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Noah's Ark ( Biblical Hebrew: Tevat Noaḥ) is the vessel in the Genesis flood narrative (Genesis chapters 6–9) by which God spares Noah, his family, and a remnant of all the world's animals from the flood.<br/><br/> According to Genesis, God gave Noah instructions for building the ark. Seven days before the deluge, God told Noah to enter the ark with his household and the animals. The story goes on to describe the ark being afloat for 150 days and then coming to rest on the Mountains of Ararat and the subsequent receding of the waters. The story is repeated, with variations, in the Quran.
Alessandro di Mariano di Vanni Filipepi, known as Sandro Botticelli (c. 1445 – May 17, 1510), was an Italian painter of the Early Renaissance. He belonged to the Florentine School under the patronage of Lorenzo de' Medici, a movement that Giorgio Vasari would characterize less than a hundred years later in his Vita of Botticelli as a 'golden age'. <br/><br/> Botticelli's posthumous reputation suffered until the late 19th century; since then, his work has been seen to represent the linear grace of Early Renaissance painting.
Lippo d'Andrea di Lippo was a Florentine painter, formerly known as Pseudo-Ambrogio di Baldese.<br/><br/> In 1411, Lippo d'Andrea di Lippo joined the Compagnia di San Luca. That same year he was commissioned, along with Niccolò di Pietro Gerini, Ambrogio di Baldese, and Alvaro di Pietro, to paint frescoes on the facade of the Palazzo del Ceppo in Prato.<br/><br/> A surviving reference to his name comes in 1435-36. That year, Lippo d'Andrea was a member of the group, which included Bicci di Lorenzo, Giovanni dal Ponte, and Rossello di Jacopo Franchi, that was given the task of painting frescoes of the apostles in the tribune chapels of Florence cathedral to celebrate the consecration of the newly built dome by Pope Eugene IV.
In the <i>Calumny of Apelles</i>, Botticelli drew on the description of a painting by Apelles, a Greek painter of the Hellenistic Period. Though Apelles' works have not survived, Lucian recorded details of one in his On Calumny:<br/><br/> 'On the right of it sits Midas with very large ears, extending his hand to Slander while she is still at some distance from him. Near him, on one side, stand two women—Ignorance and Suspicion. On the other side, Slander is coming up, a woman beautiful beyond measure, but full of malignant passion and excitement, evincing as she does fury and wrath by carrying in her left hand a blazing torch and with the other dragging by the hair a young man who stretches out his hands to heaven and calls the gods to witness his innocence.<br/><br/> She is conducted by a pale ugly man who has piercing eye and looks as if he had wasted away in long illness; he represents envy. There are two women in attendance to Slander, one is Fraud and the other Conspiracy. They are followed by a woman dressed in deep mourning, with black clothes all in tatters—she is Repentance. At all events, she is turning back with tears in her eyes and casting a stealthy glance, full of shame, at Truth, who is slowly approaching'.
The <i>Tres Riches Heures du Duc de Berry</i> is the most famous and possibly the best surviving example of French Gothic manuscript illumination, showing the late International Gothic phase of the style. It is a book of hours: a collection of prayers to be said at the canonical hours.<br/><br/> It was created between c. 1412 and 1416 for the extravagant royal bibliophile and patron John, Duke of Berry, by the Limbourg brothers. When the three painters and their sponsor died in 1416, possibly victims of plague, the manuscript was left unfinished. It was further embellished in the 1440s by an anonymous painter, who many art historians believe was Barthelemy d'Eyck. In 1485-1489, it was brought to its present state by the painter Jean Colombe on behalf of the Duke of Savoy.<br/><br/> Acquired by the Duc d'Aumale in 1856, the book is now in the Musee Conde, Chantilly, France.
