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Takiyasha-hime, whose name translates as 'waterfall demon princess' was the daughter of Taira-no-Masakado, a samurai who had risen up in a rebellion against the emperor and tried to set up his own court before being killed in 939 CE. Takiyasha survived the purge that followed, along with her brother Satsuki-hime, and the two of them began plotting their revenge, learning frog magic on Mount Tsukuba.<br/><br/> They returned to the ruined family fortress of Soma Castle in Shimosa province, and began rebuilding their forces, bolstered by Takiyasha's raised army of yokai (demons/spirits). However, they were eventually defeated by the efforts of the warrior Oya-no-Taro Mitsukuni. Mitsukini battled through Takiyasha's forces and eventually cut her down, ending her short rebellion before it could truly begin.<br/><br/> Takiyasha's story became popular during the Edo Period, and has been depicted in various novels, woodblock prints and <i>kabuki</i> dramas.
Dong Ho painting (Vietnamese: Tranh Đông Hồ or Tranh làng Hồ), full name Dong Ho folk woodcut painting (Tranh khắc gỗ dân gian Đông Hồ) is a genre of Vietnamese woodcut paintings originating from Dong Ho village (làng Đông Hồ) in Bac Ninh Province, Vietnam.<br/><br/> Using the traditional điệp paper and colours derived from nature, craftsmen print Dong Ho pictures of different themes from good luck wishes, historical figures to everyday activities and folk allegories. In the past, Dong Ho painting was an essential element of the Tết holiday in Vietnam.
Dong Ho painting (Vietnamese: Tranh Đông Hồ or Tranh làng Hồ), full name Dong Ho folk woodcut painting (Tranh khắc gỗ dân gian Đông Hồ) is a genre of Vietnamese woodcut paintings originating from Dong Ho village (làng Đông Hồ) in Bac Ninh Province, Vietnam.<br/><br/> Using the traditional điệp paper and colours derived from nature, craftsmen print Dong Ho pictures of different themes from good luck wishes, historical figures to everyday activities and folk allegories. In the past, Dong Ho painting was an essential element of the Tết holiday in Vietnam.
The Kaikidan Ekotoba is a mid-19th century handscroll that profiles 33 legendary monsters and human oddities, mostly from the Kyushu region of Japan, but with several from other countries, including China, Russia and Korea. The document, whose author is unknown, is in the possession of the Fukuoka City Museum.