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The ‘Maqama’ are a collection of picaresque Arabic tales written in the form of rhymed prose in which rhetorical extravagance is conspicuous. The style was invented in the 10th century by Badi al-Zaman al-Hamadhani and extended by Abu Muhammed al-Qasim ibn Ali al-Hariri of Basra the following century.<br/><br/> The protagonists in the tales are invariably silver-tongued hustlers, especially the roguish Abu Zaid al-Saruji, who trick the narrator and who live on their wits and dazzle onlookers with displays of acrobatics, acting and by reciting poetry.
Abu Bakr al-Baghdadi is the leader of the Islamic State of Iraq and Syria (ISIS), an Islamic Salafi Jihadist movement in western Iraq, the Egyptian Sinai, Libya, northeast Nigeria and Syria, self-styled as the 'Islamic State' (ad-Dawlah al-Islamiyah).<br/><br/> On 4 October 2011, the U.S. State Department listed al-Baghdadi as a 'Specially Designated Global Terrorist', and announced a reward of up to US$10 million for information leading to his capture or death.
Yahyâ ibn Mahmûd al-Wâsitî was a 13th-century Arab Islamic artist. Al-Wasiti was born in Wasit in southern Iraq. He was noted for his illustrations of the Maqam of al-Hariri.<br/><br/> Maqāma (literally 'assemblies') are an (originally) Arabic literary genre of rhymed prose with intervals of poetry in which rhetorical extravagance is conspicuous. The 10th century author Badī' al-Zaman al-Hamadhāni is said to have invented the form, which was extended by al-Hariri of Basra in the next century. Both authors' maqāmāt center on trickster figures whose wanderings and exploits in speaking to assemblies of the powerful are conveyed by a narrator.<br/><br/> Manuscripts of al-Harīrī's Maqāmāt, anecdotes of a roguish wanderer Abu Zayd from Saruj, were frequently illustrated with miniatures.
Bernard of Clairvaux, O.Cist (1090 – August 20, 1153) was a French abbot and the primary builder of the reforming Cistercian order.<br/><br/> After the death of his mother, Bernard sought admission into the Cistercian order. Three years later, he was sent to found a new abbey at an isolated clearing in a glen known as the Val d'Absinthe, about 15 km southeast of Bar-sur-Aube. According to tradition, Bernard founded the monastery on 25 June 1115, naming it Claire Vallée, which evolved into Clairvaux. There Bernard would preach an immediate faith, in which the intercessor was the Virgin Mary. <br/><br/> In the year 1128, Bernard assisted at the Council of Troyes, at which he traced the outlines of the Rule of the Knights Templar, who soon became the ideal of Christian nobility.
Yahyâ ibn Mahmûd al-Wâsitî was a 13th-century Arab Islamic artist. Al-Wasiti was born in Wasit in southern Iraq. He was noted for his illustrations of the Maqam of al-Hariri.<br/><br/> Maqāma (literally 'assemblies') are an (originally) Arabic literary genre of rhymed prose with intervals of poetry in which rhetorical extravagance is conspicuous. The 10th century author Badī' al-Zaman al-Hamadhāni is said to have invented the form, which was extended by al-Hariri of Basra in the next century. Both authors' maqāmāt center on trickster figures whose wanderings and exploits in speaking to assemblies of the powerful are conveyed by a narrator.<br/><br/> Manuscripts of al-Harīrī's Maqāmāt, anecdotes of a roguish wanderer Abu Zayd from Saruj, were frequently illustrated with miniatures.
Yahyâ ibn Mahmûd al-Wâsitî was a 13th-century Arab Islamic artist. Al-Wasiti was born in Wasit in southern Iraq. He was noted for his illustrations of the Maqam of al-Hariri.<br/><br/> Maqāma (literally 'assemblies') are an (originally) Arabic literary genre of rhymed prose with intervals of poetry in which rhetorical extravagance is conspicuous. The 10th century author Badī' al-Zaman al-Hamadhāni is said to have invented the form, which was extended by al-Hariri of Basra in the next century. Both authors' maqāmāt center on trickster figures whose wanderings and exploits in speaking to assemblies of the powerful are conveyed by a narrator.<br/><br/> Manuscripts of al-Harīrī's Maqāmāt, anecdotes of a roguish wanderer Abu Zayd from Saruj, were frequently illustrated with miniatures.
Khwāja Shamsu d-Dīn Muhammad Hāfez-e Shīrāzī (Persian: خواجه شمس‌الدین محمد حافظ شیرازی‎), known by his pen name Hāfez (1325/1326–1389/1390),was a Persian lyric poet. His collected works composed of series of Persian poetry (Divan) are to be found in the homes of most Persian speakers in Iran and Afghanistan, as well as elsewhere in the world, who learn his poems by heart and use them as proverbs and sayings to this day. His life and poems have been the subject of much analysis, commentary and interpretation, influencing post-fourteenth century Persian writing more than any other author.<br/><br/> Themes of his ghazals are the beloved, faith, and exposing hypocrisy. His influence in the lives of Iranians can be found in 'Hafez readings' (fāl-e hāfez, Persian: فال حافظ‎), frequent use of his poems in Persian traditional music, visual art and Persian calligraphy. His tomb in Shiraz is visited often. Adaptations, imitations and translations of Hafez' poems exist in all major languages.