The Rylands Haggadah, created in Catalonia sometime around 1330, is a masterpiece of Jewish Art.<br/><br/> In addition to pages of piyutim surrounded by ornate decorative and figurative micrography, richly decorated Haggadah text and blessings, there is a 13 page miniature cycle depicting the Exodus story from Moses at the Burning Bush to the Crossing of the Red Sea.
The <i>Tres Riches Heures du Duc de Berry</i> is the most famous and possibly the best surviving example of French Gothic manuscript illumination, showing the late International Gothic phase of the style. It is a book of hours: a collection of prayers to be said at the canonical hours.<br/><br/> It was created between c. 1412 and 1416 for the extravagant royal bibliophile and patron John, Duke of Berry, by the Limbourg brothers. When the three painters and their sponsor died in 1416, possibly victims of plague, the manuscript was left unfinished. It was further embellished in the 1440s by an anonymous painter, who many art historians believe was Barthelemy d'Eyck. In 1485-1489, it was brought to its present state by the painter Jean Colombe on behalf of the Duke of Savoy.<br/><br/> Acquired by the Duc d'Aumale in 1856, the book is now in the Musee Conde, Chantilly, France.
Thomas Cromwell, 1st Earl of Essex, KG (c. 1485 – 28 July 1540), was an English lawyer and statesman who served as chief minister to King Henry VIII of England from 1532 to 1540.<br/><br/> Cromwell was one of the strongest and most powerful advocates of the English Reformation. He helped to engineer an annulment of the king's marriage to Queen Catherine of Aragon to allow Henry to marry his mistress Anne Boleyn. After failing in 1534 to obtain the Pope's approval of the request for annulment, Parliament endorsed the King's claim to be head of the breakaway Church of England, thus giving Henry the authority to annul his own marriage. Cromwell subsequently plotted an evangelical, reformist course for the embryonic Church of England from the unique posts of vicegerent in spirituals and vicar-general.<br/><br/> During his rise to power, Cromwell made many enemies, including his former ally Anne Boleyn; he played a prominent role in her downfall. He later fell from power after arranging the King's marriage to a German princess, Anne of Cleves. Cromwell hoped that the marriage would breathe fresh life into the Reformation in England, but because Henry found his new bride unattractive, it turned into a disaster for Cromwell and ended in an annulment six months later. Cromwell was arraigned under a bill of attainder and executed for treason and heresy on Tower Hill on 28 July 1540. The King later expressed regret at the loss of his chief minister.
The <i>Tres Riches Heures du Duc de Berry</i> is the most famous and possibly the best surviving example of French Gothic manuscript illumination, showing the late International Gothic phase of the style. It is a book of hours: a collection of prayers to be said at the canonical hours.<br/><br/> It was created between c. 1412 and 1416 for the extravagant royal bibliophile and patron John, Duke of Berry, by the Limbourg brothers. When the three painters and their sponsor died in 1416, possibly victims of plague, the manuscript was left unfinished. It was further embellished in the 1440s by an anonymous painter, who many art historians believe was Barthelemy d'Eyck. In 1485-1489, it was brought to its present state by the painter Jean Colombe on behalf of the Duke of Savoy.<br/><br/> Acquired by the Duc d'Aumale in 1856, the book is now in the Musee Conde, Chantilly, France.
The <i>Tres Riches Heures du Duc de Berry</i> is the most famous and possibly the best surviving example of French Gothic manuscript illumination, showing the late International Gothic phase of the style. It is a book of hours: a collection of prayers to be said at the canonical hours.<br/><br/> It was created between c. 1412 and 1416 for the extravagant royal bibliophile and patron John, Duke of Berry, by the Limbourg brothers. When the three painters and their sponsor died in 1416, possibly victims of plague, the manuscript was left unfinished. It was further embellished in the 1440s by an anonymous painter, who many art historians believe was Barthelemy d'Eyck. In 1485-1489, it was brought to its present state by the painter Jean Colombe on behalf of the Duke of Savoy.<br/><br/> Acquired by the Duc d'Aumale in 1856, the book is now in the Musee Conde, Chantilly, France.
