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Utagawa Hiroshige III (1842/1843 – March 28, 1894) was a Japanese <i>ukiyo-e</i> artist who was a student of Utagawa Hiroshige. He was also referred to as Andō Tokubei. Born Gotō Torakichi, he was given the artistic name Shigemasa. In 1867, after Hiroshige II, a fellow pupil of the original Hiroshige, divorced the master's daughter Otatsu, Gotō married her and initially took on the name Hiroshige II as well, but by 1869 he began calling himself Hiroshige III.<br/><br/> Hiroshige III worked in the same artistic style as his master, but did not achieve anywhere near the same level of success.
Ukiyo-e, or ukiyo-ye ('pictures of the floating world'), is a genre of woodblock prints and paintings that flourished in Japan from the 17th through 19th centuries. It was aimed at the prosperous merchant class in the urbanizing Edo period (1603–1867). Amongst the popular themes were depictions of beautiful women; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna; and erotica.<br/><br/> Edo (modern Tokyo) became the seat of government for the military dictatorship in the early 17th century. The merchant class at the bottom of the social order found themselves the greatest beneficiaries of the city's rapid economic growth. Many indulged in the entertainments of kabuki theatre, courtesans, and geisha of the pleasure districts. The term ukiyo ('floating world') came to describe this hedonistic lifestyle. Printed or painted 'ukiyo-e' images of this environment emerged in the late 17th century; they were popular with the merchant class, who had become wealthy enough to afford to decorate their homes with such works.