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The Golden Gate or Sun Dhoka, marks the entry to the Taleju Temple within the palace complex. The gate was built in 1753 by Ranajita Malla (r. 1722 - 1769) and his wife Jayalakshmi to commemorate the performance of a religious fire rite (kotyahuti-yagya), and it turned out to be the finest piece of gilded copper-work in Bhaktapur, possibly in the whole Kathmandu Valley.<br/><br/> Highly ornate in itself, the panels left and right of the door, depicting ten different deities, are superb examples of the art of repoussé. On the panels, Ranajita is mentioned as the ruler of a territory that extended as far as the Dudhkoshi River in the east, including the town of Dolakha.<br/><br/> Above the door, the golden torana shows Taleju Bhavani with her sixteen arms radiating out like some strange kind of half-insect, half-goddess. Above her, at the top of the torana, an image shows the Garuda with serpents coiling all around him.
The Golden Gate or Sun Dhoka, marks the entry to the Taleju Temple within the palace complex. The gate was built in 1753 by Ranajita Malla (r. 1722 - 1769) and his wife Jayalakshmi to commemorate the performance of a religious fire rite (kotyahuti-yagya), and it turned out to be the finest piece of gilded copper-work in Bhaktapur, possibly in the whole Kathmandu Valley.<br/><br/> Highly ornate in itself, the panels left and right of the door, depicting ten different deities, are superb examples of the art of repoussé. On the panels, Ranajita is mentioned as the ruler of a territory that extended as far as the Dudhkoshi River in the east, including the town of Dolakha.<br/><br/> Above the door, the golden torana shows Taleju Bhavani with her sixteen arms radiating out like some strange kind of half-insect, half-goddess. Above her, at the top of the torana, an image shows the Garuda with serpents coiling all around him.
The Golden Gate or Sun Dhoka, marks the entry to the Taleju Temple within the palace complex. The gate was built in 1753 by Ranajita Malla (r. 1722 - 1769) and his wife Jayalakshmi to commemorate the performance of a religious fire rite (<i>kotyahuti-yagya</i>), and it turned out to be the finest piece of gilded copper-work in Bhaktapur, possibly in the whole Kathmandu Valley.<br/><br/> Highly ornate in itself, the panels left and right of the door, depicting ten different deities, are superb examples of the art of repoussé. On the panels, Ranajita is mentioned as the ruler of a territory that extended as far as the Dudhkoshi River in the east, including the town of Dolakha.<br/><br/> Above the door, the golden <i>torana</i> shows Taleju Bhavani with her sixteen arms radiating out like some strange kind of half-insect, half-goddess. Above her, at the top of the <i>torana</i>, an image shows the Garuda with serpents coiling all around him.
The Golden Gate or Sun Dhoka, marks the entry to the Taleju Temple within the palace complex. The gate was built in 1753 by Ranajita Malla (r. 1722 - 1769) and his wife Jayalakshmi to commemorate the performance of a religious fire rite (<i>kotyahuti-yagya</i>), and it turned out to be the finest piece of gilded copper-work in Bhaktapur, possibly in the whole Kathmandu Valley.<br/><br/> Highly ornate in itself, the panels left and right of the door, depicting ten different deities, are superb examples of the art of repoussé. On the panels, Ranajita is mentioned as the ruler of a territory that extended as far as the Dudhkoshi River in the east, including the town of Dolakha.<br/><br/> Above the door, the golden <i>torana</i> shows Taleju Bhavani with her sixteen arms radiating out like some strange kind of half-insect, half-goddess. Above her, at the top of the <i>torana</i>, an image shows the Garuda with serpents coiling all around him.
