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The Namazu, also called the Onamazu, is a creature in Japanese mythology and folktales. The Namazu is a gigantic catfish said to cause earthquakes and tremors. Living in the mud under the Japanese isles, the Namazu is guarded by the protector god Kashima, who restrains the catfish using the <i>kaname-ishi</i> rock. Whenever Kashima lets his guard down, Namazu thrashes about and causes violent earthquakes.<br/><br/> The Namazu rose to new fame and popularity after the Ansei great earthquakes that happened near Edo in 1855. This led to the Namazu being worshipped as a god of world rectification (<i>yonaoshi daimyojin</i>), sent by the gods to correct some of the imbalances in the world.<br/><br/> Catfish woodblock prints known as <i>namazu-e</i> became their own popular genre within days of the earthquake. They were usually unsigned and often depicted scenes of a namazu or many namazu atoning for their deeds. They were quickly squashed by the Tokugawa Shogunate, the prints censored and destroyed, with only a handful surviving to this day.
The Namazu, also called the Onamazu, is a creature in Japanese mythology and folktales. The Namazu is a gigantic catfish said to cause earthquakes and tremors. Living in the mud under the Japanese isles, the Namazu is guarded by the protector god Kashima, who restrains the catfish using the <i>kaname-ishi</i> rock. Whenever Kashima lets his guard down, Namazu thrashes about and causes violent earthquakes.<br/><br/> The Namazu rose to new fame and popularity after the Ansei great earthquakes that happened near Edo in 1855. This led to the Namazu being worshipped as a god of world rectification (<i>yonaoshi daimyojin</i>), sent by the gods to correct some of the imbalances in the world.<br/><br/> Catfish woodblock prints known as <i>namazu-e</i> became their own popular genre within days of the earthquake. They were usually unsigned and often depicted scenes of a namazu or many namazu atoning for their deeds. They were quickly squashed by the Tokugawa Shogunate, the prints censored and destroyed, with only a handful surviving to this day.
Utagawa Hirokage (active 1855-1865), also known as Ichiyusai Hirokage, was a Japanese woodblock printer living and working in the mid-19th century. He was a pupil of Utagawa Hiroshige I, and his main noteworthy work is the series <i>Edo meisho doke zukushi</i> (Joyful Events in Famous Places in Edo).
Raijin is a god of lightning, thunder and storms in the Shinto religion and in Japanese mythology. He is typically depicted as a demonic spirit beating drums to create thunder, usually with a <i>tomoe</i> symbol drawn on the drums.<br/><br/> Fujin or Futen is the Japanese god of the wind and one of the eldest Shinto gods. He is generally depicted as a terrifying wizard-like demon carrying a large bag of winds on his shoulders.<br/><br/> In Japanese art, the deity is often depicted together with Raijin, the god of lightning, thunder and storms.<br/><br/> Ogata Kōrin (1658 – June 2, 1716) was a Japanese painter of the Rinpa school. He was born in Kyoto, to a wealthy merchant who had a taste for the arts. Korin also studied under Soken Yamamoto, the Kano school, Tsunenobu and Gukei Sumiyoshi, and was greatly influenced by his predecessors Hon'ami Kōetsu and Tawaraya Sotatsu.<br/><br/> 'Wind God and Thunder God' by Ogata Korin is a replica of Tawaraya Sotatsu's four panel folding screen of the same title ('Fujin Raijin Zu), Kyoto, early 17th century.
Raijin is a god of lightning, thunder and storms in the Shinto religion and in Japanese mythology. He is typically depicted as a demonic spirit beating drums to create thunder, usually with a <i>tomoe</i> symbol drawn on the drums.<br/><br/> In Japanese art, the deity is often depicted together with the wind god Fujin.<br/><br/> Ogata Kōrin (1658 – June 2, 1716) was a Japanese painter of the Rinpa school. He was born in Kyoto, to a wealthy merchant who had a taste for the arts. Korin also studied under Soken Yamamoto, the Kano school, Tsunenobu and Gukei Sumiyoshi, and was greatly influenced by his predecessors Hon'ami Kōetsu and Tawaraya Sotatsu.<br/><br/> 'Wind God and Thunder God' by Ogata Korin is a replica of Tawaraya Sotatsu's four panel folding screen of the same title ('Fujin Raijin Zu), Kyoto, early 17th century.
