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Qingyuan is a major economic and transportation hub. The Beijing–Guangzhou Railway, National Highways 106 and 107, and the Bei or North River cross through the city. The maritime infrastructure in Qingyuan plays a vital role in transporting goods to other regional centers in Guangdong, Hong Kong, and Macao.
Qingyuan is a major economic and transportation hub. The Beijing–Guangzhou Railway, National Highways 106 and 107, and the Bei or North River cross through the city. The maritime infrastructure in Qingyuan plays a vital role in transporting goods to other regional centers in Guangdong, Hong Kong, and Macao.
Qingyuan is a major economic and transportation hub. The Beijing–Guangzhou Railway, National Highways 106 and 107, and the Bei or North River cross through the city. The maritime infrastructure in Qingyuan plays a vital role in transporting goods to other regional centers in Guangdong, Hong Kong, and Macao.
Thulhaadhoo (Tuladu) is a small island located at the extreme south-western rim of South Maalhosmadulu Atoll (Baa Atoll) to the north-west of Malé. It has long been renowned throughout the Maldives as an island of skilled lacquer-workers, and today this craft is enjoying a revival.<br/><br/> Asia's smallest and least-known nation, the Republic of Maldives, lies scattered from north to south across a 750-kilometre sweep of the Indian Ocean 500 kilometres south-west of Sri Lanka. More than 1000 islands, together with innumerable banks and reefs, are grouped in a chain of nineteen atolls which extends from a point due west of Colombo to just south of the equator.
Chen Hongshou (1598-1652), courtesy name Zhanghou and pseudonym Laolian, was a Chinese painter from Zhuji who lived during the late Ming Dynasty era. Chen trained under the famed artist Lan Ying, and developed a plump and profound brushwork style that lent itself to illustrations and tapestry portraits.
Japan: 'Artichoke'. Oil on canvas painting by Fujishima Takeji (1867-1943), 1917.<br/><br/> Fujishima Takeji (October 15, 1867 - March 19, 1943) was a Japanese painter from an ex-samurai class household in southern Kyushu. He helped to develop impressionism and Romanticism within the Western-style ('yōga') art movement that became popular in Japanese painting during the late 19th and early 20th century. He would also be inspired by the Art Nouveau movement in his later years.
Tamzhing / Tamshing Lhundrup Monastery is a temple complex in Bumthang District, central Bhutan. Tamzhing Monastery is the most important Nyingma gompa in Bhutan, a Tibetan Buddhist ecclesiastical place of learning that is a mix of a fortification, a vihara (monastery) and a university.<br/><br/> The temple was built in 1501 by Bhutanese saint Pema Lingpa (1450-1521). When he died in 1521, his descendants took care of the temple. It eventually fell into disrepair and neglect under private hands. It stopped being privately owned in 1960, when monks fleeing Tibet returned to the monastery and reestablished a presence there.
Abu ʿAlī al-Husayn ibn ʿAbd Allah ibn Sīna (c. 980, Afshana near Bukhara – 1037, Hamadan, Iran), commonly known as Ibn Sīna or by his Latinized name Avicenna, was a Persian polymath, who wrote almost 450 treatises on a wide range of subjects, of which around 240 have survived. In particular, 150 of his surviving treatises concentrate on philosophy and 40 of them concentrate on medicine.<br/><br/> His most famous works are <i>The Book of Healing</i>, a vast philosophical and scientific encyclopaedia, and <i>The Canon of Medicine</i>, which was a standard medical text at many medieval universities. <i>The Canon of Medicine</i> was used as a text-book in the universities of Montpellier and Leuven as late as 1650. Ibn Sīna's <i>Canon of Medicine</i> provides a complete system of medicine according to the principles of Galen and Hippocrates.<br/><br/> His corpus also includes writing on philosophy, astronomy, alchemy, geology, psychology, Islamic theology, logic, mathematics, physics, as well as poetry. He is regarded as the most famous and influential polymath of the Islamic Golden Age.
