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Gandhāra is noted for the distinctive Gandhāra style of Buddhist art, which developed out of a merger of Greek, Syrian, Persian, and Indian artistic influence. This development began during the Parthian Period (50 BCE – 75 CE). Gandhāran style flourished and achieved its peak during the Kushan period, from the 1st to the 5th century. It declined and suffered destruction after invasion of the White Huns in the 5th century.<br/><br/> Stucco as well as stone was widely used by sculptors in Gandhara for the decoration of monastic and cult buildings. Stucco provided the artist with a medium of great plasticity, enabling a high degree of expresivness to be given to the sculpture. Sculpting in stucco was popular wherever Buddhism spread from Gandhara - India, Afghanistan, Central Asia and China.
Construction of the Shwezigon Pagoda began during the reign of King Anawratha (r. 1044 -1077) and was completed during the reign of King Kyanzittha, in 1102.<br/><br/> Bagan, formerly Pagan, was mainly built between the 11th century and 13th century. Formally titled Arimaddanapura or Arimaddana (the City of the Enemy Crusher) and also known as Tambadipa (the Land of Copper) or Tassadessa (the Parched Land), it was the capital of several ancient kingdoms in Burma.
Construction of the Shwezigon Pagoda began during the reign of King Anawratha (r. 1044 -1077) and was completed during the reign of King Kyanzittha, in 1102.<br/><br/> Bagan, formerly Pagan, was mainly built between the 11th century and 13th century. Formally titled Arimaddanapura or Arimaddana (the City of the Enemy Crusher) and also known as Tambadipa (the Land of Copper) or Tassadessa (the Parched Land), it was the capital of several ancient kingdoms in Burma.
Perhaps the highest revered temple in Bagan, the Ananda Pagoda was built in 1105 CE during the reign of King Kyanzittha (1084–1113) of the Bagan Dynasty. It is one of four surviving original temples of Bagan (also called Pagan). The temple layout is in a cruciform with several terraces leading to a small pagoda at the top covered by an umbrella (‘hti’).<br/><br/> The Buddhist temple houses four standing Buddhas—facing east, north, west and south. The temple is said to be an architectural wonder in a fusion of Mon and adopted Indian styles of architecture.<br/><br/> It was damaged in the earthquake of 1975. However, it has been fully restored and is well maintained by frequent painting and whitewashing of the walls. On the occasion of the 900th anniversary of its construction celebrated in 1990 the temple spires were gilded.<br/><br/> Bagan, formerly Pagan, was mainly built between the 11th century and 13th century. Formally titled Arimaddanapura or Arimaddana (the City of the Enemy Crusher) and also known as Tambadipa (the Land of Copper) or Tassadessa (the Parched Land), it was the capital of several ancient kingdoms in Burma.
Perhaps the highest revered temple in Bagan, the Ananda Pagoda was built in 1105 CE during the reign of King Kyanzittha (1084–1113) of the Bagan Dynasty. It is one of four surviving original temples of Bagan (also called Pagan). The temple layout is in a cruciform with several terraces leading to a small pagoda at the top covered by an umbrella (‘hti’).<br/><br/> The Buddhist temple houses four standing Buddhas—facing east, north, west and south. The temple is said to be an architectural wonder in a fusion of Mon and adopted Indian styles of architecture.<br/><br/> It was damaged in the earthquake of 1975. However, it has been fully restored and is well maintained by frequent painting and whitewashing of the walls. On the occasion of the 900th anniversary of its construction celebrated in 1990 the temple spires were gilded.<br/><br/> Bagan, formerly Pagan, was mainly built between the 11th century and 13th century. Formally titled Arimaddanapura or Arimaddana (the City of the Enemy Crusher) and also known as Tambadipa (the Land of Copper) or Tassadessa (the Parched Land), it was the capital of several ancient kingdoms in Burma.
Siddhārtha Gautama (Sanskrit: सिद्धार्थ गौतम; Pali: Siddhattha Gotama) was a spiritual teacher from ancient India who founded Buddhism. In most Buddhist traditions, he is regarded as the Supreme Buddha (P. sammāsambuddha, S. samyaksaṃbuddha) of our age, 'Buddha' meaning 'awakened one' or 'enlightened one'.<br/><br/> The time of his birth and death are uncertain: most early 20th-century historians dated his lifetime as c. 563 BCE to 483 BCE, but more recent opinion dates his death to between 486 and 483 BCE or, according to some, between 411 and 400 BCE. By tradition, Gautama is said to have been born in the small state of Kapilavastu, in what is now Nepal, and later to have taught primarily throughout regions of eastern India such as Magadha and Kośala.<br/><br/> Gautama, also known as Śākyamuni ('Sage of the Śākyas'), is the primary figure in Buddhism, and accounts of his life, discourses, and monastic rules are believed by Buddhists to have been summarized after his death and memorized by his followers. Various collections of teachings attributed to him were passed down by oral tradition, and first committed to writing about 400 years later.<br/><br/> He is also regarded as a god or prophet in other world religions or denominations, including Hinduism, Ahmadiyya Islam, and the Bahá'í faith.