The <i>Tres Riches Heures du Duc de Berry</i> is the most famous and possibly the best surviving example of French Gothic manuscript illumination, showing the late International Gothic phase of the style. It is a book of hours: a collection of prayers to be said at the canonical hours.<br/><br/> It was created between c. 1412 and 1416 for the extravagant royal bibliophile and patron John, Duke of Berry, by the Limbourg brothers. When the three painters and their sponsor died in 1416, possibly victims of plague, the manuscript was left unfinished. It was further embellished in the 1440s by an anonymous painter, who many art historians believe was Barthelemy d'Eyck. In 1485-1489, it was brought to its present state by the painter Jean Colombe on behalf of the Duke of Savoy.<br/><br/> Acquired by the Duc d'Aumale in 1856, the book is now in the Musee Conde, Chantilly, France.
Giuliano de' Medici (25 March 1453 – 26 April 1478) was the second son of Piero de' Medici and Lucrezia Tornabuoni. He was co-ruler of Florence, with his brother Lorenzo the Magnificent. <br/><br/> Alessandro di Mariano di Vanni Filipepi, known as Sandro Botticelli (c. 1445 – May 17, 1510), was an Italian painter of the Early Renaissance. He belonged to the Florentine School under the patronage of Lorenzo de' Medici, a movement that Giorgio Vasari would characterize less than a hundred years later in his Vita of Botticelli as a 'golden age'. <br/><br/> Botticelli's posthumous reputation suffered until the late 19th century; since then, his work has been seen to represent the linear grace of Early Renaissance painting.
The <i>Tres Riches Heures du Duc de Berry</i> is the most famous and possibly the best surviving example of French Gothic manuscript illumination, showing the late International Gothic phase of the style. It is a book of hours: a collection of prayers to be said at the canonical hours.<br/><br/> It was created between c. 1412 and 1416 for the extravagant royal bibliophile and patron John, Duke of Berry, by the Limbourg brothers. When the three painters and their sponsor died in 1416, possibly victims of plague, the manuscript was left unfinished. It was further embellished in the 1440s by an anonymous painter, who many art historians believe was Barthelemy d'Eyck. In 1485-1489, it was brought to its present state by the painter Jean Colombe on behalf of the Duke of Savoy.<br/><br/> Acquired by the Duc d'Aumale in 1856, the book is now in the Musee Conde, Chantilly, France.
The <i>Tres Riches Heures du Duc de Berry</i> is the most famous and possibly the best surviving example of French Gothic manuscript illumination, showing the late International Gothic phase of the style. It is a book of hours: a collection of prayers to be said at the canonical hours.<br/><br/> It was created between c. 1412 and 1416 for the extravagant royal bibliophile and patron John, Duke of Berry, by the Limbourg brothers. When the three painters and their sponsor died in 1416, possibly victims of plague, the manuscript was left unfinished. It was further embellished in the 1440s by an anonymous painter, who many art historians believe was Barthelemy d'Eyck. In 1485-1489, it was brought to its present state by the painter Jean Colombe on behalf of the Duke of Savoy.<br/><br/> Acquired by the Duc d'Aumale in 1856, the book is now in the Musee Conde, Chantilly, France.
The <i>Tres Riches Heures du Duc de Berry</i> is the most famous and possibly the best surviving example of French Gothic manuscript illumination, showing the late International Gothic phase of the style. It is a book of hours: a collection of prayers to be said at the canonical hours.<br/><br/> It was created between c. 1412 and 1416 for the extravagant royal bibliophile and patron John, Duke of Berry, by the Limbourg brothers. When the three painters and their sponsor died in 1416, possibly victims of plague, the manuscript was left unfinished. It was further embellished in the 1440s by an anonymous painter, who many art historians believe was Barthelemy d'Eyck. In 1485-1489, it was brought to its present state by the painter Jean Colombe on behalf of the Duke of Savoy.<br/><br/> Acquired by the Duc d'Aumale in 1856, the book is now in the Musee Conde, Chantilly, France.
