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Located four kilometres north of Bhaktapur at the end of a high ridge (1,677 metres), the temple of Changu Narayan is one of the oldest in the Kathmandu Valley, and the most sacred to worshippers of Vishnu.<br/><br/> The original construction of Changu Narayan, or Vishnu of the Moving Hill, is attributed to Licchavi king Hari Datta Varma around 325 CE. The earliest inscription found dates back to the year 464 in the reign of King Manadeva I, but there are indications that the temple must have existed long before.
Located four kilometres north of Bhaktapur at the end of a high ridge (1,677 metres), the temple of Changu Narayan is one of the oldest in the Kathmandu Valley, and the most sacred to worshippers of Vishnu.<br/><br/> The original construction of Changu Narayan, or Vishnu of the Moving Hill, is attributed to Licchavi king Hari Datta Varma around 325 CE. The earliest inscription found dates back to the year 464 in the reign of King Manadeva I, but there are indications that the temple must have existed long before.
Located four kilometres north of Bhaktapur at the end of a high ridge (1,677 metres), the temple of Changu Narayan is one of the oldest in the Kathmandu Valley, and the most sacred to worshippers of Vishnu.<br/><br/> The original construction of Changu Narayan, or Vishnu of the Moving Hill, is attributed to Licchavi king Hari Datta Varma around 325 CE. The earliest inscription found dates back to the year 464 in the reign of King Manadeva I, but there are indications that the temple must have existed long before.
Located four kilometres north of Bhaktapur at the end of a high ridge (1,677 metres), the temple of Changu Narayan is one of the oldest in the Kathmandu Valley, and the most sacred to worshippers of Vishnu.<br/><br/> The original construction of Changu Narayan, or Vishnu of the Moving Hill, is attributed to Licchavi king Hari Datta Varma around 325 CE. The earliest inscription found dates back to the year 464 in the reign of King Manadeva I, but there are indications that the temple must have existed long before.
The Royal Palace supposedly dates back to the Licchavi period (5th-13th century), but, with the exception of a few inscriptions, there is little substantial evidence for this. In the earliest inscription, which hails from the year 643 CE and which was found at the Keshav Narayan Chowk, Licchavi King Narendra Deva announced the abolition of three types of taxes, presumably making him popular with his subjects. This indicates that there may at the time have been a palace at the site of Keshav Narayan Chowk, which is part of the present royal palace complex.<br/><br/> The royal palace as seen today in Durbar Square has its origins in the 14th century; however, the most active building period was the 17th century.
The Royal Palace supposedly dates back to the Licchavi period (5th-13th century), but, with the exception of a few inscriptions, there is little substantial evidence for this. In the earliest inscription, which hails from the year 643 CE and which was found at the Keshav Narayan Chowk, Licchavi King Narendra Deva announced the abolition of three types of taxes, presumably making him popular with his subjects. This indicates that there may at the time have been a palace at the site of Keshav Narayan Chowk, which is part of the present royal palace complex.<br/><br/> The royal palace as seen today in Durbar Square has its origins in the 14th century; however, the most active building period was the 17th century.
The Royal Palace supposedly dates back to the Licchavi period (5th-13th century), but, with the exception of a few inscriptions, there is little substantial evidence for this. In the earliest inscription, which hails from the year 643 CE and which was found at the Keshav Narayan Chowk, Licchavi King Narendra Deva announced the abolition of three types of taxes, presumably making him popular with his subjects. This indicates that there may at the time have been a palace at the site of Keshav Narayan Chowk, which is part of the present royal palace complex.<br/><br/> The royal palace as seen today in Durbar Square has its origins in the 14th century; however, the most active building period was the 17th century.
Rudravarna Mahavihara, or Oku Bahal, was built in the mid-17th century. The temple is located around a courtyard which overflows with chaitya and metal figures of all kinds and sizes. There are massive Garudas, elephants, peacocks, figures of praying worshippers and a statue of Juddha Shamsher Rana, who granted the temple generous restoration aid after the earthquake of 1934.<br/><br/> In the corners of the courtyard, which is lined with oil lamp railings, there are bronze figures of the mischievous monkey god Hanuman, which show him variously eating a pumpkin, a banana and something which looks like a chapati, the traditional bread of the Indian subcontinent. Some sources suggest that the kings of Patan were crowned in this most elaborate of courtyards.<br/><br/> The temple complex is of a square design, and the building housing the main shrine is topped with a two-tiered roof. Inside, a profusely decorated figure of the Akshobhya Buddha is kept. Every day at around 3.30 pm a priest will come to open it up and perform some puja. At the beginning of the puja, the priest stands for a few moments on a pair of gilded, richly ornamented paduka, or sandals, the insignia of kings or deities; by standing on the paduka, the priest invokes the spirit of the gods. Then he beats a longish wooden tube, held over his shoulder, to wake up the deity in whose honour the puja is being held. The rite has probably been conducted in this manner for centuries.
The Kumari Bahal is the residence of the so-called 'Living Goddess'. The building was erected about 1760-62 by King Jayaprakasha Malla in order to accommodate the Kumari Devi, or 'Virgin Goddess', supposed to be the living incarnation of goddess Taleju.<br/><br/> Designed more like a house than a temple, the Kumari Bahal is built around a central courtyard, called Kumari Chowk, the 'Courtyard of the Kumari'. The most notable feature of the building is its wooden windows, expertly carved with a profusion of ornaments and deities.<br/><br/> Each day in the afternoon, large crowds gather in the courtyard to witness the Kumari’s short appearance at her window, accompanied by a female guardian or priestess.
