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Jean Discart was born in the Italian city of Modena in 1856 and enrolled in a history of painting course at the Vienna Academy of Fine Arts at the age of seventeen.<br/><br/> Discart first exhibited in the Paris Salon in 1884 and painted Orientalist subjects through to the 1920s, rendering work exquisite in their detail, richness and understanding of light and texture. Discart's compositions incorporated the heavy use of artifacts such as metal ware, pottery, textiles and instruments, set against elaborate backdrops of sculpted stone, painted tiles or carved woodwork.
Jean Discart was born in the Italian city of Modena in 1856 and enrolled in a history of painting course at the Vienna Academy of Fine Arts at the age of seventeen.<br/><br/> Discart first exhibited in the Paris Salon in 1884 and painted Orientalist subjects through to the 1920s, rendering work exquisite in their detail, richness and understanding of light and texture. Discart's compositions incorporated the heavy use of artifacts such as metal ware, pottery, textiles and instruments, set against elaborate backdrops of sculpted stone, painted tiles or carved woodwork.
Jean Discart was born in the Italian city of Modena in 1856 and enrolled in a history of painting course at the Vienna Academy of Fine Arts at the age of seventeen.<br/><br/> Discart first exhibited in the Paris Salon in 1884 and painted Orientalist subjects through to the 1920s, rendering work exquisite in their detail, richness and understanding of light and texture. Discart's compositions incorporated the heavy use of artifacts such as metal ware, pottery, textiles and instruments, set against elaborate backdrops of sculpted stone, painted tiles or carved woodwork.
Jean Discart was born in the Italian city of Modena in 1856 and enrolled in a history of painting course at the Vienna Academy of Fine Arts at the age of seventeen.<br/><br/> Discart first exhibited in the Paris Salon in 1884 and painted Orientalist subjects through to the 1920s, rendering work exquisite in their detail, richness and understanding of light and texture. Discart's compositions incorporated the heavy use of artifacts such as metal ware, pottery, textiles and instruments, set against elaborate backdrops of sculpted stone, painted tiles or carved woodwork.
Tavik Frantisek Simon (1877–1942), was a Czech painter, etcher, and woodcut artist. Although based mainly in Europe, his extensive travels took him to Morocco, Ceylon (now Sri Lanka), India, and Japan, images of all of which appear in his artistic work. He died in Prague in 1942. Largely ignored during the Communist era in Czechoslovakia, his work has received greater attention in recent years.
The Atlas Maior is the final version of Joan Blaeu's atlas, published in Amsterdam between 1662 and 1672, in Latin (11 volumes), French (12 volumes), Dutch (9 volumes), German (10 volumes) and Spanish (10 volumes), containing 594 maps and around 3000 pages of text.<br/><br/> It was the largest and most expensive book published in the seventeenth century. Earlier, much smaller versions, titled Theatrum Orbis Terrarum, sive, Atlas Novus, were published from 1634 onwards.
Tavik Frantisek Simon (1877–1942), was a Czech painter, etcher, and woodcut artist. Although based mainly in Europe, his extensive travels took him to Morocco, Ceylon (now Sri Lanka), India, and Japan, images of all of which appear in his artistic work. He died in Prague in 1942. Largely ignored during the Communist era in Czechoslovakia, his work has received greater attention in recent years.
Tavik Frantisek Simon (1877–1942), was a Czech painter, etcher, and woodcut artist. Although based mainly in Europe, his extensive travels took him to Morocco, Ceylon (now Sri Lanka), India, and Japan, images of all of which appear in his artistic work. He died in Prague in 1942. Largely ignored during the Communist era in Czechoslovakia, his work has received greater attention in recent years.
Tavik Frantisek Simon (1877–1942), was a Czech painter, etcher, and woodcut artist. Although based mainly in Europe, his extensive travels took him to Morocco, Ceylon (now Sri Lanka), India, and Japan, images of all of which appear in his artistic work. He died in Prague in 1942. Largely ignored during the Communist era in Czechoslovakia, his work has received greater attention in recent years.
Tavik Frantisek Simon (1877–1942), was a Czech painter, etcher, and woodcut artist. Although based mainly in Europe, his extensive travels took him to Morocco, Ceylon (now Sri Lanka), India, and Japan, images of all of which appear in his artistic work. He died in Prague in 1942. Largely ignored during the Communist era in Czechoslovakia, his work has received greater attention in recent years.
Tavik Frantisek Simon (1877–1942), was a Czech painter, etcher, and woodcut artist. Although based mainly in Europe, his extensive travels took him to Morocco, Ceylon (now Sri Lanka), India, and Japan, images of all of which appear in his artistic work. He died in Prague in 1942. Largely ignored during the Communist era in Czechoslovakia, his work has received greater attention in recent years.
Tavik Frantisek Simon (1877–1942), was a Czech painter, etcher, and woodcut artist. Although based mainly in Europe, his extensive travels took him to Morocco, Ceylon (now Sri Lanka), India, and Japan, images of all of which appear in his artistic work. He died in Prague in 1942. Largely ignored during the Communist era in Czechoslovakia, his work has received greater attention in recent years.
Tavik Frantisek Simon (1877–1942), was a Czech painter, etcher, and woodcut artist. Although based mainly in Europe, his extensive travels took him to Morocco, Ceylon (now Sri Lanka), India, and Japan, images of all of which appear in his artistic work. He died in Prague in 1942. Largely ignored during the Communist era in Czechoslovakia, his work has received greater attention in recent years.
Photo in the tradition of Lehnert & Landrock: Rudolf Franz Lehnert (Czech) and Ernst Heinrich Landrock (German) had a photographic company based in Tunis, Cairo and Leipzig before World War II. They specialised in somewhat risque Orientalist images of young Arab and Bedouin women, often dancers.