the dynasty. The country prospered, and its military might was further reinforced. However, it would also mark the beginning of a foreign policy towards the Khitan Empire (Liao Dynasty) in the north that would ultimately result in humiliation. Zhenzong founded the world's most celebrated ceramic kiln at Jingdezhen in 1004, which continued to produce porcelain for China's imperial use until the fall of the Qing Dynasty 900 years later. Zhenzong stressed the importance of Daoism at Court. From 1013 to 1015 he issued official decrees deifying the Jade Emperor as the highest ruler of Heaven.<br/><br> The Song Dynasty (960–1279) was an imperial dynasty of China that succeeded the Five Dynasties and Ten Kingdoms Period (907–960) and preceded the Yuan Dynasty (1271–1368), which conquered the Song in 1279. Its conventional division into the Northern Song (960–1127) and Southern Song (1127–1279) periods marks the conquest of northern China by the Jin Dynasty (1115–1234) in 1127. It also distinguishes the subsequent shift of the Song's capital city from Bianjing (modern Kaifeng) in the north to Lin'an (modern Hangzhou) in the south.
Peranakan Chinese and Baba-Nyonya are terms used for the descendants of late 15th and 16th-century Chinese immigrants to the Malay-Indonesian archipelago of Nusantara during the Colonial era.<br/><br/> Members of this community in Malaysia identify themselves as 'Nyonya-Baba' or 'Baba-Nyonya'. Nyonya is the term for the females and Baba for males. It applies especially to the ethnic Chinese populations of the British Straits Settlements of Malaya and the Dutch-controlled island of Java and other locations, who adopted partially or in full Malay-Indonesian customs to become partially assimilated into the local communities.<br/><br/> While the term Peranakan is most commonly used among the ethnic Chinese for those of Chinese descent also known as Straits Chinese (土生è¯äºº; named after the Straits Settlements), it may also be applied to the Baba-Yaya community in Phuket and other provinces of southern Thailand.
Zhenzong's reign was noted for the consolidation of power and the strengthening of the dynasty. The country prospered, and its military might was further reinforced. However, it would also mark the beginning of a foreign policy towards the Khitan Empire (Liao Dynasty) in the north that would ultimately result in humiliation. Zhenzong founded the world's most celebrated ceramic kiln at Jingdezhen in 1004, which continued to produce porcelain for China's imperial use until the fall of the Qing Dynasty 900 years later. Zhenzong stressed the importance of Daoism at Court. From 1013 to 1015 he issued official decrees deifying the Jade Emperor as the highest ruler of Heaven.<br/><br> The Song Dynasty (960–1279) was an imperial dynasty of China that succeeded the Five Dynasties and Ten Kingdoms Period (907–960) and preceded the Yuan Dynasty (1271–1368), which conquered the Song in 1279. Its conventional division into the Northern Song (960–1127) and Southern Song (1127–1279) periods marks the conquest of northern China by the Jin Dynasty (1115–1234) in 1127. It also distinguishes the subsequent shift of the Song's capital city from Bianjing (modern Kaifeng) in the north to Lin'an (modern Hangzhou) in the south.
The Jim Thompson House is a museum in Bangkok. It is a complex of various old Thai structures that the American businessman Jim Thompson collected from all parts of Thailand in the 1950s and 60s.<br/><br/> James (Jim) Harrison Wilson Thompson (born March 21, 1906 in Greenville, Delaware - unknown) was an American businessman who helped revitalize the Thai silk industry in the 1950s and 1960s. A former U.S. military intelligence officer, Thompson mysteriously disappeared from Malaysia's Cameron Highlands while going for a walk on Easter Sunday, March 26, 1967.
Sancai (Chinese: 三彩; pinyin: sÄncÇŽi; literally 'three colours') is a type of ceramics using three intermingled colors for decoration.<br/><br/> The Tang Dynasty (Chinese: å”æœ; pinyin: Táng Cháo; June 18, 618 – June 1, 907) was an imperial dynasty of China preceded by the Sui Dynasty and followed by the Five Dynasties and Ten Kingdoms Period. It was founded by the Li (æŽ) family, who seized power during the decline and collapse of the Sui Empire. The dynasty was interrupted briefly by the Second Zhou Dynasty (October 8, 690 – March 3, 705) when Empress Wu Zetian seized the throne, becoming the first and only Chinese empress regnant, ruling in her own right.<br/><br/> The Tang Dynasty, with its capital at Chang'an (present-day Xi'an), which at the time was the most populous city in the world, is generally regarded as a high point in Chinese civilization—equal to, or surpassing that of, the earlier Han Dynasty—a golden age of cosmopolitan culture. Its territory, acquired through the military campaigns of its early rulers, rivalled that of the Han Dynasty. In two censuses of the 7th and 8th centuries, the Tang records estimated the population by number of registered households at about 50 million people.