Utagawa Kunisada (also known as Utagawa Toyokuni III) was the most popular, prolific and financially successful designer of ukiyo-e woodblock prints in 19th-century Japan.<br/><br/> In his own time, his reputation far exceeded that of his contemporaries, Hokusai, Hiroshige and Kuniyoshi.<br/><br/> Raijin is a god of lightning, thunder and storms in the Shinto religion and in Japanese mythology. He is typically depicted as a demonic spirit beating drums to create thunder, usually with a <i>tomoe</i> symbol drawn on the drums.
Raijin is a god of lightning, thunder and storms in the Shinto religion and in Japanese mythology. He is typically depicted as a demonic spirit beating drums to create thunder, usually with a <i>tomoe</i> symbol drawn on the drums.<br/><br/> In Japanese art, the deity is often depicted together with the wind god Fujin.<br/><br/> Ogata Kōrin (1658 – June 2, 1716) was a Japanese painter of the Rinpa school. He was born in Kyoto, to a wealthy merchant who had a taste for the arts. Korin also studied under Soken Yamamoto, the Kano school, Tsunenobu and Gukei Sumiyoshi, and was greatly influenced by his predecessors Hon'ami Kōetsu and Tawaraya Sotatsu.<br/><br/> 'Wind God and Thunder God' by Ogata Korin is a replica of Tawaraya Sotatsu's four panel folding screen of the same title ('Fujin Raijin Zu), Kyoto, early 17th century.
Suzuki Harunobu (1724 – July 7, 1770) was a Japanese woodblock print artist, one of the most famous in the Ukiyo-e style. He was an innovator, the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints.<br/><br/> Harunobu used many special techniques, and depicted a wide variety of subjects, from classical poems to contemporary beauties (bijin, bijin-ga). Like many artists of his day, Harunobu also produced a number of shunga, or erotic images.<br/><br/> Raijin is a god of lightning, thunder and storms in the Shinto religion and in Japanese mythology. He is typically depicted as a demonic spirit beating drums to create thunder, usually with a <i>tomoe</i> symbol drawn on the drums.
Raijin is a god of lightning, thunder and storms in the Shinto religion and in Japanese mythology. He is typically depicted as a demonic spirit beating drums to create thunder, usually with a tomoe symbol drawn on the drums.<br/><br/> Fujin or Futen is the Japanese god of the wind and one of the eldest Shinto gods. He is generally depicted as a terrifying wizard-like demon carrying a large bag of winds on his shoulders.<br/><br/> In Japanese art, the deity is often depicted together with Raijin, the god of lightning, thunder and storms.
The Battle of Te-li-ssu (Japanese: Tokuriji no tatakai), also called Battle of Wafangou after the nearby railway station, was a land battle of the Russo-Japanese War. It was fought at a hamlet some 130 km (80 mi) north of Port Arthur, Manchuria. The hamlet is known today as Delisi, and is located just north of Wafangdian, Liaoning Province, China.<br/><br/> The battle was fought on 14–15 June 1904 between the Japanese Second Army under General Yasukata Oku and the Russian First Siberian Army Corps under Lieutenant General Georgii Stackelberg. Japan was victorious.<br/><br/> Raijin is a god of lightning, thunder and storms in the Shinto religion and in Japanese mythology. He is typically depicted as a demonic spirit beating drums to create thunder, usually with a <i>tomoe</i> symbol drawn on the drums.
Torii Kiyomitsu (1735 – May 11, 1785) was a painter and printmaker of the Torii school of Japanese ukiyo-e art; the son of Torii Kiyonobu II or Torii Kiyomasu II, he was the third head of the school, and was originally called Kamejirō before taking the gō Kiyomitsu.<br/><br/> Dividing his work between actor prints and bijinga (pictures of beautiful women), he primarily used the benizuri-e technique prolific at the time, which involved using one or two colors of ink on the woodblocks rather than hand-coloring; full-color prints would be introduced later in Kiyomitsu's career, in 1765.<br/><br/> Raijin is a god of lightning, thunder and storms in the Shinto religion and in Japanese mythology. He is typically depicted as a demonic spirit beating drums to create thunder, usually with a <i>tomoe</i> symbol drawn on the drums.