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St. Stephen's Cathedral is the mother church of the Roman Catholic Archdiocese of Vienna and the seat of the Archbishop of Vienna.<br/><br/> The current Romanesque and Gothic form of the cathedral, seen today in the Stephansplatz, was largely initiated by Duke Rudolf IV (1339–1365) and stands on the ruins of two earlier churches, the first a parish church consecrated in 1147.
St. Stephen's Cathedral is the mother church of the Roman Catholic Archdiocese of Vienna and the seat of the Archbishop of Vienna.<br/><br/> The current Romanesque and Gothic form of the cathedral, seen today in the Stephansplatz, was largely initiated by Duke Rudolf IV (1339–1365) and stands on the ruins of two earlier churches, the first a parish church consecrated in 1147.
St. Stephen's Cathedral is the mother church of the Roman Catholic Archdiocese of Vienna and the seat of the Archbishop of Vienna.<br/><br/> The current Romanesque and Gothic form of the cathedral, seen today in the Stephansplatz, was largely initiated by Duke Rudolf IV (1339–1365) and stands on the ruins of two earlier churches, the first a parish church consecrated in 1147.
St. Stephen's Cathedral is the mother church of the Roman Catholic Archdiocese of Vienna and the seat of the Archbishop of Vienna.<br/><br/> The current Romanesque and Gothic form of the cathedral, seen today in the Stephansplatz, was largely initiated by Duke Rudolf IV (1339–1365) and stands on the ruins of two earlier churches, the first a parish church consecrated in 1147.
St. Stephen's Cathedral is the mother church of the Roman Catholic Archdiocese of Vienna and the seat of the Archbishop of Vienna.<br/><br/> The current Romanesque and Gothic form of the cathedral, seen today in the Stephansplatz, was largely initiated by Duke Rudolf IV (1339–1365) and stands on the ruins of two earlier churches, the first a parish church consecrated in 1147.
Lake Bled is a lake in the Julian Alps of the Upper Carniolan region of northwestern Slovenia, where it adjoins the town of Bled.<br/><br/> Bled Castle is a medieval castle built on a precipice above the city of Bled in Slovenia, overlooking Lake Bled. According to written sources, it is the oldest Slovenian castle, first being mentioned in 1011.
Lake Bled is a lake in the Julian Alps of the Upper Carniolan region of northwestern Slovenia, where it adjoins the town of Bled.<br/><br/> The lake surrounds Bled Island. The island has several buildings, the main one being the pilgrimage church dedicated to the Assumption of Mary, built in its current form near the end of the 17th century, and decorated with Gothic frescos from around 1470 in the presbyterium.<br/><br/> Bled Castle is a medieval castle built on a precipice above the city of Bled in Slovenia, overlooking Lake Bled. According to written sources, it is the oldest Slovenian castle, first being mentioned in 1011.
The 15th century Holy Trinity Church was built by the Neuhaus family and was consecrated in 1475. The church stands behind a wall that the local population built to protect itself from Turkish attacks in the 16th century.<br/><br/> The interior is decorated with Gothic frescoes by the artist John of Kastav (Johannes de Castua), the most famous being <i>Danse Macabre</i> (Dance of Death), and completed in 1490.
The 15th century Holy Trinity Church was built by the Neuhaus family and was consecrated in 1475. The church stands behind a wall that the local population built to protect itself from Turkish attacks in the 16th century.<br/><br/> The interior is decorated with Gothic frescoes by the artist John of Kastav (Johannes de Castua), the most famous being <i>Danse Macabre</i> (Dance of Death), and completed in 1490.
The 15th century Holy Trinity Church was built by the Neuhaus family and was consecrated in 1475. The church stands behind a wall that the local population built to protect itself from Turkish attacks in the 16th century.<br/><br/> The interior is decorated with Gothic frescoes by the artist John of Kastav (Johannes de Castua), the most famous being <i>Danse Macabre</i> (Dance of Death), and completed in 1490.
The 15th century Holy Trinity Church was built by the Neuhaus family and was consecrated in 1475. The church stands behind a wall that the local population built to protect itself from Turkish attacks in the 16th century.<br/><br/> The interior is decorated with Gothic frescoes by the artist John of Kastav (Johannes de Castua), the most famous being <i>Danse Macabre</i> (Dance of Death), and completed in 1490.