<i>Primavera</i>, also known as <i>Allegory of Spring</i>, is a tempera panel painting by Italian Renaissance artist Sandro Botticelli.<br/><br/> The history of the painting is not definitely known, though it seems to have been commissioned by one of the Medici family. It contains references to the Roman poets Ovid and Lucretius, and may also reference a poem by Poliziano.<br/><br/> Since 1919 the painting has been part of the collection of the Uffizi Gallery in Florence, Italy.
The <i>Tres Riches Heures du Duc de Berry</i> is the most famous and possibly the best surviving example of French Gothic manuscript illumination, showing the late International Gothic phase of the style. It is a book of hours: a collection of prayers to be said at the canonical hours.<br/><br/> It was created between c. 1412 and 1416 for the extravagant royal bibliophile and patron John, Duke of Berry, by the Limbourg brothers. When the three painters and their sponsor died in 1416, possibly victims of plague, the manuscript was left unfinished. It was further embellished in the 1440s by an anonymous painter, who many art historians believe was Barthelemy d'Eyck. In 1485-1489, it was brought to its present state by the painter Jean Colombe on behalf of the Duke of Savoy.<br/><br/> Acquired by the Duc d'Aumale in 1856, the book is now in the Musee Conde, Chantilly, France.
The <i>Tres Riches Heures du Duc de Berry</i> is the most famous and possibly the best surviving example of French Gothic manuscript illumination, showing the late International Gothic phase of the style. It is a book of hours: a collection of prayers to be said at the canonical hours.<br/><br/> It was created between c. 1412 and 1416 for the extravagant royal bibliophile and patron John, Duke of Berry, by the Limbourg brothers. When the three painters and their sponsor died in 1416, possibly victims of plague, the manuscript was left unfinished. It was further embellished in the 1440s by an anonymous painter, who many art historians believe was Barthelemy d'Eyck. In 1485-1489, it was brought to its present state by the painter Jean Colombe on behalf of the Duke of Savoy.<br/><br/> Acquired by the Duc d'Aumale in 1856, the book is now in the Musee Conde, Chantilly, France.
The <i>Tres Riches Heures du Duc de Berry</i> is the most famous and possibly the best surviving example of French Gothic manuscript illumination, showing the late International Gothic phase of the style. It is a book of hours: a collection of prayers to be said at the canonical hours.<br/><br/> It was created between c. 1412 and 1416 for the extravagant royal bibliophile and patron John, Duke of Berry, by the Limbourg brothers. When the three painters and their sponsor died in 1416, possibly victims of plague, the manuscript was left unfinished. It was further embellished in the 1440s by an anonymous painter, who many art historians believe was Barthelemy d'Eyck. In 1485-1489, it was brought to its present state by the painter Jean Colombe on behalf of the Duke of Savoy.<br/><br/> Acquired by the Duc d'Aumale in 1856, the book is now in the Musee Conde, Chantilly, France.
Manjusri is a bodhisattva associated with <i>prajna</i> (insight) in Mahayana Buddhism. In Tibetan Buddhism, Manjusri manifests in a number of different Tantric forms. Yamantaka (meaning 'terminator of Yama' i.e. Death) is the wrathful manifestation of Manjusri, popular within the Gelug school of Tibetan Buddhism. Other variations upon his traditional form include Guhya-Manjusri, Guhya-Manjuvajra, and Manjuswari.<br/><br/> He is one of the Four Great Bodhisattvas of Chinese Buddhism, the other three being Ksitigarbha, Avalokitesvara, and Samantabhadra. In China, he is often paired with Samantabhadra.<br/><br/> In Tibetan Buddhism, Manjusrī is sometimes depicted in a trinity with Avalokitesvara and Vajrapani.