The Kumari Bahal is the residence of the so-called 'Living Goddess'. The building was erected about 1760-62 by King Jayaprakasha Malla in order to accommodate the Kumari Devi, or 'Virgin Goddess', supposed to be the living incarnation of goddess Taleju.<br/><br/> Designed more like a house than a temple, the Kumari Bahal is built around a central courtyard, called Kumari Chowk, the 'Courtyard of the Kumari'. The most notable feature of the building is its wooden windows, expertly carved with a profusion of ornaments and deities.<br/><br/> Each day in the afternoon, large crowds gather in the courtyard to witness the Kumari’s short appearance at her window, accompanied by a female guardian or priestess.
The jungle-covered area of Gokarna (a few kilometres northeast of Kathmandu) was once the capital of Nepal. Gokarna was considered a sacred site and took its name from the holy city of Gokarna in Karnataka, in Southern India, a major place of Shiva worship. During the reign of the seventh Kiranti king, the hero of the epic Mahabharata, Arjuna, reputedly paid the country a visit. Arjuna managed to impress Shiva, who had disguised himself as a Kiranti, with his extraordinary arrow shooting skills.
The Royal Palace supposedly dates back to the Licchavi period (5th-13th century), but, with the exception of a few inscriptions, there is little substantial evidence for this. In the earliest inscription, which hails from the year 643 CE and which was found at the Keshav Narayan Chowk, Licchavi King Narendra Deva announced the abolition of three types of taxes, presumably making him popular with his subjects. This indicates that there may at the time have been a palace at the site of Keshav Narayan Chowk, which is part of the present royal palace complex.<br/><br/> The royal palace as seen today in Durbar Square has its origins in the 14th century; however, the most active building period was the 17th century.
The jungle-covered area of Gokarna (a few kilometres northeast of Kathmandu) was once the capital of Nepal. Gokarna was considered a sacred site and took its name from the holy city of Gokarna in Karnataka, in Southern India, a major place of Shiva worship. During the reign of the seventh Kiranti king, the hero of the epic Mahabharata, Arjuna, reputedly paid the country a visit. Arjuna managed to impress Shiva, who had disguised himself as a Kiranti, with his extraordinary arrow shooting skills.
The Kumari Bahal is the residence of the so-called 'Living Goddess'. The building was erected about 1760-62 by King Jayaprakasha Malla in order to accommodate the Kumari Devi, or 'Virgin Goddess', supposed to be the living incarnation of goddess Taleju.<br/><br/> Designed more like a house than a temple, the Kumari Bahal is built around a central courtyard, called Kumari Chowk, the 'Courtyard of the Kumari'. The most notable feature of the building is its wooden windows, expertly carved with a profusion of ornaments and deities.<br/><br/> Each day in the afternoon, large crowds gather in the courtyard to witness the Kumari’s short appearance at her window, accompanied by a female guardian or priestess.
The Royal Palace supposedly dates back to the Licchavi period (5th-13th century), but, with the exception of a few inscriptions, there is little substantial evidence for this. In the earliest inscription, which hails from the year 643 CE and which was found at the Keshav Narayan Chowk, Licchavi King Narendra Deva announced the abolition of three types of taxes, presumably making him popular with his subjects. This indicates that there may at the time have been a palace at the site of Keshav Narayan Chowk, which is part of the present royal palace complex.<br/><br/> The royal palace as seen today in Durbar Square has its origins in the 14th century; however, the most active building period was the 17th century.
Located four kilometres north of Bhaktapur at the end of a high ridge (1,677 metres), the temple of Changu Narayan is one of the oldest in the Kathmandu Valley, and the most sacred to worshippers of Vishnu.<br/><br/> The original construction of Changu Narayan, or Vishnu of the Moving Hill, is attributed to Licchavi king Hari Datta Varma around 325 CE. The earliest inscription found dates back to the year 464 in the reign of King Manadeva I, but there are indications that the temple must have existed long before.
Located four kilometres north of Bhaktapur at the end of a high ridge (1,677 metres), the temple of Changu Narayan is one of the oldest in the Kathmandu Valley, and the most sacred to worshippers of Vishnu.<br/><br/> The original construction of Changu Narayan, or Vishnu of the Moving Hill, is attributed to Licchavi king Hari Datta Varma around 325 CE. The earliest inscription found dates back to the year 464 in the reign of King Manadeva I, but there are indications that the temple must have existed long before.
Kālī is the Hindu goddess associated with eternal energy. 'She who destroys'. The name Kali comes from kāla, which means black, time, death, lord of death, Shiva. Kali means 'the black one'. Since Shiva is called Kāla - the eternal time, Kālī, his consort, also means 'Time' or 'Death' (as in time has come). Hence, Kali is considered the goddess of time and change.<br/><br/> Although sometimes presented as dark and violent, her earliest incarnation as a figure of annihilation still has some influence. Various Shakta Hindu cosmologies, as well as Shakta Tantric beliefs, worship her as the ultimate reality or Brahman. She is also revered as Bhavatarini (literally 'redeemer of the universe').<br/><br/> Kali is represented as the consort of Lord Shiva, on whose body she is often seen standing. She is associated with many other Hindu goddesses like Durga, Bhadrakali, Sati, Rudrani, Parvati and Chamunda. She is the foremost among the Dasa Mahavidyas, ten fierce Tantric goddesses.