The 15th century Holy Trinity Church was built by the Neuhaus family and was consecrated in 1475. The church stands behind a wall that the local population built to protect itself from Turkish attacks in the 16th century.<br/><br/> The interior is decorated with Gothic frescoes by the artist John of Kastav (Johannes de Castua), the most famous being <i>Danse Macabre</i> (Dance of Death), and completed in 1490.
The 15th century Holy Trinity Church was built by the Neuhaus family and was consecrated in 1475. The church stands behind a wall that the local population built to protect itself from Turkish attacks in the 16th century.<br/><br/> The interior is decorated with Gothic frescoes by the artist John of Kastav (Johannes de Castua), the most famous being <i>Danse Macabre</i> (Dance of Death), and completed in 1490.
The 15th century Holy Trinity Church was built by the Neuhaus family and was consecrated in 1475. The church stands behind a wall that the local population built to protect itself from Turkish attacks in the 16th century.<br/><br/> The interior is decorated with Gothic frescoes by the artist John of Kastav (Johannes de Castua), the most famous being <i>Danse Macabre</i> (Dance of Death), and completed in 1490.
The 15th century Holy Trinity Church was built by the Neuhaus family and was consecrated in 1475. The church stands behind a wall that the local population built to protect itself from Turkish attacks in the 16th century.<br/><br/> The interior is decorated with Gothic frescoes by the artist John of Kastav (Johannes de Castua), the most famous being <i>Danse Macabre</i> (Dance of Death), and completed in 1490.
The 15th century Holy Trinity Church was built by the Neuhaus family and was consecrated in 1475. The church stands behind a wall that the local population built to protect itself from Turkish attacks in the 16th century.<br/><br/> The interior is decorated with Gothic frescoes by the artist John of Kastav (Johannes de Castua), the most famous being <i>Danse Macabre</i> (Dance of Death), and completed in 1490.
The 15th century Holy Trinity Church was built by the Neuhaus family and was consecrated in 1475. The church stands behind a wall that the local population built to protect itself from Turkish attacks in the 16th century.<br/><br/> The interior is decorated with Gothic frescoes by the artist John of Kastav (Johannes de Castua), the most famous being <i>Danse Macabre</i> (Dance of Death), and completed in 1490.
The 15th century Holy Trinity Church was built by the Neuhaus family and was consecrated in 1475. The church stands behind a wall that the local population built to protect itself from Turkish attacks in the 16th century.<br/><br/> The interior is decorated with Gothic frescoes by the artist John of Kastav (Johannes de Castua), the most famous being <i>Danse Macabre</i> (Dance of Death), and completed in 1490.
The 15th century Holy Trinity Church was built by the Neuhaus family and was consecrated in 1475. The church stands behind a wall that the local population built to protect itself from Turkish attacks in the 16th century.<br/><br/> The interior is decorated with Gothic frescoes by the artist John of Kastav (Johannes de Castua), the most famous being <i>Danse Macabre</i> (Dance of Death), and completed in 1490.
The 15th century Holy Trinity Church was built by the Neuhaus family and was consecrated in 1475. The church stands behind a wall that the local population built to protect itself from Turkish attacks in the 16th century.<br/><br/> The interior is decorated with Gothic frescoes by the artist John of Kastav (Johannes de Castua), the most famous being <i>Danse Macabre</i> (Dance of Death), and completed in 1490.
The 15th century Holy Trinity Church was built by the Neuhaus family and was consecrated in 1475. The church stands behind a wall that the local population built to protect itself from Turkish attacks in the 16th century.<br/><br/> The interior is decorated with Gothic frescoes by the artist John of Kastav (Johannes de Castua), the most famous being <i>Danse Macabre</i> (Dance of Death), and completed in 1490.
The 15th century Holy Trinity Church was built by the Neuhaus family and was consecrated in 1475. The church stands behind a wall that the local population built to protect itself from Turkish attacks in the 16th century.<br/><br/> The interior is decorated with Gothic frescoes by the artist John of Kastav (Johannes de Castua), the most famous being <i>Danse Macabre</i> (Dance of Death), and completed in 1490.
The 15th century Holy Trinity Church was built by the Neuhaus family and was consecrated in 1475. The church stands behind a wall that the local population built to protect itself from Turkish attacks in the 16th century.<br/><br/> The interior is decorated with Gothic frescoes by the artist John of Kastav (Johannes de Castua), the most famous being <i>Danse Macabre</i> (Dance of Death), and completed in 1490.
