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Yamato Takeru (c. 72-113), originally known as Prince Osu, was a legendary and mythical figure in Japan. He was a prince of the Yamato Dynasty, son of 12th emperor of Japan, Emperor Keiko. The life and death of Yamato are primarily chronicled in the tales 'Kojiki' (712 CE) and 'Nihon Shoki' (720 CE).<br/><br/> For slaying his elder brother, Osu was sent to fight in Izumo Province by his father, who feared his brutal temperament. Instead of being killed however, Osu succeeded in defeating his enemies and was gifted the title 'Yamato Takeru' (The Brave of Yamato). His father was not convinced, still fearing him and wishing his death.<br/><br/> Next, Yamato was sent eastwards to deal with those who had disobeyed the imperial court, armed with the holy sword 'Kusanagi'. During a great storm, his wife sacrificed herself to appease the sea god, and in his anger he defeated many enemies. However, his blaspheming of a local god of Mount Ibuki led to him being cursed and dying. His soul turned into a great white bird and flew away, his tomb located in Ise Province, known as the Mausoleum of the White Plover.
Yamato Takeru (c. 72-113), originally known as Prince Osu, was a legendary and mythical figure in Japan. He was a prince of the Yamato Dynasty, son of 12th emperor of Japan, Emperor Keiko. The life and death of Yamato are primarily chronicled in the tales 'Kojiki' (712 CE) and 'Nihon Shoki' (720 CE).<br/><br/> For slaying his elder brother, Osu was sent to fight in Izumo Province by his father, who feared his brutal temperament. Instead of being killed however, Osu succeeded in defeating his enemies and was gifted the title 'Yamato Takeru' (The Brave of Yamato). His father was not convinced, still fearing him and wishing his death.<br/><br/> Next, Yamato was sent eastwards to deal with those who had disobeyed the imperial court, armed with the holy sword 'Kusanagi'. During a great storm, his wife sacrificed herself to appease the sea god, and in his anger he defeated many enemies. However, his blaspheming of a local god of Mount Ibuki led to him being cursed and dying. His soul turned into a great white bird and flew away. His tomb is located in Ise Province, and is known as the Mausoleum of the White Plover.
Yamato Takeru (c. 72-113), originally known as Prince Osu, was a legendary and mythical figure in Japan. He was a prince of the Yamato Dynasty, son of 12th emperor of Japan, Emperor Keiko. The life and death of Yamato are primarily chronicled in the tales 'Kojiki' (712 CE) and 'Nihon Shoki' (720 CE).<br/><br/> For slaying his elder brother, Osu was sent to fight in Izumo Province by his father, who feared his brutal temperament. Instead of being killed however, Osu succeeded in defeating his enemies and was gifted the title 'Yamato Takeru' (The Brave of Yamato). His father was not convinced, still fearing him and wishing his death.<br/><br/> Next, Yamato was sent eastwards to deal with those who had disobeyed the imperial court, armed with the holy sword 'Kusanagi'. During a great storm, his wife sacrificed herself to appease the sea god, and in his anger he defeated many enemies. However, his blaspheming of a local god of Mount Ibuki led to him being cursed and dying. His soul turned into a great white bird and flew away. His tomb is located in Ise Province, and is known as the Mausoleum of the White Plover.
Yamato Takeru (c. 72-113), originally known as Prince Osu, was a legendary and mythical figure in Japan. He was a prince of the Yamato Dynasty, son of 12th emperor of Japan, Emperor Keiko. The life and death of Yamato are primarily chronicled in the tales 'Kojiki' (712 CE) and 'Nihon Shoki' (720 CE).<br/><br/> For slaying his elder brother, Osu was sent to fight in Izumo Province by his father, who feared his brutal temperament. Instead of being killed however, Osu succeeded in defeating his enemies and was gifted the title 'Yamato Takeru' (The Brave of Yamato). His father was not convinced, still fearing him and wishing his death.<br/><br/> Next, Yamato was sent eastwards to deal with those who had disobeyed the imperial court, armed with the holy sword 'Kusanagi'. During a great storm, his wife sacrificed herself to appease the sea god, and in his anger he defeated many enemies. However, his blaspheming of a local god of Mount Ibuki led to him being cursed and dying. His soul turned into a great white bird and flew away. His tomb is located in Ise Province, and is known as the Mausoleum of the White Plover.