Siddhārtha Gautama (Sanskrit: सिद्धार्थ गौतम; Pali: Siddhattha Gotama) was a spiritual teacher from ancient India who founded Buddhism. In most Buddhist traditions, he is regarded as the Supreme Buddha (P. sammāsambuddha, S. samyaksaṃbuddha) of our age, 'Buddha' meaning 'awakened one' or 'enlightened one'.<br/><br/> The time of his birth and death are uncertain: most early 20th-century historians dated his lifetime as c. 563 BCE to 483 BCE, but more recent opinion dates his death to between 486 and 483 BCE or, according to some, between 411 and 400 BCE. By tradition, Gautama is said to have been born in the small state of Kapilavastu, in what is now Nepal, and later to have taught primarily throughout regions of eastern India such as Magadha and Kośala.<br/><br/> Gautama, also known as Śākyamuni ('Sage of the Śākyas'), is the primary figure in Buddhism, and accounts of his life, discourses, and monastic rules are believed by Buddhists to have been summarized after his death and memorized by his followers. Various collections of teachings attributed to him were passed down by oral tradition, and first committed to writing about 400 years later.<br/><br/> He is also regarded as a god or prophet in other world religions or denominations, including Hinduism, Ahmadiyya Islam, and the Bahá'í faith.
Hōryū-ji (Temple of the Flourishing Law) is a Buddhist temple in Ikaruga, Nara Prefecture, Japan. Its full name is Hōryū Gakumonji, or Learning Temple of the Flourishing Law, the complex serving both as a seminary and a monastery.<br/><br/> In 1993, Hōryū-ji was inscribed as a UNESCO World Heritage Site under the name Buddhist Monuments in the Hōryū-ji Area. The Japanese government lists several of its structures, sculptures and artifacts as National Treasures.<br/><br/> The kondo, or great hall of the temple, dating in part to the 7th century, is famous for its 7th century Buddhist murals. Unfortunately, on January 26, 1949, a fire in the kondo caused very severe damage to the murals, many of which were destroyed.<br/><br/> The murals of the kondō comprise fifty walls; four larger walls, eight mid-sized walls and thirty-eight small wall areas inside the building. The original murals were removed after the fire incident in 1949 and are kept in storage. Twenty small wall paintings that escaped the fire remain in place, while reproductions have replaced the lost frescoes. The ancient Horyu-ji frescoes represent Pure Land Shaka, Amida, Miroku and Yakushi Nyorai Bhuddas. There are artistic links with similar murals in Dunhuang, China and Ajanta, India. Some authorities link the paintings to a Goguryeo monk named Tamjing who lived in 7th century Ikaruga, but this is disputed.
Hōryū-ji (Temple of the Flourishing Law) is a Buddhist temple in Ikaruga, Nara Prefecture, Japan. Its full name is Hōryū Gakumonji, or Learning Temple of the Flourishing Law, the complex serving both as a seminary and a monastery.<br/><br/> In 1993, Hōryū-ji was inscribed as a UNESCO World Heritage Site under the name Buddhist Monuments in the Hōryū-ji Area. The Japanese government lists several of its structures, sculptures and artifacts as National Treasures.<br/><br/> The kondo, or great hall of the temple, dating in part to the 7th century, is famous for its 7th century Buddhist murals. Unfortunately, on January 26, 1949, a fire in the kondo caused very severe damage to the murals, many of which were destroyed.<br/><br/> The murals of the kondō comprise fifty walls; four larger walls, eight mid-sized walls and thirty-eight small wall areas inside the building. The original murals were removed after the fire incident in 1949 and are kept in storage. Twenty small wall paintings that escaped the fire remain in place, while reproductions have replaced the lost frescoes. The ancient Horyu-ji frescoes represent Pure Land Shaka, Amida, Miroku and Yakushi Nyorai Bhuddas. There are artistic links with similar murals in Dunhuang, China and Ajanta, India. Some authorities link the paintings to a Goguryeo monk named Tamjing who lived in 7th century Ikaruga, but this is disputed.