The 15th century Holy Trinity Church was built by the Neuhaus family and was consecrated in 1475. The church stands behind a wall that the local population built to protect itself from Turkish attacks in the 16th century.<br/><br/> The interior is decorated with Gothic frescoes by the artist John of Kastav (Johannes de Castua), the most famous being <i>Danse Macabre</i> (Dance of Death), and completed in 1490.
The 15th century Holy Trinity Church was built by the Neuhaus family and was consecrated in 1475. The church stands behind a wall that the local population built to protect itself from Turkish attacks in the 16th century.<br/><br/> The interior is decorated with Gothic frescoes by the artist John of Kastav (Johannes de Castua), the most famous being <i>Danse Macabre</i> (Dance of Death), and completed in 1490.
The 15th century Holy Trinity Church was built by the Neuhaus family and was consecrated in 1475. The church stands behind a wall that the local population built to protect itself from Turkish attacks in the 16th century.<br/><br/> The interior is decorated with Gothic frescoes by the artist John of Kastav (Johannes de Castua), the most famous being <i>Danse Macabre</i> (Dance of Death), and completed in 1490.
The 15th century Holy Trinity Church was built by the Neuhaus family and was consecrated in 1475. The church stands behind a wall that the local population built to protect itself from Turkish attacks in the 16th century.<br/><br/> The interior is decorated with Gothic frescoes by the artist John of Kastav (Johannes de Castua), the most famous being <i>Danse Macabre</i> (Dance of Death), and completed in 1490.
The 15th century Holy Trinity Church was built by the Neuhaus family and was consecrated in 1475. The church stands behind a wall that the local population built to protect itself from Turkish attacks in the 16th century.<br/><br/> The interior is decorated with Gothic frescoes by the artist John of Kastav (Johannes de Castua), the most famous being <i>Danse Macabre</i> (Dance of Death), and completed in 1490.
The 15th century Holy Trinity Church was built by the Neuhaus family and was consecrated in 1475. The church stands behind a wall that the local population built to protect itself from Turkish attacks in the 16th century.<br/><br/> The interior is decorated with Gothic frescoes by the artist John of Kastav (Johannes de Castua), the most famous being <i>Danse Macabre</i> (Dance of Death), and completed in 1490.
The 15th century Holy Trinity Church was built by the Neuhaus family and was consecrated in 1475. The church stands behind a wall that the local population built to protect itself from Turkish attacks in the 16th century.<br/><br/> The interior is decorated with Gothic frescoes by the artist John of Kastav (Johannes de Castua), the most famous being <i>Danse Macabre</i> (Dance of Death), and completed in 1490.
The 15th century Holy Trinity Church was built by the Neuhaus family and was consecrated in 1475. The church stands behind a wall that the local population built to protect itself from Turkish attacks in the 16th century.<br/><br/> The interior is decorated with Gothic frescoes by the artist John of Kastav (Johannes de Castua), the most famous being <i>Danse Macabre</i> (Dance of Death), and completed in 1490.
The 15th century Holy Trinity Church was built by the Neuhaus family and was consecrated in 1475. The church stands behind a wall that the local population built to protect itself from Turkish attacks in the 16th century.<br/><br/> The interior is decorated with Gothic frescoes by the artist John of Kastav (Johannes de Castua), the most famous being <i>Danse Macabre</i> (Dance of Death), and completed in 1490.
The 15th century Holy Trinity Church was built by the Neuhaus family and was consecrated in 1475. The church stands behind a wall that the local population built to protect itself from Turkish attacks in the 16th century.<br/><br/> The interior is decorated with Gothic frescoes by the artist John of Kastav (Johannes de Castua), the most famous being <i>Danse Macabre</i> (Dance of Death), and completed in 1490.
The 15th century Holy Trinity Church was built by the Neuhaus family and was consecrated in 1475. The church stands behind a wall that the local population built to protect itself from Turkish attacks in the 16th century.<br/><br/> The interior is decorated with Gothic frescoes by the artist John of Kastav (Johannes de Castua), the most famous being <i>Danse Macabre</i> (Dance of Death), and completed in 1490.
The 15th century Holy Trinity Church was built by the Neuhaus family and was consecrated in 1475. The church stands behind a wall that the local population built to protect itself from Turkish attacks in the 16th century.<br/><br/> The interior is decorated with Gothic frescoes by the artist John of Kastav (Johannes de Castua), the most famous being <i>Danse Macabre</i> (Dance of Death), and completed in 1490.