The <i>Tres Riches Heures du Duc de Berry</i> is the most famous and possibly the best surviving example of French Gothic manuscript illumination, showing the late International Gothic phase of the style. It is a book of hours: a collection of prayers to be said at the canonical hours.<br/><br/> It was created between c. 1412 and 1416 for the extravagant royal bibliophile and patron John, Duke of Berry, by the Limbourg brothers. When the three painters and their sponsor died in 1416, possibly victims of plague, the manuscript was left unfinished. It was further embellished in the 1440s by an anonymous painter, who many art historians believe was Barthelemy d'Eyck. In 1485-1489, it was brought to its present state by the painter Jean Colombe on behalf of the Duke of Savoy.<br/><br/> Acquired by the Duc d'Aumale in 1856, the book is now in the Musee Conde, Chantilly, France.
Anne of Cleves (German: Anna; 22 September 1515 – 16 July 1557) was Queen of England from 6 January 1540 to 9 July 1540 as the fourth wife of King Henry VIII. The marriage was declared never consummated and, as a result, she was not crowned queen consort.<br/><br/> Following the annulment of their marriage, Anne was given a generous settlement by the King, and thereafter referred to as the King's Beloved Sister. She lived to see the coronation of Queen Mary I, outliving the rest of Henry's wives.
Andrei Rublev (Russian: Андре́й Рублёв), also transliterated Andrey Rublyov, born in the 1360s, died 29 January 1427 or 1430 although 17 October 1428, is considered to be the greatest medieval Russian painter of Orthodox icons and frescoes.<br/><br/> Little information survives about the life of Rublev. It is not known where he was born. Rublev probably lived in the Trinity-St. Sergius Lavra near Moscow under Nikon of Radonezh, who became hegumen after the death of Sergii Radonezhsky (1392).<br/><br/> The first mention of Rublev is in 1405 when he decorated icons and frescos for the Cathedral of the Annunciation of the Moscow Kremlin in company with Theophanes the Greek and Prokhor of Gorodets. His name was the last of the list of masters as the junior both by rank and by age. Theophanes was an important Byzantine master who moved to Russia, and is considered to have trained Rublev.
Christianity in Ethiopia dates to the 1st century AD, and this long tradition makes Ethiopia unique amongst sub-Saharan African countries. Christianity in this country is divided into several groups. The largest and oldest is the Ethiopian Orthodox Tewahedo Church (in Amharic: የኢትዮጵያ ኦርቶዶክስ ተዋሕዶ ቤተክርስትያን Yäityop'ya ortodoks täwahedo bétäkrestyan) is an Oriental Orthodox church in Ethiopia that was part of the Coptic Orthodox Church until 1959, when it was granted its own Patriarch by Coptic Orthodox Pope of Alexandria and Patriarch of All Africa Cyril VI.<br/><br/> The only pre-colonial Christian church of Sub-Saharan Africa, the Ethiopian Orthodox church has a membership of slightly more than 32 million people in Ethiopia, and is thus the largest of all Oriental Orthodox churches. Next in size are the various Protestant congregations, who include 13.7 million Ethiopians. The largest Protestant group is the Ethiopian Evangelical Church Mekane Yesus, with about 5 million members. Roman Catholicism has been present in Ethiopia since the 16th century, and numbers 536,827 believers. In total, Christians make up about 60% of the total population of the country.
