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China: British and Chinese officials on board HMS Wellesley a day before the capture of Chusan (5-6 July, 1840) in the First Opium War. British Commodore Sir James Gordon Bremer (table, 3rd left) and Chinese Admiral Chang (table, 3rd right), Karl Gützlaff (centre) served as interpreter.<br/><br/> The first capture of Chusan by British forces in China occurred on 5–6 July 1840 during the First Opium War. The British captured Chusan, the largest island of an archipelago of that name.<br/><br/> The First Anglo-Chinese War (1839–42), known popularly as the First Opium War or simply the Opium War, was fought between the United Kingdom and the Qing Dynasty of China over their conflicting viewpoints on diplomatic relations, trade, and the administration of justice.
China: British and Chinese officials on board HMS Wellesley a day before the capture of Chusan (5-6 July, 1840) in the First Opium War. British Commodore Sir James Gordon Bremer (table, 3rd left) and Chinese Admiral Chang (table, 3rd right), Karl Gützlaff (centre) served as interpreter.<br/><br/> The first capture of Chusan by British forces in China occurred on 5–6 July 1840 during the First Opium War. The British captured Chusan, the largest island of an archipelago of that name.<br/><br/> The First Anglo-Chinese War (1839–42), known popularly as the First Opium War or simply the Opium War, was fought between the United Kingdom and the Qing Dynasty of China over their conflicting viewpoints on diplomatic relations, trade, and the administration of justice.
Armenian illuminated manuscripts form a separate tradition, related to other forms of Medieval Armenian art, but also to the Byzantine tradition. The earliest surviving examples date from the Golden Age of Armenian art and literature in the 5th century.<br/><br/> Early Armenian Illuminated manuscripts are remarkable for their festive designs to the Armenian culture. The greatest Armenian miniaturist, Toros Roslin, lived in the 13th century.
Toros Roslin was the most prominent Armenian manuscript illuminator in the High Middle Ages. Roslin introduced a wider range of narrative in his iconography based on his knowledge of western European art while continuing the conventions established by his predecessors. Roslin enriched Armenian manuscript painting by introducing new artistic themes such as the Incredulity of Thomas and Passage of the Red Sea.<br/><br/> In addition he revived the genre of royal portraits, the first Cilician royal portraits having been found in his manuscripts. His style is characterized by a delicacy of color, classical treatment of figures and their garments, an elegance of line, and an innovative iconography.
Mesrop of Khizan was a prominent Armenian manuscript illuminator in Persia. Mesrop was born in the Ottoman Empire but eventually lived in Isfahan, Persia, where he contributed in the making of manuscripts for bibles and gospels for four decades.<br/><br/> He was also a scribe, clerk, teacher, doctor of theology, restorer and binder.
Mesrop of Khizan was a prominent Armenian manuscript illuminator in Persia. Mesrop was born in the Ottoman Empire but eventually lived in Isfahan, Persia, where he contributed in the making of manuscripts for bibles and gospels for four decades.<br/><br/> He was also a scribe, clerk, teacher, doctor of theology, restorer and binder.
Mesrop of Khizan was a prominent Armenian manuscript illuminator in Persia. Mesrop was born in the Ottoman Empire but eventually lived in Isfahan, Persia, where he contributed in the making of manuscripts for bibles and gospels for four decades.<br/><br/> He was also a scribe, clerk, teacher, doctor of theology, restorer and binder.
Jean Nicolas Arthur Rimbaud (20 October 1854 – 10 November 1891) was a French poet born in Charleville, Ardennes. He influenced modern literature and arts, inspired various musicians, and prefigured surrealism. He started writing poems at a very young age, while still in primary school, and stopped completely before he turned 21. He was mostly creative in his teens.<br/><br/> Rimbaud was known to have been a libertine and for being a restless soul. He traveled extensively on three continents before his death from cancer just after his thirty-seventh birthday.
Wang Zhen (Wade–Giles: Wang Chen, fl. 1290 – 1333) was an official of the Yuan Dynasty (1271 – 1368 CE). He was one of the early innovators of the wooden movable type printing system.<br/><br/> His illustrated agricultural treatise was also one of the most advanced of its day, covering a wide range of equipment and technologies available in the late 13th and early 14th century.
The periodic table is a tabular arrangement of the chemical elements, ordered by their atomic number (number of protons in the nucleus), electron configurations, and recurring chemical properties. The table also shows four rectangular blocks: s-, p- d- and f-block. In general, within one row (period) the elements are metals on the lefthand side, and non-metals on the righthand side.
The periodic table is a tabular arrangement of the chemical elements, ordered by their atomic number (number of protons in the nucleus), electron configurations, and recurring chemical properties. The table also shows four rectangular blocks: s-, p- d- and f-block. In general, within one row (period) the elements are metals on the lefthand side, and non-metals on the righthand side.