The 15th century Holy Trinity Church was built by the Neuhaus family and was consecrated in 1475. The church stands behind a wall that the local population built to protect itself from Turkish attacks in the 16th century.<br/><br/> The interior is decorated with Gothic frescoes by the artist John of Kastav (Johannes de Castua), the most famous being <i>Danse Macabre</i> (Dance of Death), and completed in 1490.
The 15th century Holy Trinity Church was built by the Neuhaus family and was consecrated in 1475. The church stands behind a wall that the local population built to protect itself from Turkish attacks in the 16th century.<br/><br/> The interior is decorated with Gothic frescoes by the artist John of Kastav (Johannes de Castua), the most famous being <i>Danse Macabre</i> (Dance of Death), and completed in 1490.
The 15th century Holy Trinity Church was built by the Neuhaus family and was consecrated in 1475. The church stands behind a wall that the local population built to protect itself from Turkish attacks in the 16th century.<br/><br/> The interior is decorated with Gothic frescoes by the artist John of Kastav (Johannes de Castua), the most famous being <i>Danse Macabre</i> (Dance of Death), and completed in 1490.
The 15th century Holy Trinity Church was built by the Neuhaus family and was consecrated in 1475. The church stands behind a wall that the local population built to protect itself from Turkish attacks in the 16th century.<br/><br/> The interior is decorated with Gothic frescoes by the artist John of Kastav (Johannes de Castua), the most famous being <i>Danse Macabre</i> (Dance of Death), and completed in 1490.
The 15th century Holy Trinity Church was built by the Neuhaus family and was consecrated in 1475. The church stands behind a wall that the local population built to protect itself from Turkish attacks in the 16th century.<br/><br/> The interior is decorated with Gothic frescoes by the artist John of Kastav (Johannes de Castua), the most famous being <i>Danse Macabre</i> (Dance of Death), and completed in 1490.
The 15th century Holy Trinity Church was built by the Neuhaus family and was consecrated in 1475. The church stands behind a wall that the local population built to protect itself from Turkish attacks in the 16th century.<br/><br/> The interior is decorated with Gothic frescoes by the artist John of Kastav (Johannes de Castua), the most famous being <i>Danse Macabre</i> (Dance of Death), and completed in 1490.
The 15th century Holy Trinity Church was built by the Neuhaus family and was consecrated in 1475. The church stands behind a wall that the local population built to protect itself from Turkish attacks in the 16th century.<br/><br/> The interior is decorated with Gothic frescoes by the artist John of Kastav (Johannes de Castua), the most famous being <i>Danse Macabre</i> (Dance of Death), and completed in 1490.
The 15th century Holy Trinity Church was built by the Neuhaus family and was consecrated in 1475. The church stands behind a wall that the local population built to protect itself from Turkish attacks in the 16th century.<br/><br/> The interior is decorated with Gothic frescoes by the artist John of Kastav (Johannes de Castua), the most famous being <i>Danse Macabre</i> (Dance of Death), and completed in 1490.
The 15th century Holy Trinity Church was built by the Neuhaus family and was consecrated in 1475. The church stands behind a wall that the local population built to protect itself from Turkish attacks in the 16th century.<br/><br/> The interior is decorated with Gothic frescoes by the artist John of Kastav (Johannes de Castua), the most famous being <i>Danse Macabre</i> (Dance of Death), and completed in 1490.
The Cathedral of Saint Mary of the Assumption was originally designed and completed between 1215 and 1263 on the site of an earlier structure. It has the form of a Latin cross with a slightly projecting transept, a dome and a bell tower.<br/><br/> The dome rises from a hexagonal base with supporting columns. The lantern atop the dome was added by Gian Lorenzo Bernini. The nave is separated from the two aisles by semicircular arches. The exterior and interior are constructed of white and greenish-black marble in alternating stripes, with addition of red marble on the façade.
The Cathedral of Saint Mary of the Assumption was originally designed and completed between 1215 and 1263 on the site of an earlier structure. It has the form of a Latin cross with a slightly projecting transept, a dome and a bell tower.<br/><br/> The dome rises from a hexagonal base with supporting columns. The lantern atop the dome was added by Gian Lorenzo Bernini. The nave is separated from the two aisles by semicircular arches. The exterior and interior are constructed of white and greenish-black marble in alternating stripes, with addition of red marble on the façade.
The Cathedral of Saint Mary of the Assumption was originally designed and completed between 1215 and 1263 on the site of an earlier structure. It has the form of a Latin cross with a slightly projecting transept, a dome and a bell tower.<br/><br/> The dome rises from a hexagonal base with supporting columns. The lantern atop the dome was added by Gian Lorenzo Bernini. The nave is separated from the two aisles by semicircular arches. The exterior and interior are constructed of white and greenish-black marble in alternating stripes, with addition of red marble on the façade.
