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The queue (Chinese: Biànzi) was a male hairstyle worn by the Manchus from central Manchuria and later imposed on the Han Chinese during the Qing dynasty. The hairstyle consisted of the hair on the front of the head being shaved off above the temples every ten days and the rest of the hair braided into a long ponytail.<br/><br/> The hairstyle was compulsory for all males and the penalty for not having it was execution as it was considered treason. In the early 1910s, after the fall of the Qing dynasty, the Chinese no longer had to wear the queue. The last Emperor of China, Puyi, cut off his queue in 1922.
The queue (Chinese: Biànzi) was a male hairstyle worn by the Manchus from central Manchuria and later imposed on the Han Chinese during the Qing dynasty. The hairstyle consisted of the hair on the front of the head being shaved off above the temples every ten days and the rest of the hair braided into a long ponytail.<br/><br/> The hairstyle was compulsory for all males and the penalty for not having it was execution as it was considered treason. In the early 1910s, after the fall of the Qing dynasty, the Chinese no longer had to wear the queue. The last Emperor of China, Puyi, cut off his queue in 1922.
The queue (Chinese: Biànzi) was a male hairstyle worn by the Manchus from central Manchuria and later imposed on the Han Chinese during the Qing dynasty. The hairstyle consisted of the hair on the front of the head being shaved off above the temples every ten days and the rest of the hair braided into a long ponytail.<br/><br/> The hairstyle was compulsory for all males and the penalty for not having it was execution as it was considered treason. In the early 1910s, after the fall of the Qing dynasty, the Chinese no longer had to wear the queue. The last Emperor of China, Puyi, cut off his queue in 1922.
The Siamese were avid theatre-goers at the turn of the 20th century. Mime, dance, plays and shadow puppetry were all very popular. Many of the stage plays involved dancers, mostly female, who adorned themselves in jewellery and exhibited lithe movements portraying beauty and flexibility, especially in bending the fingers back. The most common plays were called ‘khon’, which essentially feature scenes from the ‘Ramakien’, the Thai version of the Hindu epic ‘The Ramayana’.
In 19th-century Siam, almost every young male in the royal family entered the ‘sangha’ or Buddhist monkhood as a rite of passage. The tonsure ceremony was an initial act of this rite as all novices must have their heads shaved to enter the monastic order. The tradition survives to this day, not just among Thai royalty, but at all levels of society.
In 19th-century Siam, almost every young male in the royal family entered the ‘sangha’ or Buddhist monkhood as a rite of passage. The tonsure ceremony was an initial act of this rite as all novices must have their heads shaved to enter the monastic order. The tradition survives to this day, not just among Thai royalty, but at all levels of society.
In 19th-century Siam, almost every young male in the royal family entered the ‘sangha’ or Buddhist monkhood as a rite of passage. The tonsure ceremony was an initial act of this rite as all novices must have their heads shaved to enter the monastic order. The tradition survives to this day, not just among Thai royalty, but at all levels of society.
In 19th-century Siam, almost every young male in the royal family entered the ‘sangha’ or Buddhist monkhood as a rite of passage. The tonsure ceremony was an initial act of this rite as all novices must have their heads shaved to enter the monastic order. The tradition survives to this day, not just among Thai royalty, but at all levels of society.
In 19th-century Siam, almost every young male in the royal family entered the ‘sangha’ or Buddhist monkhood as a rite of passage. The tonsure ceremony was an initial act of this rite as all novices must have their heads shaved to enter the monastic order. The tradition survives to this day, not just among Thai royalty, but at all levels of society.