Ox Street Mosque or Cow Street Mosque (牛街清真寺; Niu Jie Qingzhensi) was first built in 966. It was destroyed in 1215 by Genghis Khan. Reconstruction of the mosque occurred during the reign of Qing Emperor Kangxi (r. 1661 - 1722).<br/><br/> The mosque has all the usual features of mosques found elsewhere in the world – minaret, prayer hall facing Mecca, Arabic inscriptions – the buildings themselves are distinctly Chinese. It remains Beijing’s largest and oldest mosque.
The revenge of the Forty-seven Ronin (四十七士 Shi-jū-shichi-shi), also known as the Forty-seven Samurai, the Akō vendetta, or the Genroku Akō incident (元禄赤穂事件 Genroku akō jiken) took place in Japan at the start of the 18th century. One noted Japanese scholar described the tale as the country's 'national legend'. It recounts the most famous case involving the samurai code of honor, bushidō.<br/><br/> The story tells of a group of samurai who were left leaderless (becoming ronin) after their daimyo (feudal lord) Asano Naganori was forced to commit seppuku (ritual suicide) for assaulting a court official named Kira Yoshinaka, whose title was Kōzuke no suke. The ronin avenged their master's honor after patiently waiting and planning for two years to kill Kira.<br/><br/> In turn, the ronin were themselves ordered to commit seppuku for committing the crime of murder. With much embellishment, this true story was popularized in Japanese culture as emblematic of the loyalty, sacrifice, persistence, and honor that all good people should preserve in their daily lives. The popularity of the almost mythical tale was only enhanced by rapid modernization during the Meiji era of Japanese history, when it is suggested many people in Japan longed for a return to their cultural roots.<br/><br/> Fictionalized accounts of these events are known as Chūshingura. The story was popularized in numerous plays including bunraku and kabuki. Because of the censorship laws of the shogunate in the Genroku era, which forbade portrayal of current events, the names of the ronin were changed.
The Temple of Literature or Van Mieu is one of Vietnam’s foremost cultural treasures. Founded in 1070 by King Ly Thanh Tong of the Early Ly Dynasty, the temple was originally dedicated both to Confucius and to Chu Cong, a member of the Chinese royal family credited with originating many of the teachings that Confucius developed five hundred years later. The site was selected by Ly Dynasty geomancers to stand in harmony with the Taoist Bich Cau temple and the Buddhist One Pillar Pagoda, representing the three major fonts of Vietnamese tradition.<br/><br/> Six years later, in 1076, the Quoc Tu Giam, or ‘School for the Sons of the Nation’, was established at the same location when King Ly Nhan Tong (1072-1127) established Vietnam’s first university. The tradition of Confucian education flourished at the Temple of Literature, with the custom of offering a cloak to successful candidates beginning in 1374, whilst in 1484 the first stele bearing the names of doctoral graduates was erected.
Giao Chỉ was the name of one bộ, an administrative level equivalent to a district, of the former nation Văn Lang during the Hùng Vương era. Its territory included present-day Hà Nội and the land on the right bank of the Hồng river.
Lampstand, vase and ewers in phoenix shape. Blue and white ceramic, Early Lê dynasty, 15th century. Chu Đậu kiln, Hải Dương province. National Museum of Vietnamese History, Hanoi.
Zhong Kui (Wade-Giles: Chung Kwei, Japanese: Shōki) is a figure of Chinese mythology. Traditionally regarded as a vanquisher of ghosts and evil beings, and reputedly able to command 80,000 demons, his image is often painted on household gates as a guardian spirit, as well as in places of business where high-value goods are involved.<br/><br/> Zhong Kui's popularity in folklore can be traced to the reign of Emperor Xuanzong of Tang (712 to 756). According to Song Dynasty sources, once the Emperor Xuanzong was gravely ill. He had a dream in which he saw two ghosts. The smaller of the ghosts stole a purse from imperial consort Yang Guifei and a flute belonging to the emperor. The bigger ghost, wearing the hat of an official, captured the smaller ghost, tore out his eye and ate it. The bigger ghost then introduced himself as Zhong Kui. He said that he had sworn to rid the empire of evil. When the emperor awoke, he had recovered from his illness. So he commissioned the court painter Wu Daozi to produce an image of Zhong Kui to show to the officials. This was highly influential to later representations of Zhong Kui.