The Cathedral of Saint Mary of the Assumption was originally designed and completed between 1215 and 1263 on the site of an earlier structure. It has the form of a Latin cross with a slightly projecting transept, a dome and a bell tower.<br/><br/> The dome rises from a hexagonal base with supporting columns. The lantern atop the dome was added by Gian Lorenzo Bernini. The nave is separated from the two aisles by semicircular arches. The exterior and interior are constructed of white and greenish-black marble in alternating stripes, with addition of red marble on the façade.
The Cathedral of Saint Mary of the Assumption was originally designed and completed between 1215 and 1263 on the site of an earlier structure. It has the form of a Latin cross with a slightly projecting transept, a dome and a bell tower.<br/><br/> The dome rises from a hexagonal base with supporting columns. The lantern atop the dome was added by Gian Lorenzo Bernini. The nave is separated from the two aisles by semicircular arches. The exterior and interior are constructed of white and greenish-black marble in alternating stripes, with addition of red marble on the façade.
The Cathedral of Saint Mary of the Assumption was originally designed and completed between 1215 and 1263 on the site of an earlier structure. It has the form of a Latin cross with a slightly projecting transept, a dome and a bell tower.<br/><br/> The dome rises from a hexagonal base with supporting columns. The lantern atop the dome was added by Gian Lorenzo Bernini. The nave is separated from the two aisles by semicircular arches. The exterior and interior are constructed of white and greenish-black marble in alternating stripes, with addition of red marble on the façade.
The Cathedral of Saint Mary of the Assumption was originally designed and completed between 1215 and 1263 on the site of an earlier structure. It has the form of a Latin cross with a slightly projecting transept, a dome and a bell tower.<br/><br/> The dome rises from a hexagonal base with supporting columns. The lantern atop the dome was added by Gian Lorenzo Bernini. The nave is separated from the two aisles by semicircular arches. The exterior and interior are constructed of white and greenish-black marble in alternating stripes, with addition of red marble on the façade.
The Cathedral of Saint Mary of the Assumption was originally designed and completed between 1215 and 1263 on the site of an earlier structure. It has the form of a Latin cross with a slightly projecting transept, a dome and a bell tower.<br/><br/> The dome rises from a hexagonal base with supporting columns. The lantern atop the dome was added by Gian Lorenzo Bernini. The nave is separated from the two aisles by semicircular arches. The exterior and interior are constructed of white and greenish-black marble in alternating stripes, with addition of red marble on the façade.
The Cathedral of Saint Mary of the Assumption was originally designed and completed between 1215 and 1263 on the site of an earlier structure. It has the form of a Latin cross with a slightly projecting transept, a dome and a bell tower.<br/><br/> The dome rises from a hexagonal base with supporting columns. The lantern atop the dome was added by Gian Lorenzo Bernini. The nave is separated from the two aisles by semicircular arches. The exterior and interior are constructed of white and greenish-black marble in alternating stripes, with addition of red marble on the façade.
The Cathedral of Saint Mary of the Assumption was originally designed and completed between 1215 and 1263 on the site of an earlier structure. It has the form of a Latin cross with a slightly projecting transept, a dome and a bell tower.<br/><br/> The dome rises from a hexagonal base with supporting columns. The lantern atop the dome was added by Gian Lorenzo Bernini. The nave is separated from the two aisles by semicircular arches. The exterior and interior are constructed of white and greenish-black marble in alternating stripes, with addition of red marble on the façade.
The Cathedral of Saint Mary of the Assumption was originally designed and completed between 1215 and 1263 on the site of an earlier structure. It has the form of a Latin cross with a slightly projecting transept, a dome and a bell tower.<br/><br/> The dome rises from a hexagonal base with supporting columns. The lantern atop the dome was added by Gian Lorenzo Bernini. The nave is separated from the two aisles by semicircular arches. The exterior and interior are constructed of white and greenish-black marble in alternating stripes, with addition of red marble on the façade.
The octagonal Florence Baptistery (<i>Battistero di San Giovanni</i>), also known as the Baptistery of Saint John, is one of the oldest buildings in Florence, constructed between 1059 and 1128 in the Florentine Romanesque style.<br/><br/> The Baptistry is renowned for its three sets of artistically important bronze doors with relief sculptures. The south doors were created by Andrea Pisano and the north and east doors by Lorenzo Ghiberti. The east doors were dubbed by Michelangelo the Gates of Paradise.<br/><br/> The Italian poet Dante and many other notable Renaissance figures, including members of the Medici family, were baptized in this baptistry.