Christianity in Ethiopia dates to the 1st century AD, and this long tradition makes Ethiopia unique amongst sub-Saharan African countries. Christianity in this country is divided into several groups. The largest and oldest is the Ethiopian Orthodox Tewahedo Church (in Amharic: የኢትዮጵያ ኦርቶዶክስ ተዋሕዶ ቤተክርስትያን Yäityop'ya ortodoks täwahedo bétäkrestyan) is an Oriental Orthodox church in Ethiopia that was part of the Coptic Orthodox Church until 1959, when it was granted its own Patriarch by Coptic Orthodox Pope of Alexandria and Patriarch of All Africa Cyril VI.<br/><br/> The only pre-colonial Christian church of Sub-Saharan Africa, the Ethiopian Orthodox church has a membership of slightly more than 32 million people in Ethiopia, and is thus the largest of all Oriental Orthodox churches. Next in size are the various Protestant congregations, who include 13.7 million Ethiopians. The largest Protestant group is the Ethiopian Evangelical Church Mekane Yesus, with about 5 million members. Roman Catholicism has been present in Ethiopia since the 16th century, and numbers 536,827 believers. In total, Christians make up about 60% of the total population of the country.
Christianity in Ethiopia dates to the 1st century AD, and this long tradition makes Ethiopia unique amongst sub-Saharan African countries. Christianity in this country is divided into several groups. The largest and oldest is the Ethiopian Orthodox Tewahedo Church (in Amharic: የኢትዮጵያ ኦርቶዶክስ ተዋሕዶ ቤተክርስትያን Yäityop'ya ortodoks täwahedo bétäkrestyan) is an Oriental Orthodox church in Ethiopia that was part of the Coptic Orthodox Church until 1959, when it was granted its own Patriarch by Coptic Orthodox Pope of Alexandria and Patriarch of All Africa Cyril VI.<br/><br/> The only pre-colonial Christian church of Sub-Saharan Africa, the Ethiopian Orthodox church has a membership of slightly more than 32 million people in Ethiopia, and is thus the largest of all Oriental Orthodox churches. Next in size are the various Protestant congregations, who include 13.7 million Ethiopians. The largest Protestant group is the Ethiopian Evangelical Church Mekane Yesus, with about 5 million members. Roman Catholicism has been present in Ethiopia since the 16th century, and numbers 536,827 believers. In total, Christians make up about 60% of the total population of the country.
Christianity in Ethiopia dates to the 1st century AD, and this long tradition makes Ethiopia unique amongst sub-Saharan African countries. Christianity in this country is divided into several groups. The largest and oldest is the Ethiopian Orthodox Tewahedo Church (in Amharic: የኢትዮጵያ ኦርቶዶክስ ተዋሕዶ ቤተክርስትያን Yäityop'ya ortodoks täwahedo bétäkrestyan) which is an Oriental Orthodox church in Ethiopia that was part of the Coptic Orthodox Church until 1959, when it was granted its own Patriarch by Coptic Orthodox Pope of Alexandria and Patriarch of All Africa Cyril VI.<br/><br/> The only pre-colonial Christian church of Sub-Saharan Africa, the Ethiopian Orthodox church has a membership of slightly more than 32 million people in Ethiopia, and is thus the largest of all Oriental Orthodox churches. Next in size are the various Protestant congregations, who include 13.7 million Ethiopians. The largest Protestant group is the Ethiopian Evangelical Church Mekane Yesus, with about 5 million members. Roman Catholicism has been present in Ethiopia since the 16th century, and numbers 536,827 believers. In total, Christians make up about 60% of the total population of the country.
Gubyaukgyi Temple, near Wetkyi-in village, displays strong Indian influence. Its spire is not the usual cicada shape but straight-sided and tapered like that of the Maha Bodhi Pagoda in Bagan village.<br/><br/> The Gubyaukgyi Temple was restored in 1468. Inside are the remains of tempera wall paintings, including a charming one of Gautama Buddha during his incarnation as a hermit walking with his mother, as well as a frieze of the 28 Buddhas (24 are from previous cosmic worlds, while the last four are from the present world cycle, Gautama being the 28th Buddha). Each one sits under a different tree, for each enlightenment took place under a different species.
