Refine your search

The results of your search are listed below alongside the search terms you entered on the previous page. You can refine your search by amending any of the parameters in the form and resubmitting it.

Select all Deselect all Add selection to lightbox
Large Small
Thumbnails per page
Japan: 'An Unidentified Actor'. Ukiyo-e woodblock print by Katsukawa Shun'ei (1762-1819), late 18th - early 19th century.<br/><br/> Katsukawa Shun'ei (1762 - 13 December 1819), real name Isoda Shun'ei, was a Japanese ukiyo-e artist from Tokyo. He joined the Katsukawa school of ukiyo-e artists, and mainly designed <i>yakusha-e kabuki</i> portraits, though he also dabbled in <i>musha-e</i> warrior prints and prints of sumo wrestlers. He became head of the Katsukawa school in 1800.
Japan: 'Bando Hikosaburo III as Sugawara no Michizane, from the Kabuki play Sugawara's Secrets of Calligraphy (Sugawara Denju Tenarai Kagami)'. Ukiyo-e woodblock print by Katsukawa Shun'ei (1762-1819), c. 1800.<br/><br/> Katsukawa Shun'ei (1762 - 13 December 1819), real name Isoda Shun'ei, was a Japanese ukiyo-e artist from Tokyo. He joined the Katsukawa school of ukiyo-e artists, and mainly designed <i>yakusha-e kabuki</i> portraits, though he also dabbled in <i>musha-e</i> warrior prints and prints of sumo wrestlers. He became head of the Katsukawa school in 1800.
Japan: 'Portrait of Three Actors: Ichikawa Komazo II, Sakata Hangoro III and Nakayama Fukasaburo I'. Ukiyo-e woodblock print by Katsukawa Shun'ei (1762-1819), 1794.<br/><br/> Katsukawa Shun'ei (1762 - 13 December 1819), real name Isoda Shun'ei, was a Japanese ukiyo-e artist from Tokyo. He joined the Katsukawa school of ukiyo-e artists, and mainly designed <i>yakusha-e kabuki</i> portraits, though he also dabbled in <i>musha-e</i> warrior prints and prints of sumo wrestlers. He became head of the Katsukawa school in 1800.
Japan: 'Actor Sakata Hangoro III'. Ukiyo-e woodblock print by Katsukawa Shun'ei (1762-1819), c. 1790.<br/><br/> Katsukawa Shun'ei (1762 - 13 December 1819), real name Isoda Shun'ei, was a Japanese ukiyo-e artist from Tokyo. He joined the Katsukawa school of ukiyo-e artists, and mainly designed <i>yakusha-e kabuki</i> portraits, though he also dabbled in <i>musha-e</i> warrior prints and prints of sumo wrestlers. He became head of the Katsukawa school in 1800.
Japan: Untitled <i>ukiyo-e</i> woodblock print by Katsukawa Shun'ei (1762-1819), late 18th century - early 19th century.<br/><br/> Katsukawa Shun'ei (1762 - 13 December 1819), real name Isoda Shun'ei, was a Japanese ukiyo-e artist from Tokyo. He joined the Katsukawa school of ukiyo-e artists, and mainly designed <i>yakusha-e kabuki</i> portraits, though he also dabbled in <i>musha-e</i> warrior prints and prints of sumo wrestlers. He became head of the Katsukawa school in 1800.
Japan: 'The Actor Sakata Hangoro III in the Role of a Yakko'. Ukiyo-e woodblock print by Katsukawa Shun'ei (1762-1819), c. 1788-1792.<br/><br/> Katsukawa Shun'ei (1762 - 13 December 1819), real name Isoda Shun'ei, was a Japanese ukiyo-e artist from Tokyo. He joined the Katsukawa school of ukiyo-e artists, and mainly designed <i>yakusha-e kabuki</i> portraits, though he also dabbled in <i>musha-e</i> warrior prints and prints of sumo wrestlers. He became head of the Katsukawa school in 1800.
Yashima Gakutei was a Japanese artist and poet who was a pupil of both Totoya Hokkei and Hokusai. Gakutei is best known for his kyoka poetry and surimono woodblock works.
Samurai is the term for the military nobility of pre-industrial Japan. By the end of the 12th century, samurai became almost entirely synonymous with bushi, and the word was closely associated with the middle and upper echelons of the warrior class.<br/><br/> The samurai followed a set of rules that came to be known as Bushidō. While they numbered less than ten percent of Japan's population, samurai teachings can still be found today in both everyday life and in martial arts such as Kendō, meaning the way of the sword.