The octagonal Florence Baptistery (<i>Battistero di San Giovanni</i>), also known as the Baptistery of Saint John, is one of the oldest buildings in Florence, constructed between 1059 and 1128 in the Florentine Romanesque style.<br/><br/> The Baptistry is renowned for its three sets of artistically important bronze doors with relief sculptures. The south doors were created by Andrea Pisano and the north and east doors by Lorenzo Ghiberti. The east doors were dubbed by Michelangelo the Gates of Paradise.<br/><br/> The Italian poet Dante and many other notable Renaissance figures, including members of the Medici family, were baptized in this baptistry.
The octagonal Florence Baptistery (<i>Battistero di San Giovanni</i>), also known as the Baptistery of Saint John, is one of the oldest buildings in Florence, constructed between 1059 and 1128 in the Florentine Romanesque style.<br/><br/> The Baptistry is renowned for its three sets of artistically important bronze doors with relief sculptures. The south doors were created by Andrea Pisano and the north and east doors by Lorenzo Ghiberti. The east doors were dubbed by Michelangelo the Gates of Paradise.<br/><br/> The Italian poet Dante and many other notable Renaissance figures, including members of the Medici family, were baptized in this baptistry.
The octagonal Florence Baptistery (<i>Battistero di San Giovanni</i>), also known as the Baptistery of Saint John, is one of the oldest buildings in Florence, constructed between 1059 and 1128 in the Florentine Romanesque style.<br/><br/> The Baptistry is renowned for its three sets of artistically important bronze doors with relief sculptures. The south doors were created by Andrea Pisano and the north and east doors by Lorenzo Ghiberti. The east doors were dubbed by Michelangelo the Gates of Paradise.<br/><br/> The Italian poet Dante and many other notable Renaissance figures, including members of the Medici family, were baptized in this baptistry.
The octagonal Florence Baptistery (<i>Battistero di San Giovanni</i>), also known as the Baptistery of Saint John, is one of the oldest buildings in Florence, constructed between 1059 and 1128 in the Florentine Romanesque style.<br/><br/> The Baptistry is renowned for its three sets of artistically important bronze doors with relief sculptures. The south doors were created by Andrea Pisano and the north and east doors by Lorenzo Ghiberti. The east doors were dubbed by Michelangelo the Gates of Paradise.<br/><br/> The Italian poet Dante and many other notable Renaissance figures, including members of the Medici family, were baptized in this baptistry.
The octagonal Florence Baptistery (<i>Battistero di San Giovanni</i>), also known as the Baptistery of Saint John, is one of the oldest buildings in Florence, constructed between 1059 and 1128 in the Florentine Romanesque style.<br/><br/> The Baptistry is renowned for its three sets of artistically important bronze doors with relief sculptures. The south doors were created by Andrea Pisano and the north and east doors by Lorenzo Ghiberti. The east doors were dubbed by Michelangelo the Gates of Paradise.<br/><br/> The Italian poet Dante and many other notable Renaissance figures, including members of the Medici family, were baptized in this baptistry.
The octagonal Florence Baptistery (<i>Battistero di San Giovanni</i>), also known as the Baptistery of Saint John, is one of the oldest buildings in Florence, constructed between 1059 and 1128 in the Florentine Romanesque style.<br/><br/> The Baptistry is renowned for its three sets of artistically important bronze doors with relief sculptures. The south doors were created by Andrea Pisano and the north and east doors by Lorenzo Ghiberti. The east doors were dubbed by Michelangelo the Gates of Paradise.<br/><br/> The Italian poet Dante and many other notable Renaissance figures, including members of the Medici family, were baptized in this baptistry.
The octagonal Florence Baptistery (<i>Battistero di San Giovanni</i>), also known as the Baptistery of Saint John, is one of the oldest buildings in Florence, constructed between 1059 and 1128 in the Florentine Romanesque style.<br/><br/> The Baptistry is renowned for its three sets of artistically important bronze doors with relief sculptures. The south doors were created by Andrea Pisano and the north and east doors by Lorenzo Ghiberti. The east doors were dubbed by Michelangelo the Gates of Paradise.<br/><br/> The Italian poet Dante and many other notable Renaissance figures, including members of the Medici family, were baptized in this baptistry.