Zhong Kui (Wade-Giles: Chung Kwei, Japanese: Shōki) is a figure of Chinese mythology. Traditionally regarded as a vanquisher of ghosts and evil beings, and reputedly able to command 80,000 demons, his image is often painted on household gates as a guardian spirit, as well as in places of business where high-value goods are involved.<br/><br/> Zhong Kui's popularity in folklore can be traced to the reign of Emperor Xuanzong of Tang (712 to 756). According to Song Dynasty sources, once the Emperor Xuanzong was gravely ill. He had a dream in which he saw two ghosts. The smaller of the ghosts stole a purse from imperial consort Yang Guifei and a flute belonging to the emperor. The bigger ghost, wearing the hat of an official, captured the smaller ghost, tore out his eye and ate it. The bigger ghost then introduced himself as Zhong Kui. He said that he had sworn to rid the empire of evil. When the emperor awoke, he had recovered from his illness. So he commissioned the court painter Wu Daozi to produce an image of Zhong Kui to show to the officials. This was highly influential to later representations of Zhong Kui.
Zhong Kui (Wade-Giles: Chung Kwei, Japanese: Shōki) is a figure of Chinese mythology. Traditionally regarded as a vanquisher of ghosts and evil beings, and reputedly able to command 80,000 demons, his image is often painted on household gates as a guardian spirit, as well as in places of business where high-value goods are involved.<br/><br/> Zhong Kui's popularity in folklore can be traced to the reign of Emperor Xuanzong of Tang (712 to 756). According to Song Dynasty sources, once the Emperor Xuanzong was gravely ill. He had a dream in which he saw two ghosts. The smaller of the ghosts stole a purse from imperial consort Yang Guifei and a flute belonging to the emperor. The bigger ghost, wearing the hat of an official, captured the smaller ghost, tore out his eye and ate it. The bigger ghost then introduced himself as Zhong Kui. He said that he had sworn to rid the empire of evil. When the emperor awoke, he had recovered from his illness. So he commissioned the court painter Wu Daozi to produce an image of Zhong Kui to show to the officials. This was highly influential to later representations of Zhong Kui.
Zhong Kui (Wade-Giles: Chung Kwei, Japanese: Shōki) is a figure of Chinese mythology. Traditionally regarded as a vanquisher of ghosts and evil beings, and reputedly able to command 80,000 demons, his image is often painted on household gates as a guardian spirit, as well as in places of business where high-value goods are involved.<br/><br/> Zhong Kui's popularity in folklore can be traced to the reign of Emperor Xuanzong of Tang (712 to 756). According to Song Dynasty sources, once the Emperor Xuanzong was gravely ill. He had a dream in which he saw two ghosts. The smaller of the ghosts stole a purse from imperial consort Yang Guifei and a flute belonging to the emperor. The bigger ghost, wearing the hat of an official, captured the smaller ghost, tore out his eye and ate it. The bigger ghost then introduced himself as Zhong Kui. He said that he had sworn to rid the empire of evil. When the emperor awoke, he had recovered from his illness. So he commissioned the court painter Wu Daozi to produce an image of Zhong Kui to show to the officials. This was highly influential to later representations of Zhong Kui.
Zhong Kui (Wade-Giles: Chung Kwei, Japanese: Shōki) is a figure of Chinese mythology. Traditionally regarded as a vanquisher of ghosts and evil beings, and reputedly able to command 80,000 demons, his image is often painted on household gates as a guardian spirit, as well as in places of business where high-value goods are involved.<br/><br/> Zhong Kui's popularity in folklore can be traced to the reign of Emperor Xuanzong of Tang (712 to 756). According to Song Dynasty sources, once the Emperor Xuanzong was gravely ill. He had a dream in which he saw two ghosts. The smaller of the ghosts stole a purse from imperial consort Yang Guifei and a flute belonging to the emperor. The bigger ghost, wearing the hat of an official, captured the smaller ghost, tore out his eye and ate it. The bigger ghost then introduced himself as Zhong Kui. He said that he had sworn to rid the empire of evil. When the emperor awoke, he had recovered from his illness. So he commissioned the court painter Wu Daozi to produce an image of Zhong Kui to show to the officials. This was highly influential to later representations of Zhong Kui.