Joseph Vissarionovich Stalin (18 December 1878 – 5 March 1953) was the first General Secretary of the Communist Party of the Soviet Union's Central Committee from 1922 until his death in 1953. While formally the office of the General Secretary was elective and was not initially regarded as top position in the Soviet state, after Vladimir Lenin's death in 1924, Stalin managed to consolidate more and more power in his hands, gradually putting down all opposition groups within the party.<br/><br/> Stalin's idea of socialism in one country became the primary line of the Soviet politics. He dominated Soviet politics and the USSR through the Great Purges of the 1930s, then the catastrophic Second World War, remaining in power until his death in 1953.
Busan (부산 ), officially Busan Metropolitan City), Latinized Pusan before 2000, is South Korea's second largest metropolis after Seoul, with a population of approximately 3.6 million.<br/><br/>The population of the metropolitan area, including the adjacent cities of Gimhae and Yangsan, is approximately 4.6 million. It is the largest port city in South Korea and the world's fifth busiest seaport by cargo tonnage.<br/><br/>The city is located on the southeastern-most tip of the Korean peninsula. The most densely built up areas of the city are situated in a number of narrow valleys between the Nakdong River and Suyeong River, with mountains separating some of the districts. Administratively, it is designated as a Metropolitan City. The Busan metropolitan area is divided into 15 major administrative districts and a single county.
Thirty-six Views of Mount Fuji (Japanese: 富士三十六景; Fuji Sanjū-Rokkei) is the title of two series of woodblock prints by the Japanese ukiyo-e artist Andō Hiroshige, depicting Mount Fuji in differing seasons and weather conditions from a variety of different places and distances. The 1852 series are in landscape orientation; the 1858 series are in portrait orientation.<br/><br/> Utagawa Hiroshige (歌川 広重, 1797 – October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was also referred to as Andō Hiroshige (安藤 広重) (an irregular combination of family name and art name) and by the art name of Ichiyūsai Hiroshige (一幽斎廣重).
Christianity in Ethiopia dates to the 1st century AD, and this long tradition makes Ethiopia unique amongst sub-Saharan African countries. Christianity in this country is divided into several groups. The largest and oldest is the Ethiopian Orthodox Tewahedo Church (in Amharic: የኢትዮጵያ ኦርቶዶክስ ተዋሕዶ ቤተክርስትያን Yäityop'ya ortodoks täwahedo bétäkrestyan) which is an Oriental Orthodox church in Ethiopia that was part of the Coptic Orthodox Church until 1959, when it was granted its own Patriarch by Coptic Orthodox Pope of Alexandria and Patriarch of All Africa Cyril VI.<br/><br/> The only pre-colonial Christian church of Sub-Saharan Africa, the Ethiopian Orthodox church has a membership of slightly more than 32 million people in Ethiopia, and is thus the largest of all Oriental Orthodox churches. Next in size are the various Protestant congregations, who include 13.7 million Ethiopians. The largest Protestant group is the Ethiopian Evangelical Church Mekane Yesus, with about 5 million members. Roman Catholicism has been present in Ethiopia since the 16th century, and numbers 536,827 believers. In total, Christians make up about 60% of the total population of the country.
Oriental carpets more than two centuries old have rarely survived and are rarely represented in Islamic Art since Sunni Islam (and to a lesser extent Shia) eschews representational art in favour of precisely the repetetive geometric symbols and arabesques found, for example, in oriental carpets.<br/><br/> This means that most examples of 17th century and earlier oriental carpets, mainly produced in Muslim lands, are only to be found in paintings from Christian lands where rich oriental carpets were associated with wealth, power and taste.<br/><br/> Such carpets featured as an important decorative feature in paintings from the 14th century onwards, leading to the dichotomy that there are more depictions of oriental carpets produced before the 17th century in European paintings than there are actual oriental carpets surviving from the same period.<br/><br/> Because of this European paintings have proved an invaluable source of reference for the study of the history of carpetmaking and carpets.
Oriental carpets more than two centuries old have rarely survived and are rarely represented in Islamic Art since Sunni Islam (and to a lesser extent Shia) eschews representational art in favour of precisely the repetetive geometric symbols and arabesques found, for example, in oriental carpets.<br/><br/> This means that most examples of 17th century and earlier oriental carpets, mainly produced in Muslim lands, are only to be found in paintings from Christian lands where rich oriental carpets were associated with wealth, power and taste.<br/><br/> Such carpets featured as an important decorative feature in paintings from the 14th century onwards, leading to the dichotomy that there are more depictions of oriental carpets produced before the 17th century in European paintings than there are actual oriental carpets surviving from the same period.<br/><br/> Because of this European paintings have proved an invaluable source of reference for the study of the history of carpetmaking and carpets.
Oriental carpets more than two centuries old have rarely survived and are rarely represented in Islamic Art since Sunni Islam (and to a lesser extent Shia) eschews representational art in favour of precisely the repetetive geometric symbols and arabesques found, for example, in oriental carpets.<br/><br/> This means that most examples of 17th century and earlier oriental carpets, mainly produced in Muslim lands, are only to be found in paintings from Christian lands where rich oriental carpets were associated with wealth, power and taste.<br/><br/> Such carpets featured as an important decorative feature in paintings from the 14th century onwards, leading to the dichotomy that there are more depictions of oriental carpets produced before the 17th century in European paintings than there are actual oriental carpets surviving from the same period.<br/><br/> Because of this European paintings have proved an invaluable source of reference for the study of the history of carpetmaking and carpets.