Saint Minias (3rd century CE) is venerated as the first Christian martyr of Florence. The church of San Miniato al Monte is dedicated to him. According to legend, he was an Armenian king or prince serving in the Roman Army – or making a penitential pilgrimage to Rome – who had decided to become a hermit near Florence.<br/><br/> He was denounced as a Christian and in 250 CE brought before Emperor Decius, who was persecuting Christians. Miniato refused to sacrifice to the Roman gods, and was put through numerous torments – he was thrown into a furnace, was lapidated, and was thrown to a lion or a panther at an amphitheater – from which he emerged unharmed. Finally, he was beheaded near the present Piazza della Signoria, but his legend states that he picked up his own head. Miniato then crossed the Arno and returned to his hermitage on the hill known as Mons Fiorentinus (Monte di Firenze).<br/><br/> A shrine was later erected at this spot and there was a chapel there by the 8th century. Construction of the present church was begun in 1013 by Bishop Alibrando and it was endowed by the Emperor Henry II. The adjoining monastery began as a Benedictine community, then passed to the Cluniacs and then in 1373 to the Olivetans, who still run it.
Saint Minias (3rd century CE) is venerated as the first Christian martyr of Florence. The church of San Miniato al Monte is dedicated to him. According to legend, he was an Armenian king or prince serving in the Roman Army – or making a penitential pilgrimage to Rome – who had decided to become a hermit near Florence.<br/><br/> He was denounced as a Christian and in 250 CE brought before Emperor Decius, who was persecuting Christians. Miniato refused to sacrifice to the Roman gods, and was put through numerous torments – he was thrown into a furnace, was lapidated, and was thrown to a lion or a panther at an amphitheater – from which he emerged unharmed. Finally, he was beheaded near the present Piazza della Signoria, but his legend states that he picked up his own head. Miniato then crossed the Arno and returned to his hermitage on the hill known as Mons Fiorentinus (Monte di Firenze).<br/><br/> A shrine was later erected at this spot and there was a chapel there by the 8th century. Construction of the present church was begun in 1013 by Bishop Alibrando and it was endowed by the Emperor Henry II. The adjoining monastery began as a Benedictine community, then passed to the Cluniacs and then in 1373 to the Olivetans, who still run it.
Saint Minias (3rd century CE) is venerated as the first Christian martyr of Florence. The church of San Miniato al Monte is dedicated to him. According to legend, he was an Armenian king or prince serving in the Roman Army – or making a penitential pilgrimage to Rome – who had decided to become a hermit near Florence.<br/><br/> He was denounced as a Christian and in 250 CE brought before Emperor Decius, who was persecuting Christians. Miniato refused to sacrifice to the Roman gods, and was put through numerous torments – he was thrown into a furnace, was lapidated, and was thrown to a lion or a panther at an amphitheater – from which he emerged unharmed. Finally, he was beheaded near the present Piazza della Signoria, but his legend states that he picked up his own head. Miniato then crossed the Arno and returned to his hermitage on the hill known as Mons Fiorentinus (Monte di Firenze).<br/><br/> A shrine was later erected at this spot and there was a chapel there by the 8th century. Construction of the present church was begun in 1013 by Bishop Alibrando and it was endowed by the Emperor Henry II. The adjoining monastery began as a Benedictine community, then passed to the Cluniacs and then in 1373 to the Olivetans, who still run it.
Saint Minias (3rd century CE) is venerated as the first Christian martyr of Florence. The church of San Miniato al Monte is dedicated to him. According to legend, he was an Armenian king or prince serving in the Roman Army – or making a penitential pilgrimage to Rome – who had decided to become a hermit near Florence.<br/><br/> He was denounced as a Christian and in 250 CE brought before Emperor Decius, who was persecuting Christians. Miniato refused to sacrifice to the Roman gods, and was put through numerous torments – he was thrown into a furnace, was lapidated, and was thrown to a lion or a panther at an amphitheater – from which he emerged unharmed. Finally, he was beheaded near the present Piazza della Signoria, but his legend states that he picked up his own head. Miniato then crossed the Arno and returned to his hermitage on the hill known as Mons Fiorentinus (Monte di Firenze).<br/><br/> A shrine was later erected at this spot and there was a chapel there by the 8th century. Construction of the present church was begun in 1013 by Bishop Alibrando and it was endowed by the Emperor Henry II. The adjoining monastery began as a Benedictine community, then passed to the Cluniacs and then in 1373 to the Olivetans, who still run it.
