Refine your search

The results of your search are listed below alongside the search terms you entered on the previous page. You can refine your search by amending any of the parameters in the form and resubmitting it.

Select all Deselect all Add selection to lightbox
Large Small
Thumbnails per page
Emperor Gia Long ordered the construction of Hue Citadel in 1805. The vast complex is built according to the notions of fengshui or Chinese geomancy, but following the military principles of the noted 18th century French military architect Sebastien de Vauban. The result is an unusual and elegant hybrid, a Chinese-style Imperial City carefully aligned with surrounding hills, islands and waterways, but defended by massive brick walls between 6-12 metres high and 2.5 metres thick, punctuated by towers, ramparts, a massive earth glacis, and 24 Vauban-inspired bastions.<br/><br/> The entire complex was further protected by wide moats, crossed by gracefully arched stone bridges leading to ten gates, the chief of which is Cua Ngo Mon, the south-east facing ‘Meridian Gate’. To compound the exotic hybrid effect, guard posts designed as Chinese-style miradors, complete with sweeping eaves crowned by imperial dragons, surmounted each gate. Finally, directly in front of the Ngo Mon Gate, a massive brick fort 18 metres high was constructed both as an additional barrier against malign spirits, and as a defensive redoubt.<br/><br/> The area within the Citadel - in all, 520 hectares (1300 acres) - comprises three concentric enclosures, the Civic, Imperial and Forbidden Purple Cities. Access is by way of ten fortified gates, each of which is reached by a low, arched stone bridge across the moat. In imperial times a cannon would sound at 5am and 9pm to mark the opening and closing of the gates.<br/><br/> Hue was the imperial capital of the Nguyen Dynasty between 1802 and 1945. The tombs of several emperors lie in and around the city and along the Perfume River. Hue is a UNESCO World Heritage Site.
Dong Ho painting (Vietnamese: Tranh Đông Hồ or Tranh làng Hồ), full name Dong Ho folk woodcut painting (Tranh khắc gỗ dân gian Đông Hồ) is a genre of Vietnamese woodcut paintings originating from Dong Ho village (làng Đông Hồ) in Bac Ninh Province, Vietnam.<br/><br/> Using the traditional điệp paper and colours derived from nature, craftsmen print Dong Ho pictures of different themes from good luck wishes, historical figures to everyday activities and folk allegories. In the past, Dong Ho painting was an essential element of the Tết holiday in Vietnam.
Probably born in Venice around 1254 CE, Marco Polo was raised by his aunt and uncle after his mother died. His father, Niccolo, was a Venetian merchant who left before Marco was born to trade in the Middle East. Niccolo and his brother Maffeo passed through much of Asia and met with Mongol emperor Kublai Khan who reportedly invited them to be ambassadors. In 1269, Niccolo and Maffeo returned to Venice, meeting Marco for the first time.<br/><br/> In 1271, Marco Polo, aged 17, with his father and his uncle, set off for Asia, travelling through Constantinople, Baghdad, Persia, Kashgar, China and Burma. They returned to Venice 24 years and 15,000 miles later with many riches. Upon their return, Venice was at war with Genoa, and Marco Polo was imprisoned. He spent the few months of his imprisonment dictating his adventures to a fellow inmate, Rustichello da Pisa, who incorporated the tales into a book he called 'The Travels of Marco Polo'. The book documented the use of paper money and the burning of coal, and opened European eyes to the wonders of the East.