Japan: White Streak in the Waves Zhang Shun or Rorihakucho Cho Jun, one of the 'One Hundred and Eight Heroes of the Water Margin', half-naked and tattooed, holding a sword between his teeth, wrenching apart the bars of a water-gate with his hands. Woodblock print by Utagawa Kuniyoshi (1797-1863), 1827-1830. The Water Margin (known in Chinese as Shuihu Zhuan, sometimes abbreviated to Shuihu, known as Suikoden in Japanese, as well as Outlaws of the Marsh, Tale of the Marshes, All Men Are Brothers, Men of the Marshes, or The Marshes of Mount Liang in English, is a 14th century novel and one of the Four Great Classical Novels of Chinese literature. Attributed to Shi Nai'an and written in vernacular Chinese.
Water Margin (known in Chinese as Shuihu Zhuan, sometimes abbreviated to Shuihu), also known as Suikoden in Japanese, as well as Outlaws of the Marsh, Tale of the Marshes, All Men Are Brothers, Men of the Marshes, or The Marshes of Mount Liang, is a 14th century novel and one of the Four Great Classical Novels of Chinese literature.<br/><br/> Attributed to Shi Nai'an and written in vernacular Chinese, the story, set in the Song Dynasty, tells of how a group of 108 outlaws gathered at Mount Liang (or Liangshan Marsh) to form a sizable army before they are eventually granted amnesty by the government and sent on campaigns to resist foreign invaders and suppress rebel forces.<br/><br/> In 1827, Japanese publisher Kagaya Kichibei commissioned Utagawa Kuniyoshi to produce a series of woodblock prints illustrating the 108 heroes of the Suikoden. The 1827-1830 series, called '108 Heroes of the Water Margin' or 'Tsuzoku Suikoden goketsu hyakuhachinin no hitori', made Utagawa Kuniyoshi's famous.
The tattooed Zhang Shun, Japanese name Rorihakucho Cho Jun, smashes a water-gate with a sword between his teeth.<br/><br/> The Water Margin (known in Chinese as Shuihu Zhuan, sometimes abbreviated to Shuihu, 水滸傳), known as Suikoden in Japanese, as well as Outlaws of the Marsh, Tale of the Marshes, All Men Are Brothers, Men of the Marshes, or The Marshes of Mount Liang in English, is a 14th century novel and one of the Four Great Classical Novels of Chinese literature.<br/><br/> Attributed to Shi Nai'an and written in vernacular Chinese, the story, set in the Song Dynasty, tells of how a group of 108 outlaws gathered at Mount Liang (or Liangshan Marsh) to form a sizable army before they are eventually granted amnesty by the government and sent on campaigns to resist foreign invaders and suppress rebel forces.<br/><br/> In 1827, Japanese publisher Kagaya Kichibei commissioned Utagawa Kuniyoshi to produce a series of woodblock prints illustrating the 108 heroes of the Suikoden. The 1827-1830 series, called '108 Heroes of the Water Margin' or 'Tsuzoku Suikoden goketsu hyakuhachinin no hitori', made Utagawa Kuniyoshi's famous.
The Worthy Lady Shun (1748 - 1788) came from the Manchu Niohuru clan. She was the daughter of the Governor General Aibida. Lady Niohuru was born on November 25, during the thirteenth year of the Qianlong Emperor's reign. She entered the imperial court aged 18, on June 26, during the thirty-first year of the Qianlong Emperor's reign, and she was 37 years younger than the Qianlong Emperor. When she first entered the imperial palace, she was given the title Worthy Lady Chang (the sixth lowest rank among an emperor's wives). During the thirty-third year of the Qianlong Emperor's reign, Lady Niohuru was elevated to an imperial concubine, and given the title Imperial Concubine Shun, meaning "conformity". In June during the forty-first year of the Qianlong Emperor's reign, Lady Niohuru was again elevated to an Imperial Consort, and was given the title Imperial Consort Shun. However, on January 29 during the fifty-third year of the Qianlong Emperor's reign, Lady Niohuru was demoted to a Worthy Lady (back to the third-lowest rank). On October 28 the same year, Lady Niohuru died, aged 41.