Saint Minias (3rd century CE) is venerated as the first Christian martyr of Florence. The church of San Miniato al Monte is dedicated to him. According to legend, he was an Armenian king or prince serving in the Roman Army – or making a penitential pilgrimage to Rome – who had decided to become a hermit near Florence.<br/><br/> He was denounced as a Christian and in 250 CE brought before Emperor Decius, who was persecuting Christians. Miniato refused to sacrifice to the Roman gods, and was put through numerous torments – he was thrown into a furnace, was lapidated, and was thrown to a lion or a panther at an amphitheater – from which he emerged unharmed. Finally, he was beheaded near the present Piazza della Signoria, but his legend states that he picked up his own head. Miniato then crossed the Arno and returned to his hermitage on the hill known as Mons Fiorentinus (Monte di Firenze).<br/><br/> A shrine was later erected at this spot and there was a chapel there by the 8th century. Construction of the present church was begun in 1013 by Bishop Alibrando and it was endowed by the Emperor Henry II. The adjoining monastery began as a Benedictine community, then passed to the Cluniacs and then in 1373 to the Olivetans, who still run it.
Saint Minias (3rd century CE) is venerated as the first Christian martyr of Florence. The church of San Miniato al Monte is dedicated to him. According to legend, he was an Armenian king or prince serving in the Roman Army – or making a penitential pilgrimage to Rome – who had decided to become a hermit near Florence.<br/><br/> He was denounced as a Christian and in 250 CE brought before Emperor Decius, who was persecuting Christians. Miniato refused to sacrifice to the Roman gods, and was put through numerous torments – he was thrown into a furnace, was lapidated, and was thrown to a lion or a panther at an amphitheater – from which he emerged unharmed. Finally, he was beheaded near the present Piazza della Signoria, but his legend states that he picked up his own head. Miniato then crossed the Arno and returned to his hermitage on the hill known as Mons Fiorentinus (Monte di Firenze).<br/><br/> A shrine was later erected at this spot and there was a chapel there by the 8th century. Construction of the present church was begun in 1013 by Bishop Alibrando and it was endowed by the Emperor Henry II. The adjoining monastery began as a Benedictine community, then passed to the Cluniacs and then in 1373 to the Olivetans, who still run it.
Saint Minias (3rd century CE) is venerated as the first Christian martyr of Florence. The church of San Miniato al Monte is dedicated to him. According to legend, he was an Armenian king or prince serving in the Roman Army – or making a penitential pilgrimage to Rome – who had decided to become a hermit near Florence.<br/><br/> He was denounced as a Christian and in 250 CE brought before Emperor Decius, who was persecuting Christians. Miniato refused to sacrifice to the Roman gods, and was put through numerous torments – he was thrown into a furnace, was lapidated, and was thrown to a lion or a panther at an amphitheater – from which he emerged unharmed. Finally, he was beheaded near the present Piazza della Signoria, but his legend states that he picked up his own head. Miniato then crossed the Arno and returned to his hermitage on the hill known as Mons Fiorentinus (Monte di Firenze).<br/><br/> A shrine was later erected at this spot and there was a chapel there by the 8th century. Construction of the present church was begun in 1013 by Bishop Alibrando and it was endowed by the Emperor Henry II. The adjoining monastery began as a Benedictine community, then passed to the Cluniacs and then in 1373 to the Olivetans, who still run it.
Saint Minias (3rd century CE) is venerated as the first Christian martyr of Florence. The church of San Miniato al Monte is dedicated to him. According to legend, he was an Armenian king or prince serving in the Roman Army – or making a penitential pilgrimage to Rome – who had decided to become a hermit near Florence.<br/><br/> He was denounced as a Christian and in 250 CE brought before Emperor Decius, who was persecuting Christians. Miniato refused to sacrifice to the Roman gods, and was put through numerous torments – he was thrown into a furnace, was lapidated, and was thrown to a lion or a panther at an amphitheater – from which he emerged unharmed. Finally, he was beheaded near the present Piazza della Signoria, but his legend states that he picked up his own head. Miniato then crossed the Arno and returned to his hermitage on the hill known as Mons Fiorentinus (Monte di Firenze).<br/><br/> A shrine was later erected at this spot and there was a chapel there by the 8th century. Construction of the present church was begun in 1013 by Bishop Alibrando and it was endowed by the Emperor Henry II. The adjoining monastery began as a Benedictine community, then passed to the Cluniacs and then in 1373 to the Olivetans, who still run it.