Gubyaukgyi Temple, near Wetkyi-in village, displays strong Indian influence. Its spire is not the usual cicada shape but straight-sided and tapered like that of the Maha Bodhi Pagoda in Bagan village.<br/><br/> The Gubyaukgyi Temple was restored in 1468. Inside are the remains of tempera wall paintings, including a charming one of Gautama Buddha during his incarnation as a hermit walking with his mother, as well as a frieze of the 28 Buddhas (24 are from previous cosmic worlds, while the last four are from the present world cycle, Gautama being the 28th Buddha). Each one sits under a different tree, for each enlightenment took place under a different species.
Gubyaukgyi Temple, near Wetkyi-in village, displays strong Indian influence. Its spire is not the usual cicada shape but straight-sided and tapered like that of the Maha Bodhi Pagoda in Bagan village.<br/><br/> The Gubyaukgyi Temple was restored in 1468. Inside are the remains of tempera wall paintings, including a charming one of Gautama Buddha during his incarnation as a hermit walking with his mother, as well as a frieze of the 28 Buddhas (24 are from previous cosmic worlds, while the last four are from the present world cycle, Gautama being the 28th Buddha). Each one sits under a different tree, for each enlightenment took place under a different species.
Gubyaukgyi Temple, near Wetkyi-in village, displays strong Indian influence. Its spire is not the usual cicada shape but straight-sided and tapered like that of the Maha Bodhi Pagoda in Bagan village.<br/><br/> The Gubyaukgyi Temple was restored in 1468. Inside are the remains of tempera wall paintings, including a charming one of Gautama Buddha during his incarnation as a hermit walking with his mother, as well as a frieze of the 28 Buddhas (24 are from previous cosmic worlds, while the last four are from the present world cycle, Gautama being the 28th Buddha). Each one sits under a different tree, for each enlightenment took place under a different species.
Gubyaukgyi Temple, near Wetkyi-in village, displays strong Indian influence. Its spire is not the usual cicada shape but straight-sided and tapered like that of the Maha Bodhi Pagoda in Bagan village.<br/><br/> The Gubyaukgyi Temple was restored in 1468. Inside are the remains of tempera wall paintings, including a charming one of Gautama Buddha during his incarnation as a hermit walking with his mother, as well as a frieze of the 28 Buddhas (24 are from previous cosmic worlds, while the last four are from the present world cycle, Gautama being the 28th Buddha). Each one sits under a different tree, for each enlightenment took place under a different species.
Gubyaukgyi Temple, near Wetkyi-in village, displays strong Indian influence. Its spire is not the usual cicada shape but straight-sided and tapered like that of the Maha Bodhi Pagoda in Bagan village.<br/><br/> The Gubyaukgyi Temple was restored in 1468. Inside are the remains of tempera wall paintings, including a charming one of Gautama Buddha during his incarnation as a hermit walking with his mother, as well as a frieze of the 28 Buddhas (24 are from previous cosmic worlds, while the last four are from the present world cycle, Gautama being the 28th Buddha). Each one sits under a different tree, for each enlightenment took place under a different species.
Gubyaukgyi Temple, near Wetkyi-in village, displays strong Indian influence. Its spire is not the usual cicada shape but straight-sided and tapered like that of the Maha Bodhi Pagoda in Bagan village.<br/><br/> The Gubyaukgyi Temple was restored in 1468. Inside are the remains of tempera wall paintings, including a charming one of Gautama Buddha during his incarnation as a hermit walking with his mother, as well as a frieze of the 28 Buddhas (24 are from previous cosmic worlds, while the last four are from the present world cycle, Gautama being the 28th Buddha). Each one sits under a different tree, for each enlightenment took place under a different species.
Jean Nicolas Arthur Rimbaud (20 October 1854 – 10 November 1891) was a French poet born in Charleville, Ardennes. He influenced modern literature and arts, inspired various musicians, and prefigured surrealism. He started writing poems at a very young age, while still in primary school, and stopped completely before he turned 21. He was mostly creative in his teens.<br/><br/> Rimbaud was known to have been a libertine and for being a restless soul. He traveled extensively on three continents before his death from cancer just after his thirty-seventh birthday.