The revenge of the Forty-seven Ronin (四十七士 Shi-jū-shichi-shi), also known as the Forty-seven Samurai, the Akō vendetta, or the Genroku Akō incident (元禄赤穂事件 Genroku akō jiken) took place in Japan at the start of the 18th century. One noted Japanese scholar described the tale as the country's 'national legend'. It recounts the most famous case involving the samurai code of honor, bushidō.<br/><br/> The story tells of a group of samurai who were left leaderless (becoming ronin) after their daimyo (feudal lord) Asano Naganori was forced to commit seppuku (ritual suicide) for assaulting a court official named Kira Yoshinaka, whose title was Kōzuke no suke. The ronin avenged their master's honor after patiently waiting and planning for two years to kill Kira.<br/><br/> In turn, the ronin were themselves ordered to commit seppuku for committing the crime of murder. With much embellishment, this true story was popularized in Japanese culture as emblematic of the loyalty, sacrifice, persistence, and honor that all good people should preserve in their daily lives. The popularity of the almost mythical tale was only enhanced by rapid modernization during the Meiji era of Japanese history, when it is suggested many people in Japan longed for a return to their cultural roots.<br/><br/> Fictionalized accounts of these events are known as Chūshingura. The story was popularized in numerous plays including bunraku and kabuki. Because of the censorship laws of the shogunate in the Genroku era, which forbade portrayal of current events, the names of the ronin were changed.
A painting on paper in color and gold leaf from al-Jazari's ' Kitab fi marifat al-hiyal al-handasiyya' (The Book of Knowledge of Ingenious Mechanical Devices).<br/><br/> Abū al-'Iz Ibn Ismā'īl ibn al-Razāz al-Jazarī (1136–1206) was a polymath: a scholar, inventor, mechanical engineer, craftsman, artist, mathematician and astronomer from Al-Jazira, Mesopotamia, who worked in service of the Artuqid dynasty in Diyarbakır, Asia Minor. He is best known for writing the Kitáb fí ma'rifat al-hiyal al-handasiyya (Book of Knowledge of Ingenious Mechanical Devices) in 1206, where he described fifty mechanical devices along with instructions on how to construct them.
William Hodges (28 October 1744 – 6 March 1797) was an English painter. He was a member of James Cook's second voyage to the Pacific Ocean, and is best known for the sketches and paintings of locations he visited on that voyage, including Table Bay, Tahiti, Easter Island, and the Antarctic. Hodges accompanied Cook to the Pacific as the expedition's artist in 1772-1775. Many of his sketches and wash paintings were adapted as engravings in the original published edition of Cook's journals from the voyage.
Ragamala Paintings are a series of illustrative paintings from medieval India based on Ragamala or the 'Garland of Ragas', depicting various Indian musical nodes, Ragas. They stand as a classical example of the amalgamation of art, poetry and classical music in medieval India. Ragamala paintings were created in most schools of Indian painting, starting in the 16th and 17th centuries and are today named accordingly, as Pahari Ragamala, Rajasthan or Rajput Ragamala, Deccan Ragamala, and Mughal Ragamala.
The earliest description of the use of opium as a recreational drug in China comes from Xu Boling, who wrote in 1483 that opium was ‘mainly used to aid masculinity, strengthen sperm and regain vigor’, and that it ‘enhances the art of alchemists, sex and court ladies’.<br/><br/> He described an expedition sent by the Chenghua Emperor in 1483 to procure opium for a price ‘equal to that of gold’ in Hainan, Fujian, Zhejiang, Sichuan and Shaanxi where it is close to Xiyu. A century later, Li Shizhen listed standard medical uses of opium in his renowned Compendium of Materia Medica (1578), but also wrote that ‘lay people use it for the art of sex’, in particular the ability to ‘arrest seminal emission’. This association of opium with sex continued in China until the twentieth century.<br/><br/> Opium smoking began as a privilege of the elite and remained a great luxury into the early 19th century, but by 1861, Wang Tao wrote that opium was used by rich peasants, and that even a small village without a rice store would have a shop where opium was sold.
This shunga is one of Harunobu's series of 24 woodblock prints: 'Furyu enshoku Mane'emon' (風流艶色真似ゑもん or 'Elegant Amorous Mane'emon'), Edo (Tokyo), 1770.<br/><br/>Harunobu's Mane'emon series illustrate the voyeuristic adventures of a man named Ukiyonosuke who wanted to learn the secrets of love making. To attain this end he drank a magic elixir and became very small, taking the pseudonym ' Mane'emon'.
Drawing shows a male servant, full-length, standing, facing left, holding a small table with dishes for dining.