Refine your search

The results of your search are listed below alongside the search terms you entered on the previous page. You can refine your search by amending any of the parameters in the form and resubmitting it.

Select all Deselect all Add selection to lightbox
Large Small
Thumbnails per page
Wat Chalong in Phuket's Chalong District is delicated to two highly venerable monks, Luang Pho Chaem and Luang Pho Chuang, who were famous for their work in herbal medicine and tending to the ill. During the Phuket tin miners’ rebellion of 1876, they mobilized aid for the injured on both sides. They also mediated in the rebellion, bringing the warring parties together to resolve their dispute. Statues honouring them stand in the sermon hall (viharn) of Wat Chalong.
The 1855 Ansei Edo earthquake, also known as the Great Ansei Earthquake, was one of the major disasters of the late-Edo period. The earthquake occurred at 22:00 local time on 11 November. It had an epicenter close to Edo (now Tokyo), causing considerable damage in the Kantō region from the shaking and subsequent fires, with a death toll of about 7,000 people.<br/><br/> The earthquake also triggered a tsunami. Within days, a new type of color woodblock print known as <i>namazu-e</i> (lit. 'catfish pictures') became popular among the residents of the shaken city. These prints featured depictions of mythical giant catfish (<i>namazu</i>) who, according to popular legend, caused earthquakes and related tsunami by thrashing about in their underground lairs. In addition to providing humor and social commentary, many prints claimed to offer protection as talismans from future earthquakes.<br/><br/> The popularity of <i>namazu-e</i> exploded, and as many as four hundred different types became available. The phenomenon ended two months later when the Tokugawa government, which maintained a strict system of censorship over the publishing industry, forbade production. Only a handful are known to survive today.
The 1855 Ansei Edo earthquake, also known as the Great Ansei Earthquake, was one of the major disasters of the late-Edo period. The earthquake occurred at 22:00 local time on 11 November. It had an epicenter close to Edo (now Tokyo), causing considerable damage in the Kantō region from the shaking and subsequent fires, with a death toll of about 7,000 people.<br/><br/> The earthquake also triggered a tsunami. Within days, a new type of color woodblock print known as <i>namazu-e</i> (lit. 'catfish pictures') became popular among the residents of the shaken city. These prints featured depictions of mythical giant catfish (<i>namazu</i>) who, according to popular legend, caused earthquakes and related tsunami by thrashing about in their underground lairs. In addition to providing humor and social commentary, many prints claimed to offer protection as talismans from future earthquakes.<br/><br/> The popularity of <i>namazu-e</i> exploded, and as many as four hundred different types became available. The phenomenon ended two months later when the Tokugawa government, which maintained a strict system of censorship over the publishing industry, forbade production. Only a handful are known to survive today.
This illuminated book made of tree bark is a pustaha, written in the script of the Batak people of Northern Sumatra. Pustahas were books describing magical practices, and were intended for use only by Batak spiritual leaders and their disciples. This pustaha describes forms of protection against evil.
Wat Chalong in Phuket's Chalong District is delicated to two highly venerable monks, Luang Pho Chaem and Luang Pho Chuang, who were famous for their work in herbal medicine and tending to the ill. During the Phuket tin miners’ rebellion of 1876, they mobilized aid for the injured on both sides. They also mediated in the rebellion, bringing the warring parties together to resolve their dispute. Statues honouring them stand in the sermon hall (viharn) of Wat Chalong.
The Mogao Caves, or Mogao Grottoes (Chinese: Mògāo kū) (also known as the Caves of the Thousand Buddhas and Dunhuang Caves) form a system of 492 temples 25 km (15.5 miles) southeast of the center of Dunhuang, an oasis strategically located at a religious and cultural crossroads on the Silk Road, in Gansu province, China. The caves contain some of the finest examples of Buddhist art spanning a period of 1,000 years. The first caves were dug out 366 CE as places of Buddhist meditation and worship. The Mogao Caves are the best known of the Chinese Buddhist grottoes and, along with Longmen Grottoes and Yungang Grottoes, are one of the three famous ancient sculptural sites of China. The caves also have famous wall paintings.