The Golden Gate or Sun Dhoka, marks the entry to the Taleju Temple within the palace complex. The gate was built in 1753 by Ranajita Malla (r. 1722 - 1769) and his wife Jayalakshmi to commemorate the performance of a religious fire rite (<i>kotyahuti-yagya</i>), and it turned out to be the finest piece of gilded copper-work in Bhaktapur, possibly in the whole Kathmandu Valley.<br/><br/> Highly ornate in itself, the panels left and right of the door, depicting ten different deities, are superb examples of the art of repoussé. On the panels, Ranajita is mentioned as the ruler of a territory that extended as far as the Dudhkoshi River in the east, including the town of Dolakha.<br/><br/> Above the door, the golden <i>torana</i> shows Taleju Bhavani with her sixteen arms radiating out like some strange kind of half-insect, half-goddess. Above her, at the top of the <i>torana</i>, an image shows the Garuda with serpents coiling all around him.
The Golden Gate or Sun Dhoka, marks the entry to the Taleju Temple within the palace complex. The gate was built in 1753 by Ranajita Malla (r. 1722 - 1769) and his wife Jayalakshmi to commemorate the performance of a religious fire rite (<i>kotyahuti-yagya</i>), and it turned out to be the finest piece of gilded copper-work in Bhaktapur, possibly in the whole Kathmandu Valley.<br/><br/> Highly ornate in itself, the panels left and right of the door, depicting ten different deities, are superb examples of the art of repoussé. On the panels, Ranajita is mentioned as the ruler of a territory that extended as far as the Dudhkoshi River in the east, including the town of Dolakha.<br/><br/> Above the door, the golden <i>torana</i> shows Taleju Bhavani with her sixteen arms radiating out like some strange kind of half-insect, half-goddess. Above her, at the top of the <i>torana</i>, an image shows the Garuda with serpents coiling all around him.
The Golden Gate or Sun Dhoka, marks the entry to the Taleju Temple within the palace complex. The gate was built in 1753 by Ranajita Malla (r. 1722 - 1769) and his wife Jayalakshmi to commemorate the performance of a religious fire rite (<i>kotyahuti-yagya</i>), and it turned out to be the finest piece of gilded copper-work in Bhaktapur, possibly in the whole Kathmandu Valley.<br/><br/> Highly ornate in itself, the panels left and right of the door, depicting ten different deities, are superb examples of the art of repoussé. On the panels, Ranajita is mentioned as the ruler of a territory that extended as far as the Dudhkoshi River in the east, including the town of Dolakha.<br/><br/> Above the door, the golden <i>torana</i> shows Taleju Bhavani with her sixteen arms radiating out like some strange kind of half-insect, half-goddess. Above her, at the top of the <i>torana</i>, an image shows the Garuda with serpents coiling all around him.
The Bhairavnath Temple stands on the eastern side of Taumadhi Tol. Built under King Jagajjyoti Malla (1614-1637), the temple originally possessed only a single floor, but in 1718 Bhupatindra Malla and his son added two floors, and placed a golden roof on top.<br/><br/> The temple is decicated to Bhairavnath, or Akash Bhairav, the destroyer of demons, who was installed 'for the protection of the country and the removal from sin and distress of the people'.<br/><br/> The Bhairavnath Temple is the focus of the Bisket Jatra, the New Year celebrations in Bhaktapur (13-14 April). Small figures of Bhairavnath and his divine spouse Bhadrakali are carried on separate chariots around town, to finally meet at the Bhairavnath Temple in a riotous celebration. Local lore has it that Bhairavnath, when left to his own devices, can become very mean-spirited, and he is in a much better mood when his wife is around. The figure of the feared Bhairavnath, incidentally, is a mere 30 centimetres high, his equally obnoxious wife only 25.
Gaochang (Qara-hoja in Uyghur) is located in present-day Xinjiang Province, 30 km from Turpan. The site is also known in early published reports as Chotscho, Khocho, or Qoco. The archaeological remains are just outside the town at a place originally called Idykut-schari or Idikutschari by local residents. Artistic monuments of the city have been published by Albert von Le Coq. Gaochang was built in the 1st century BCE, it was an important site along the Silk Road.<br/><br/> It played a key role as a transportation hub in western China. There is some documented history surviving today, perhaps stories passed on through oral tradition exist to detail the history. It was burnt down in wars in the 14th century. Old palace ruins and inside and outside cities can still be seen today.