The Three Sovereigns and Five Emperors (Sanhuang wudi; Wade–Giles: San-huang wu-ti) are a blend of mythological rulers and cultural heroes from ancient China dating loosely from the period from c.3500-2000 BCE. This represents the earliest period of recorded Chinese history and is regarded as largely mythological. In chronological terms it precedes the Xia Dynasty (c.2070-1600 BCE).<br/><br/> There are several variations as to who constitute the various Three Sovereigns and Seven Emperors. According to the Diwang Xishi or Record of Imperial Lineages, also called the 'Sovereign Series' in English, the Three Sovereigns were, in chronological sequence: Fuxi, Shennong and Huangdi. The same source lists the Five Emperors, again chronologically, as: Shaohao, Zhuanxu, Gaoxin, Yao and Shun.
The Shunzhi Emperor (15 March 1638–5 February 1661) was the second emperor of the Manchu-led Qing dynasty, and officially the first Qing emperor to rule over China from 1644 to 1661. He ascended to the throne at the age of five (six according to traditional Chinese age reckoning) in 1643 upon the death of his father Hong Taiji, but actual power during the early part of his reign lay in the hands of the appointed regents, Princes Dorgon (posthumously titled Emperor Chengzong) and Jirgalang. With the Qing pacification of the former Ming provinces almost complete, he died still a young man, in circumstances that have lent themselves to rumour and speculation. He was succeeded by his son Xuanye, who reigned as the Kangxi emperor.
Samurai is the term for the military nobility of pre-industrial Japan. By the end of the 12th century, samurai became almost entirely synonymous with bushi, and the word was closely associated with the middle and upper echelons of the warrior class.<br/><br/> The samurai followed a set of rules that came to be known as Bushidō. While they numbered less than ten percent of Japan's population, samurai teachings can still be found today in both everyday life and in martial arts such as Kendō, meaning the way of the sword.
Samurai is the term for the military nobility of pre-industrial Japan. By the end of the 12th century, samurai became almost entirely synonymous with bushi, and the word was closely associated with the middle and upper echelons of the warrior class.<br/><br/> The samurai followed a set of rules that came to be known as Bushidō. While they numbered less than ten percent of Japan's population, samurai teachings can still be found today in both everyday life and in martial arts such as Kendō, meaning the way of the sword.
The Three Sovereigns and Five Emperors (Sanhuang wudi; Wade–Giles: San-huang wu-ti) are a blend of mythological rulers and cultural heroes from ancient China dating loosely from the period from c.3500-2000 BCE. This represents the earliest period of recorded Chinese history and is regarded as largely mythological. In chronological terms it precedes the Xia Dynasty (c.2070-1600 BCE).<br/><br/> There are several variations as to who constitute the various Three Sovereigns and Seven Emperors. According to the Diwang Xishi or Record of Imperial Lineages, also called the 'Sovereign Series' in English, the Three Sovereigns were, in chronological sequence: Fuxi, Shennong and Huangdi. The same source lists the Five Emperors, again chronologically, as: Shaohao, Zhuanxu, Gaoxin, Yao and Shun.
Japan: 'Portrait of Actor Sawamura Sojuro III in the Role of Kakogawa Honzo'. Ukiyo-e woodblock print by Katsukawa Shun'ei (1762-1819), 1795.<br/><br/> Katsukawa Shun'ei (1762 - 13 December 1819), real name Isoda Shun'ei, was a Japanese ukiyo-e artist from Tokyo. He joined the Katsukawa school of ukiyo-e artists, and mainly designed <i>yakusha-e kabuki</i> portraits, though he also dabbled in <i>musha-e</i> warrior prints and prints of sumo wrestlers. He became head of the Katsukawa school in 1800.
Japan: 'The Actor Otani Onji with Raised Sword, Standing by a Gate; by Night'. Ukiyo-e woodblock print by Katsukawa Shun'ei (1762-1819), c. 1793-1797.<br/><br/> Katsukawa Shun'ei (1762 - 13 December 1819), real name Isoda Shun'ei, was a Japanese ukiyo-e artist from Tokyo. He joined the Katsukawa school of ukiyo-e artists, and mainly designed <i>yakusha-e kabuki</i> portraits, though he also dabbled in <i>musha-e</i> warrior prints and prints of sumo wrestlers. He became head of the Katsukawa school in 1800.