In Greek mythology, the Lernaean Hydra was an ancient serpent-like chthonic water beast, with reptilian traits (as its name evinces), that possessed many heads — the poets mention more heads than the vase-painters could paint, and for each head cut off it grew two more — and poisonous breath and blood so virulent even its tracks were deadly. The Hydra of Lerna was killed by Heracles as the second of his Twelve Labours. Its lair was the lake of Lerna in the Argolid, though archaeology has borne out the myth that the sacred site was older even than the Mycenaean city of Argos since Lerna was the site of the myth of the Danaids. Beneath the waters was an entrance to the Underworld, and the Hydra was its guardian.<br/><br/> The Hydra was the offspring of Typhon and Echidna, both of whom were noisome offspring of the earth goddess Gaia.
The Kingdom of Kush or Cush was an ancient Nubian state centered on the confluences of the Blue Nile, White Nile and River Atbara in what is now the Republic of Sudan.<br/><br/> Established after the Bronze Age collapse and the disintegration of the New Kingdom of Egypt, it was centered at Napata in its early phase. After King Kashta ('the Kushite') invaded Egypt in the 8th century BCE, the Kushite kings ruled as Pharaohs of the Twenty-fifth dynasty of Egypt for a century, until they were expelled by Psamtik I in 656 BCE.<br/><br/> During Classical Antiquity, the Nubian capital was at Meroe. In early Greek geography, the Meroitic kingdom was known as Ethipia. The Nubian kingdom at Meroe persisted until the 4th century CE, when it fell to the expanding Kingdom of Aksum.
Typhon was the most deadly monster of Greek mythology. The last son of Gaia, fathered by Tartarus, he was known as the 'Father of All Monsters'; his wife Echidna was likewise the 'Mother of All Monsters'.<br/><br/> Typhon was described in pseudo-Apollodorus, Bibliotheke, as the largest and most fearsome of all creatures. His human upper half reached as high as the stars, and his hands reached east and west. Instead of a human head, a hundred dragon heads erupted from his neck and shoulders (some, however, depict him as having a human head, with the dragon heads replacing the fingers on his hands). His bottom half consisted of gigantic viper coils that could reach the top of his head when stretched out and constantly made a hissing noise. His whole body was covered in wings, and fire flashed from his eyes, striking fear even into the Olympians.<br/><br/> Typhon attempts to destroy Zeus at the will of Gaia, because Zeus had imprisoned the Titans. Typhon overcomes Zeus in their first battle, and tears out Zeus' sinews. However, Hermes recovers the sinews and restores them to Zeus. Typhon is finally defeated by Zeus, who traps him underneath Mount Etna.
The Sa Huỳnh culture (Vietnamese: Văn hóa Sa Huỳnh) was a culture in central and southern Vietnam that flourished between c. 1000 BCE and 200 CE. Archaeological sites from the culture have been discovered from the Mekong Delta to just south of the Tonkin region. The Sa Huynh people were most likely the predecessors of the Cham people, the founders of the kingdom of Champa.<br/><br/> The site at Sa Huynh was discovered in 1909. Sa Huynh sites were rich in locally-worked iron artefacts, typified by axes, swords, spearheads, knives and sickles. In contrast, bronze artefacts were dominant in the Dong Son culture sites found in northern Vietnam and elsewhere in mainland Southeast Asia.<br/><br/> The Sa Huynh culture cremated adults and buried them in jars covered with lids, a practice unique to the culture. Ritually broken offerings usually accompanied the jar burials. The culture is also typified by its unique ear ornaments featuring two-headed animals. The ornaments were commonly made from jade (nephrite), but also made from glass. Bead ornaments were also commonly found in Sa Huynh burials, most commonly made from glass.<br/><br/> The Sa Huynh culture showed evidence of an extensive trade network. Sa Huynh beads were made from glass, carnelian, agate, olivine, zircon, gold and garnet; most of these materials were not local to the region, and were most likely imported. Han Dynasty-styled bronze mirrors were also found in Sa Huynh sites. Conversely, Sa Huynh produced ear ornaments have been found in archaeological sites in Central Thailand, Taiwan (Orchid Island), and the Philippines (Palawan).