The Prophet Muhammad preaching his final sermon to his earliest converts, on Mount Ararat near Mecca; taken from a medieval-era manuscript of the astronomical treatise 'The Remaining Signs of Past Centuries' by the Persian scholar al-Biruni; currently housed in the collection of Edinburgh University Library, Scotland.<br/><br/> Representations of the Prophet Muhammad are controversial, and generally forbidden in Sunni Islam (especially Hanafiyya, Wahabi, Salafiyya). Shia Islam and some other branches of Sunni Islam (Hanbali, Maliki, Shafi'i) are generally more tolerant of such representational images, but even so the Prophet's features are generally veiled or concealed by flames as a mark of deep respect.
The Prophet Muhammad preaching his final sermon to his earliest converts, on Mount Ararat near Mecca; taken from a medieval-era manuscript of the astronomical treatise 'The Remaining Signs of Past Centuries' by the Persian scholar al-Biruni; currently housed in the collection of the Bibliotheque Nationale, Paris, France.<br/><br/> Representations of the Prophet Muhammad are controversial, and generally forbidden in Sunni Islam (especially Hanafiyya, Wahabi, Salafiyya). Shia Islam and some other branches of Sunni Islam (Hanbali, Maliki, Shafi'i) are generally more tolerant of such representational images, but even so the Prophet's features are generally veiled or concealed by flames as a mark of deep respect.
The Prophet Muhammad preaching his final sermon to his earliest converts, on Mount Ararat near Mecca; taken from a medieval-era manuscript of the astronomical treatise 'The Remaining Signs of Past Centuries' by the Persian scholar al-Biruni; currently housed in the collection of Edinburgh University Library, Scotland.<br/><br/> Representations of the Prophet Muhammad are controversial, and generally forbidden in Sunni Islam (especially Hanafiyya, Wahabi, Salafiyya). Shia Islam and some other branches of Sunni Islam (Hanbali, Maliki, Shafi'i) are generally more tolerant of such representational images, but even so the Prophet's features are generally veiled or concealed by flames as a mark of deep respect.
The Kizil Caves (Qizil Ming Oy; Kizil Cave of a Thousand Buddhas) are 236 Buddhist rock-cut caves located near Kizil Township in Xinjiang. The site is located on the northern bank of the Muzat River 75 kilometres by road northwest of Kucha (Kuqa). This area was a commercial hub of the Silk Road.<br/><br/> The caves are said to be the earliest major Buddhist cave complex in Xinjiang, with development occurring between the 3rd and 8th centuries. Although the site has been both damaged and looted, at least 1000 square metres of wall paintings—mostly Jataka stories—remain.
The Kizil Caves (Qizil Ming Oy; Kizil Cave of a Thousand Buddhas) are 236 Buddhist rock-cut caves located near Kizil Township in Xinjiang. The site is located on the northern bank of the Muzat River 75 kilometres by road northwest of Kucha (Kuqa). This area was a commercial hub of the Silk Road.<br/><br/> The caves are said to be the earliest major Buddhist cave complex in Xinjiang, with development occurring between the 3rd and 8th centuries. Although the site has been both damaged and looted, at least 1000 square metres of wall paintings—mostly Jataka stories—remain.
The Kizil Caves (Qizil Ming Oy; Kizil Cave of a Thousand Buddhas) are 236 Buddhist rock-cut caves located near Kizil Township in Xinjiang. The site is located on the northern bank of the Muzat River 75 kilometres by road northwest of Kucha (Kuqa). This area was a commercial hub of the Silk Road.<br/><br/> The caves are said to be the earliest major Buddhist cave complex in Xinjiang, with development occurring between the 3rd and 8th centuries. Although the site has been both damaged and looted, at least 1000 square metres of wall paintings—mostly Jataka stories—remain.
The Kizil Caves (also romanized Qizil Caves, spelling variant Qyzyl; Uyghur: Qizil Ming Öy; Chinese: 克孜尔千佛洞; pinyin: Kèzīěr Qiānfú Dòng; literally 'Kizil Cave of a Thousand Buddhas') are a set of 236 Buddhist rock-cut caves located near Kizil Township (克孜尔乡) in Baicheng County, Xinjiang, China. The site is located on the northern bank of the Muzat River 75 kilometres (by road) northwest of Kucha (Kuqa). This area was a commercial hub of the Silk Road.<br/><br/> The caves are said to be the earliest major Buddhist cave complex in China, with development occurring between the 3rd and 8th centuries. Although the site has been both damaged and looted, at least 1000 square metres of wall paintings - mostly Jataka stories - remain.
The Kizil Caves (also romanized Qizil Caves, spelling variant Qyzyl; Uyghur: Qizil Ming Öy; Chinese: 克孜尔千佛洞; pinyin: Kèzīěr Qiānfú Dòng; literally 'Kizil Cave of a Thousand Buddhas') are a set of 236 Buddhist rock-cut caves located near Kizil Township (克孜尔乡) in Baicheng County, Xinjiang, China. The site is located on the northern bank of the Muzat River 75 kilometres (by road) northwest of Kucha (Kuqa). This area was a commercial hub of the Silk Road.<br/><br/> The caves are said to be the earliest major Buddhist cave complex in China, with development occurring between the 3rd and 8th centuries. Although the site has been both damaged and looted, at least 1000 square metres of wall paintings - mostly Jataka stories - remain.