Zhong Kui (Wade-Giles: Chung Kwei, Japanese: Shōki) is a figure of Chinese mythology. Traditionally regarded as a vanquisher of ghosts and evil beings, and reputedly able to command 80,000 demons, his image is often painted on household gates as a guardian spirit, as well as in places of business where high-value goods are involved.<br/><br/> Zhong Kui's popularity in folklore can be traced to the reign of Emperor Xuanzong of Tang (712 to 756). According to Song Dynasty sources, once the Emperor Xuanzong was gravely ill. He had a dream in which he saw two ghosts. The smaller of the ghosts stole a purse from imperial consort Yang Guifei and a flute belonging to the emperor. The bigger ghost, wearing the hat of an official, captured the smaller ghost, tore out his eye and ate it. The bigger ghost then introduced himself as Zhong Kui. He said that he had sworn to rid the empire of evil. When the emperor awoke, he had recovered from his illness. So he commissioned the court painter Wu Daozi to produce an image of Zhong Kui to show to the officials. This was highly influential to later representations of Zhong Kui.
Part of a set of five hanging scrolls entitled 'Extermination of Evil', depicting benevolent deities who expel demons of plague. This scroll was originally part of a handscroll known as the 'Second edition of the Masuda family Hell Scroll' before being cut into sections after World War II. The text on the scroll explains the acts of the god in exterminating evil. Shoki is a legendary Chinese deity who protected Emperor Xuanzong of Tang from evil demons. He is depicted with large eyes and a thick beard wearing a black robe, wide hat and boots. The set of five scrolls has been designated as a National Treasure of Japan in the category 'Paintings'.
Shadow play (Chinese: 皮影戏, pí yĭng xì) or shadow puppetry is an ancient form of storytelling and entertainment using opaque, often articulated figures in front of an illuminated backdrop to create the illusion of moving images. It is popular in various cultures. At present, more than 20 countries are known to have shadow show troupes.<br/><br/>Shadow puppetry originated during the Han Dynasty when one of the concubines of Emperor Wu of Han died from an illness. The emperor was devastated, and he summoned his court officers to bring his beloved back to life. The officers made a shape of the concubine using donkey leather. Her joints were animated using 11 separate pieces of the leather, and adorned with painted clothes. Using an oil lamp they made her shadow move, bringing her back to life. Shadow theatre became quite popular as early as the Song Dynasty when holidays were marked by the presentation of many shadow plays. During the Ming Dynasty there were 40 to 50 shadow show troupes in the city of Beijing alone. In the 13th century, the shadow show became a regular recreation in the barracks of the Mongolian troops. It was spread by the conquering Mongols to distant countries like Persia, Arabia, and Turkey. Later, it was introduced to other Southeastern Asian countries.<br/><br/>The earliest shadow theatre screens were made of mulberry paper. The storytellers generally used the art to tell events between various war kingdoms or stories of Buddhist sources. Today, puppets made of leather and moved on sticks are used to tell dramatic versions of traditional fairy tales and myths. In Gansu province, it is accompanied by Daoqing music, while in Jilin, accompanying Huanglong music forms some of the basis of modern opera.
Part of a set of five hanging scrolls entitled 'Extermination of Evil', depicting benevolent deities who expel demons of plague. This scroll was originally part of a handscroll known as the 'Second edition of the Masuda family Hell Scroll' before being cut into sections after World War II. The text on the scroll explains the acts of the god in exterminating evil. Shoki is a legendary Chinese deity who protected Emperor Xuanzong of Tang from evil demons. He is depicted with large eyes and a thick beard wearing a black robe, wide hat and boots. The set of five scrolls has been designated as a National Treasure of Japan in the category 'Paintings'.
Zhong Kui (Wade-Giles: Chung Kwei, Japanese: Shōki) is a figure of Chinese mythology. Traditionally regarded as a vanquisher of ghosts and evil beings, and reputedly able to command 80,000 demons, his image is often painted on household gates as a guardian spirit, as well as in places of business where high-value goods are involved.<br/><br/> Zhong Kui's popularity in folklore can be traced to the reign of Emperor Xuanzong of Tang (712 to 756). According to Song Dynasty sources, once the Emperor Xuanzong was gravely ill. He had a dream in which he saw two ghosts. The smaller of the ghosts stole a purse from imperial consort Yang Guifei and a flute belonging to the emperor. The bigger ghost, wearing the hat of an official, captured the smaller ghost, tore out his eye and ate it. The bigger ghost then introduced himself as Zhong Kui. He said that he had sworn to rid the empire of evil. When the emperor awoke, he had recovered from his illness. So he commissioned the court painter Wu Daozi to produce an image of Zhong Kui to show to the officials. This was highly influential to later representations of Zhong Kui.