Established by the Institute for Southern Thai Studies in 1991, this unusually good museum, set in an attractive series of Thai sala-type buildings, features a library (mainly in Thai) on southern Thai culture, and a well-documented series of exhibits on southern culture including nang talung shadow puppets, musical instruments, textiles, basketry, household artifacts, fishing equipment, jewellery and weapons. There is also a suan yaa samunprai or natural herb and medicinal garden in the well-tended grounds
Established by the Institute for Southern Thai Studies in 1991, this unusually good museum, set in an attractive series of Thai sala-type buildings, features a library (mainly in Thai) on southern Thai culture, and a well-documented series of exhibits on southern culture including nang talung shadow puppets, musical instruments, textiles, basketry, household artifacts, fishing equipment, jewellery and weapons. There is also a suan yaa samunprai or natural herb and medicinal garden in the well-tended grounds
The Thirteen Factories was an area of Canton (Guangzhou), China, where the first foreign trade was allowed in the 18th century following the lifting of a ban on maritime activities. It is also referred to as the 'Thirteen Hongs' or the 'Canton Factories'. The site where the factories stood is now Wenhua Park, and Thirteen Hong Street, onto which the factories backed is now named Shishanhang Road.
Wat Ratchabophit (Rajabophit) was constructed during the reign of King Chulalongkorn (Rama V, 1868 - 1910). The temple blends Eastern and Western architectural styles and is noted for its circular cloister enclosing the large Sri Lankan-style chedi and connecting the ubosot (bot) to the north with the viharn to the south.
Wat Ratchabophit (Rajabophit) was constructed during the reign of King Chulalongkorn (Rama V, 1868 - 1910). The temple blends Eastern and Western architectural styles and is noted for its circular cloister enclosing the large Sri Lankan-style chedi and connecting the ubosot (bot) to the north with the viharn to the south.
Wat Ratchabophit (Rajabophit) was constructed during the reign of King Chulalongkorn (Rama V, 1868 - 1910). The temple blends Eastern and Western architectural styles and is noted for its circular cloister enclosing the large Sri Lankan-style chedi and connecting the ubosot (bot) to the north with the viharn to the south.
Wat Ratchabophit (Rajabophit) was constructed during the reign of King Chulalongkorn (Rama V, 1868 - 1910). The temple blends Eastern and Western architectural styles and is noted for its circular cloister enclosing the large Sri Lankan-style chedi and connecting the ubosot (bot) to the north with the viharn to the south.
Wat Ratchabophit (Rajabophit) was constructed during the reign of King Chulalongkorn (Rama V, 1868 - 1910). The temple blends Eastern and Western architectural styles and is noted for its circular cloister enclosing the large Sri Lankan-style chedi and connecting the ubosot (bot) to the north with the viharn to the south.
Wat Ratchabophit (Rajabophit) was constructed during the reign of King Chulalongkorn (Rama V, 1868 - 1910). The temple blends Eastern and Western architectural styles and is noted for its circular cloister enclosing the large Sri Lankan-style chedi and connecting the ubosot (bot) to the north with the viharn to the south.
Wat Ratchabophit (Rajabophit) was constructed during the reign of King Chulalongkorn (Rama V, 1868 - 1910). The temple blends Eastern and Western architectural styles and is noted for its circular cloister enclosing the large Sri Lankan-style chedi and connecting the ubosot (bot) to the north with the viharn to the south.
Wat Ratchabophit (Rajabophit) was constructed during the reign of King Chulalongkorn (Rama V, 1868 - 1910). The temple blends Eastern and Western architectural styles and is noted for its circular cloister enclosing the large Sri Lankan-style chedi and connecting the ubosot (bot) to the north with the viharn to the south.
Wat Ratchabophit (Rajabophit) was constructed during the reign of King Chulalongkorn (Rama V, 1868 - 1910). The temple blends Eastern and Western architectural styles and is noted for its circular cloister enclosing the large Sri Lankan-style chedi and connecting the ubosot (bot) to the north with the viharn to the south.
Wat Ratchabophit (Rajabophit) was constructed during the reign of King Chulalongkorn (Rama V, 1868 - 1910). The temple blends Eastern and Western architectural styles and is noted for its circular cloister enclosing the large Sri Lankan-style chedi and connecting the ubosot (bot) to the north with the viharn to the south.
Tulip mania or tulipomania (Dutch names include: tulpenmanie, tulpomanie, tulpenwoede, tulpengekte and bollengekte) was a period in the Dutch Golden Age during which contract prices for bulbs of the recently introduced tulip reached extraordinarily high levels and then suddenly collapsed.<br/><br/> At the peak of tulip mania, in February 1637, some single tulip bulbs sold for more than 10 times the annual income of a skilled craftsman.<br/><br/> Although tulips are generally associated with the Netherlands, commercial cultivation of the flower began in the Ottoman Empire. The tulip, or lale (from Persian لاله, lâleh) as it is also called in Iran and Turkey, is a flower indigenous to a vast area encompassing arid parts of Africa, Asia, and Europe. The word tulip, which earlier appeared in English in forms such as tulipa or tulipant, entered the language by way of French tulipe and its obsolete form tulipan or by way of Modern Latin tulÄ«pa, from Ottoman Turkish tülbend.
The Hui people (Chinese: 回æ—; pinyin: Huízú, Xiao'erjing: Ø­ÙÙˆÙ Ø°ÙŽÙˆ / حواري) are a Muslim ethnic group in China. Hui people are found throughout the country, though they are concentrated mainly in the provinces of Ningxia, Qinghai, and Gansu.<br/><br/> According to a 2000 census, China is home to approximately 9.8 million Hui people, the majority of whom are Chinese-speaking practitioners of Islam. Although many Hui people are ethnically similar to Han Chinese, the group has retained some Persian and Central Asian features, their ethnicity and culture having been shaped profoundly by their position along the Silk Road trading route.