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The Shahnameh or Shah-nama (Persian: شاهنامه Šāhnāmeh, 'The Book of Kings') is a long epic poem written by the Persian poet Ferdowsi between c.977 and 1010 CE and is the national epic of Iran and related Perso-Iranian cultures. Consisting of some 60,000 verses, the Shahnameh tells the mythical and to some extent the historical past of Greater Iran from the creation of the world until the Islamic conquest of Persia in the 7th century.<br/><br/> The work is of central importance in Persian culture, regarded as a literary masterpiece, and definitive of ethno-national cultural identity of Iran. It is also important to the contemporary adherents of Zoroastrianism, in that it traces the historical links between the beginnings of the religion with the death of the last Zoroastrian ruler of Persia during the Muslim conquest.
The Shahnameh or Shah-nama (Persian: شاهنامه Šāhnāmeh, 'The Book of Kings') is a long epic poem written by the Persian poet Ferdowsi between c.977 and 1010 CE and is the national epic of Iran and related Perso-Iranian cultures. Consisting of some 60,000 verses, the Shahnameh tells the mythical and to some extent the historical past of Greater Iran from the creation of the world until the Islamic conquest of Persia in the 7th century.<br/><br/> The work is of central importance in Persian culture, regarded as a literary masterpiece, and definitive of ethno-national cultural identity of Iran. It is also important to the contemporary adherents of Zoroastrianism, in that it traces the historical links between the beginnings of the religion with the death of the last Zoroastrian ruler of Persia during the Muslim conquest.
The Shahnameh or Shah-nama (Persian: شاهنامه Šāhnāmeh, 'The Book of Kings') is a long epic poem written by the Persian poet Ferdowsi between c.977 and 1010 CE and is the national epic of Iran and related Perso-Iranian cultures. Consisting of some 60,000 verses, the Shahnameh tells the mythical and to some extent the historical past of Greater Iran from the creation of the world until the Islamic conquest of Persia in the 7th century.<br/><br/> The work is of central importance in Persian culture, regarded as a literary masterpiece, and definitive of ethno-national cultural identity of Iran. It is also important to the contemporary adherents of Zoroastrianism, in that it traces the historical links between the beginnings of the religion with the death of the last Zoroastrian ruler of Persia during the Muslim conquest.
The Shahnameh or Shah-nama (Persian: شاهنامه Šāhnāmeh, 'The Book of Kings') is a long epic poem written by the Persian poet Ferdowsi between c.977 and 1010 CE and is the national epic of Iran and related Perso-Iranian cultures. Consisting of some 60,000 verses, the Shahnameh tells the mythical and to some extent the historical past of Greater Iran from the creation of the world until the Islamic conquest of Persia in the 7th century.<br/><br/> The work is of central importance in Persian culture, regarded as a literary masterpiece, and definitive of ethno-national cultural identity of Iran. It is also important to the contemporary adherents of Zoroastrianism, in that it traces the historical links between the beginnings of the religion with the death of the last Zoroastrian ruler of Persia during the Muslim conquest.
Very little Islamic painting has been preserved from the Delhi Sultanate before the establishment of the Mughals in 1526.<br/><br/> This painting comes from a manuscript made by an artist who was clearly influenced by the Jain art of western India. Both the intense colours and the depiction of figures differ from those found in other Islamic painting.<br/><br/> Rustam is portrayed without his customary leopard helmet and tiger kaftan. His opponent, the Turk Alkus, is portrayed with the whites of his eyes showing as he dies.
In the medieval Islamic tradition, Mani is described as a painter who set up a sectarian movement in opposition to Zoroastrianism. He was persecuted by Shapur I and fled to Turkestan, where he made disciples and embellished temples with his paintings.<br/><br/> Provisioning in advance a cave which had a spring, he told his disciples he was going to heaven, and would not return for a year, after which time they were to seek him in the cave in question. When they went to look for him, he showed them an illustrated book, called Ergenk, or Estenk, which he said he had brought from heaven: whereafter he had many followers, with whom he returned to Persia at the death of Shapur.<br/><br/> The new king, Hormisdas, joined and protected the sect; and built Mani a castle. The next king, Bahram or Varanes, at first favoured Mani; but, after getting him to debate with certain Zoroastrian teachers, caused him to be flayed alive, and the skin to be stuffed and hung up. Thereupon most of his followers fled to India, and some even to China, those remaining being reduced to slavery.
Dandan Oilik is a deserted historical town and desert oasis in the Taklamakan Desert of Xinjiang, China. Dandan Oilik was an important (though small) centre of local Buddhism and trade on the Silk Road. Its name means 'Houses of Ivory' and has been the site of a small number of significant archeological finds.<br/><br/> Having been abandoned hundreds of years ago, the oasis was found and lost to shifting desert sands several times. Most recently, a German expedition led by Christoph Baumer found the city based on the accounts of previous explorers such as Sir Aurel Stein, and uncovered relics dating to the 7th and 8th Century. They also marked its GPS position, and the city is now being studied by Chinese archeologists.
The Safavid dynasty (Persian: سلسلهٔ صفويان; Azerbaijani: صفویلر) was one of the most significant ruling dynasties of Iran. They ruled one of the greatest Persian empires since the Muslim conquest of Persia and established the Twelver school of Shi'a Islam as the official religion of their empire, marking one of the most important turning points in Muslim history. The Safavids ruled from 1501 to 1722 (experiencing a brief restoration from 1729 to 1736) and at their height, they controlled all of modern Islamic Republic of Iran, Republic of Azerbaijan and Republic of Armenia, most of Iraq, Georgia, Afghanistan, and the Caucasus, as well as parts of Pakistan, Turkmenistan and Turkey. Safavid Iran was one of the Islamic 'gunpowder empires', along with its neighbours, the Ottoman and Mughal empires.<br/><br/> The Safavid dynasty had its origin in the Safaviyya Sufi order, which was established in the city of Ardabil in the Azerbaijan region. It was of mixed ancestry (Kurdish and Azerbaijani, which included intermarriages with Georgian and Pontic Greek dignitaries). From their base in Ardabil, the Safavids established control over all of Greater Iran and reasserted the Iranian identity of the region, thus becoming the first native dynasty since the Sassanid Empire to establish a unified Iranian state.<br/><br/> Despite their demise in 1736, the legacy that they left behind was the revival of Persia as an economic stronghold between East and West, the establishment of an efficient state and bureaucracy based upon 'checks and balances', their architectural innovations and their patronage for fine arts. The Safavids have also left their mark down to the present era by spreading Shi'a Islam in Iran, as well as major parts of the Caucasus, South Asia, Central Asia, and Anatolia.
Khwāja Shamsu d-Dīn Muhammad Hāfez-e Shīrāzī (Persian: خواجه شمس‌الدین محمد حافظ شیرازی‎), known by his pen name Hāfez (1325/1326–1389/1390),was a Persian lyric poet. His collected works composed of series of Persian poetry (Divan) are to be found in the homes of most Persian speakers in Iran and Afghanistan, as well as elsewhere in the world, who learn his poems by heart and use them as proverbs and sayings to this day. His life and poems have been the subject of much analysis, commentary and interpretation, influencing post-fourteenth century Persian writing more than any other author.<br/><br/> Themes of his ghazals are the beloved, faith, and exposing hypocrisy. His influence in the lives of Iranians can be found in 'Hafez readings' (fāl-e hāfez, Persian: فال حافظ‎), frequent use of his poems in Persian traditional music, visual art and Persian calligraphy. His tomb in Shiraz is visited often. Adaptations, imitations and translations of Hafez' poems exist in all major languages.
The Shahnameh or Shah-nama (Persian: شاهنامه Šāhnāmeh, 'The Book of Kings') is a long epic poem written by the Persian poet Ferdowsi between c.977 and 1010 CE and is the national epic of Iran and related Perso-Iranian cultures. Consisting of some 60,000 verses, the Shahnameh tells the mythical and to some extent the historical past of Greater Iran from the creation of the world until the Islamic conquest of Persia in the 7th century.<br/><br/> The work is of central importance in Persian culture, regarded as a literary masterpiece, and definitive of ethno-national cultural identity of Iran. It is also important to the contemporary adherents of Zoroastrianism, in that it traces the historical links between the beginnings of the religion with the death of the last Zoroastrian ruler of Persia during the Muslim conquest.
Dandan Oilik is a deserted historical town and desert oasis in the Taklamakan Desert of Xinjiang, China. Dandan Oilik was an important (though small) centre of local Buddhism and trade on the Silk Road. Its name means 'Houses of Ivory' and has been the site of a small number of significant archeological finds.<br/><br/> Having been abandoned hundreds of years ago, the oasis was found and lost to shifting desert sands several times. Most recently, a German expedition led by Christoph Baumer found the city based on the accounts of previous explorers such as Sir Aurel Stein, and uncovered relics dating to the 7th and 8th Century. They also marked its GPS position, and the city is now being studied by Chinese archeologists.